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Lélio
''Lélio, ou Le retour à la vie'' (English: ''Lélio, or the Return to Life'') Op. 14b, is a work incorporating music and spoken text by the French composer Hector Berlioz, intended as a sequel to his '' Symphonie fantastique''. It is written for a narrator, solo tenor and baritone, mixed chorus, and an orchestra including piano. It was composed in Italy in 1831, often using previously written music, and first performed at the Conservatoire de Paris on 9 December 1832 as ''Le retour à la vie, mélologue en six parties''. It was revised for a performance in Weimar at the request of Franz Liszt in 1855 and published the following year. According to David Cairns, ''Lélio'' had the most "immediate impact" of all Berlioz's works, yet the fashionable Romantic features and the mixture of declamation and music which appealed to early audiences have served to date the piece and it is rarely revived or recorded nowadays. Overview ''Lélio'' is a kind of sequel to ''Symphonie fant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonie Fantastique
' (''Fantastical Symphony: Episode in the Life of an Artist … in Five Sections'') Op. 14, is a program symphony written by the French composer Hector Berlioz in 1830. It is an important piece of the early Romantic period. The first performance was at the Paris Conservatoire on 5 December 1830. Franz Liszt made a piano transcription of the symphony in 1833 (S. 470). The American composer and conductor Leonard Bernstein described the symphony as the first musical expedition into psychedelia because of its hallucinatory and dream-like nature, and because history suggests Berlioz composed at least a portion of it under the influence of opium. According to Bernstein, "Berlioz tells it like it is. You take a trip, you wind up screaming at your own funeral." Berlioz put a great deal of emotion into the piece, exploring the extremities of many ends of the emotional spectrum. He wanted people to understand his intentions behind it as they were the driving factor behind each movement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Boulez
Pierre Louis Joseph Boulez (; 26 March 1925 – 5 January 2016) was a French composer, conductor and writer, and the founder of several musical institutions. He was one of the dominant figures of post-war Western classical music. Born in Montbrison, Loire, Montbrison in the Loire department of France, the son of an engineer, Boulez studied at the Conservatoire de Paris with Olivier Messiaen, and privately with Andrée Vaurabourg and René Leibowitz. He began his professional career in the late 1940s as music director of the Renaud-Barrault theatre company in Paris. He was a leading figure in avant-garde music, playing an important role in the development of integral serialism (in the 1950s), Aleatoric music, controlled chance music (in the 1960s) and the electronic transformation of instrumental music in real time (from the 1970s onwards). His tendency to revise earlier compositions meant that his body of work was relatively small, but it included pieces regarded by many as lan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harriet Smithson
Harriet Constance Smithson (18 March 1800 – 3 March 1854), most commonly known as Harriet Smithson, who also went by Henrietta Constance Smithson,, Murphy, Groghegan, 2015 p.196. Harriet Smithson Berlioz, and Miss H.C. Smithson, was an Anglo-Irish people, Anglo-Irish Shakespearean actress of the 19th century, best known as the first wife and muse of Hector Berlioz. Early life Harriet Smithson was born on 18 March 1800, at Ennis, County Clare, Ireland. Her father, William Joseph Smithson, was an actor and theatrical manager from Gloucestershire, England, and her mother was an actress whose full name is unknown. She also had a brother, Joseph Smithson, and a sister, name also unknown. In October 1801, Harriet was left in the care of Reverend James Barrett, a priest of the Church of Ireland, parish of Drumcliffe. Barrett became her guardian and brought her up as though she were his own daughter. He instructed her "in the precepts of religion," and kept everything connected with t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Dutoit
Charles Édouard Dutoit (born 7 October 1936) is a Swiss conductor. He is currently the principal guest conductor for the Saint Petersburg Philharmonia and co-director of thMISA Festival in Shanghai In 2017, he became the 103rd recipient of thRoyal Philharmonic Society Gold Medal Award Dutoit held previous positions with the London Royal Philharmonic Orchestra, the Philadelphia Orchestra, the Orchestre Symphonique de Montréal, the Tokyo NHK Symphony and the Orchestre National de France. As of 2017, he is conductor emeritus of the Verbier Music Festival Orchestra. He is an honorary member of the Ravel Foundation in France and the Stravinsky Foundation in Switzerland. In December 2017, following allegations of sexual assault, the Boston and San Francisco Symphonies cancelled his engagements. In a statement, Dutoit denied the charges. Biography Dutoit was born in Lausanne, Switzerland. He studied there, and graduated from the Conservatoire de musique de Genève, where he won fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Montreal Symphony Orchestra
The Montreal Symphony Orchestra (french: Orchestre symphonique de Montréal, or OSM) is a Canadian symphony orchestra based in Montreal, Quebec, Canada. The orchestra’s home is the Montreal Symphony House at Place des Arts. It is the only orchestra in the world that possesses an octobass. History Several orchestras were precursor ensembles to the current OSM. One such orchestra was formed in 1897, which lasted ten years, and another was established in 1930, which lasted eleven. The current orchestra directly traces its roots back to 1934, when Wilfrid Pelletier formed an ensemble called Les Concerts Symphoniques. This ensemble gave its first concert January 14, 1935, under conductor Rosario Bourdon. The orchestra acquired its current name in 1954. In the early 1960s, as the Orchestra was preparing to move to new facilities at Place des Arts, patron and prominent Montreal philanthropist, John Wilson McConnell, purchased the 1727 '' Laub-Petschnikoff Stradivarius'' violin for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lambert Wilson
Lambert Wilson (born 3 August 1958) is a French actor, singer and activist. He is best known internationally for his portrayal of The Merovingian in ''The Matrix Reloaded'', ''The Matrix Revolutions'' and ''The Matrix Resurrections''. Biography Early life Wilson is the son of Georges Wilson, who was an actor, theatrical manager and director of the Théâtre National Populaire. As a teenager, he had little interest in the French theatre and aimed to become an "American actor" and appear in Hollywood pictures. He studied acting at the Drama Centre London to learn English. He played his first movie role in the 1977 American film ''Julia'', directed by Fred Zinneman. Five years later, he played his first starring role in another film by Zinneman, ''Five Days One Summer'', opposite Sean Connery. But the film was not a commercial success, and neither was ''Sahara'' in which Wilson co-starred with Brooke Shields. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Language
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy) – Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version Itali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Programme Music
Program music or programatic music is a type of instrumental art music that attempts to musically render an extramusical narrative. The narrative itself might be offered to the audience through the piece's title, or in the form of program notes, inviting imaginative correlations with the music. A well-known example is Sergei Prokofiev's ''Peter and the Wolf''. The genre culminates in the symphonic works of Richard Strauss that include narrations of the adventures of Don Quixote, ''Till Eulenspiegel'', the composer's domestic life, and an interpretation of Nietzsche's philosophy of the Übermensch. Following Strauss, the genre declined and new works with explicitly narrative content are rare. Nevertheless the genre continues to exert an influence on film music, especially where this draws upon the techniques of 19th-century late romantic music. Similar compositional forms also exist within popular music, including the concept album and rock opera. The term is almost exclusivel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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