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Magdalena Hinterdobler
Magdalena Hinterdobler (born 1986) is a German operatic soprano, based at the Oper Frankfurt, where she has performed leading roles including Eva in Wagner's ''Die Meistersinger von Nürnberg'', Elisabetta in Verdi's ''Don Carlo'' and Grete in Zemlinsky's ''Der Traumgörge''. She appeared as Anna in the world premiere of Gerd Kühr's ''Paradiese'' at the Leipzig Opera in 2021, and as Chrysothemis in ''Elektra (opera), Elektra'' by Richard Strauss at the Tyrolean State Theatre in 2023. Early life and career Hinterdobler was born in Straubing, Bavaria, in 1986. She attended a Gymnasium (Germany), gymnasium focused on music and was a member of its chamber choir, conducted by Gerold Huber, the father of the pianist Gerold Huber, a notable ''lied'' accompanist with whom she later performed. She began voice lessons at age 14. Hinterdobler took part in oratorio performances with the choir, with tours to Italy, and in opera productions, performing demanding roles as a soloist. She e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Straubing
Straubing () is an independent city in Lower Bavaria, southern Germany. It is seat of the district of Straubing-Bogen. Annually in August the Gäubodenvolksfest, the second largest fair in Bavaria, is held. The city is located on the Danube forming the centre of the Gäuboden. History The area of Straubing has been continuously settled since the Neolithic. The conquest by the Romans in 16–14 BC had a dramatic impact on the whole region. Even today many traces of the 400-year Roman occupation can be found: for example, the famous 'Römerschatz' (Roman treasure) which was excavated in 1950 and which is shown in the Gäubodenmuseum. ''Sorviodurum'', as the Romans called it, was an important military support base. After the fall of the Roman Empire Straubing became a centre of settlement of the Bavarii, mostly around St. Peter's Church (built in the 9th century) between Allachbach and Danube. According to the customs of the Bavarii the settlement was named after their leader ''S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bundeswettbewerb Gesang
The German national competition Bundeswettbewerb Gesang Berlin was inaugurated in 1966 as a competition for solo singing. Beginning in 1979, it has been held annually, for the categories Musical theatre, Musical and Chanson in uneven years, for Opera, Operetta and concert singing in even years. The patron of the competition is the mayor of Berlin, where the competition is organized and held by the association ''Bundeswettbewerb Gesang Berlin''. The competition supports young singers for stages in German-speaking countries who have to display varied repertory. They have to be of German nationality and finished school in Germany. The final rounds are held in public in Berlin, where also concerts of the winners are presented in the city's music theatres. The prize money of around 50,000 Euro comes from the mayor of Berlin for the first prize in the main competition, and additionally from the Deutscher Bühnenverein, Berlin Opera houses, foundations and private sponsors for the other pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rose Of Stamboul (operetta)
''The Rose of Stamboul'' (original German: ''Die Rose von Stambul'') is a 1916 operetta in three acts by Austrian composer Leo Fall with a libretto by Julius Brammer and Alfred Grünwald. The work premiered on 2 December 1916 at the Theater an der Wien in Vienna. The story centers around Achmed Bey, a young Turkish man who wishes to reform Turkish society. Not wanting to embarrass his politician father, Bey publishes his reform plans in French under the pseudonym "André Léry". The book becomes a bestseller among Turkish women. Later, a marriage is arranged between Achmed Bey and Kondja Gül. On their wedding night, however, Gül confesses to her husband that she can never love him, as she has fallen in love with the author André Léry. The 1919 silent film ''The Rose of Stamboul'' by German film makers Felix Basch and Arthur Wellin was based on the operetta. In 1953 the operetta was adapted into a musical film, also called ''The Rose of Stamboul'', by West German fil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Hofstetter
