Ma Ya
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Ma Ya
''Ma Ya'' is Habib Koité & Bamada's second studio album. Track listing *All songs written and arranged by Habib Koité. Lyrics translated by Assetou Gologo. *Track list:CD case http://images.45worlds.com/f/cd/habib-koite-and-bamada-contrejour-5-cd.jpg Spotify entry https://open.spotify.com/album/3E2O2Hcy1no6EsdOVD77Cb # "I Mada" # "Wassiye" # "Ma Ya" # "Bitile" # "Sirata" # "Foro Bana" # "Sarayama" # "Kumbin" # "Mara Kaso" # "Pula Ku" # "Komine" # "Manssa Cise" Personnel *Habib Koité: Vocals, Guitars *Boubacar Sidibe: Guitars, Harmonica, Vocals *Abdoul Wahab Berthe: Bass, Ngoni *Baba Sissoko: Ngoni, Balafon The balafon is a gourd-resonated xylophone, a type of struck idiophone. It is closely associated with the neighbouring Mandé, Senoufo and Gur peoples of West Africa, particularly the Guinean branch of the Mandinka ethnic group, but is now ... *Souleymane Ann: Drums, Vocals References 1997 albums {{world-album-stub ...
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Habib Koité
Habib Koité ( bm, , Habib Kuwatɛ, born 1958 in Thiès, Senegal) is a Malian musician, singer, songwriter and griot based in Mali. His band, Bamada, was a supergroup of West African musicians, which included Kélétigui Diabaté on balafon. Musical style Koité is known primarily for his unique approach to playing the guitar by tuning it on a pentatonic scale and playing on open strings as one would on a kamale n'goni. His music is also influenced by blues or flamenco which are two styles he learned under Khalilou Traore. Koité's vocal style is intimate and relaxed, emphasizing calm, moody singing rather than operatic technical prowess. Members of Bamada play the following instruments: talking drum, guitar, bass, drum set, harmonica, violin, calabash, and balafon. Koité composes and arranges all songs, singing in English, French, and Bambara. History Malian guitarist Habib Koité is one of Africa's most popular and recognized musicians. Habib comes from a noble li ...
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Bamako
Bamako ( bm, ߓߡߊ߬ߞߐ߬ ''Bàmakɔ̌'', ff, 𞤄𞤢𞤥𞤢𞤳𞤮 ''Bamako'') is the Capital city, capital and largest city of Mali, with a 2009 population of 1,810,366 and an estimated 2022 population of 2.81 million. It is located on the Niger River, near the rapids that divide the upper and middle Niger valleys in the southwestern part of the country. Bamako is the nation's administrative centre. The city proper is a Cercles of Mali, cercle in its own right. Bamako's Inland port, river port is located in nearby Koulikoro, along with a major regional trade and conference center. Bamako is the seventh-largest West Africa, West African urban center after Lagos, Abidjan, Kano (city), Kano, Ibadan, Dakar, and Accra. Locally manufactured goods include textiles, processed meat, and metal goods as well as mining. Commercial fishing occurs on the Niger River. The name Bamako ( ''Bàmakɔ̌'' in Bambara language, Bambara) comes from the Bambara word meaning "crocodile river". ...
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Music Of Africa
Given the vastness of the African continent, its music is diverse, with regions and nations having many distinct musical traditions. African music includes the genres amapiano, Jùjú, Fuji, Afrobeat, Highlife, Makossa, Kizomba, and others. The music and dance of the African diaspora, formed to varying degrees on African musical traditions, include American music like Dixieland jazz, blues, jazz, and many Caribbean genres, such as calypso (see kaiso) and soca. Latin American music genres such as cumbia, conga, rumba, son cubano, salsa music, bomba, samba and zouk were founded on the music of enslaved Africans, and have in turn influenced African popular music. Like the music of Asia, India and the Middle East, it is a highly rhythmic music. The complex rhythmic patterns often involving one rhythm played against another to create a polyrhythm. The most common polyrhythm plays three beats on top of two, like a triplet played against straight notes. Sub-Saharan African mus ...
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Music Of Mali
The music of Mali is, like that of most African nations, ethnically diverse, but one influence predominates: that of the ancient Mali Empire of the Mandinka (from c. 1230 to c. 1600). Mande people (Bambara, Mandinka, Soninke) make up around 50% of Mali's population; other ethnic groups include the Fula (17%), Gur-speakers 12%, Songhai people (6%), Tuareg and Moors (10%). Salif Keita, a noble-born Malian who became a singer, brought Mande-based Afro-pop to the world, adopting traditional garb and styles. The kora players Sidiki Diabaté and Toumani Diabaté have also achieved some international prominence, as have the late Songhai/Fula guitarist Ali Farka Touré and his successors Afel Bocoum and Vieux Farka Touré, the Tuareg band Tinariwen, the duo Amadou et Mariam and Oumou Sangare. Mory Kanté saw major mainstream success with techno-influenced Mande music. While internationally Malian popular music has been known more for its male artists, there are some exceptions: Fa ...
