MUSICOMP
The Experimental Music Studios (EMS) is an organization or center for electroacoustic and computer music, focusing on synthesis and concert performance of art music,the Experimental Music Studios , ''EMS.music.Illinois.edu''. Accessed: February 26, 2017 founded by at in 1958. The "second electronic music studio developed in the United States", Bohn, James (undated). [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Herbert Brün
Herbert Brün (July 9, 1918 – November 6, 2000) was a composer, pioneer of electronic and computer music, and cybernetician. Born in Berlin, Germany, he taught at the University of Illinois at Urbana-Champaign from 1962 until he retired, several years before his death. Career Brün left Germany in 1936 to study piano and composition at the Jerusalem Conservatory (later renamed Israel Academy of Music) in (then) Palestine with Stefan Wolpe, Eli Friedman and Frank Pelleg. While in Palestine, he also worked as a jazz pianist. In 1948, he received a scholarship to further his studies at Tanglewood and Columbia University through 1950. His work as an electronic-music composer began in Paris in the late 1950s, at the WDR studio in Cologne, and at the Siemens studio in Munich. During the 1950s, he also worked as composer and conductor of music for the theater, gave lectures and seminars emphasizing the function of music in society, and did a series of broadcasts on contemporary musi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lejaren Hiller
Lejaren Arthur Hiller Jr. (February 23, 1924, New York City – January 26, 1994, Buffalo, New York)Lejaren Hiller (1924-1994) © 1994 by Peter Gena.Kozinn, Allan (February 1, 199 NYTimes.com; accessed July 1, 2017. was an American composer. Career In 1957 he collaborated with Leonard Issacson on his String Quartet No. 4, ''[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Electroacoustic Music
Electroacoustic music is a genre of popular and Western art music in which composers use technology to manipulate the timbres of acoustic sounds, sometimes by using audio signal processing, such as reverb or harmonizing, on acoustical instruments. It originated around the middle of the 20th century, following the incorporation of electric sound production into compositional practice. The initial developments in electroacoustic music composition to fixed media during the 20th century are associated with the activities of the at the ORTF in Paris, the home of musique concrète, the Studio for Electronic Music in Cologne, where the focus was on the composition of '' elektronische Musik,'' and the Columbia-Princeton Electronic Music Center in New York City, where tape music, electronic music, and computer music were all explored. Practical electronic music instruments began to appear in the early 20th century. Tape music Tape music is an integral part of '' musique concrète'' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Robert Fleisher
Robert Fleisher (born 1953 in New York City) is a composer and Professor Emeritus at Northern Illinois University and the author of ''Twenty Israeli Composers'', where he discusses with twenty Israeli composers about their inspirations, methods and cultural context in their work. He is also a contributing composer and essayist in Theresa Sauer’s Notations 21 (2009). Robert Fleisher's work has also been in 60x60 60x60 is a collection of 60 electroacoustic or acousmatic works from 60 different composers/artists, each work 60 seconds or less in duration. 60x60 project showcases sixty new works, each sixty seconds or less, by sixty composers in a continuous ...'s Crimson Mix Articles and Reviews''The Inside Story: Robert Fleisher and MOTO FINALE''Navona Records - January 27, 2022By Allan Kozinn, New York Times - June 17, 2010 Discography''Moto Finale''Navona Records - Release Date: December 10, 2021''Moto Continuo'' Navona Records - Release Date: July 10, 2015 Publications'' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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John Cage
John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage's romantic partner for most of their lives. Cage is perhaps best known for his 1952 composition ''4′33″'', which is performed in the absence of deliberate sound; musicians who present the work do nothing aside from being present for the duration specified by the title. The content of the composition is not "four minutes and 33 seconds of silence," as is often assumed, but rather the sounds of the environment heard by the audience during performance. The work's challenge t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Olly Wilson
Olly Woodrow Wilson, Jr. (September 7, 1937 – March 12, 2018) was an American composer of contemporary classical music, pianist, double bassist, and a musicologist. He was one of the most preeminent composers of African American descent in the twentieth and twenty-first centuries. He is known for developing a list of Heterogenous Sound Ideals that is widely used to dissect different aspects of music, with an emphasis on African culture. According to Wilson himself, "The essence of Africanness consists of a way of doing something, not simply something that is done" (1991). This motto is the basis of Wilson's work in the realm of ethnomusicology. He is also known for establishing the TIMARA (Technology in Music and Related Arts) program at Oberlin Conservatory, the first-ever conservatory program in electronic music. Olly's richly varied musical background included not only traditional compositions and academic disciplines, but also his professional experience as a jazz and orche ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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David Weinstein (musician)
