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Magnacolor
Magnacolor was a color motion picture process owned by Consolidated Film Industries. Magnacolor was an offshoot of William Van Doren Kelley's 1918 subtractive color process Prizma and utilized the same bi-pack color process. Magnacolor was succeeded at Consolidated by Trucolor. External links Magnacolor on Timeline of Historical Film Colors See also *''The Girl From Calgary'' (1932) *''The Bold Caballero'' (1936) *Color motion picture film *Color photography *List of color film systems *List of film formats This list of motion picture film formats catalogues formats developed for shooting or viewing motion pictures, ranging from the Chronophotographe format from 1888, to mid-20th century Film format, formats such as the 1953 CinemaScope format, to m ... Film and video technology {{filming-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prizma
The Prizma Color system was a color motion picture process, invented in 1913 by William Van Doren Kelley and Charles Raleigh. Initially, it was a two-color additive color system, similar to its predecessor, Kinemacolor. However, Kelley eventually transformed Prizma into a bi-pack color system that itself became the predecessor for future color processes such as Multicolor and Cinecolor. Experimental Prizma gave a demonstration of color motion pictures in 1917 that used an additive four-color process, using a disk of four filters acting on a single strip of panchromatic film in the camera. The colors were red, yellow, green, and blue, with overlapping wavelengths to prevent pulsating effects on the screen with vivid colors. The film was photographed at 26 to 32 frames per second, and projected at 32 frame/s. The disk used in projection consisted mainly of two colors, red-orange and blue-green, adapted to the four-color process by the superimposition of two small magenta filters o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bi-pack Color
In bipack color photography for motion pictures, two strips of black-and-white 35 mm film, running through the camera photographic emulsion, emulsion to emulsion, are used to record two regions of the color visible spectrum, spectrum, for the purpose of ultimately printing the images, in complementary colors, superimposed on one strip of film. The result is a multicolored projection print that reproduces a useful but limited range of color by the subtractive color method. Bipack processes became commercially practical in the early 1910s when Eastman Kodak Company, Kodak introduced duplitized film print stock, which facilitated making two-color prints. Bipack photography was, from about 1935 to 1950, the most economical means of 35 mm natural color cinematography available, used when color was wanted but the budget could not bear the much higher cost of three-strip Technicolor or the less well-known alternative three-color processes sometimes available outside the US. After ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trucolor
Trucolor was a Color motion picture film, color motion picture process used and owned by the Consolidated Film Industries division of Republic Pictures. It was introduced as a replacement for Consolidated's own Magnacolor process. Republic used Trucolor mostly for its Western (genre), Westerns, through the 1940s and early 1950s. The premiere Trucolor release was ''Out California Way'' (1946) and the last film photographed in the process was ''Spoilers of the Forest'' (1957). With the advent of Eastmancolor and Ansco color films, which gave better results at a cheaper price, Trucolor was abandoned, coincidentally at the same time as Republic's demise. At the time of its introduction, Trucolor was a two-color subtractive color process. About 3 years later, the manufacturer expanded the process to include a three-color release system based on DuPont film stock. They later replaced the DuPont film with Eastman Kodak film stock. Thus, in its lifespan around 12 years, the Trucolor proce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Girl From Calgary
''The Girl from Calgary'' is a 1932 American pre-Code musical comedy film directed by Phil Whitman, and starring Fifi D'Orsay and Paul Kelly. Plot summary A French-Canadian girl is a champion bronc rider and is also a nightclub singer. An ambitious young man sees her act one night and is struck by her talent, realizing that she is good enough to become a Broadway star. He convinces her to accompany him to New York, where she indeed does become a Broadway star. However, the young man finds himself being squeezed out by greedy Broadway producers who see the talented young girl as their own personal gold mine. Cast *Fifi D'Orsay as Fifi Follette * Paul Kelly as Larry Boyd *Robert Warwick as Bill Webster * Edwin Maxwell as Earl Darrell *Astrid Allwyn as Mazie Williams *Edward Fetherston as Monte Cooper *Adrienne Dore as Lulu, Darrell's secretary (uncredited) Production background * The first reel, with an elaborate musical number, is taken from ''The Great Gabbo'' (1929) which ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Bold Caballero
''The Bold Caballero'' is a 1936 American Western film written and directed by Wells Root. It is based on the character Zorro, created by Johnston McCulley. The characters Don Alejandro Vega (Don Diego's father) and Bernardo are notably absent. Native American stars include Chief Thundercloud as Don Diego Vega/Zorro's aide and Charles Stevens as Captain Vargas. John Merton appears uncredited in this film as a First Sergeant. Merton also appears in ''Zorro's Fighting Legion'' as Manuel and ''Zorro's Black Whip'' as Harris. The film is notable for being the first talking Zorro film, as the first two Zorro films were silent films, and the first Zorro film in color (Magnacolor). It was shot in Chatsworth, Los Angeles. The film was released on December 1, 1936, by Republic Pictures. Plot Zorro ( Robert Livingston) has been captured and set for execution, charged with the murder of the new Governor (Robert Warwick) in Spanish California, as the governor was marked with a "Z". Zorro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Color Film Systems
