|
Madonna Dell'Umiltà
Madonna of humility refers to artistic portrayals of the Virgin Mary which depict her sitting on the ground, or upon a low cushion. She may be holding the Christ Child in her lap. The term Virgin of humility is also used to refer to this style of depiction. The iconography originated in the 14th century, and was most common in that and the following century. History and development Humility is a virtue extolled by Saint Francis of Assisi, and this style of image was associated with Franciscan piety, although it was not the creation of the Franciscans, since the artist first associated with the image, Simone Martini, had ties with the Dominicans and may have created the image for them. The word humility derives from the Latin ''humus'', meaning earth or ground. The earliest known painting of this type dates to 1346 and is at the ''Museo Nazionale'' in Palermo. It represents a Madonna seated on a small cushion just above the ground. The Christ Child partially looks at the viewer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Maria Novella
Santa Maria Novella is a church in Florence, Italy, situated opposite, and lending its name to, the city's main railway station. Chronologically, it is the first great basilica in Florence, and is the city's principal Dominican church. The church, the adjoining cloister, and chapter house contain a multiplicity of art treasures and funerary monuments. Especially famous are frescoes by masters of Gothic and early Renaissance. They were financed by the most important Florentine families, who ensured themselves funerary chapels on consecrated ground. History This church was called S. Maria Novella ('New') because it was built on the site of the 9th-century oratory of Santa Maria delle Vigne. When the site was assigned to the Dominican Order in 1221, they decided to build a new church and adjoining cloister. The church was designed by two Dominican friars, Fra Sisto Fiorentino and Fra Ristoro da Campi. Building began in the mid-13th century (about 1276), and lasted 80 years, end ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basilica Of Our Lady Of Humility
In Ancient Roman architecture, a basilica is a large public building with multiple functions, typically built alongside the town's forum. The basilica was in the Latin West equivalent to a stoa in the Greek East. The building gave its name to the architectural form of the basilica. Originally, a basilica was an ancient Roman public building, where courts were held, as well as serving other official and public functions. Basilicas are typically rectangular buildings with a central nave flanked by two or more longitudinal aisles, with the roof at two levels, being higher in the centre over the nave to admit a clerestory and lower over the side-aisles. An apse at one end, or less frequently at both ends or on the side, usually contained the raised tribunal occupied by the Roman magistrates. The basilica was centrally located in every Roman town, usually adjacent to the forum and often opposite a temple in imperial-era forums. Basilicas were also built in private residences an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cosimo De' Medici
Cosimo di Giovanni de' Medici (27 September 1389 – 1 August 1464) was an Italian banker and politician who established the Medici family as effective rulers of Florence during much of the Italian Renaissance. His power derived from his wealth as a banker, and inter-marriage with other powerful and rich families. He was a patron of arts, learning and architecture. He spent over 600,000 gold florins (approx. $500 million inflation adjusted) on art and culture, including Donatello's David, the first freestanding nude male sculpture since antiquity. Despite his influence, his power was not absolute; Florence's legislative councils at times resisted his proposals throughout his life, and he was viewed as first among equals, rather than an autocrat.Martines, Lauro (2011). ''The Social World of the Florentine Humanists, 1390–1460''. University of Toronto Press. p. 8. Biography Early life and family business Cosimo de' Medici was born in Florence to Giovanni di Bicci de' Med ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masaccio
Masaccio (, , ; December 21, 1401 – summer 1428), born Tommaso di Ser Giovanni di Simone, was a Florentine artist who is regarded as the first great Italian painter of the Quattrocento period of the Italian Renaissance. According to Vasari, Masaccio was the best painter of his generation because of his skill at imitating nature, recreating lifelike figures and movements as well as a convincing sense of three-dimensionality. He employed nudes and foreshortenings in his figures. This had seldom been done before him.Vasari, Giorgio, "The Lives of the Artists" Translated by Julia Conaway Bondanella and Peter Bondanella, Oxford World Classics. The name Masaccio is a humorous version of Maso (short for Tommaso), meaning "clumsy" or "messy" Tom. The name may have been created to distinguish him from his principal collaborator, also called Maso, who came to be known as Masolino ("little/delicate Tom"). Despite his brief career, he had a profound influence on other artists and is co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippo Lippi
Filippo Lippi ( – 8 October 1469), also known as Lippo Lippi, was an Italian painter of the Quattrocento (15th century) and a Carmelite Priest. Biography Lippi was born in Florence in 1406 to Tommaso, a butcher, and his wife. He was orphaned when he was two years old and sent to live with his aunt Mona Lapaccia. Because she was too poor to rear him, she placed him in the neighboring Carmelite convent when he was eight years old. There, he started his education. In 1420 he was admitted to the community of Carmelite friars of the Priory of Our Lady of Mount Carmel in Florence, taking religious vows in the Order the following year, at the age of sixteen. He was ordained as a priest in approximately 1425 and remained in residence of that priory until 1432. Giorgio Vasari, the first art historian of the Renaissance, writes that Lippi was inspired to become a painter by watching Masaccio at work in the Carmine church. Lippi's early work, notably the Tarquinia Madonna (Galle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siena
Siena ( , ; lat, Sena Iulia) is a city in Tuscany, Italy. It is the capital of the province of Siena. The city is historically linked to commercial and banking activities, having been a major banking center until the 13th and 14th centuries. Siena is also home to the oldest bank in the world, the Monte dei Paschi bank, which has been operating continuously since 1472. Several significant Renaissance painters worked and were born in Siena, among them Duccio, Ambrogio Lorenzetti, Simone Martini and Sassetta, and influenced the course of Italian and European art. The University of Siena, originally called ''Studium Senese'', was founded in 1240, making it one of the oldest universities in continuous operation in the world. Siena was one of the most important cities in medieval Europe, and its historic centre is a UNESCO World Heritage Site. From January until the end of September of 2021 it had about 217,000 arrivals, with the largest numbers of foreign visitors coming ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pinacoteca Nazionale (Siena)
The Pinacoteca Nazionale is a national museum in Siena, Tuscany, Italy. Inaugurated in 1932, it houses especially late medieval and Renaissance paintings from Italian artists. It is housed in the Brigidi and Buonsignori palaces in the city's center: the former, built in the 14th century, it is traditionally identified as the Pannocchieschi family's residence. The Palazzo Bichi-Buonsignori, although built in the 15th century, has a 19th-century neo-medieval façade based on the city's Palazzo Pubblico. The gallery has one of the largest collections of Sienese paintings with gold backgrounds from the 14th and 15th centuries.Mauro Civai, Enrico Toti, ''Siena cuore medievale d'Europa''. Alsaba Edizioni, 2004 page 103 Works in the gallery include: *Duccio di Buoninsegna's Polyptych N. 28 and ''Madonna of the Franciscans'' *Guido da Siena's ''St. Peter Enthroned'' *Simone Martini's ''Blessed Agostino Novello and His Miracles'' (c. 1330) *Ambrogio Lorenzetti's ''Annunciation'' (c. 1344 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Queen Of Heaven
Queen of Heaven ( la, Regina Caeli) is a title given to the Virgin Mary, by Christians mainly of the Catholic Church and, to a lesser extent, in Anglicanism, Lutheranism, and Eastern Orthodoxy. The Catholic teaching on this subject is expressed in the papal encyclical ''Ad Caeli Reginam'', issued by Pope Pius XII in 1954. It states that Mary is called Queen of Heaven because her son, Jesus Christ, is the king of Israel and the heavenly king of the universe; indeed, the Davidic tradition of Israel recognized the mother of the king as the queen mother of Israel. The title "Queen of Heaven" has long been a Catholic tradition, included in prayers and devotional literature and seen in Western art in the subject of the Coronation of the Virgin from the High Middle Ages, long before it was given a formal definition status by the Church. Theological basis Queen of Heaven ( la, Regina Caeli) is one of many Queen titles used of Mary, mother of Jesus. The title derived in part from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Art
Renaissance art (1350 – 1620 AD) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. Renaissance art took as its foundation the art of Classical antiquity, perceived as the noblest of ancient traditions, but transformed that tradition by absorbing recent developments in the art of Northern Europe and by applying contemporary scientific knowledge. Along with Renaissance humanist philosophy, it spread throughout Europe, affecting both artists and their patrons with the development of new techniques and new artistic sensibilities. For art historians, Renaissance art marks the transition of Europe from the medieval period to the Early Modern age. The body of art, painting, sculpture, architecture, music and literature identified as "Renaissance art" was primar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrew Ladis
Andrew Thomas Ladis (January 30, 1949 – December 2, 2007) was a Greek-born American art historian particularly known for his studies on early Italian Renaissance painting.Harvard University Center for Italian Renaissance Studies, (2007) pp. 1-2 His 1983 book, ''Taddeo Gaddi: A Critical Review and Catalogue Raisonné'', was the first detailed study of Taddeo Gaddi in the English language. At time of his death he was the Franklin Professor of Art History at the University of Georgia's Lamar Dodd School of Art. Biography Andrew Ladis was born in Athens, Greece. His parents, Thomas and Marina Ladis, emigrated to the United States when Ladis was a small boy and settled in Richmond, Virginia, where he graduated from Thomas Jefferson High School. He received his BA in history (with Distinction) from the University of Virginia in 1970. After graduating, he briefly attended the University of Virginia Law School, but then transferred to the Graduate School of Arts and Sciences to study a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Di Bartolo
Domenico di Bartolo (birth name Domenico Ghezzi), born in Asciano, Siena, was a Sienese painter who became active during the early Renaissance period. He was inaccurately named by the famous painter, writer and historian Giorgio Vasari as the nephew of well-reputed Italian artist Taddeo di Bartolo, who is featured in Vasari's ''Lives of the Most Excellent Painters, Sculptors, and Architects''. By the early 1400s, Domenico di Bartolo was one of Siena's artists most influenced by the new Florentine style of painting. During the time that he was active and working, Domenico was the only Sienese painter to have received commissions by clients in Florence. Domenico was also employed by Lorenzo Vecchietta, otherwise referred to as Lorenzo di Pietro, to work alongside him for the fresco ''The Care of the Sick'', which is today considered a masterpiece of the Pilgrim's Hall in the hospital Santa Maria della Scala (Siena). Domenico first surfaced into the world of early Renaissance art in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_2.jpg "Click for more on -> Renaissance Art")
