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Mainichi Film Award For Best Film
A list of the winners of the Award for Best Film at the Mainichi Film Award. References {{Mainichi Film Award for Best Film Lists of films by award Awards for best film Film A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere ...
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Mainichi Film Award
The are a series of annual film awards, sponsored by Mainichi Shinbun (毎日新聞), one of the largest newspaper companies in Japan, since 1946. It is the first film festival in Japan. History The origins of the contest date back to 1935, when the ''Mainichi Shinbun'' organized a festival then called ''Zen Nihon eiga konkūru'' (全日本映画コンク ー ル? ). It was interrupted during World War 2. The current form of the Mainichi Film Awards officially came into being in 1946. Awards * Mainichi Film Award for Best Film * Mainichi Film Award for Excellence Film * Mainichi Film Award for Best Director * Mainichi Film Award for Best Cinematography * Mainichi Film Award for Best Art Direction * Mainichi Film Award for Best Animation Film * Mainichi Film Award for Best Actor * Mainichi Film Award for Best Supporting Actor * Mainichi Film Award for Best Actress * Mainichi Film Award for Best Supporting Actress * Mainichi Film Award for Best Film Score * Mainichi Film Awa ...
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Keisuke Kinoshita
was a Japanese film director and screenwriter.Ronald Berganbr>"A satirical eye on Japan: Keisuke Kinoshita" ''The Guardian'', 5 January 1999. While lesser-known internationally than contemporaries such as Akira Kurosawa, Kenji Mizoguchi and Yasujirō Ozu, he was a household figure in his home country, beloved by both critics and audiences from the 1940s to the 1960s. Among his best known films are '' Carmen Comes Home'' (1951), Japan's first colour feature, '' Tragedy of Japan'' (1953), ''Twenty-Four Eyes'' (1954), '' You Were Like a Wild Chrysanthemum'' (1955), ''Times of Joy and Sorrow'' (1957), '' The Ballad of Narayama'' (1958), and ''The River Fuefuki'' (1960). Biography Early years Keisuke Kinoshita was born Masakichi Kinoshita on 5 December 1912, in Hamamatsu, Shizuoka Prefecture, as the fourth of eight children of merchant Shūkichi Kinoshita and his wife Tama. His family manufactured pickles and owned a grocery store. A film fan already in early years, he vowed to become ...
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Hiroshi Teshigahara
was a Japanese avant-garde filmmaker and artist from the Japanese New Wave era. He is best known for the 1964 film ''Woman in the Dunes''. He is also known for directing other titles such as ''The Face of Another'' (1966), ''Natsu No Heitai'' (''Summer Soldiers'', 1972), and '' Pitfall'' (1962) which was Teshigahara's directorial debut. He has been called "one of the most acclaimed Japanese directors of all time". Teshigahara is the first person of Asian descent to be nominated for the Academy Award for Best Director, accomplishing this in 1964 for his work on ''Woman in the Dunes''. Apart from being a filmmaker, Teshigahara also practiced other arts, such as calligraphy, pottery, painting, opera and ikebana. Biography Teshigahara was born in Tokyo, the son of Sōfu Teshigahara, founder and grand master of the Sōgetsu-ryū school of ''ikebana''. He graduated in 1950 from the Tokyo National University of Fine Arts and Music and began working in documentary film. He directed his ...
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The Woman In The Dunes (film)
is a 1964 Japanese New Wave drama directed by Hiroshi Teshigahara, starring Eiji Okada as an entomologist searching for insects and Kyōko Kishida as the titular woman. It received positive critical reviews and was nominated for two Academy Awards. The screenplay for the film was adapted by Kōbō Abe from his The Woman in the Dunes, 1962 novel. Plot School teacher and amateur entomologist Niki Junpei leaves Tokyo on a beach expedition to collect tiger beetles and other insects that live in sandy soil. After a long day of searching, Junpei misses the last bus ride back to town. A village elder and some of his fellow local villagers suggest that he stay the night at their village. Junpei agrees and is guided down a rope ladder to a hut at the bottom of a sand dune, the home of a young woman. Junpei learns that she lost her husband and daughter in a sandstorm a year ago and now lives alone; their bodies are said to be buried under the sand somewhere near the hut. After dinner, th ...
