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Love Restored
''Love Restored'' was a Jacobean era masque, written by Ben Jonson; it was performed on Twelfth Night, 6 January 1612, and first published in 1616. The Dictionary of National Biography says of the masque, "This vindication of love from wealth is a defense of the court revels against the strictures of the puritan city." Compared to Jonson's previous masques for the Stuart Court, ''Love Restored'' was unusual in several respects. ''Love Restored'' could be called a "budget" masque, in that its total bill was only in the hundreds of pounds rather than the thousands; specifically, it cost only £280. In this it was different from Jonson's earlier masques like ''The Masque of Blackness'' and others, though similar to the immediately preceding masque, ''Love Freed from Ignorance and Folly.'' Even more unusually, ''Love Restored'' was staged without the participation of Inigo Jones, who had designed the costumes, sets, and stage effects of the prior masques. Aristocratic amateurs of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literature In English
English literature is literature written in the English language from United Kingdom, its crown dependencies, the Republic of Ireland, the United States, and the countries of the former British Empire. ''The Encyclopaedia Britannica'' defines English literature more narrowly as, "the body of written works produced in the English language by inhabitants of the British Isles (including Ireland) from the 7th century to the present day. The major literatures written in English outside the British Isles are treated separately under American literature, Australian literature, Canadian literature, and New Zealand literature." However, despite this, it includes literature from the Republic of Ireland, "Anglo-American modernism", and discusses post-colonial literature. ; See also full articles on American literature and other literatures in the English language. The English language has developed over the course of more than 1,400 years. The earliest forms of English, a set of Anglo-Fri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inigo Jones
Inigo Jones (; 15 July 1573 – 21 June 1652) was the first significant architect in England and Wales in the early modern period, and the first to employ Vitruvian rules of proportion and symmetry in his buildings. As the most notable architect in England and Wales, Jones was the first person to introduce the classical architecture of Rome and the Italian Renaissance to Britain. He left his mark on London by his design of single buildings, such as the Queen's House which is the first building in England designed in a pure classical style, and the Banqueting House, Whitehall, as well as the layout for Covent Garden square which became a model for future developments in the West End. He made major contributions to stage design by his work as theatrical designer for several dozen masques, most by royal command and many in collaboration with Ben Jonson. Early life and career Beyond the fact that he was born in Smithfield, London, as the son of clothworker Inigo Jones Snr., and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masques By Ben Jonson
The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio (a public version of the masque was the pageant). A masque involved music, dancing, singing and acting, within an elaborate stage design, in which the architectural framing and costumes might be designed by a renowned architect, to present a deferential allegory flattering to the patron. Professional actors and musicians were hired for the speaking and singing parts. Masquers who did not speak or sing were often courtiers: the English queen Anne of Denmark frequently danced with her ladies in masques between 1603 and 1611, and Henry VIII and Charles I of England performed in the masques at their courts. In the tradition of masque, Louis XIV of France danced in ballets at Versailles with music by Jean-Baptiste Lully. Development The masque tradition developed from the elaborate pageants and court ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1640 In Literature
This article contains information about the literary events and publications of 1640. Events *January 21 – ''Salmacida Spolia'', a masque written by Sir William Davenant and designed by Inigo Jones, is performed at Whitehall Palace. It is the final royal masque of the Caroline era. *March 17 ( St. Patrick's Day) – Henry Burnell's play ''Landgartha'' is first performed, at the Werburgh Street Theatre in Dublin. It is one of the earliest plays from a native Irish playwright. *c. April 16 – James Shirley returns to England from Ireland. *May 4 – Theatre manager William Beeston is sent to the Marshalsea Prison for staging a play (possibly Richard Brome's ''The Court Beggar'' or his ''The Queen and Concubine'') which offends the Stuart regime. This constitutes the only repression of the theatre to occur during the reign of King Charles I. *May 28 – Pedro Calderón de la Barca joins the Catalan campaign led by the Duke of Olivares. *English Cavalier poet Richard Lovelace, se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ben Jonson Folios
Ben Jonson (c. 11 June 1572 – c. 16 August 1637) collected his plays and other writings into a book he titled ''The Workes of Benjamin Jonson''. In 1616 it was printed in London in the form of a folio. Second and third editions of his works were published posthumously in 1640 and 1692. These editions of Ben Jonson's works were a crucial development in the publication of English Renaissance drama. The first folio collection, ''The Workes of Benjamin Jonson'', treated stage plays as serious works of literature and stood as a precedent for other play collections that followed—notably the First Folio of Shakespeare's plays in 1623, the first Beaumont and Fletcher folio in 1647, and other collections that were important in preserving the dramatic literature of the age. The first folio, 1616 ''The Workes of Benjamin Jonson'', the first Jonson folio of 1616, printed and published by William Stansby and sold through bookseller Richard Meighen, contained nine plays all previously publ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cupid