This is a list of color film processes known to have been created for photographing and exhibiting motion pictures in color since the first attempts were made in the late 1890s. It is limited to "natural color" processes, meaning processes in which the color is photographically recorded and reproduced rather than artificially added by hand-painting, stencil coloring, or other arbitrary " colorization" methods. Legend *Process: the name of the process, as advertised by the company if commercialized. Known alternative names and second-party commercial aliases are also shown. *Year: The earliest known year of existence based on patents, reports of demonstrations, etc. The first public showing or commercial use (if any) may be later. *Projection method: a classification into one of four process types, plus a notation of how many primary colors were used:Additive: multiple black-and-white images photographed through color filters are projected through corresponding filters and united on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Color Motion Picture Film
Color motion picture film refers both to unexposed color photographic film in a format suitable for use in a motion picture camera, and to finished motion picture film, ready for use in a projector, which bears images in color. The first color cinematography was by additive color systems such as the one patented by Edward Raymond Turner in 1899 and tested in 1902. A simplified additive system was successfully commercialized in 1909 as Kinemacolor. These early systems used black-and-white film to photograph and project two or more component images through different color filters. During 1930s the first practical subtractive color processes were introduced. These also used black-and-white film to photograph multiple color-filtered source images, but the final product was a multicolored print that did not require special projection equipment. Before 1932, when three-strip Technicolor was introduced, commercialized subtractive processes used only two color components and could repr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Consolidated Film Industries
Consolidated Film Industries was a film laboratory and film processing company and was one of the leading film laboratories in the Los Angeles area for many decades. CFI processed negatives and made prints for motion pictures and television. The company and its employees received many Academy Awards for scientific or technical achievements. CFI was incorporated in New York in March 1924 by Herbert Yates. It was reincorporated in Delaware in 1927 by the merger of several earlier companies, including Republic Laboratories, which Yates bought in 1918, and the Allied Film Laboratories Association, which he formed in 1919. The prospectus stated that Consolidated Film Industries, Inc. of Delaware was being incorporated to succeed a Company of a similar name formed in March 1924 under the laws of New York, for developing of motion picture negatives, printing the necessary positives and delivering the positives as instructed by the motion picture producers or distributors, thus renderin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subtractive Color
Subtractive color or subtractive color mixing predicts the spectral power distribution of light after it passes through successive layers of partially absorbing media. This idealized model is the essential principle of how dyes and inks are used in color printing and photography where the perception of color is elicited after white light passes through microscopic "stacks" of partially absorbing media allowing some wavelengths of light to reach the eye and not others. Process The subtractive color mixing model predicts the resultant spectral power distribution of light filtered through overlaid partially absorbing materials on a reflecting or transparent surface. Each layer partially absorbs some wavelengths of light from the illumination spectrum while letting others pass through, resulting in a colored appearance. The resultant spectral power distribution is predicted by sequentially taking the product of the spectral power distributions of the incoming light and transmissiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Color Photography
Color photography is photography that uses media capable of capturing and reproducing colors. By contrast, black-and-white or gray-monochrome photography records only a single channel of luminance (brightness) and uses media capable only of showing shades of gray. In color photography, electronic sensors or light-sensitive chemicals record color information at the time of exposure. This is usually done by analyzing the spectrum of colors into three channels of information, one dominated by red, another by green and the third by blue, in imitation of the way the normal human eye senses color. The recorded information is then used to reproduce the original colors by mixing various proportions of red, green and blue light ( RGB color, used by video displays, digital projectors and some historical photographic processes), or by using dyes or pigments to remove various proportions of the red, green and blue which are present in white light ( CMY color, used for prints on paper a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Film Formats
This list of motion picture film formats catalogues formats developed for shooting or viewing motion pictures, ranging from the Chronophotographe format from 1888, to mid-20th century Film format, formats such as the 1953 CinemaScope format, to more recent formats such as the 1992 IMAX HD format. To be included in this list, the formats must all have been used in the field or for test shooting, and they must all use photochemical images that are formed or projected on a film base, a transparent substrate which supports the photosensitive emulsion. As well, the formats must have been used to make more than just a few test frames. The camera must be fast enough (in frames per second) to create an illusion of motion consistent with the persistence of vision phenomenon. The format must be significantly unique from other listed formats in regard to its image capture or movie projector, image projection. The format characteristics should be clearly definable in several listed parameter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