David Weinstein (born 1954 in Chicago) is an American musician and composer. He has been cited as avant garde and postmodern by ''The New York Times''. He has performed his compositions in musical groups such as Impossible Music (with Nicolas Collins), and in collaboration with visual artists. In 1978, with Jim Staley and Dan Senn, Weinstein founded the avant-garde music institution Roulette Intermedium Roulette Intermedium is a performing arts and new music venue located in Brooklyn, New York City. Founded in 1978, it has been located in the neighborhoods of Tribeca and SoHo in Manhattan, and now resides in a renovated theater in downtown Brookly ..., which presented concerts and performances in a loft in Tribeca. In 1992, along with Shelley Hirsch, he won the international Prix Futura award for excellence in the radio "docu-musical" ''O Little Town of East New York''. References American male composers 1954 births Living people Musicians from Chicago 21st-centu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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David Ward-Steinman
David Ward-Steinman (November 6, 1936 – April 14, 2015) was an American composer and professor. He was the author of ''Toward a Comparative Structural Theory of the Arts'', and co-authored ''Comparative Anthology of Musical Forms''. Ward-Steinman spent his remaining days dividing his time between San Diego State University and Indiana University in Bloomington. He was formerly Composer-in-Residence and Professor of Music at San Diego State, and then became Distinguished Professor of Music Emeritus there, and also an Adjunct Professor of Music at Indiana, where he taught in the spring. Biography Ward-Steinman studied at Florida State University and the University of Illinois, where he received the Kinley Memorial Fellowship for foreign study. After receiving his doctorate, he was a fellow at Princeton University from 1970. His teachers included John Boda, Burrill Phillips, Darius Milhaud (at Aspen, Colorado), Milton Babbitt (at Tanglewood) and Nadia Boulanger.Oxford Music Onli ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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James Tenney
James Tenney (August 10, 1934 – August 24, 2006) was an American composer and music theorist. He made significant early musical contributions to plunderphonics, sound synthesis, algorithmic composition, process music, spectral music, microtonal music, and tuning systems including extended just intonation. His theoretical writings variously concern musical form, texture, timbre, consonance and dissonance, and harmonic perception. Biography James Tenney was born in Silver City, New Mexico, and grew up in Arizona and Colorado. He attended the University of Denver, the Juilliard School of Music, Bennington College (B.A., 1958) and the University of Illinois (M.A., 1961). He studied piano with Eduard Steuermann and composition with Chou Wen-chung, Lionel Nowak, Paul Boepple, Henry Brant, Carl Ruggles, Kenneth Gaburo, John Cage, Harry Partch, and Edgard Varèse. He also studied acoustics, information theory and tape music composition under Lejaren Hiller. In 1961, Tenney completed ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Carla Scaletti
Carla Scaletti (born April 28, 1956) is an American harpist, composer, music technologist and the inventor of the Kyma Sound Design Environment as well as president of Symbolic Sound. Biography Carla Scaletti was born in Ithaca, New York. She graduated from the public schools in Albuquerque, New Mexico, then completed a Bachelor of Music from the University of New Mexico, a Master of Music from Texas Tech University, a master's in computer science from the University of Illinois and a doctorate in music composition from the same school. In the 1970s, she worked as principal harpist in the New Mexico Symphony Orchestra and Lubbock Symphony Orchestra, and composed for acoustic instruments, but later she developed an interest in computer generated music. After completing her education, she worked as a researcher at the CERL Sound Group, University of Illinois at Urbana-Champaign, and later as a visiting assistant professor at the University of Illinois before leaving the universi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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David Rosenboom
David Rosenboom (born 1947 in Fairfield, Iowa) is a composer-performer, interdisciplinary artist, author, and educator known for his work in American experimental music. Rosenboom has explored various forms of music, languages for improvisation, new techniques in scoring for ensembles, multi-disciplinary composition and performance, cross-cultural collaborations, performance art and literature, interactive multi-media, new instrument technologies, generative algorithmic systems, art-science research and philosophy, and extended musical interface with the human nervous system. He is a pioneer in the use of neurofeedback and compositional algorithms. He is currently the Roy E. Disney Family Chair in Musical Composition in The Herb Alpert School of Music at California Institute of the Arts, where he served as he dean from 1990 to 2020. He has also taught at other institutions such as Mills College, York University, and the Center for Creative and Performing Arts at the State Univers ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Larry Polansky
Larry Polansky (born 1954) is a composer, guitarist, mandolinist, and professor emeritus at Dartmouth College and the University of California, Santa Cruz. He is a founding member and co-director of Frog Peak Music (a composers' collective) He co-wrote HMSL (Hierarchical Music Specification Language) with Phil Burk and David Rosenboom. There are several recordings of his work, including an album of mensuration canons, ''Four-Voice Canons''. He also served as co-producer of ''Asmat Dream: New Music Indonesia, Vol. I''. He is the brother of novelist Steven Polansky. Discography * freeHorn (2017, Cold Blue Music) * Three Pieces for Two Pianos (2016, New World Records) * The World's Longest Melody (2010, New World Records, featuring Zwerm guitar quartet) * The Theory of Impossible Melody (1990, Artifact Recordings; 2008 Reissue on New World Records) * Trios (2004, Pogus CDs, with Douglas Repetto, Tom Erbe, Chris Mann, Christian Wolff) * Four Voice Canons (2002, Cold Blue R ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |