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Maki Ōdō
is an historic temple in Bungotakada, Ōita Prefecture, Japan. The current buildings are the Edo-period Hondō and an exhibition hall dating to 1955. Inside are nine Heian-period statues that have been designated Important Cultural Properties. Statues * Seated wooden statue of Amida Nyorai (Gohonzon) * Wooden statue of Daiitoku Myōō seated on a cow * Triad of Fudō Myōō * Four Guardian Kings See also * Japanese sculpture * Fuki-ji * Kumano magaibutsu * Ōita Prefectural Museum of History The opened in Usa, Ōita Prefecture, Japan in 1998, replacing the of 1981. It is one of Japan's many museums which are supported by a prefecture. The collection is organised around themes including life and ancient Buddhism in Toyo no kuni ... References External links *Maki Ōdō(homepage) Buddhist temples in Oita Prefecture Important Cultural Properties of Japan {{Japan-religious-struct-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gohonzon
is a generic term for a venerated religious object in Japanese Buddhism. It may take the form of a scroll or statuary. The term typically refers to the mainstream use of venerated objects within Nichiren Buddhism, referring to the calligraphic paper mandala inscribed by the 13th Japanese Buddhist priest Nichiren to which devotional chanting is directed. Linguistically, the rootword derives from ancient word , signifying a devotional object of respect or worship, and with the honorific prefix. Varying Nichiren groups accord their own meanings to the term in different ways, signifying their treatment of the object: * "Object of Devotion" — Soka Gakkai * "Object of Worship" — Nichiren Shōshū * "The Great Mandala, Venerated Supreme" — Nichiren-shū sects Paper scroll are sometimes known as or . The term is used for statuary. are often enshrined within an altar shrine (). Description Nichiren himself attached the greatest importance to his inscripti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ōita Prefectural Museum Of History
The opened in Usa, Ōita Prefecture, Japan in 1998, replacing the of 1981. It is one of Japan's many museums which are supported by a prefecture. The collection is organised around themes including life and ancient Buddhism in Toyo no kuni and the Kunisaki peninsula, and the culture of Usa Hachiman-gū and Fuki-ji. See also * Usa Hachiman-gū * Fuki-ji * Prefectural museum A prefectural museum is a museum that specializes in collections local to a prefecture of Japan. Prefectural museums emerged in postwar Japan, and since these institutions are of recent origin their collections tend not to contain older Japan ar ... References External links * Ōita Prefectural Museum of History Museums in Ōita Prefecture History museums in Japan Prefectural museums Museums established in 1998 1998 establishments in Japan {{Japan-museum-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kumano Magaibutsu
is a group of relief sculptures of the late Heian or early Kamakura period in Bungotakada, Ōita Prefecture, Japan. The image of Fudō Myōō measures 8.07 m and that of Dainichi Nyorai 6.82 m. The carvings are an Important Cultural Property and the area has been designated an Historic Site. See also * Japanese sculpture * Daibutsu or 'giant Buddha' is the Japanese language, Japanese term, often used informally, for large Japanese sculpture, statues of List of Buddhas, Buddha. The oldest is that at Asuka-dera (609) and the best-known is that at Tōdai-ji in Nara, Nara, Nar ... * Usuki Stone Buddhas References Japanese sculpture Tourist attractions in Ōita Prefecture Important Cultural Properties of Japan Buildings and structures in Ōita Prefecture Outdoor sculptures in Japan {{Japan-art-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fuki-ji
is a Tendai temple in Bungotakada, Oita Prefecture, Japan. The temple was established in 718. Its Amida-dō is generally called Fuki-ji Ō-dō. It is the oldest wooden structure in Kyushu. Ō-dō is designated a National Treasure The idea of national treasure, like national epics and national anthems, is part of the language of romantic nationalism, which arose in the late 18th century and 19th centuries. Nationalism is an ideology that supports the nation as the fundame .... The seated image of the Amida-Nyōrai contained in Ō-dō is designated by the national government as an Important Cultural Property. External links Fuki-ji Temple - Japan National Tourism Organization Official Website (in English) {{Authority control Buddhist temples in Oita Prefecture Tendai temples National Treasures of Japan Important Cultural Properties of Japan 8th-century establishments in Japan Religious buildings and structures completed in 718 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Four Guardian Kings
The Four Heavenly Kings are four Buddhist gods, each of whom is believed to watch over one cardinal direction of the world. In Chinese mythology, they are known collectively as the "Fēng Tiáo Yǔ Shùn" () or "Sìdà Tiānwáng" (). In the ancient language Sanskrit, they are called the "Chaturmahārāja" (चतुर्महाराज) or "Chaturmahārājikādeva": "Four Great Heavenly Kings". The Hall of Four Heavenly Kings is a standard component of Chinese Buddhist temples. Names The Kings are collectively named as follows: The Four Heavenly Kings are said to currently live in the Cāturmahārājika heaven (Pali: Cātummahārājika, "Of the Four Great Kings") on the lower slopes of Mount Sumeru, which is the lowest of the six worlds of the devas of the Kāmadhātu. They are the protectors of the world and fighters of evil, each able to command a legion of supernatural creatures to protect the Dharma. File:Guardian of Phra Meru Mas of Bhumibol Adulyadej - Ves ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fudō Myōō
