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Madonna And Child (Gentile Da Fabriano)
''Madonna and Child'' is a tempera on panel painting of the enthroned Madonna and Child by Gentile da Fabriano. At its base are small angel musicians. It is now in the Galleria Nazionale dell'Umbria in Perugia. It was painted for the church of San Domenico in Perugia. Pierluigi De Vecchi and Elda Cerchiari, ''I tempi dell'arte'', volume 2, Bompiani, Milano 1999. It is generally attributed to c.1405-1410, a period when the painter was on the move between Venice, the Marche and Umbria. Some art historians see the treatment of volume in the Christ child as heavily influenced by Masaccio's ''Virgin and Child with Saint Anne'' (1424) and so instead date the painting to the final years of Gentile's stay in Florence (1424-1425). References {{15C-painting-stub 1410s paintings Collections of the Galleria Nazionale dell'Umbria Perugia Perugia (, , ; lat, Perusia) is the capital city of Umbria in central Italy, crossed by the River Tiber, and of the province of Perugia. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gentile Da Fabriano
Gentile da Fabriano ( – 1427) was an Italian painter known for his participation in the International Gothic painter style. He worked in various places in central Italy, mostly in Tuscany. His best-known works are his ''Adoration of the Magi'' from the ''Strozzi Altarpiece'' (1423), and the ''Flight into Egypt''. Following a visit to Florence in the 1419, he came in contact with humanism, which influenced his work throughout the rest of his career. He became highly influential for other painters in Florence, especially because of his use of detail based on the observations he made of the natural world. Bibliography Early life in Fabriano (c. 1370-1400) Gentile (di Niccolò di Massio) da Fabriano was born around 1370 in or near Fabriano, in the Marche. Despite having several family members who took part in different civic and religious organizations in the city, much of Gentile's early life remains undocumented. His mother died some point before 1380, and his father, Niccol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perugia
Perugia (, , ; lat, Perusia) is the capital city of Umbria in central Italy, crossed by the River Tiber, and of the province of Perugia. The city is located about north of Rome and southeast of Florence. It covers a high hilltop and part of the valleys around the area. The region of Umbria is bordered by Tuscany, Lazio, and Marche. The history of Perugia goes back to the Etruscan period; Perugia was one of the main Etruscan cities. The city is also known as the University, universities town, with the University of Perugia founded in 1308 (about 34,000 students), the University for Foreigners Perugia, University for Foreigners (5,000 students), and some smaller colleges such as the Academy of Fine Arts "Pietro Vannucci" ( it, Accademia di Belle Arti "Pietro Vannucci") public athenaeum founded in 1573, the Perugia University Institute of Linguistic Mediation for translators and interpreters, the Music Conservatory of Perugia, founded in 1788, and other institutes. Perugia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galleria Nazionale Dell'Umbria
The Galleria Nazionale dell'Umbria (English: National Gallery of Umbria) the Italian national paintings collection of Umbria, housed in the Palazzo dei Priori, Perugia, in central Italy. Located on the upper floors of the Palazzo dei Priori, the exhibition spaces occupy two floors and the collection comprises the greatest representation of the Umbrian School of painting, ranging from the 13th to the 19th century, strongest in the fourteenth through sixteenth centuries. The collection is presented in 40 exhibition rooms in the Palazzo. On the second floor of the Gallery, there is an exhibition space for temporary collections, changed several times a year. History The collection's origins lie in the foundation of the Perugian Accademia del Disegno in the mid-16th century. The Academy was originally based in the Convento degli Olivetani at Montemorcino, where it began to assemble a collection of paintings and drawings. The town became part of the French department of Trasimène in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gentile Da Fabriano 042
Gentile () is a word that usually means "someone who is not a Jew". Other groups that claim Israelite heritage, notably Mormons, sometimes use the term ''gentile'' to describe outsiders. More rarely, the term is generally used as a synonym for ''heathen'' or ''pagan''. In some translations of the Quran, ''gentile'' is used to translate an Arabic word that refers to non-Jews and/or people not versed in or not able to read scripture. The English word ''gentile'' derives from the Latin word , meaning "of or belonging to the same people or nation" (). Archaic and specialist uses of the word ''gentile'' in English (particularly in linguistics) still carry this meaning of "relating to a people or nation." The development of the word to principally mean "non-Jew" in English is entwined with the history of Bible translations from Hebrew and Greek into Latin and English. Its meaning has also been shaped by Rabbinical Jewish thought and Christian theology which, from the 1st century, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madonna And Child
In art, a Madonna () is a representation of Mary, either alone or with her child Jesus. These images are central icons for both the Catholic and Orthodox churches. The word is (archaic). The Madonna and Child type is very prevalent in Christian iconography, divided into many traditional subtypes especially in Eastern Orthodox iconography, often known after the location of a notable icon of the type, such as the ''Theotokos of Vladimir'', ''Agiosoritissa'', ''Blachernitissa'', etc., or descriptive of the depicted posture, as in ''Hodegetria'', ''Eleusa'', etc. The term ''Madonna'' in the sense of "picture or statue of the Virgin Mary" enters English usage in the 17th century, primarily in reference to works of the Italian Renaissance. In an Eastern Orthodox context, such images are typically known as '' Theotokos''. "Madonna" may be generally used of representations of Mary, with or without the infant Jesus, is the focus and central figure of the image, possibly flanke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galleria Nazionale Dell'Umbria
