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Mademoiselle Dennebaut
Françoise Jacob de Montfleury, stage name Mademoiselle Dennebault (floruit, fl. 1661 – 1708), was a French stage actress.Émile Campardon, Les Comédiens du roi de la troupe française pendant les deux derniers siècles, Paris, H. Champion, 1879 She was engaged at the Molière's company in 1661. She became a Sociétaires of the Comédie-Française in 1680. She retired in 1685. She played the tragic heroines Junie (Britannicus, 1669) and Aricie (Phèdre, 1677) by Racine, in the comedies of her brother Antoine de Montfleury, as well as breeches roles of ''La Femme juge'' and ''La Fille capitaine''. References External links Mademoiselle Dennebault Comédie-Française 17th-century births 1708 deaths 17th-century French actresses French stage actresses {{France-actor-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Floruit
''Floruit'' (; abbreviated fl. or occasionally flor.; from Latin for "they flourished") denotes a date or period during which a person was known to have been alive or active. In English, the unabbreviated word may also be used as a noun indicating the time when someone flourished. Etymology and use la, flōruit is the third-person singular perfect active indicative of the Latin verb ', ' "to bloom, flower, or flourish", from the noun ', ', "flower". Broadly, the term is employed in reference to the peak of activity for a person or movement. More specifically, it often is used in genealogy and historical writing when a person's birth or death dates are unknown, but some other evidence exists that indicates when they were alive. For example, if there are wills attested by John Jones in 1204, and 1229, and a record of his marriage in 1197, a record concerning him might be written as "John Jones (fl. 1197–1229)". The term is often used in art history when dating the career ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Molière's Company
Molière's company (''La Troupe de Molière'') was the theatrical company which formed around Molière from 1648 onwards, when he was performing in the French provinces after the failure of the Illustre Théâtre in 1645. In 1658 the company moved to Paris and, after a successful performance on 24 October 1658 in front of Louis XIV at the Louvre, was allowed to share the large hall in the Hôtel du Petit-Bourbon with the Italian players of Tiberio Fiorillo. At this time Molière's company became known as the Théâtre de Monsieur, since their official sponsor was the King's brother Philippe, Duke of Orléans, known as Monsieur. When the Petit Bourbon was demolished in 1660 to make way for the eastern expansion of the Louvre, Molière's troupe was allowed to use the abandoned Théâtre du Palais-Royal. The latter theatre had originally been built by Cardinal Richelieu in 1641. After Molière's death in 1673, his widow Armande Béjart and the actor La Grange (actor), La Grange kept ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sociétaires Of The Comédie-Française
The sociétaires of the Comédie-Française are chosen from among the ''pensionnaires'' who have been in the company a year or more. They are decided upon in the course of a general assembly of the company's administrative committee, made up of 6 existing sociétaires, the senior sociétaire, and the general administrator. A pensionnaire is thus named a societaire by a decree of the Ministry of Culture, from names put forward by the general administrator of the Comédie-Française. On becoming a sociétaire, an actor automatically becomes a member of the ''Société des Comédiens-Français'' and receives a share of the profits as well as receiving a number of shares in the société to which he or she is contractually linked. After his or her retirement, a sociétaire can continue to act, becoming an honorary sociétaire. The senior member of the Comédie-Française is not the oldest sociétaire, but the sociétaire who has been with the company longest (since their entering it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Racine
Jean-Baptiste Racine ( , ) (; 22 December 163921 April 1699) was a French dramatist, one of the three great playwrights of 17th-century France, along with Molière and Corneille as well as an important literary figure in the Western tradition and world literature. Racine was primarily a tragedian, producing such "examples of neoclassical perfection" as ''Phèdre'', ''Andromaque'', and ''Athalie''. He did write one comedy, '' Les Plaideurs'', and a muted tragedy, ''Esther'' for the young. Racine's plays displayed his mastery of the dodecasyllabic (12 syllable) French alexandrine. His writing is renowned for its elegance, purity, speed, and fury, and for what American poet Robert Lowell described as a "diamond-edge", and the "glory of its hard, electric rage". Racine's dramaturgy is marked by his psychological insight, the prevailing passion of his characters, and the nakedness of both plot and stage. Biography Racine was born on 21 December 1639 in La Ferté-Milon (Aisne), i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine De Montfleury
Antoine is a French given name (from the Latin '' Antonius'' meaning 'highly praise-worthy') that is a variant of Danton, Titouan, D'Anton and Antonin. The name is used in France, Switzerland, Belgium, Canada, West Greenland, Haiti, French Guiana, Madagascar, Benin, Niger, Burkina Faso, Ivory Coast, Guinea, Senegal, Mauritania, Western Sahara, Morocco, Algeria, Tunisia, Chad, Central African Republic, Cameroon, Equatorial Guinea, Gabon, Republic of the Congo, Democratic Republic of the Congo, Burundi, and Rwanda. It is a cognate of the masculine given name Anthony. Similar names include Antaine, Anthoine, Antoan, Antoin, Antton, Antuan, Antwain, Antwan, Antwaun, Antwoine, Antwone, Antwon and Antwuan. Feminine forms include Antonia, Antoinette, and (more rarely) Antionette. As a first name * Antoine Alexandre Barbier (1765–1825), a French librarian and bibliographer * Antoine Arbogast (1759–1803), a French mathematician *Antoine Arnauld (1612–1694), a French theologi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breeches Role
A breeches role (also pants role or trouser role, or Hosenrolle) is one in which an actress appears in male clothing. Breeches, tight-fitting knee-length pants, were the standard male garment at the time these roles were introduced. The theatrical term ''travesti'' covers both this sort of cross-dressing and also that of male actors dressing as female characters. Both are part of the long history of cross-dressing in music and opera and later in film and television. In opera, a breeches role refers to any male character that is sung and acted by a female singer. Most often the character is an adolescent or a very young man, sung by a mezzo-soprano or contralto. Budden J., "Breeches part" in: ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. The operatic concept assumes that the character is male, and the audience accepts him as such, even knowing that the actor is not. Cross-dressing female characters (e.g., Leonore in ''Fidelio'' or Gilda in Act III ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Births
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1708 Deaths
Seventeen or 17 may refer to: *17 (number) 17 (seventeen) is the natural number following 16 (number), 16 and preceding 18 (number), 18. It is a prime number. Seventeen is the sum of the first four prime numbers. In mathematics 17 is the seventh prime number, which makes seventeen the ..., the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines *Seventeen (American magazine), ''Seventeen'' (American magazine), an American magazine *Seventeen (Japanese magazine), ''Seventeen'' (Japanese magazine), a Japanese magazine Novels *Seventeen (Tarkington novel), ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe *Seventeen (Serafin novel), ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film *Seventeen (1916 film), ''Seventeen'' (1916 film), an American silent comedy film *''Number Seventeen'', a 1932 film directed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century French Actresses
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