or Achala ( sa, अचल, "The Immovable", ), also known as (, "Immovable Lord") or (, "Noble Immovable Lord"), is a wrathful deity and ''dharmapala'' (protector of the Dharma) prominent in Vajrayana Buddhism and East Asian Buddhism., Jp. rel. dict., pp. 242–246 Originally a minor deity described as a messenger or acolyte of the buddha Vairocana, Acala later rose to prominence as an object of veneration in his own right as a remover of obstacles and destroyer of evil, eventually becoming seen as the wrathful manifestation of either Vairocana, the buddha Akṣobhya, or the bodhisattva Mañjuśrī. In later texts, he is also called (, "Violent Wrathful One", ) or (, "Violent One of Great Wrath", ), the names by which he is more commonly known in countries like Nepal and Tibet. In East Asian esoteric Buddhism, Acala is classed among the Wisdom Kings () and is preeminent among the five Wisdom Kings of the Womb Realm. Accordingly, he occupies an important hierarchical positio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamantaka
Yamāntaka ( sa, यमान्तक Yamāntaka) or Vajrabhairava (; ; ko, 대위덕명왕 ''Daewideok-myeongwang''; ja, 大威徳明王 ''Daiitoku-myōō''; mn, Эрлэгийн Жаргагчи ''Erlig-jin Jarghagchi'') is the "destroyer of death" deity of Vajrayana Buddhism. Sometimes he is conceptualized as "conqueror of the lord of death". Of the several deities in the Buddhist pantheon named 'Yamāntaka', the most well known, also called as 'Vajrabhairava' belongs to the Anuttarayoga Tantra class of deities popular within the Gelug school of Tibetan Buddhism. Etymology ''Yamāntaka'' is a Sanskrit name that can be broken down into two primary elements: ''Yama (यम)'', –the god of death; and ''antaka'' (अन्तक) –destroyer. Thus, Yamāntaka means “Destroyer of Death” or "Conqueror of Death". While Yamāntaka is therefore Yama's nemesis, his representation mirrors Yama in many ways: he too often rides a buffalo and often depicted with a buffalo's head. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amida Nyorai , 6th century medical writer
{{dab, geo ...
Amida can mean : Places and jurisdictions * Amida (Mesopotamia), now Diyarbakır, an ancient city in Asian Turkey; it is (nominal) seat of : ** The Chaldean Catholic Archeparchy of Amida ** The Latin titular Metropolitan see of Amida of the Romans ** The Armenian Catholic titular see Amida of the Armenians ** The Syrian Catholic (Antiochian Rite) titular Metropolitan see Amida of the Syriacs * Mount Amida, mountain in Saeki-ku, Hiroshima, Japan Other * Amitābha Buddha, in Japanese * ''Amida'' (beetle), a beetle genus * ''Amida'', a ladder climbing puzzle video game See also * Amidah, the central prayer of Jewish worship * Amidakuji, a way of drawing lots * Aëtius of Amida Aëtius of Amida (; grc-gre, Ἀέτιος Ἀμιδηνός; Latin: ''Aëtius Amidenus''; fl. mid-5th century to mid-6th century) was a Byzantine Greek physician and medical writer, particularly distinguished by the extent of his erudition. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Important Cultural Properties Of Japan
An The term is often shortened into just is an item officially classified as Tangible Cultural Property by the Japanese government's Agency for Cultural Affairs ( Ministry of Education, Culture, Sports, Science and Technology) and judged to be of particular importance to the history, arts, and culture of the Japanese people. Classification of Cultural Properties To protect the cultural heritage of Japan, the Law for the Protection of Cultural Properties was created as a under which important items are appropriated as Cultural Properties,In this article, capitals indicate an official designation as opposed to a simple, unofficial definition, e.g "Cultural Properties" as opposed to "cultural properties". thus imposing restrictions to their alteration, repair and export. Besides the "designation system", there exists a , which guarantees a lower level of protection and support to Registered Cultural Properties. Cultural Properties are classified according to their nature. It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Sculpture
Sculpture in Japan began with the clay figure. Towards the end of the long Neolithic Jōmon period, some pottery vessels were "flame-rimmed" with extravagant extensions to the rim that can only be called sculptural, and very stylized pottery dogū figures were produced, many with the characteristic "snow-goggle" eyes. During the Kofun period of the 3rd to 6th century CE, haniwa terracotta figures of humans and animals in a simplistic style were erected outside important tombs. The arrival of Buddhism in the 6th century brought with it sophisticated traditions in sculpture, Chinese styles mediated via Korea. The 7th-century Hōryū-ji and its contents have survived more intact than any East Asian Buddhist temple of its date, with works including a ''Shaka Trinity'' of 623 in bronze, showing the historical Buddha flanked by two bodhisattvas and also the Guardian Kings of the Four Directions. Jōchō is said to be one of the greatest Buddhist sculptors not only in the Heian perio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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