Michael Hofstetter (born 6 September 1961) is a German conductor and academic. He was chief conductor of the festival Ludwigsburger Schlossfestspiele from 2005 to 2012, and has been Generalmusikdirektor of Gießen since. He has worked internationally at notable opera houses and festivals. He is regarded as an expert of historically informed performance, who has rediscovered and recorded rarely performed operas. Career Born in Munich, Hofstetter studied organ, piano and conducting at the Richard Strauss Conservatory in his hometown. He worked as Kapellmeister at the Staatstheater Wiesbaden. He was the chief conductor of the festival Ludwigsburger Schlossfestspiele from 2005 to 2012, where he performed and recorded rarely played operas, including Salieri's opera ''Les Danaïdes'' in 2006, and in 2008 the premiere of E. T. A. Hoffmann's ''Liebe und Eifersucht'' which was never performed in the composer's lifetime. He performed there Verdi's ''Il trovatore'' in a 2011 production wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Didone Abbandonata (Hasse)
''Didone abbandonata'' is a 1742 opera by Johann Adolph Hasse setting the libretto ''Didone abbandonata'' by Metastasio. It was first performed at Hubertusburg palace, near Dresden.Paul Corneilson ''J.C. Bach'' 1351561871 2017 Hasse's 'Didone abbandonata' was first performed at Hubertusburg, near Dresden, in 1742 and frequently revived. Recording *Theresa Holzhauser (Didone), Flavio Ferri-Benedetti (Enea), Valer Barna-Sabadus (Iarba), Magdalena Hinterdobler (Selene), Maria Celeng (Araspe) & Andreas Burkhart (Osmida), Hofkapelle München, Michael Hofstetter Michael Hofstetter (born 6 September 1961) is a German conductor and academic. He was chief conductor of the festival Ludwigsburger Schlossfestspiele from 2005 to 2012, and has been Generalmusikdirektor of Gießen since. He has worked internationa ..., 3CD Naxos 2013 References {{Aeneid Italian-language operas 1742 operas Operas Operas by Johann Adolf Hasse Operas based on the Aeneid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Finta Giardiniera
' ("The Pretend Garden-Girl"), K. 196, is an Italian-language opera by Wolfgang Amadeus Mozart. Mozart wrote it in Munich in January 1775 when he was 18 years old and it received its first performance on 13 January at the in Munich. There is debate over the authorship of the libretto, written for Anfossi's opera the year before. It is often ascribed to Calzabigi, but some musicologists now attribute it to Giuseppe Petrosellini, though again it is questioned whether it is in the latter's style. In 1780 Mozart converted the opera into a German Singspiel called ''Die Gärtnerin aus Liebe'' (also ''Die verstellte Gärtnerin''), which involved rewriting some of the music. Until a copy of the complete Italian version was found in the 1970s, the German translation was the only known complete score. Roles Synopsis :Time: 18th century :Place: Podestà's estate in Lagonero, near Milan Summary: The story follows Count Belfiore and the Marchioness Violante Onesti, who were lovers befor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wiener Blut (operetta)
''Wiener Blut'' ('' Viennese Blood'' or ''Viennese Spirit'') is an operetta named after the " Wiener Blut" waltz, supposedly with music by the composer Johann Strauss the Younger, who did not live to witness the première. Such was the popularity of the original "Wiener Blut" Op. 354 waltz until the time of the composer's death that his work would be chosen as the name of the operetta with libretto by Victor Léon and Leo Stein set around the Vienna Congress of 1814 to 1815. Strauss did not specifically compose any music for this operetta, although many of his earlier compositions were incorporated for the work. He took no active part in the musical arrangement at its conception nor any production work leading up to its première. He was content to delegate these tasks to Adolf Müller Jr. as he himself was busy with his ballet ''Aschenbrödel'' in 1898. However, Müller did not confine himself to the music of Johann Jr., and several dance tunes by his brother Josef were also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prinzregententheater
The Prinzregententheater, or, as it was called in its first decades, the Prinz-Regenten-Theater, in English the Prince Regent Theatre, is a concert hall and opera house on Prinzregentenplatz in the Bavarian capital of Munich, Germany. Building and History Initiated by Ernst von Possart, the theatre was built in the Prinzregentenstrasse (Munich), Prinzregentenstrasse as a festival hall for the operas of Richard Wagner near an area where a similar project of King Ludwig II of Bavaria, Ludwig II had failed some decades before. Named after Luitpold, Prince Regent of Bavaria, the building was designed by Max Littmann and opened 21 August 1901 with a production of ''Die Meistersinger von Nürnberg'' by Richard Wagner. Like the Bayreuth Festspielhaus, the auditorium was designed to Wagner’s specifications, but an amphitheater has replaced the box (theatre), loges. After the destruction of the National Theatre (Munich), Nationaltheater during World War II, the Prinzregententheater ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helmut Deutsch
Helmut Erich Deutsch (born 24 December 1945) is an Austrian classical pianist, specialising in chamber music and lieder accompaniment. Deutsch was born in Vienna, where he studied piano, composition and musicology at the Vienna Music Academy from 1967 until 1979."Deutsch, Helmut Erich" by , in '''', Vienna 2002 He was awarded the Vienna Composition Prize in 1967. He was professor for lied interpreta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andreas Schmidt (baritone)
Andreas Schmidt (born 30 June 1960 in Düsseldorf) is a German classical bass-baritone in opera and concert. Career Andreas Schmidt studied church music with his father Hartmut Schmidt and singing with Ingeborg Reichelt and Dietrich Fischer-Dieskau. His 1984 debut was in the part of Malatesta in Donizetti's ''Don Pasquale'' at the Deutsche Oper Berlin. He became a member of the opera house, appearing in Mozart roles such as Guglielmo in ''Così fan tutte'' or Count Almaviva in ''Le nozze di Figaro'', as Wolfram in Wagner's ''Tannhäuser'', Posa in Verdi's ''Don Carlos'', and Marcello in Puccini's ''La Bohème''. He created there the title role of Wolfgang Rihm's opera ''Oedipus'' in 1987 and the part of Ryuji in Hans Werner Henze's ''Das verratene Meer'' in 1990. He has appeared as a guest at the Hamburger Staatsoper, the Berlin State Opera, the Bavarian State Opera, the Vienna State Opera, the Grand Theátre Genf, the Royal Opera House Covent Garden, the Opéra de Paris, th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestra Of The Age Of Enlightenment
The Orchestra of the Age of Enlightenment (OAE) is a British period instrument orchestra. The OAE is a resident orchestra of the Southbank Centre, London, associate orchestra at Glyndebourne Festival Opera Artistic Associate at Kings Place, and has its headquarters at Acland Burghley School. The leadership is rotated between four musicians: Matthew Truscott, Kati Debretzeni, Huw Daniel and Margaret Faultless. A group of period instrumentalist players formed the OAE as a self-governing ensemble in 1986, and took its name from the historical period in the late 18th century where the core of its repertoire is based. The OAE does not have a principal conductor, but chooses conductors individually. Having no permanent music director gives the orchestra flexibility to work with some of the world’s greatest conductors and soloists across a wide range of music. The current Principal Artists are Sir Simon Rattle, Vladimir Jurowski, Iván Fischer, John Butt, Sir Mark Elder and András ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass In B Minor Structure
The Mass in B minor is Johann Sebastian Bach's only setting of the complete Latin text of the . Towards the end of his life, mainly in 1748 and 1749, he finished composing new sections and compiling it into a complex, unified structure. Bach structured the work in four parts: # # # # The four sections of the manuscript are numbered, and Bach's usual closing formula (S.D.G = ) is found at the end of the . Some parts of the mass were used in Latin even in Lutheran Leipzig, and Bach had composed them: five settings of the Missa, containing the and the , and several additional individual settings of the and the . To achieve the , a setting of the complete text of the mass, he combined his most elaborate Missa, the Missa in B minor, written in 1733 for the court in Dresden, and a written for Christmas of 1724. He added a few new compositions, but mostly derived movements from cantata movements, in a technique known as parody. The Mass is a compendium of many different styles i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
