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Mallory Walker
Mallory Elton Walker (May 22, 1935 — December 7, 2014) was an American operatic tenor and music educator who had an active international singing career in operas and concerts from the late 1950s until his death in 2014. His career was at its height during the 1960s and 1970s when he was busy with many important opera companies in the United States and had engagements in European opera houses. His career hit a slump in the early 1980s due to vocal difficulties, and afterwards his major engagements became less frequent. He taught on the voice faculty at the Boston Conservatory of Music and out of a private voice studio in Los Angeles. Life and career Born in New Orleans, Walker earned a Bachelor of Music degree from Occidental College in Los Angeles which he attended on a full vocal scholarship. He began his singing career as a member of the United States Army Chorus in 1957. He made his professional opera debut portraying Tom Rakewell in ''The Rake's Progress'' at the Washington N ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Lincoln Center
Lincoln Center for the Performing Arts (also simply known as Lincoln Center) is a complex of buildings in the Lincoln Square neighborhood on the Upper West Side of Manhattan. It has thirty indoor and outdoor facilities and is host to 5 million visitors annually. It houses internationally renowned performing arts organizations including the New York Philharmonic, the Metropolitan Opera, the New York City Ballet, and the Juilliard School. History Planning A consortium of civic leaders and others, led by and under the initiative of philanthropist John D. Rockefeller III, built Lincoln Center as part of the "Lincoln Square Renewal Project" during Robert Moses's program of New York's urban renewal in the 1950s and 1960s."Rockefeller Philanthropy: Lincoln Center"
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Sir Georg Solti
Sir Georg Solti ( , ; born György Stern; 21 October 1912 – 5 September 1997) was a Hungarian-British orchestral and operatic conductor, known for his appearances with opera companies in Munich, Frankfurt and London, and as a long-serving music director of the Chicago Symphony Orchestra. Born in Budapest, he studied there with Béla Bartók, Leó Weiner and Ernő Dohnányi. In the 1930s, he was a répétiteur at the Hungarian State Opera and worked at the Salzburg Festival for Arturo Toscanini. His career was interrupted by the rise of the Nazis' influence on Hungarian politics and, being of Jewish background, he fled the increasingly harsh Hungarian anti-Jewish laws in 1938. After conducting a season of Russian ballet in London at the Royal Opera House he found refuge in Switzerland, where he remained during the Second World War. Prohibited from conducting there, he earned a living as a pianist. After the war, Solti was appointed musical director of the Bavarian State O ...
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Dominick Argento
Dominick Argento (October 27, 1927 – February 20, 2019) was an American composer known for his lyric operatic and choral music. Among his best known pieces are the operas '' Postcard from Morocco'', '' Miss Havisham's Fire'', ''The Masque of Angels'', and '' The Aspern Papers.'' He also is known for the song cycles ''Six Elizabethan Songs'' and ''From the Diary of Virginia Woolf''; the latter earned him the Pulitzer Prize for Music in 1975. In a predominantly tonal context, his music freely combines tonality, atonality and a lyrical use of twelve-tone writing. None of Argento's music approaches the experimental, stringent ''avant-garde'' fashions of the post-World War II era.Saya, Virginia. "Dominick Argento," ''Grove Music Online'', ed. L. Macy. (Accessed 15 December 2006). As a student in the 1950s, Argento divided his time between the United States and Italy, and his music is greatly influenced by both his instructors in the United States and his personal affection for Italy ...
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Operissimo
Operissimo is an online database based in Zürich which is dedicated to recording details of classical music concerts and opera performances. The database currently includes biographies on over 7,500 composers and 44,000 performing artists,"Operissimo"
Mannheim University Library The Mannheim University Library ( German: ''Universitätsbibliothek Mannheim'') is the library of the University of Mannheim. The library provides books and information resources for researchers, instructors, students and further education at un ...
encompassing both historical and contemporary figures. The biographies contain articles, withou ...
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New Orleans Opera
Opera has long been part of the musical culture of New Orleans, Louisiana. Operas have regularly been performed in the city since the 1790s, and since the early 19th century, New Orleans has had a resident company regularly performing opera in addition to theaters hosting traveling performers and companies. Earlier opera houses Operas were staged at a variety of theaters in the city, the first documented was André Grétry's ''Sylvain'' at the Theatre de la Rue Saint Pierre on 22 May 1796. On 30 January 1808, the Théâtre St. Philippe was opened with the U.S. premiere of Étienne Méhul's ''Une folie''. The U.S. premiere of Luigi Cherubini's ''Les deux journées'' took place at this theater on 12 March 1811. The city's most famous opera venue between 1819 and 1859 was the Théâtre d'Orléans. That theater was succeeded in 1859 by the French Opera House, located on Bourbon Street in the French Quarter. Living in a cosmopolitan city, New Orleans' inhabitants, whether high in sta ...
