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Madhouse (Silver Convention Album)
''Madhouse'' is a 1976 concept album by German euro-disco group Silver Convention, which at the time consisted of vocalists Penny McLean, Ramona Wolf and Rhonda Heath, along with producer-songwriters Michael Kunze (aka Stephan Prager) and Sylvester Levay. The album is considered to be "funkier" than their previous releases". Madhouse - Review allmusic.com The album proved to be a moderate success, gaining considerable play at disco clubs at the time, but charted lower than Silver Convention's previous two releases, reaching number 65 on the Billboard Pop Albums chart, and number 47 on the Billboard Black Albums chart. Madhouse - Charts & Awards - Billboard Albums allmusic.com The album has since been released on iTunes in several countries. Reception "'' Save Me'' remains the Silver Convention's most essential album, but Madhouse runs a close second" - Alex Henderson for Allmusic AllMusic (previously known as All Music Guide and AMG) is an American online music databas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silver Convention
Silver Convention were a German Euro disco recording act of the 1970s. The group was originally named Silver Bird Convention or Silver Bird. Career The group was initiated in Munich by producers and songwriters Sylvester Levay and Michael Kunze. The group was named after Levay, "Silver" being Levay's nickname. Kunze had in the late 1960s been a pop lyricist who wrote protest songs in German; when these tunes went out of style, he began producing pop records and commercials. Levay had developed a taste for American music while growing up in Yugoslavia, eventually becoming a music arranger and lyricist. Using female session vocalists named Ingrid, Wilma and Monica, they scored a successful single in the United Kingdom in 1975 with the song " Save Me", which peaked at #30. They later used other vocalists, such as Gitta Walther, Lucy Neale, Betsy Allen, Roberta Kelly, and Jackie Carter for their first recordings and upcoming album. Since they were only a studio group, Levay and K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disco
Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars. Disco started as a mixture of music from venues popular with Italian Americans, Hispanic and Latino Americans and Black Americans "'Broadly speaking, the typical New York discothèque DJ is young (between 18 and 30) and Italian,' journalist Vince Lettie declared in 1975. ..Remarkably, almost all of the important early DJs were of Italian extraction .. Italian Americans have played a significant role in America's dance music culture .. While Italian Americans mostly from Brooklyn largely created disco from scratch .." in Philadelphia and New York City during the late 1960s and early 1970s. Disco can be seen as a reaction by the 1960s counterculture to both the dominance of rock music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is considered to be pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other styles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Europop
Europop (also spelled Euro pop) is a style of pop music that originated in Europe during the mid-to-late 1960s and developed to today's form throughout the late 1970s. Europop topped the charts throughout the 1980s and 1990s, with revivals and moderate degrees of appreciation also in the 2000s and the 2010s. History During the 1970s and early 1980s, such groups were primarily popular in Continental Europe, continental countries, with the exception of ABBA (1972–1983).ABBA The History', Billboard, 8 September 1979. Retrieved 3 June 2022 The Swedish four-person band achieved great success in the UK, where they scored twenty top 10 singles and nine chart-topping albums, and in North America and Australia. In the late 1980s and early 1990s Europop became very popular. Throughout the late 1990s and early 2000s, the Italian dance group Eiffel 65 were highly active in this genre. In the 2000s, one of the most popular representatives of Europop music was Swedish pop group Alcazar (b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Kunze
Michael Rolf Kunze (born 9 November 1943, in Prague) is a foremost German musical theater lyricist and librettist. He is best known for the hit musicals '' Elisabeth'' (1992), '' Dance of the Vampires'' (1996), ''Mozart!'' (1999), ''Marie Antoinette'' (2006), and ''Rebecca'' (2006). He has also written the lyrics for a number of hit songs (under the pseudonym Stephan Prager), including the number one Billboard hit " Fly, Robin, Fly" (1976), and was one of the top 1970s record producers, producing songs for musical acts Silver Convention, Penny McLean, and Sister Sledge. Kunze has won a Grammy Award, ECHO Lifetime Award and holds 79 Gold and Platinum records. Early life Born in Prague, Kunze is the son of actress Dita Roesler and Walter Kunze, a writer, cartoonist and journalist, who worked for the German language newspaper ''Prager Tagblatt''. He grew up in Southern Germany and attended Klenze Oberrealschule in Munich. He studied law, philosophy and history at the Ludwig-Maximi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sylvester Levay
Sylvester Levay (originally Lévay Szilveszter, Serbian language, Serbian: Силвестер Леваи, ''Silvester Levai'') is a Hungarian people, Hungarian recording artist and composer, born in Yugoslavia (now Serbia). Life and career Levay was born on 16 May 1945 in Subotica in the North Bačka District of Vojvodina, Yugoslavia (now Serbia). Sylvester Levay began his musical studies at the age of eight. Levay developed a taste for American music while growing up in Yugoslavia, eventually becoming a music arranger and lyricist. Upon his arrival in Munich in 1972, he met his writing partner, Michael Kunze (writer), Michael Kunze, with whom he has created many successful theatrical works. From 1980 to 2000 he lived in Hollywood, Los Angeles, Hollywood and concentrated on composing film music. He composed songs for notable artists like Elton John and Penny McLean. He was awarded with a 1976 Grammy Awards, Grammy for his 1975 song "Fly Robin Fly". In October 2010, Levay worked wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Get Up And Boogie
''Get Up and Boogie'' (sometimes also known simply as ''Silver Convention'') is the second studio album by the German disco group Silver Convention, and perhaps best known for including the song "Get Up and Boogie", which hit #1 on June 15, 1976 in Canada and reached #2 in the United States. Released in 1976, it proved popular on the dance floors and experienced some commercial success as well, reaching #9 on the Billboard Black Albums chart and #13 on the Billboard Pop Albums chart. Critical reception of the album, both back then and today, was mixed, although an Allmusic review called it "a respectable, if uneven, Euro-disco effort that boasts the disco smash 'Get Up and Boogie'". Silver Convention – Review allmusic.com The album has since been released on iTunes in several countries, sometimes under the title ''Silver Convention''. Track listing Personnel *Vocals – Penny McLean, Linda G. Thompson and Jackie Carter *Drums and Percussion – Keith Forsey Keith Forse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Summernights
''Summernights'' (released in some countries as: ''Golden Girls'') is a 1977 album by German euro-disco group Silver Convention, which at the time consisted of vocalists Penny McLean, Ramona Wolf and Rhonda Heath, along with producer-songwriters Michael Kunze (aka Stephan Prager) and Sylvester Levay. Track listing All tracks written by Michael Kunze and Sylvester Levay Standard release Side one # "Summernights" - 3:58 # "Wolfchild" - 4:20 # "Hotshot" - 5:57 # "Voodoo Woman" - 4:00 Side two # "Telegram" - 5:29 # "Ain't It Like A Hollywood Movie" - 5:06 # "Save Me '77" - 3:11 # "Blame It On The Music" - 4:27 # "Disco Ball" - 3:10 US release (''Golden Girls'') Side one # "Hollywood Movie" – 5:06 #: Alternative title for "Ain't It Like a Hollywood Movie" # "Blame It On The Music" - 4:27 # "Save Me '77" - 3:11 # "Disco Ball" - 3:10 # "Telegram Telegraphy is the long-distance transmission of messages where the sender uses symbolic codes, known to the recipient, rather ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concept Album
A concept album is an album whose tracks hold a larger purpose or meaning collectively than they do individually. This is typically achieved through a single central narrative or theme, which can be instrumental, compositional, or lyrical. Sometimes the term is applied to albums considered to be of "uniform excellence" rather than an LP with an explicit musical or lyrical motif. There is no consensus among music critics as to the specific criteria for what a "concept album" is. The format originates with folk singer Woody Guthrie's ''Dust Bowl Ballads'' (1940) and was subsequently popularized by traditional pop/jazz singer Frank Sinatra's 1940s–50s string of albums, although the term is more often associated with rock music. In the 1960s several well-regarded concept albums were released by various rock bands, which eventually led to the invention of progressive rock and rock opera. Since then, many concept albums have been released across numerous musical genres. Definiti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Albums Of The Seventies
''Christgau's Record Guide: Rock Albums of the Seventies'' is a music reference book by American music journalist and essayist Robert Christgau. It was first published in October 1981 by Ticknor & Fields. The book compiles approximately 3,000 of Christgau's capsule album reviews, most of which were originally written for his "Consumer Guide" column in ''The Village Voice'' throughout the 1970s. The entries feature annotated details about each record's release and cover a variety of genres related to rock music. Christgau's reviews are informed by an interest in the aesthetic and political dimensions of popular music, a belief that it could be consumed intelligently, and a desire to communicate his ideas to readers in an entertaining, provocative, and compact way. Many of the older reviews were rewritten for the guide to reflect his changed perspective and matured stylistic approach. He undertook an intense preparation process for the book during 1979 and 1980, which temporarily ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ticknor & Fields
Ticknor and Fields was an American publishing company based in Boston, Massachusetts. Founded as a bookstore in 1832, the business would publish many 19th century American authors including Ralph Waldo Emerson, Nathaniel Hawthorne, Henry James, Henry Wadsworth Longfellow, Harriet Beecher Stowe, Henry David Thoreau, and Mark Twain. It also became an early publisher of ''The Atlantic Monthly'' and ''North American Review''. The firm was named after founder William Davis Ticknor and apprentice James T. Fields, although the names of additional business partners would come and go, notably that of James R. Osgood in the firm's later years. Financial problems led Osgood to merge the company with the publishing firm of Henry Oscar Houghton in 1878, forming a precursor to the modern publisher Houghton Mifflin Harcourt. Houghton Mifflin revived the Ticknor and Fields name as an imprint from 1979 to 1989. Company history Early years In 1832 William Davis Ticknor and John All ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
