Madame Bovary (opera)
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Madame Bovary (opera)
''Madame Bovary'' is an opera by Emmanuel Bondeville premiered at the Opéra-Comique on 1 June 1951 in a production by Louis Musy, conducted by Albert Wolff, with Jacqueline Brumaire in the title roleWolff S. ''Un demi-siècle d'Opéra-Comique (1900–1950).'' André Bonne, Paris, 1953. The opera is based upon the novel ''Madame Bovary'' by Gustave Flaubert Gustave Flaubert ( , , ; 12 December 1821 – 8 May 1880) was a French novelist. Highly influential, he has been considered the leading exponent of literary realism in his country. According to the literary theorist Kornelije Kvas, "in Flauber .... Recordings *Andree Esposito, Julien Haas, Yves Bisson, Nadine Denize, Orchestre de la Radio Lyrique de Paris, Pierre-Michel Le Conte 1962 References External linksOpera chicJohn Adams on ''Madame Bovary'' Operas based on works by Gustave Flaubert Operas Operas based on novels French-language operas Opera world premieres at the Opéra-Comique 1951 operas {{ ...
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Emmanuel Bondeville
Emmanuel Bondeville was a French composer and music administrator, born 29 October 1898 in Rouen, and died 26 November 1987 in Paris. He was a member of the Académie des Beaux-Arts. Biography As a young man he was organist at the church of Saint-Nicaise in Rouen and Notre-Dame in Caen. Bondeville lost both his parents when he was 16, and took on various jobs – organist, bank clerk, translator - to get by.Landormy P. ''La Musique Française après Debussy.'' Gallimard, Paris, 1943. He made his beginnings in music around 1923 writing works for piano, symphonic poems, opéras-comiques and opéras. During this time he also travelled around Europe and worked as an assistant in a music shop. He eventually had lessons in harmony and counterpoint from Jean Déré. In 1935 he became musical director of the radio stations Radio Tour Eiffel, Radio Paris, Radiodiffusion française then artistic director of Radio Monte-Carlo. From 1949 to 1951 Bondeville was director of the Opéra-Comique, ...
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Louis Musy
Louis Musy (22 October 1902, Algeria – 19 October 1981) was a French operatic baritone and stage director principally active at the Paris Opéra-Comique. His teacher was Léon David.Kutsch KJ, Riemens L. ''Großes Sängerlexikon''. Francke, Bern & Stuttgart, 1987. He made his debut in ''Le Chemineau'' by Leroux in 1925 at the Opéra-Comique and went on to sing many other French and Italian roles in the Opéra-Comique repertoire. Musy was a member of the four-member committee which ran the Opéra-Comique after the liberation of Paris during 1944. From 1947 he was a director of staging at the theatre. His pupils included Xavier Depraz, Jean Dupouy, Jacques Loreau, Irène Sicot and Remy Corazza. Roles created In addition to Paris premieres of several operas,Wolff S. ''Un demi-siècle d'Opéra-Comique (1900-1950).'' André Bonne, Paris, 1953. he took part in the world premieres of: * Son ami in ''Le pauvre matelot'' by Milhaud 1927 * Dandin in ''Georges Dandin'' by d'Ollone, 193 ...
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Albert Wolff (conductor)
Albert Louis Wolff (19 January 1884 – 20 February 1970) was a French conductor and composer of Dutch descent. Most of his career was spent in European venues, with the exception of two years that he spent as a conductor at the Metropolitan Opera and a few years in Buenos Aires during the Second World War. He is most known for holding the position of principal conductor with the Opéra-Comique in Paris for several years. He was married to the French mezzo-soprano Simone Ballard. Biography Early life and education Wolff was born in Paris, of Dutch parents, though he was a French citizen from birth, never lived in the Netherlands, and never had a Dutch passport. When only 12 years old, he began his musical education at the Paris Conservatoire. There, he studied with such teachers as André Gedalge, Xavier Leroux, and Paul Antonin Vidal. At the same time he played the piano in cabarets and was organist at the Église Saint-Thomas-d'Aquin (Paris) for four years. Upon graduatio ...
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Jacqueline Brumaire
Jacqueline Brumaire (born Herblay, 5 November 1921, died in Nancy 29 October 2000) was a French operatic soprano and later teacher. Life and career After training at the Conservatoire de Paris under Madeleine Mathieu, she debuted on 13 October 1946 at the Opéra-Comique as the Countess in ''Le nozze di Figaro''. Alain Pâris, Dictionnaire des interprètes et de l'interpretation musicale au XX siècle. Éditions Robert Laffont, Paris, 1995, (p262). She then embarked on a successful career at that opera house, being admired particularly in roles for lyric soprano from French and Italian operas: Mimi in ''La bohème'', Micaëla in '' Carmen'', the title heroine in Massenet's '' Manon'', Antonia in ''Les contes d'Hoffmann'', Fiordiligi in '' Così fan tutte'', and Mireille in Gounod's opera under the same title. She sang Emma Bovary in the 1951 Opéra-Comique premiere of the opera ''Madame Bovary'' by Emmanuel Bondeville (in 1962 she sang in the same opera at the Paris Opéra). A ...
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Madame Bovary
''Madame Bovary'' (; ), originally published as ''Madame Bovary: Provincial Manners'' ( ), is a novel by France, French writer Gustave Flaubert, published in 1856. The eponymous character lives beyond her means in order to escape the banalities and emptiness of provincial life. When the novel was first serialized in ''Revue de Paris'' between 1 October 1856 and 15 December 1856, public prosecutors attacked the novel for obscenity. The resulting trial in January 1857 made the story notorious. After Flaubert's acquittal on 7 February 1857, ''Madame Bovary'' became a bestseller in April 1857 when it was published in two volumes. A seminal work of literary realism, the novel is now considered Flaubert's masterpiece, and one of the most influential literary works in history. Plot synopsis ''Madame Bovary'' takes place in provincial Northern France, near the town of Rouen in Normandy. Charles Bovary is a shy, oddly dressed teenager arriving at a new school where his new classmates ...
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Gustave Flaubert
Gustave Flaubert ( , , ; 12 December 1821 – 8 May 1880) was a French novelist. Highly influential, he has been considered the leading exponent of literary realism in his country. According to the literary theorist Kornelije Kvas, "in Flaubert, realism strives for formal perfection, so the presentation of reality tends to be neutral, emphasizing the values and importance of style as an objective method of presenting reality". He is known especially for his debut novel ''Madame Bovary'' (1857), his ''Correspondence'', and his scrupulous devotion to his style and aesthetics. The celebrated short story writer Guy de Maupassant was a protégé of Flaubert. Life Early life and education Flaubert was born in Rouen, in the Seine-Maritime department of Upper Normandy, in northern France. He was the second son of Anne Justine Caroline (née Fleuriot; 1793–1872) and Achille-Cléophas Flaubert (1784–1846), director and senior surgeon of the major hospital in Rouen. He began writ ...
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Operas Based On Works By Gustave Flaubert
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Operas Based On Novels
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ...
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Opera World Premieres At The Opéra-Comique
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing ...
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