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High And Low (1963 Film)
is a 1963 Japanese police procedural crime film directed by Akira Kurosawa, starring Toshiro Mifune, Tatsuya Nakadai and Kyōko Kagawa. The film is loosely based on the 1959 novel '' King's Ransom'' by Ed McBain (Evan Hunter). Plot A wealthy executive named Kingo Gondo (Toshiro Mifune) is in a struggle to gain control of a company called National Shoes. One faction wants the company to make cheap, low quality shoes for the impulse market as opposed to the sturdy and high quality shoes currently being produced. Gondo believes that the long-term future of the company will be best served by well made shoes with modern styling, though this plan is unpopular because it means lower profits in the short term. He has secretly set up a leveraged buyout to gain control of the company, mortgaging all he has. Just as he is about to put his plan into action, he receives a phone call from someone claiming to have kidnapped his son, Jun. Gondo is prepared to pay the ransom, but the call is dis ...
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Harakiri (1962 Film)
is a 1962 Japanese ''jidaigeki'' film directed by Masaki Kobayashi. The story takes place between 1619 and 1630 during the Edo period and the rule of the Tokugawa shogunate. It tells the story of the ''rōnin'' Hanshirō Tsugumo, who requests to commit seppuku ''(harakiri)'' within the manor of a local feudal lord, using the opportunity to explain the events that drove him to ask for death before an audience of samurai. The film continues to receive critical acclaim, often considered one of the best samurai pictures ever made. Plot The film takes place in Edo in the year 1630. Tsugumo Hanshirō arrives at the estate of the Iyi clan and says that he wishes to commit seppuku within the courtyard of the palace. To deter him, Saitō Kageyu (Rentarō Mikuni), the daimyō's senior counselor, tells Hanshirō the story of another rōnin, Chijiiwa Motome—formerly of the same clan as Hanshirō. Saitō scornfully recalls the practice of rōnin requesting the chance to commit seppuku on ...
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Masaki Kobayashi
was a Japanese film director and screenwriter, best known for the epic (genre), epic trilogy ''The Human Condition (film series), The Human Condition'' (1959–1961), the samurai films ''Harakiri (1962 film), Harakiri'' (1962) and ''Samurai Rebellion'' (1967), and the horror anthology ''Kwaidan (film), Kwaidan'' (1964). ''Senses of Cinema'' described him as "one of the finest depicters of Japanese society in the 1950s and 1960s." Biography Early life Kobayashi was born in Otaru, then a small port on the island of Hokkaido, the son of a company employee. He was a second cousin of the actress and director Kinuyo Tanaka. In 1933 he entered Waseda University in Tokyo where he studied East Asian art and philosophy. He embarked on a career in film in 1941 as an apprentice director at Shochiku Studios, but was drafted into the Imperial Japanese Army in January 1942 and sent to Manchuria. Kobayashi regarded himself as a pacifist and a socialist, and resisted by refusing promotion to a ...
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A Soldier's Prayer
is a 1961 Japanese film directed by Masaki Kobayashi. It is the third part of ''The Human Condition'' trilogy. Plot The Japanese forces having been shattered during the events of the second film (Road to Eternity), Kaji and some comrades attempt to elude capture by Soviet forces and find the remnants of the Kwantung army in South Manchuria. Following the bayonetting of a Russian soldier, however, Kaji is increasingly sick of combat and decides to abandon any pretense of rejoining the army. Instead, he leads fellow soldiers and a growing number of civilian refugees as they attempt to flee the warzone and return to their homes. Lost in a dense forest, the Japanese begin to infight and eventually many die of hunger, poisonous mushrooms and suicide. Emerging from the forest on their last legs, Kaji and the refugees encounter regular Japanese army troops, who deny them food as if they were deserters. Carrying on further south, Kaji and his associates find a well-stocked farmhouse which ...
