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Madhyalaya
Madhya laya or Madhyalaya is a medium tempo of a rhythm in Indian classical music. Medium tempo, a speed between 80 and 160 mātrās per minute. While Madhya laya is sometimes confused with Vilambit and vice versa, it is about two beats per second. According to some scholars like Subhajit Mandal, Madhya laya is visible in three phase: Madhya + Vilambit, Madhya + Madhya, Madhya + Drut. It could be said that what is characterized as Chhanda in first felt in Madhya tempo. Chhanda can be defined as generations of a definite, repetitive line of recognizable duration that bestows a definite length on the concerned tonal phase. Madhya + Vilamvit = Known as ‘Dagur ki badhat’ consists of embellishments and chikari works. Madhaya + Madhya = Also known as ‘Madhya Jod’ or ‘Barabar ki jod’ abundantly consists of musical embellishment known as ‘Gamaka’. In ‘tata’ instruments, fretwork is on the increase in the phase. Madhya + Drut= The phase is also known as ‘Ladi ki jod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Classical Music
Indian classical music is the classical music of the Indian subcontinent. It has two major traditions: the North Indian classical music known as '' Hindustani'' and the South Indian expression known as '' Carnatic''. These traditions were not distinct until about the 15th century. During the period of Mughal rule of the Indian subcontinent, the traditions separated and evolved into distinct forms. Hindustani music emphasizes improvisation and exploration of all aspects of a raga, while Carnatic performances tend to be short composition-based. However, the two systems continue to have more common features than differences. The roots of the classical music of India are found in the Vedic literature of Hinduism and the ancient ''Natyashastra'', the classic Sanskrit text on performing arts by Bharata Muni., Quote: "The tradition of Indian classical music and dance known as ''Sangeeta'' is fundamentally rooted in the sonic and musical dimensions of the Vedas (Sama veda), Upanisha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tala (music)
A tala ( IAST ''tāla'') literally means a 'clap, tapping one's hand on one's arm, a musical measure'. It is the term used in Indian classical music similar to musical meter, that is any rhythmic beat or strike that measures musical time. The measure is typically established by hand clapping, waving, touching fingers on thigh or the other hand, verbally, striking of small cymbals, or a percussion instrument in the Indian subcontinental traditions. Along with ''raga'' which forms the fabric of a melodic structure, the ''tala'' forms the life cycle and thereby constitutes one of the two foundational elements of Indian music. ''Tala'' is an ancient music concept traceable to Vedic era texts of Hinduism, such as the '' Samaveda'' and methods for singing the Vedic hymns. The music traditions of the North and South India, particularly the ''raga'' and ''tala'' systems, were not considered as distinct till about the 16th century. There on, during the tumultuous period of Islamic rul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jhaptal
Jhaptal is a tala of Hindustani music. It presents quite a different rhythmical structure from Teental, unlike which it is not symmetrical. It is used in madhyalay (medium-tempo) Khyal. Arrangement Jhaptal is a 10-beat pattern used in raga exposition. It has ten beats in four divisions (vibhag), of 2-3-2-3, the third of which is the khali, or open division. To follow the tal the audience clap on the appropriate beat, which in jhaptal is beats 1, 3 and 8 (the first beat in each full division). A wave of the hand indicates beat 6, the first beat of the khali section. Series of Claps and Waves: clap, 2, clap, 2, 3, wave, 2, clap, 2, 3 Theka The split for Jhaptaal : 2+3+2+3 che 4. In Devanagari : धी ना - धी धी ना -- ती ना - धी धी ना . It has a characteristic pattern of bols Bols may refer to: * Bol (music), an element of Indian rhythm * Lucas Bols, a Dutch distilling company * Bols (brand), a beverage brand name used by Lucas Bols * Bols ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teental
Teentaal (alternatively spelled tintal, teental, or tintaal, and also called trital; Hindi: तीन ताल) is the most common '' taal'' of Hindustani Classical Music, and is used for ''drut'' (fast tempo). It is symmetrical and presents a very simple rhythmic structure against which a performance can be laid. It is played on the Tabla as well as on other percussion instruments. Arrangement Teentaal has sixteen (16) beats in four equal divisions (Vibhag). The period between every two beats is equal. The first beat out of 16 beats is called ''sam'' and the 9th beat is called ''khali'' ('empty'). To count the Teentaal, the audience claps on the first beat, claps on the 5th beat, then waves on the 9th beat and lastly again claps on the 13th beat; these three claps (Hindi ''teen'' 'three' + ''taal'' 'clap') give the rhythm its name. Uses Teentaal can be used for both accompaniment and solo. There are various Kaidas and Parans based on it. Teentaal is the most widely used taal. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tilwada
Tilwada or tilwara () is a tala of Hindustani music. Like tintaal, tilwada tala also has 16 beats. Tilwada is often used in Kheyal Khyal or Khayal (ख़याल / خیال) is a major form of Hindustani classical music in the Indian subcontinent. Its name comes from a Persian/Arabic word meaning "imagination". Khyal is associated with romantic poetry, and allows the perfo .... Arrangement Cyclical series of equally periodical beats consisted of recurring claps and waves: *clap, 2, 3, 4, clap, 2, 3, 4, wave, 2, 3, 4, clap, 2, 3, 4 or counted out as: *clap, 2, 3, 4, clap, 6, 7, 8, wave, 10, 11, 12, clap 14, 15, 16 Theka This tala has the following arrangement: References {{Hindustani Classical Music page end Hindustani talas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rupak Tala
Rupak Tala (rupak taal) or also known as Roopak Taal is a popular tala in Hindustani music that is common in Bhajans and Geets.Ram Avatar 'Vir' 2002, p. 33 It has seven matras (beats) in three vibhags (divisions). Unlike the popular Tintal, the vibhags of Rupak Tala are not of equal length. Also, both the khali and sam of Rupak Tala fall on the first matra. Aavartan The aavaratan (cycle) of Rupak Tala has three vibhags (divisions). The first vibhag has three matras and both the second and third vibhags have two matras. Sam is on the first matra of the first vibhag. The aavaratan of Rupak Taal may be written as follows: Examples There are numerous examples of Rupak Tala that differ based upon the instrument used. The following examples apply for the tabla. Theka The most common theka for Rupak tala contains the bols 'Tin', 'Na', and 'Dhin' (the transliteration of these bols may differ quite a lot among individuals). This theka is composed in the following manner Tin T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keherwa
Keharwa or Kaharva is a tala of Hindustani music. Keherwa has many variations including dhumaali, "bhajani", and qawwali. Beats = 8 Division = 2 Arrangement Keharwa is an 8-beat pattern used in ragas. It has eight beats in two equal divisions (vibhag). The period between every two beats is equal. The first beat out of 8 beats is called "saam" and it denotes the start of the first division. The fifth beat out of 8 beats is called "khali" and denotes the start of the second division. To exhibit the Keherwa, the performer claps on the first beat and fifth beat is waved. Theka It has a characteristic pattern of bols (theka). In popular culture The popular Hindi film song, ''Rang Barse Bhige Chunar Wali'' from ''Silsila'' (1981), is also set in Keherwa by film's music composers duo, Shiv-Hari, who are noted classical musicians. The contemporary traditional Eid al-Fitr song for Bengali Muslims, O Mon Romzaner Oi Rozar Sheshe O Môn Rômzaner Oi Rozar Sheshe Elo Khushir Eid ( bn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Styles Of Music
Indian or Indians may refer to: Peoples South Asia * Indian people, people of Indian nationality, or people who have an Indian ancestor ** Non-resident Indian, a citizen of India who has temporarily emigrated to another country * South Asian ethnic groups, referring to people of the Indian subcontinent, as well as the greater South Asia region prior to the 1947 partition of India * Anglo-Indians, people with mixed Indian and British ancestry, or people of British descent born or living in the Indian subcontinent * East Indians, a Christian community in India Europe * British Indians, British people of Indian origin The Americas * Indo-Canadians, Canadian people of Indian origin * Indian Americans, American people of Indian origin * Indigenous peoples of the Americas, the pre-Columbian inhabitants of the Americas and their descendants ** Plains Indians, the common name for the Native Americans who lived on the Great Plains of North America ** Native Americans in the Uni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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