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Magnificat In A Minor (Hoffmann)
The Magnificat in A minor, BWV Anh. 21, TWV 1:1748, is Melchior Hoffmann's musical setting of a German version () of the Song of Mary (Magnificat, "My soul magnifies the Lord") from the Gospel of Luke. The composition originated around 1707, when the composer was director musices and organist of the ''Neue Kirche'' in Leipzig. Composed in A minor, the Magnificat is scored for soprano and small orchestra. The work was first published in the 1950s, and it was recorded by Magda László, by Joshua Rifkin, by Wolfgang Helbich, and by Deborah York, among others. According to the editors of the Bach-Gesellschaft-Ausgabe (BGA), the work, considered lost since the late 1850s, was composed by Johann Sebastian Bach. It was dubbed ("()" translating as "little" or "small") to distinguish it from more extended Magnificat settings, such as BWV 243 in Latin, and BWV 10 and BWV 189 in German (the last of these is listed as a composition by Hoffmann at the Bach Digital webs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sacred Music
Religious music (also sacred music) is a type of music that is performed or composed for religious use or through religious influence. It may overlap with ritual music, which is music, sacred or not, performed or composed for or as ritual. Religious songs have been described as a source of strength, as well as a means of easing pain, improving one's mood, and assisting in the discovery of meaning in one's suffering. While style and genre vary broadly across traditions, religious groups still share a variety of musical practices and techniques. Religious music takes on many forms and varies throughout cultures. Religions such as Islam, Judaism, and Sinism demonstrate this, splitting off into different forms and styles of music that depend on varying religious practices. Religious music across cultures depicts its use of similar instruments, used in accordance to create these melodies. drums (and drumming), for example, is seen commonly in numerous religions such as Rastafari and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Helbich
Wolfgang Helbich (8 April 1943 – 8 April 2013) was a German church musician, a choral conductor and academic. He was the founder of the Alsfelder Vokalensemble and served as their conductor for decades, a group that toured internationally and received awards for their recordings. After retiring as a church musician, he also conducted the Bremer RathsChor. Life Born in Berlin, Wolfgang Helbich studied music pedagogy and church music at the Musikhochschule Berlin and Musikhochschule Detmold. From 1969, he was church musician (''Kantor'') in Alsfeld. He founded in 1971 the ''Alsfelder Vokalensemble'' and conducted the vocal ensemble until his death. He moved in 1972 to the in Berlin, also conducting the Berliner Kantorei. From 1976, he succeeded Hans Heintze at the Bremer Dom, conducting the Bremer Domchor, a position that he held until he retired in 2008, succeeded by . In Bremen, he focused on performances of oratorios of the 18th and 19th centuries. He initiated an annual '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nunc Dimittis
The Nunc dimittis (), also known as the Song of Simeon or the Canticle of Simeon, is a canticle taken from the second chapter of the Gospel of Luke, verses 29 through 32. Its Latin name comes from its incipit, the opening words, of the Vulgate translation of the passage, meaning "Now you let depart". Since the 4th century it has been used in services of evening worship such as Compline, Vespers, and Evensong. Biblical account The title is formed from the opening words in the Latin Vulgate, “''Nunc dimittis servum tuum, Domine''" ("Now thou dost dismiss thy servant, O Lord"). Although brief, the canticle abounds in Old Testament allusions. For example, "Because my eyes have seen thy salvation" alludes to Isaiah 52:10. According to the narrative in Luke 2:25-32, Simeon was a devout Jew who had been promised by the Holy Spirit that he would not die until he had seen the Messiah. When Mary and Joseph brought the baby Jesus to the Temple in Jerusalem for the ceremony of redemption ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canticle
A canticle (from the Latin ''canticulum'', a diminutive of ''canticum'', "song") is a hymn, psalm or other Christianity, Christian song of praise with lyrics usually taken from biblical or holy texts. Canticles are used in Christian liturgy. Catholic Church Prior to the Pope Pius X's Reform of the Roman Breviary by Pope Pius X, 1911 reforms, a single cycle of seven canticles was used at Lauds: * Sunday – The Song of the Three Holy Children () * Monday – The Song of Isaiah the Prophet () * Tuesday – The Song of Hezekiah () * Wednesday – The Song of Hannah () * Thursday – The (First) Song of the sea, Song of Moses () * Friday – The Prayer of Habakkuk () * Saturday – The (Second) Song of Moses () These canticles are rather long, and the weekday ones display something of a penitential theme, but some were not often used, as all feasts, and weekdays in Eastertide used the Canticle of Daniel, the Sunday canticle. The 1911 reform introduced for weekdays not of penitenti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Philipp Telemann
Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of that city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died less than two years after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving him. Telemann is one of the most prolific composers in history, at least in terms of surviving oeuvre. He was considered by his contemporaries to be one of the leading German composers of the time, and he was compared favourably bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach Digital
Bach Digital (German: ), developed by the Bach Archive in Leipzig, is an online database which gives access to information on compositions by Johann Sebastian Bach and members of Bach family, his family. Early manuscripts of such compositions are a major focus of the website, which provides access to high-resolution digitized versions of many of these. Scholarship on manuscripts and versions of compositions is summarized on separate pages, with references to scholarly sources and editions. The database portal has been online since 2010. History In 2000, two years after Uwe Wolf (musicologist), Uwe Wolf had suggested the possibility of supporting the publication of the New Bach Edition (NBE) with digital media, a project named Bach Digital started as an initiative of the Internationale Bachakademie Stuttgart, but without direct involvement of the then editor of the NBE, the Johann Sebastian Bach Institute in Göttingen. After four years the project remained unconvincing: it lagge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BWV 189
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a, was published in 1998. The catalogue groups compositions by genre. Even within a genre, compositions are not necessarily collated chronologically. For example, BWV 992 was composed many years before BWV 1. BWV numbers were assigned to 1,126 compositions in the 20th century, and more have been added to the catalogue in the 21st century. The Anhang (Anh.; Annex) of the BWV lists over 200 lost, doubtful and spurious compositions. History The first edition of the ''Bach-Werke-Verzeichnis'' was published in 1950. It allocated a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following the 19th-century Bach Gesellschaft (BG) editio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
