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Man With A Movie Camera (The Cinematic Orchestra Album)
''Man with a Movie Camera'' is a 2003 soundtrack album by The Cinematic Orchestra, released on 26 May 2003 on Ninja Tune. The album contains re-workings and thematic reprises of some of the music from the band's previous album, 2002's '' Every Day'', including the track "Man with a Movie Camera" and an instrumental version of " All Things to All Men" entitled "All Things". ''Man with a Movie Camera'' comprises the soundtrack to a re-released version of the then ground-breaking 1929 silent documentary film of the same name from Soviet director Dziga Vertov. Overview The Cinematic Orchestra were commissioned to record the score to play as the opening event in Porto, Portugal's year as European Capital of Culture in 2001. The first live performance took place in the Coliseu do Porto theatre in May 2000 as part of that year's Porto Film Festival, and was met with a standing ovation from the audience of more than 3,500 people. The songs have since been performed at film festiva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dziga Vertov
Dziga Vertov (russian: Дзига Вертов, born David Abelevich Kaufman, russian: Дави́д А́белевич Ка́уфман, and also known as Denis Kaufman; – 12 February 1954) was a Soviet Union, Soviet pioneer documentary film and newsreel director, as well as a cinema theorist. His filming practices and theories influenced the cinéma vérité style of documentary movie-making and the Dziga Vertov Group, a radical film-making cooperative which was active from 1968 to 1972. He was a member of the Kinoks collective, with Elizaveta Svilova and Mikhail Kaufman. In the 2012 ''Sight & Sound'' poll, critics voted Vertov's ''Man with a Movie Camera'' (1929) the eighth-greatest film ever made. Vertov's younger brothers Boris Kaufman and Mikhail Kaufman were also noted filmmakers, as was his wife, Yelizaveta Svilova. Biography Early years Vertov was born David Abelevich Kaufman into a Jewish family in Białystok, Congress Poland, Poland, then a part of the Russian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Immortal Grand Prix
refers to two anime series co-produced by Production I.G and Cartoon Network. The first is a "microseries" consisting of five 5-minute episodes, and the second is a 26-episode animated series loosely related to the first. Koichi Mashimo co-wrote and directed the microseries, while Bee Train and Production I.G animated it, and Bandai Entertainment acted as the North American distributor. The full-length anime series was handled by director and writer Mitsuru Hongo and was animated by Production I.G, with Bee Train returning for in-between animation. Production I.G president Mitsuhisa Ishikawa joined on as Television producer, producer for the series. It was the first time he had worked on a joint U.S. Japanese production, due to the ''Pokémon (anime), Pokémon'' companion franchise. The series' English dub was produced by Williams Street in Atlanta, Georgia and Bang Zoom! Entertainment in Burbank, California. Both studios collaborated on the English script and casting, Bang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Stances A Sophie
''Les Stances a Sophie'' is a 1970 soundtrack album by the Art Ensemble of Chicago recorded in Paris for a French film of the same name directed by Moshé Mizrahi. It was released on the Pathé Marconi label in France and on Nessa Records in the U.S. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell, Malachi Favors Maghostut, Fontella Bass and Don Moye. Moshé Mizrahi commissioned the original music for the film when the band had only two weeks left on their French visas. It was reissued on CD in 2000 by Universal Sound records, mastered from a (fairly quiet) vinyl source. Reception ''Rolling Stone'' writer Robert Palmer observed: "''Sophie'' is a film score and the group essays bop, free music, a neo-dixieland and pounding R&B. There are saxophone solos by Joseph Jarman and Roscoe Mitchell, solid walking from bassist Malachi Favors, aggressive percussion from Don Moye and a searing Fontella Bass vocal."Palmer, R., ''Rolling Stone'', January 4, 1973, p.61 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Ensemble Of Chicago
The Art Ensemble of Chicago is an avant-garde jazz group that grew out of the Association for the Advancement of Creative Musicians ( AACM) in the late 1960s. The ensemble integrates many jazz styles and plays many instruments, including "little instruments": bells, bicycle horns, birthday party noisemakers, wind chimes, and various forms of percussion. The musicians would wear costumes and face paint while performing. These characteristics combined to make the ensemble's performances both aural and visual. While playing in Europe in 1969, five hundred instruments were used. History Members of what was to become the Art Ensemble performed together under various band names in the mid-sixties, as members of the Association for the Advancement of Creative Musicians (AACM). They performed on the 1966 album ''Sound,'' as the Roscoe Mitchell Sextet. The Sextet included saxophonist Roscoe Mitchell, trumpeter Lester Bowie, and bassist Malachi Favors. For the next year, they played as th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baghdad
Baghdad (; ar, بَغْدَاد , ) is the capital of Iraq and the second-largest city in the Arab world after Cairo. It is located on the Tigris near the ruins of the ancient city of Babylon and the Sassanid Persian capital of Ctesiphon. In 762 CE, Baghdad was chosen as the capital of the Abbasid Caliphate, and became its most notable major development project. Within a short time, the city evolved into a significant cultural, commercial, and intellectual center of the Muslim world. This, in addition to housing several key academic institutions, including the House of Wisdom, as well as a multiethnic and multi-religious environment, garnered it a worldwide reputation as the "Center of Learning". Baghdad was the largest city in the world for much of the Abbasid era during the Islamic Golden Age, peaking at a population of more than a million. The city was largely destroyed at the hands of the Mongol Empire in 1258, resulting in a decline that would linger through many c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sinbad The Sailor
Sinbad the Sailor (; ar, سندباد البحري, Sindibādu al-Bahriyy; fa, سُنباد بحری, Sonbād-e Bahri or Sindbad) is a fictional mariner and the hero of a story-cycle of Persian origin. He is described as hailing from Baghdad during the early Abbasid Caliphate (8th and 9th centuries A.D.). In the course of seven voyages throughout the seas east of Africa and south of Asia, he has fantastic adventures in magical realms, encountering monsters and witnessing supernatural phenomena. Origins and sources The tales of Sinbad are a relatively late addition to the ''One Thousand and One Nights'' – they do not feature in the earliest 14th-century manuscript, and they appear as an independent cycle in 18th- and 19th-century collections. The tale reflects the trend within the Abbasid realm of Arab and Muslim sailors exploring the world. The stories display the folk and themes present in works of that time. The Abbasid reign was known as a period of great economic and s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The 7th Voyage Of Sinbad
''The 7th Voyage of Sinbad'' is a 1958 Technicolor heroic fantasy adventure film directed by Nathan H. Juran and starring Kerwin Mathews, Torin Thatcher, Kathryn Grant, Richard Eyer, and Alec Mango. It was distributed by Columbia Pictures and produced by Charles H. Schneer. It was the first of three Sinbad feature films from Columbia, the later two from the 1970s being ''The Golden Voyage of Sinbad'' (1973) and ''Sinbad and the Eye of the Tiger'' (1977). All three Sinbad films were conceptualized by Ray Harryhausen using Dynamation, the full color widescreen stop-motion animation technique that he created. While similarly named, the film does not follow the storyline of the tale " The Seventh Voyage of Sinbad the Sailor" but instead has more in common with the Third and Fifth voyages of Sinbad. ''The 7th Voyage of Sinbad'' was selected in 2008 for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aestheti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernard Herrmann
Bernard Herrmann (born Maximillian Herman; June 29, 1911December 24, 1975) was an American composer and conductor best known for his work in composing for films. As a conductor, he championed the music of lesser-known composers. He is widely regarded as one of the greatest film composers. An Academy Award-winner (for ''The Devil and Daniel Webster'', 1941; later renamed ''All That Money Can Buy''), Herrmann mainly is known for his collaborations with director Alfred Hitchcock, most famously '' Psycho'', ''North by Northwest'', '' The Man Who Knew Too Much'', and ''Vertigo''. He also composed scores for many other films, including ''Citizen Kane'', '' Anna and the King of Siam'', ''The Day the Earth Stood Still'', ''The Ghost and Mrs. Muir'', '' Cape Fear'', ''Fahrenheit 451'', and ''Taxi Driver''. He worked extensively in radio drama (composing for Orson Welles), composed the scores for several fantasy films by Ray Harryhausen, and many TV programs, including Rod Serling's ''Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fantasporto
Fantasporto, also known as Fantas, is an international film festival, annually organized since 1981 in Porto, Portugal. Giving screen space to Fantasy film, fantasy/Science fiction film, science fiction/Horror film, horror-oriented commercial feature films, auteur films and experimental projects from all over the world, Fantasporto has created enthusiastic audiences, ranging from cinephiles to more popular spectators, with an annual average of 110,000 attendees. It was rated in ''Variety (magazine), Variety'' as one of the 25 leading festivals of the world. In its 27th edition in February 2006 the festival reached 104,000 people and 5,000 media references, both domestic and international, with a record of 187 hours of TV time. Present in Porto were about 100 members of the foreign press and about 250 Portuguese journalists and media representatives. In spite of being organized by a private entity, the event is mostly state funded, with the Ministry of Culture of Portugal leading ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coliseu Do Porto
The Coliseum of Porto ( pt, Coliseu do Porto) is a Portuguese theatre and concert venue in the municipality of Porto, in northern Portugal, with a capacity for a standing audience of 4000. A leading venue for music and cultural events in Porto, together with Batalha Cinema, the Coliseu is an example of Portuguese Streamline Moderne and Art Deco styles in the city of Porto. History On 17 March 1908, the Garden-hall Passos Manuel was inaugurated. Architect Mário de Abreu designed the interior and made alterations to the principal hall, staircase and the tower facade, which was covered in windows, and removed the original neon green, red and white that accompanied the original structure at the time of its opening. The Garden-hall Passos Manuel was the first local public hall in the city and "was the point of encounter for Portuense society, an elegant local, with sophisticated decorations, with ample gardens and luminous fountains that proportioned all types of entertainment. It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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