The Galleria Nazionale dell'Umbria (English: National Gallery of Umbria) the Italian national paintings collection of Umbria, housed in the Palazzo dei Priori, Perugia, in central Italy. Located on the upper floors of the Palazzo dei Priori, the exhibition spaces occupy two floors and the collection comprises the greatest representation of the Umbrian School of painting, ranging from the 13th to the 19th century, strongest in the fourteenth through sixteenth centuries. The collection is presented in 40 exhibition rooms in the Palazzo. On the second floor of the Gallery, there is an exhibition space for temporary collections, changed several times a year. History The collection's origins lie in the foundation of the Perugian Accademia del Disegno in the mid-16th century. The Academy was originally based in the Convento degli Olivetani at Montemorcino, where it began to assemble a collection of paintings and drawings. The town became part of the French department of Trasimène in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Domenico, Perugia
San Domenico is a Roman Catholic basilica church, located on Piazza Giordano Bruno and via del Castellano in the city of Perugia, region of Umbria, central Italy. Description A church, titled the ''Pieve di Santo Stefano del Castellare'', was present at the site since about the 5th century. Construction of the precursor to the present church, also known as ''San Domenico Vecchio'', began in 1304, and was constructed over the pre-existing church which had become inadequate after the growth of the Dominican Order. According to Giorgio Vasari, it was designed by Giovanni Pisano That church was consecrated in 1459, and had a layout that resembled the northern-European Hallenkirche plans. By 1614–1615, the San Domenico Vecchio church was dilapidated, showing structural problems, and threatening collapse. New plans for refurbishment were implemented. The church façade retains a late 16th-century portal and is now double Baroque staircase. The interior was renovated in 1629–1632 by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masaccio
Masaccio (, , ; December 21, 1401 – summer 1428), born Tommaso di Ser Giovanni di Simone, was a Florentine artist who is regarded as the first great Italian painter of the Quattrocento period of the Italian Renaissance. According to Vasari, Masaccio was the best painter of his generation because of his skill at imitating nature, recreating lifelike figures and movements as well as a convincing sense of three-dimensionality. He employed nudes and foreshortenings in his figures. This had seldom been done before him.Vasari, Giorgio, "The Lives of the Artists" Translated by Julia Conaway Bondanella and Peter Bondanella, Oxford World Classics. The name Masaccio is a humorous version of Maso (short for Tommaso), meaning "clumsy" or "messy" Tom. The name may have been created to distinguish him from his principal collaborator, also called Maso, who came to be known as Masolino ("little/delicate Tom"). Despite his brief career, he had a profound influence on other artists and is co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virgin And Child With Saint Anne (Masaccio)
The ''Madonna and Child with St. Anne'', also known as ''Sant'Anna Metterza'', is a painting of c. 1424-1425 by the Italian Renaissance painter Masaccio, probably in collaboration with Masolino da Panicale. The painting is in the Galleria degli Uffizi in Florence, Italy, and measures 175 centimetres high and 103 centimetres wide. The ''Virgin and Child'', with its powerful volume and solid possession of space by means of an assured perspectival structure, is one of the earliest works credited to Masaccio. Except for one, the angels, very delicate in their tender forms and pale, gentle colouring, are from the more Gothic brush of Masolino; the angel in the upper right hand curve reveals the hand of Masaccio. The figure of St. Anne is much worn and hence to be judged with difficulty, but her hand, which seems to explore the depth of the picture-space, may well be an invention of Masaccio. Masaccio's work shows the influence of Donatello in its soft, rounded forms and realistic te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1410s Paintings , a year of the pre-Julian Roman calendar
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141 may refer to: * 141 (number), an integer * AD 141, a year of the Julian calendar * 141 BC __NOTOC__ Year 141 BC was a year of the pre-Julian Roman calendar. At the time it was known as the Year of the Consulship of Caepio and Pompeius (or, less frequently, year 613 '' Ab urbe condita''). The denomination 141 BC for this year has been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collections Of The Galleria Nazionale Dell'Umbria
Collection or Collections may refer to: * Cash collection, the function of an accounts receivable department * Collection (church), money donated by the congregation during a church service * Collection agency, agency to collect cash * Collections management (museum) ** Collection (museum), objects in a particular field forms the core basis for the museum ** Fonds in archives ** Private collection, sometimes just called "collection" * Collection (Oxford colleges), a beginning-of-term exam or Principal's Collections * Collection (horse), a horse carrying more weight on his hindquarters than his forehand * Collection (racehorse), an Irish-bred, Hong Kong based Thoroughbred racehorse * Collection (publishing), a gathering of books under the same title at the same publisher * Scientific collection, any systematic collection of objects for scientific study Collection may also refer to: Computing * Collection (abstract data type), the abstract concept of collections in computer science ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings Of The Madonna And Child By Gentile Da Fabriano
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