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Kon Ichikawa
was a Japanese film director and screenwriter. His work displays a vast range in genre and style, from the anti-war films '' The Burmese Harp'' (1956) and '' Fires on the Plain'' (1959), to the documentary ''Tokyo Olympiad'' (1965), which won two BAFTA Film Awards, and the 19th-century revenge drama ''An Actor's Revenge'' (1963). His film ''Odd Obsession'' (1959) won the Jury Prize at the 1960 Cannes Film Festival. Early life and career Ichikawa was born in Ise, Mie Prefecture as Giichi Ichikawa (市川儀一). His father died when he was four years old, and the family kimono shop went bankrupt, so he went to live with his sister. He was given the name "Kon" by an uncle who thought the characters in the kanji 崑 signified good luck, because the two halves of the Chinese character look the same when it is split in half vertically. As a child he loved drawing and his ambition was to become an artist. He also loved films and was a fan of "chambara" or samurai films. In his teens ...
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Her Brother
is a 1960 Japanese drama film directed by Kon Ichikawa. The film is based on the novel ''Otōto'' by Aya Koda. It was entered into the 1961 Cannes Film Festival, where it won a prize for Special Distinction. Plot 17-year-old Gen takes care of the household of her family due to her stepmother's rheumatism. Meanwhile, her younger brother Hekiro lives a carefree life, repeatedly getting into trouble and making gambling debts. Neither his stepmother interferes with his behaviour, nor does the detached father, a famous novelist. Only Gen scolds Hekiro from time to time, for which he ridicules her, although she is completely devoted to him. When Hekiro falls terminally ill with tuberculosis and is hospitalised, with his sister being the only regular visitor, he finally regrets his behaviour. After Hekiro's death, Gen is taken back home with anemia by the hospital personnel, but once she awakes, she returns to her role as the housekeeper without questioning. Cast * Keiko Kishi as G ...
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Kiku To Isamu
is a 1959 Japanese film directed by Tadashi Imai which addresses the subject of children from interracial relationships. Cast *Emiko Takahashi *George Okunoyama *Tanie Kitabayashi *Kōji Mitsui *Osamu Takizawa * Rentarō Mikuni *Seiji Miyaguchi *Eijirō Tōno *Masao Oda *Masao Mishima Awards and nominations 10th Blue Ribbon Awards * Won: Best Film * Won: Best Actress - Tanie Kitabayashi * Won: Best Screenplay - Youko Mizuki was a Japanese screenwriter. Born in Tokyo, she later graduated from Bunka Gakuin and began writing screenplays to support her family after her father died. Mizuki was active in the 1950s era of the Japanese studio system and is notable for her w ... References 1959 films Films directed by Imai Tadashi Japanese black-and-white films Best Film Kinema Junpo Award winners 1950s Japanese films {{1950s-Japan-film-stub ...
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The Ballad Of Narayama (1958 Film)
is a 1958 Japanese period film directed by Keisuke Kinoshita and based on the 1956 novella of the same name by Shichirō Fukazawa. The film explores the legendary practice of ''ubasute'', in which elderly people were carried to a mountain and abandoned to die. Cast * Kinuyo Tanaka as Orin * Teiji Takahashi was a Japanese film actor. He appeared in more than twenty films from 1950 to 1959. Takahashi died in a traffic accident. Career Born in Tokyo, Takahashi graduated from the Japanese Film School (Nihon Eiga Gakkō) and joined the Shochiku studi ... as Tatsuhei * Yūko Mochizuki as Tamayan * Danko Ichikawa as Kesakichi * Keiko Ogasawara as Matsu-yan * Seiji Miyaguchi as Matayan * Yūnosuke Itō as Matayan's son * Ken Mitsuda as Teruyan Reception The film featured in competition at the 19th Venice International Film Festival and divided critics between those who thought it a masterpiece and those who thought it poor. The film won three Mainichi Film Awards, including Main ...
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