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Miami Opera
Florida Grand Opera (FGO) is an American opera company based in Miami, Florida. It is the oldest performing arts organization in Florida and the seventh oldest opera company in the United States. FGO was created in 1994 from the consolidation of two opera companies in the Miami-Fort Lauderdale region: Opera Guild of Greater Miami, founded in 1941 by Arturo di Filippi; and the Opera Guild, Inc. of Fort Lauderdale, formed in 1945. Location FGO is the resident company at the Ziff Ballet Opera House, located in the Adrienne Arsht Center for the Performing Arts in Miami, and also at the Au-Rene Theater at the Broward Center for the Performing Arts in Fort Lauderdale. FGO sometimes stages at other area theaters, including Lauderhill Performing Arts Center in Broward County and the Miami Shrine Temple in Miami-Dade. History Founding and early years In 1941, the company was founded as the Opera Guild of Greater Miami by Arturo di Filippi, a tenor and voice teacher at the University of M ...
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Lyric Opera Of Kansas City
Lyric Opera of Kansas City is an American opera company located in Kansas City, Missouri. Founded in 1958 by conductor Russell Patterson, the company presents an annual season of four operas at the Kauffman Center for the Performing Arts. Productions in the first season were of Puccini's ''La bohème'', Leonavallo's '' Pagliacci'', Mozart's ''The Abduction from the Seraglio ''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the m ...'', and Verdi's '' Otello'', all sung in English. Since then the company has presented performances of more than 100 different operas. References External linksOfficial Website of the Lyric Opera of Kansas City American opera companies Musical groups established in 1958 Culture of Kansas City, Missouri 1958 establishments in Missouri {{Opera-compa ...
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Houston Grand Opera
Houston Grand Opera (HGO) is an American opera company located in Houston, Texas. Founded in 1955 by German-born impresario Walter Herbert and three local Houstonians,Giesberg, Robert I., Carl Cunningham, and Alan Rich. ''Houston Grand Opera at 50.'' Houston: Herring Press, 2005, p. 83. the company is resident at the Wortham Theater Center. In its history, the company has received a Tony Award, two Grammy Awards, and three Emmy Awards, the only opera company in the world to win these three honours. Houston Grand Opera is supported by an active auxiliary organization, the Houston Grand Opera Guild, established in October 1955. __TOC__ History In 1955, the German-born impresario Walter Herbert and Houstonians Elva Lobit, Edward Bing, and Charles Cockrell founded the company. Its inaugural season featured two performances of two operas, ''Salome'' (starring Brenda Lewis in the title role) and ''Madama Butterfly''. David Gockley succeeded Walter Herbert as general director in ...
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Cincinnati Opera
Cincinnati Opera is an American opera company based in Cincinnati, Ohio and the second oldest opera company in the United States (after the New York Metropolitan Opera). Beginning with its first season in 1920, Cincinnati Opera has produced operas in the summer months of June and July with the Cincinnati Symphony Orchestra providing orchestral accompaniment. History The company, originally named Cincinnati Opera Association, gave its first performance, Flotow's ''Martha'', on Sunday, June 27, 1920. During its early years, the company was under the direction of Ralph Lyford, an American composer and conductor whose single opera ''Castle Agrazant would receive its world premiere at Cincinnati Music Hall on April 29, 1926, following Lyford's departure from Cincinnati Opera in 1925. From 1956-1990 the company ran a singing competition known as the American Opera Auditions. For most of its first fifty years, Cincinnati Opera's performances were held at the Cincinnati Zoo Pavilion. ...
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Cologne Opera
The Cologne Opera (German: Oper der Stadt Köln or Oper Köln) refers both to the main opera house in Cologne, Germany and to its resident opera company. History of the company From the mid 18th century, opera was performed in the city's court theatres by travelling Italian opera companies. The first permanent company in the city was established in 1822, and performed primarily in the Theater an der Schmierstraße (built in 1783 as a private theatre and also used for plays and concerts). The opera company later performed in Theater in der Glockengasse (built in 1872) and in the Theater am Habsburger Ring (built in 1902). The Theater am Habsburger Ring was constructed by the city of Cologne and became its first theatre to be specifically designed as an opera house. The opera house The current opera house was designed by the German architect, Wilhelm Riphahn. It was inaugurated on 8 May 1957 in the presence of Konrad Adenauer, then the Chancellor of Germany and a former mayor of C ...
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Oldenburgisches Staatstheater
The Oldenburgisches Staatstheater (Oldenburg State Theatre) is a German theater in the city of Oldenburg, Lower Saxony. Beginnings The theatre was first opened in the times of the Grand Duchy of Oldenburg, on 1 February 1833. At that time it was a wooden structure built by local master carpenter Herman Wilhelm Muck, who also owned the building. Founder and first director of the theatre was Carl Christian Ludwig Starklof (1789–1850), a lawyer and writer who served as a privy councilor in Oldenburg. Also involved was actor Johann Christian Gerber (1785–1850) who had previously directed a theatre in the neighbouring city of Bremen. The founding was supported by Grand Duchess Cecilia (1807–1844). The theatre was named ''Großherzogliches Hoftheater'' (Grand Ducal Court Theatre) in 1842. The wooden building was given up in 1881 when the theatre moved into the more imposing new Renaissance-style stone building designed by court architect Gerhard Schnitger. It was built next to t ...
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