Love Makes A Man
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Love Makes A Man
''Love Makes A Man; Or, The Fop's Fortune is a 1700 comedy play by the English writer Colley Cibber. It borrows elements from two Jacobean plays '' The Elder Brother'' and ''The Custom of the Country'' by John Fletcher. It was originally staged at the Theatre Royal, Drury Lane with a cast that included Robert Wilks as Carlos, William Bullock as Antonio, Richard Cross as Charino, William Pinkethman as Don Lewis, Colley Cibber as Clodio, Henry Norris as Sancho, Thomas Simpson as Governor, John Mills as Don Duart, