Madonna And Child (Cima Da Conegliano, Saint Petersburg)
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Madonna And Child (Cima Da Conegliano, Saint Petersburg)
''Madonna and Child'' is a painting in oils on canvas of 1496–1499 by Cima da Conegliano. Previously in the L. M. and K. L. Kochubey collection, it was seized by the Soviet Union's State Museum Fund and in 1921 was handed to the Hermitage Museum in Saint Petersburg, where it still hangs. Variants Unusually for the artist, who usually produced unique works, this one seems to belong to a group of at least five works produced from a single cartoon A cartoon is a type of visual art that is typically drawn, frequently animated, in an unrealistic or semi-realistic style. The specific meaning has evolved over time, but the modern usage usually refers to either: an image or series of images ...: Cima da Conegliano, The Virgin and Child, 69.2 x 57.2 cm, NG London.jpg, National Gallery WLA_lacma_Madonna_and_Child_in_a_Landscape.jpg, Los Angeles Cima da Conegliano - Madonna col Bambino, Raleigh.jpg, NCMA Cima da Conegliano, Madonna col Bambino Louvre.jpg, Louvre ...
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Cima Da Conegliano
Giovanni Battista Cima, also called Cima da Conegliano (c. 1459 – c. 1517), was an Italian Renaissance painter, who mostly worked in Venice. He can be considered part of the Venetian school, though he was also influenced by Antonello da Messina, in the emphasis he gives to landscape backgrounds and the tranquil atmosphere of his works. Once formed his style did not change greatly. He mostly painted religious subjects, often on a small scale for homes rather than churches, but also a few, mostly small, mythological ones. He often repeated popular subjects in different versions with slight variations, including his Madonnas and ''Saint Jerome in a Landscape''. His paintings of the ''Madonna and Child'' include several variations of a composition that have a standing infant Jesus, which in turn are repeated several times. Biography Giovanni Battista Cima was born at Conegliano, then part of the terrafirma of the Republic of Venice but now part of the province of Treviso, ...
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Hermitage Museum
The State Hermitage Museum ( rus, Государственный Эрмитаж, r=Gosudarstvennyj Ermitaž, p=ɡəsʊˈdarstvʲɪn(ː)ɨj ɪrmʲɪˈtaʂ, links=no) is a museum of art and culture in Saint Petersburg, Russia. It is the list of largest art museums, largest art museum in the world by Art gallery, gallery space. It was founded in 1764 when Empress Catherine the Great acquired an impressive collection of paintings from the Berlin merchant Johann Ernst Gotzkowsky. The museum celebrates the anniversary of its founding each year on 7 December, Saint Catherine's Day. It has been open to the public since 1852. The ''Art Newspaper'' ranked the museum 6th in their list of the List of most visited art museums, most visited art museums, with 1,649,443 visitors in 2021. Its collections, of which only a small part is on permanent display, comprise over three million items (the numismatics, numismatic collection accounts for about one-third of them). The collections occupy a l ...
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Saint Petersburg
Saint Petersburg ( rus, links=no, Санкт-Петербург, a=Ru-Sankt Peterburg Leningrad Petrograd Piter.ogg, r=Sankt-Peterburg, p=ˈsankt pʲɪtʲɪrˈburk), formerly known as Petrograd (1914–1924) and later Leningrad (1924–1991), is the second-largest city in Russia. It is situated on the Neva River, at the head of the Gulf of Finland on the Baltic Sea, with a population of roughly 5.4 million residents. Saint Petersburg is the fourth-most populous city in Europe after Istanbul, Moscow and London, the most populous city on the Baltic Sea, and the world's northernmost city of more than 1 million residents. As Russia's Imperial capital, and a historically strategic port, it is governed as a federal city. The city was founded by Tsar Peter the Great on 27 May 1703 on the site of a captured Swedish fortress, and was named after apostle Saint Peter. In Russia, Saint Petersburg is historically and culturally associated with t ...
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Modello
A modello (plural modelli), from Italian, is a preparatory study or model, usually at a smaller scale, for a work of art or architecture, especially one produced for the approval of the commissioning patron. The term gained currency in art circles in Tuscany in the fourteenth century. Modern definitions in reference works vary somewhat. Alternative and overlapping terms are "oil sketch" (''schizzo'') and "cartoon" for paintings, tapestry, or stained glass, maquette, plastico or bozzetto for sculpture or architecture, or architectural model. Background Though in Gothic figural arts bishops and abbots are often represented carrying small simulacra of buildings they had constructed – "models" in the familiar modern sense – ''modello'' is only used of pieces which pre-date the finished work, and were at least in part produced by the main artist involved. The less frequently found term ricordo (Italian for "record" or "memory") means a similar piece produced as a small copy ''a ...
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Madonna And Child (Cima Da Conegliano, London, 1499-1502)
In art, a Madonna () is a representation of Mary, either alone or with her child Jesus. These images are central icons for both the Catholic and Orthodox churches. The word is (archaic). The Madonna and Child type is very prevalent in Christian iconography, divided into many traditional subtypes especially in Eastern Orthodox iconography, often known after the location of a notable icon of the type, such as the '' Theotokos of Vladimir'', '' Agiosoritissa'', '' Blachernitissa'', etc., or descriptive of the depicted posture, as in ''Hodegetria'', '' Eleusa'', etc. The term ''Madonna'' in the sense of "picture or statue of the Virgin Mary" enters English usage in the 17th century, primarily in reference to works of the Italian Renaissance. In an Eastern Orthodox context, such images are typically known as ''Theotokos''. "Madonna" may be generally used of representations of Mary, with or without the infant Jesus, is the focus and central figure of the image, possibly ...
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Madonna And Child (Cima De Conegliano, Los Angeles)
''Madonna and Child'' is a 1496–1499 oil on panel painting by Cima da Conegliano, now in the Los Angeles County Museum of Art. Variants Unusually for the artist, who usually produced unique works, this one seems to belong to a group of at least five works produced from a single cartoon A cartoon is a type of visual art that is typically drawn, frequently animated, in an unrealistic or semi-realistic style. The specific meaning has evolved over time, but the modern usage usually refers to either: an image or series of images .... Cima da Conegliano, The Virgin and Child, 69.2 x 57.2 cm, NG London.jpg, National Gallery Cima da conegliano, madonna col bambino, hermitage.jpg, Hermitage Cima da Conegliano - Madonna col Bambino, Raleigh.jpg, NCMA Cima da Conegliano, Madonna col Bambino Louvre.jpg, Louvre References {{15C-painting-stub Los Angeles category:1490s paintings Paintings in the Los Angeles County Museum of Art ...
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Madonna And Child (Cima Da Conegliano, Raleigh)
''Virgin and Child in a Landscape'' is a 1496–1499 oil on panel painting by Cima da Conegliano, now in the North Carolina Museum of Art, in Raleigh. Variants The artist usually produced single compositions, but this work belongs to a group of at least five he produced from a single cartoon A cartoon is a type of visual art that is typically drawn, frequently animated, in an unrealistic or semi-realistic style. The specific meaning has evolved over time, but the modern usage usually refers to either: an image or series of images ...: Cima da Conegliano, The Virgin and Child, 69.2 x 57.2 cm, NG London.jpg, National Gallery WLA lacma Madonna and Child in a Landscape.jpg, LCMA Cima da conegliano, madonna col bambino, hermitage.jpg, Hermitage Cima da Conegliano, Madonna col Bambino Louvre.jpg, Paris References {{15C-painting-stub Raleigh Paintings in the North Carolina Museum of Art 1490s paintings ...
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Madonna And Child (Cima Da Conegliano, Paris, 1504-1507)
''Madonna and Child'' is a 1504–1507 oil on panel painting by Cima da Conegliano, now in the Louvre, in Paris. Variants The artist usually produced unique compositions, but this work belongs to a group of at least five paintings produced from the same modello, cartoon: Cima da Conegliano, The Virgin and Child, 69.2 x 57.2 cm, NG London.jpg, Madonna and Child (Cima da Conegliano, London, 1496-1499), London WLA lacma Madonna and Child in a Landscape.jpg, Madonna and Child (Cima de Conegliano, Los Angeles), LACMA Cima da conegliano, madonna col bambino, hermitage.jpg, Madonna and Child (Cima da Conegliano, Saint Petersburg), Hermitage Cima da Conegliano - Madonna col Bambino, Raleigh.jpg, Madonna and Child (Cima da Conegliano, Raleigh), NCMA References {{15C-painting-stub 1490s paintings Paintings of the Madonna and Child by Cima da Conegliano, Paris Paintings in the Louvre by Italian artists ...
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1490s Paintings
149 may refer to: *149 (number), a natural number *AD 149, a year in the 2nd century AD *149 BC, a year in the 2nd century BC *British Airways Flight 149, a flight from LHR to Kuwait City International Airport; the aircraft flying this flight was destroyed by Iraqi troops See also * List of highways numbered 149 The following highways are numbered 149: Canada * Prince Edward Island Route 149 Costa Rica * National Route 149 (Costa Rica), National Route 149 India * National Highway 149 (India) Japan * Japan National Route 149 United States * Alabama St ...
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Paintings In The Hermitage Museum
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ...
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