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Muso Ko
''Muso Ko'' is the debut album by Habib Koité & Bamada. Two tracks, "I Ka Barra" and "Din Din Wo", are included in the Sample Music package included with Windows Vista. The album is available on iTunes iTunes () is a software program that acts as a media player, media library, mobile device management utility, and the client app for the iTunes Store. Developed by Apple Inc., it is used to purchase, play, download, and organize digital mul .... Track listing # "Fatma" - 5:01 # "Muso Ko" - 4:36 # "Den Ko" - 5:10 # "Nanalé" - 5:21 # "I Ka Barra" - 5:00 # "Sira Bulu" - 4:41 # "Nimato" - 4:05 # "Cigarette Abana" - 4:21 # "Din Din Wo" 4:46 # "Kunfe Ta" - 4:53 # "Koulandian" - 4:43 References 1995 debut albums Microsoft Windows sample music {{world-album-stub ...
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Baro (Habib Koité & Bamada Album)
''Baro'' is the third album by Habib Koité & Bamada. It includes a new Afro-Cuban Afro-Cubans or Black Cubans are Cubans of West African ancestry. The term ''Afro-Cuban'' can also refer to historical or cultural elements in Cuba thought to emanate from this community and the combining of native African and other cultural ele ... version of his first commercial hit "Cigarette Abana", (originally found on his first album, Muso Ko). Track listing # "Batoumambe" # "Kanawa" # "Wari" # "Sin Djen Djen" # "Cigarette Abana (Baro Version)" # "Woulaba" # "Baro" # "Sambara" # "Roma" # "Tere" # "Mali Sadio" # "Takamba" # "Sinama Denw" References * 2001 albums {{World-album-stub ...
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Q (magazine)
''Q'' was a popular music magazine published monthly in the United Kingdom. It was founded in 1986 by broadcast journalists Mark Ellen and David Hepworth, who were presenters of the BBC television music series ''The Old Grey Whistle Test''. ''Q'''s final issue was published in July 2020. ''Q'' was originally published by the EMAP media group and set itself apart from much of the other music press with monthly production and higher standards of photography and printing. In the early years, the magazine was sub-titled "The modern guide to music and more". Originally it was to be called ''Cue'' (as in the sense of cueing a record, ready to play), but the name was changed so that it would not be mistaken for a snooker magazine. Another reason, cited in ''Q''s 200th edition, is that a single-letter title would be more prominent on newsstands. In January 2008, EMAP sold its consumer magazine titles, including ''Q'', to the Bauer Media Group. Bauer put the title up for sale in 2020 ...
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Ngoni (instrument)
The ngoni (also written ''ngɔni'', ''n'goni'', or ''nkoni'') is a string instrument and a traditional West African guitar. Its body is made of wood or calabash with dried animal (often goat) skin head stretched over it. The ngoni, which can produce fast melodies, appears to be closely related to the ''akonting'' and the ''xalam''. This is called a ''jeli ngoni'' as it is played by griots at celebrations and special occasions in traditional songs called ''fasa''s in Mandingo. Another larger type, believed to have originated among the donso (a hunter and storyteller caste of the Wassoulou cultural region) is called the ''donso ngoni''. This is still largely reserved for ceremonial purposes. The donso ngoni, or "hunter's harp," has six strings. It is often accompanies singing along with the '' karagnan'', a serrated metal tube scraped with a metal stick. The donso ngoni was mentioned by Richard Jobson in the 1620s, describing it as the most commonly used instrument in the Gambia. H ...
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Balafon
The balafon is a gourd-resonated xylophone, a type of struck idiophone. It is closely associated with the neighbouring Mandé, Senoufo and Gur peoples of West Africa, particularly the Guinean branch of the Mandinka ethnic group, but is now found across West Africa from Guinea to Mali. Its common name, ''balafon'', is likely a European coinage combining its Mandinka name ''bala'' with the word ''fôn'' 'to speak' or the Greek root ''phono''. History Believed to have been developed independently of the Southern African and South American instrument now called the marimba, oral histories of the balafon date it to at least the rise of the Mali Empire in the 12th century CE. Balafon is a Manding name, but variations exist across West Africa, including the ''balangi'' in Sierra Leone and the #Gyil, gyil of the Dagara, Lobi and Gurunsi from Ghana, Burkina Faso and Ivory Coast. Similar instruments are played in parts of Central Africa, with the ancient Kingdom of Kongo denoting ...
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