In classical mythology, Cupid (Latin Cupīdō , meaning "passionate desire") is the god of desire, lust, erotic love, attraction and affection. He is often portrayed as the son of the love goddess Venus (mythology), Venus and the god of war Mars (mythology), Mars. He is also known in Latin as ' ("Love"). His interpretatio graeca, Greek counterpart is Eros.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. Although Eros is generally portrayed as a slender winged youth in Classical Greece, Classical ancient Greek art, Greek art, during the Hellenistic period, he was increasingly portrayed as a chubby boy. During this time, his iconography acquired the bow and arrow that represent his source of power: a person, or even a deity, who is shot by Cupid's arrow is filled with uncontrollable desire. In myths, Cupid is a minor character who serves mostly to set the plot in motion. He is a main character only in the tale of Cupid and Psyche, when wounded by hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plutus
In ancient Greek religion and mythology, Plutus (; grc-gre, Πλοῦτος, Ploûtos, wealth) is the god and the personification of wealth, and the son of the goddess of agriculture Demeter and the mortal Iasion. Family Plutus is most commonly the son of Demeter and Iasion, with whom she lay in a thrice-ploughed field. He is alternatively the son of the fortune goddess Tyche.Aesop, ''Fables'413 Phaedrus 4.12">Phaedrus_(fabulist).html" ;"title="Phaedrus (fabulist)">Phaedrus 4.12 Two ancient depictions of Plutus, one of him as a little boy standing with a cornucopia before Demeter, and another inside the cornucopia being handed to Demeter by a goddess rising out of the earth, perhaps implying that he had been born in the Underworld, were interpreted by Karl Kerenyi to mean that Plutus was supposed to be the son of Hades and Persephone, the king and the queen of the Greek Underworld, Underworld, though no such version is attested in any primary source. In the arts In the phil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Puck (mythology)
In English folklore, Puck (), sometimes known as Robin Goodfellow, is a domestic and nature sprite, demon, or fairy. Origins and comparative folklore Etymology The etymology of ''puck'' is uncertain. The modern English word is attested already in Old English as (with a diminutive form ). Similar words are attested later in Old Norse (, with related forms including Old Swedish , Icelandic , and Frisian ) but also in the Celtic languages (Welsh , Cornish and Irish ). Most commentators think that the word was borrowed from one of these neighbouring north-west European languages into the others, but it is not certain in what direction the borrowing went, and all vectors have been proposed by scholars. The ''Oxford English Dictionary'' favoured a Scandinavian origin, while the scholarly study by Erin Sebo of Flinders University argues for an Irish origin, on the basis that the word is widely distributed in Irish place-names, whereas ''puck''-place-names in English are rare and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King's Men (playing Company)
The King's Men is the acting company to which William Shakespeare (1564–1616) belonged for most of his career. Formerly known as the Lord Chamberlain's Men during the reign of Queen Elizabeth I, they became the King's Men in 1603 when King James I ascended the throne and became the company's patron. The royal patent of 19 May 1603 which authorised the King's Men company named the following players, in this order: Lawrence Fletcher, William Shakespeare, Richard Burbage, Augustine Phillips, John Heminges, Henry Condell, William Sly, Robert Armin, Richard Cowley, "and the rest of their associates...." The nine cited by name became Grooms of the Chamber. On 15 March 1604, each of the nine men named in the patent was supplied with four and a half yards of red cloth for the coronation procession. Chronologically typed To 1610 In their first winter season, between December 1603 and February 1604 the company performed eight times at Court and eleven times in their second, from N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmund Kerchever Chambers
Sir Edmund Kerchever Chambers, (16 March 1866 – 21 January 1954), usually known as E. K. Chambers, was an English literary critic and Shakespearean scholar. His four-volume work on ''The Elizabethan Stage'', published in 1923, remains a standard resource. Life Chambers was born in West Ilsley, Berkshire. His father was a curate there and his mother the daughter of a Victorian theologian. He was educated at Marlborough College, before matriculating at Corpus Christi College, Oxford. He won a number of prizes, including the chancellor's prize in English for an essay on literary forgery in 1891. He took a job with the national education department, and married Eleanor Bowman in 1893. In the newly created Board of Education, Chambers worked principally to oversee adult and continuing education. He rose to be second secretary, but the work for which he is remembered took place outside the office, at least before he retired from the Board in 1926. He was the first president of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Love Freed From Ignorance And Folly
''Love Freed from Ignorance and Folly'' was a Jacobean era masque, written by Ben Jonson and designed by Inigo Jones, with music by Alfonso Ferrabosco. It was performed on 3 February 1611 at Whitehall Palace, and published in 1616. ''Love Freed from Ignorance and Folly'' proved to be the last masque in which Anne of Denmark, King James I's Queen, performed. Background During the previous six years, the English Court of King James I had established a pattern of staging a major (and expensive) masque in the Christmas season, often on Twelfth Night. James's queen, Anne of Denmark, was a prime mover is these entertainments, and repeatedly performed in them herself, as in the masques of ''Blackness'' ( 1605), ''Beauty'' (1608), and ''Queens'' ( 1609). 1611 saw a divergence from this pattern: the major masque of that season was ''Oberon, the Faery Prince,'' which starred Anne's and James's eldest son Henry Frederick, Prince of Wales. Anne got a masque of her own a month later, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masque
The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio (a public version of the masque was the pageant). A masque involved music, dancing, singing and acting, within an elaborate stage design, in which the architectural framing and costumes might be designed by a renowned architect, to present a deferential allegory flattering to the patron. Professional actors and musicians were hired for the speaking and singing parts. Masquers who did not speak or sing were often courtiers: the English queen Anne of Denmark frequently danced with her ladies in masques between 1603 and 1611, and Henry VIII and Charles I of England performed in the masques at their courts. In the tradition of masque, Louis XIV of France danced in ballets at Versailles with music by Jean-Baptiste Lully. Development The masque tradition developed from the elaborate pageants and cou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
