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Mama Roots
''Mama Roots'' is an album by organist Charlie Earland which was recorded in 1969 and 1977 and released on the Muse label. accessed November 28, 2017 The album contains reissues tracks from Earland's 1969 albums '''' and ''''. Reception The review by Ron Wynn stated "Impressive reunion with George Coleman (ts). Also includes Jimmy Ponder on guitar". Track listing |
Charles Earland
Charles Earland (May 24, 1941 – December 11, 1999) was an American jazz organist. Biography Earland was born in Philadelphia and learned to play the saxophone in high school. He played tenor with Jimmy McGriff at the age of 17 and in 1960 formed his first group. He started playing the organ after playing with Pat Martino, and joined Lou Donaldson's band from 1968 to 1969. The group that he led from 1970, including Grover Washington, Jr., was successful, and he eventually started playing soprano saxophone and synthesizer. His hard, simmering grooves earned him the nickname "The Mighty Burner". In 1978, Earland hit the disco/club scene with a track recorded on Mercury Records called "Let The Music Play", written by Randy Muller from the funk group Brass Construction. The record was in the U.S. charts for five weeks and reached number 46 in the UK Singles Chart. With Earland's playing on synthesizer, the track also has an uncredited female vocalist. He had several moderate ''Bi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toots Thielemans
Jean-Baptiste Frédéric Isidor, Baron Thielemans (29 April 1922 – 22 August 2016), known professionally as Toots Thielemans, was a Belgian jazz musician. He was mostly known for his chromatic harmonica playing, as well as his guitar and whistling skills, and composing. According to jazz historian Ted Gioia, his most important contribution was in "championing the humble harmonica", which Thielemans made into a "legitimate voice in jazz".Gioia, Ted. ''The History of Jazz'', Oxford Univ. Press (2011) p. 382 He eventually became the "preeminent" jazz harmonica player.Morton, Brian, and Cook, Richard. ''The Penguin Jazz Guide: the History of the Music in the 1000 Best Albums'', Penguin UK, (2010) ebook. His first professional performances were with Benny Goodman's band when they toured Europe in 1949 and 1950. He emigrated to the U.S. in 1951, becoming a citizen in 1957. From 1953 to 1959 he played with George Shearing, and then led his own groups on tours in the U.S. and Europe. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1979 Albums
Events January * January 1 ** United Nations Secretary-General Kurt Waldheim heralds the start of the ''International Year of the Child''. Many musicians donate to the ''Music for UNICEF Concert'' fund, among them ABBA, who write the song ''Chiquitita'' to commemorate the event. ** The United States and the People's Republic of China establish full diplomatic relations. ** Following a deal agreed during 1978, French carmaker Peugeot completes a takeover of American manufacturer Chrysler's European operations, which are based in Britain's former Rootes Group factories, as well as the former Simca factories in France. * January 7 – Cambodian–Vietnamese War: The People's Army of Vietnam and Vietnamese-backed Cambodian insurgents announce the fall of Phnom Penh, Cambodia, and the collapse of the Pol Pot regime. Pol Pot and the Khmer Rouge retreat west to an area along the Thai border, ending large-scale fighting. * January 8 – Whiddy Island Disaster: The Fren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Earland Albums
Charles is a masculine given name predominantly found in English and French speaking countries. It is from the French form ''Charles'' of the Proto-Germanic name (in runic alphabet) or ''*karilaz'' (in Latin alphabet), whose meaning was "free man". The Old English descendant of this word was '' Ċearl'' or ''Ċeorl'', as the name of King Cearl of Mercia, that disappeared after the Norman conquest of England. The name was notably borne by Charlemagne (Charles the Great), and was at the time Latinized as ''Karolus'' (as in ''Vita Karoli Magni''), later also as '' Carolus''. Some Germanic languages, for example Dutch and German, have retained the word in two separate senses. In the particular case of Dutch, ''Karel'' refers to the given name, whereas the noun ''kerel'' means "a bloke, fellow, man". Etymology The name's etymology is a Common Germanic noun ''*karilaz'' meaning "free man", which survives in English as churl (< Old English ''ċeorl''), which developed its depre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muse Records Albums
In ancient Greek religion and mythology, the Muses ( grc, Μοῦσαι, Moûsai, el, Μούσες, Múses) are the inspirational goddesses of literature, science, and the arts. They were considered the source of the knowledge embodied in the poetry, lyric songs, and myths that were related orally for centuries in ancient Greek culture. Melete, Aoede, and Mneme are the original Boeotian Muses, and Calliope, Clio, Erato, Euterpe, Melpomene, Polyhymnia, Terpsichore, Thalia, and Urania are the nine Olympian Muses. In modern figurative usage, a Muse may be a source of artistic inspiration. Etymology The word ''Muses'' ( grc, Μοῦσαι, Moûsai) perhaps came from the o-grade of the Proto-Indo-European root (the basic meaning of which is 'put in mind' in verb formations with transitive function and 'have in mind' in those with intransitive function), or from root ('to tower, mountain') since all the most important cult-centres of the Muses were on mountains or hills. R. S. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bobby Durham (jazz Musician)
Bobby Durham (February 3, 1937 – July 6, 2008) was an American jazz drummer.Allmusic/ref> Durham was born in Philadelphia and learned to play drums while a child. He played with The Orioles at age 16, and was in a military band between 1956 and 1959. After his discharge, he played with King James and Stan Hunter. In 1960, he moved to New York City, where he played with Lloyd Price, Wild Bill Davis, Lionel Hampton, Count Basie, Slide Hampton, Grant Green, Sweets Edison, Tommy Flanagan, Jimmy Rowles, and the Duke Ellington Orchestra, in which he played for five months. While working with Basie, he met Al Grey, and was a member of several of Grey's small ensembles. He accompanied Ella Fitzgerald for more than a decade, and worked with Oscar Peterson in a trio setting. Durham also played in trios with organists such as Charles Earland and Shirley Scott, and there was a resurgence in interest in Durham's work during the acid jazz upswing in the 1990s.Allmusic/ref> Many of D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Perkins (musician)
Walter "Baby Sweets" Perkins (February 10, 1932 in Chicago, Illinois – February 14, 2004 in Queens, New York) was an American jazz drummer. Starting out in Chicago, Perkins began his professional career with Ahmad Jamal in 1956–57. He recorded for Argo Records in 1957 as a leader under the name MJT+3 with on trumpet, Nicky Hill on tenor sax, Muhal Richard Abrams on piano, and Bob Cranshaw on bass. In 1959, he regrouped under the same name with Willie Thomas (trumpeter), Willie Thomas on trumpet, Frank Strozier on alto sax, Harold Mabern on piano, and Cranshaw on bass; they recorded for Vee-Jay in 1959 and 1960 and played in Chicago until 1962, when he moved to New York City. Perkins played with Sonny Rollins in 1962 and accompanied Carmen McRae in 1962–63. In 1964 he played with Art Farmer and Teddy Wilson. Following this he recorded with many musicians, including Rahsaan Roland Kirk, George Shearing, Gene Ammons, Charles Mingus, Billy Taylor, Booker Ervin, Jaki Byard, Luc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Ponder
Jimmy Ponder (May 10, 1946 – September 16, 2013) was an American jazz guitarist. Career When Ponder's brother entered the military, he left his guitar, and Ponder picked it up. In his early teens he received lessons from the guitarist in a band for which he sang doo-wop. He was drawn to the jazz guitar he heard on the radio. While playing in a rhythm and blues band, he occasionally inserted a jazz solo. He considered hearing guitarist Thornel Schwartz an important part of his life, when Schwartz was playing with organist Jimmy McGriff. He was impressed by Pat Martino when he saw Martino in the Jack McDuff band. He also cited as influences George Benson, Kenny Burrell, and Rene Thomas, though none surpassed the impact of seeing Wes Montgomery. He learned the guitar solo from "Daily Double" (Quaker Town), the first 45 rpm single released by Charles Earland. When Earland performed in Pittsburgh, he invited Ponder to sit-in with the band and liked what he heard. Earland promised ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Schnitter
David Schnitter (born March 19, 1948, in Newark, New Jersey) is an American jazz tenor saxophonist.Allmusic/ref> Schnitter played clarinet as a youth and switched to tenor sax at age 15. After moving to New York City he played with Ted Dunbar and then became a member of Art Blakey's Jazz Messengers from 1974 to 1979. He played with Freddie Hubbard from 1979 to 1981 and also worked with Frank Foster, Charles Earland, and Groove Holmes. He recorded for Muse Records from 1976 to 1981. Schnitter has been currently performing regularly at Smalls Jazz Club and Fat Cat in Manhattan, as well as touring in Europe. He has been on faculty at the New School for Jazz and Contemporary Music since 1994. Discography * ''Invitation'' (Muse, 1976) * ''Goliath'' (Muse, 1977) * ''Thundering'' (Muse, 1978) * ''Glowing'' (Muse, 1981) * ''Sketch'' (Omix, 2004) * ''The Spirit of Things'' (CIMP, 2008) * ''Nursery Rhymes for the 21st Century'' (Cimp, 2010) * ''Live at Smalls'' (Smalls Live, 2011) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Coleman
George Edward Coleman (born March 8, 1935) is an American jazz saxophonist known for his work with Miles Davis and Herbie Hancock in the 1960s. In 2015, he was named an NEA Jazz Master. Early life Coleman was born in Memphis, Tennessee. He was taught how to play the alto saxophone in his teens by his older brother Lucian Adams, inspired (like many jazz musicians of his generation) by Charlie Parker. Among his schoolmates were Harold Mabern, Booker Little, Frank Strozier, Hank Crawford, and Charles Lloyd. Later life and career After working with Ray Charles, Coleman started working with B.B. King in 1953, at which point he switched to tenor saxophone. In 1956 Coleman moved to Chicago, along with Booker Little, where he worked with Gene Ammons and Johnny Griffin before joining Max Roach's quintet (1958–1959). Coleman recorded with organist Jimmy Smith on his album ''House Party'' (1957), along with Lee Morgan, Curtis Fuller, Kenny Burrell, and Donald Bailey. Moving to New ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Organ
An electric organ, also known as electronic organ, is an electronic keyboard instrument which was derived from the harmonium, pipe organ and theatre organ. Originally designed to imitate their sound, or orchestral sounds, it has since developed into several types of instruments: * Hammond-style organs used in pop, rock and jazz; * digital church organs, which imitate pipe organs and are used primarily in churches; * other types including combo organs, home organs, and software organs. History Predecessors ;Harmonium The immediate predecessor of the electronic organ was the harmonium, or reed organ, an instrument that was common in homes and small churches in the late 19th and early 20th centuries. In a fashion not totally unlike that of pipe organs, reed organs generate sound by forcing air over a set of reeds by means of a bellows, usually operated by constantly pumping a set of pedals. While reed organs have limited tonal quality, they are small, inexpensive, self-po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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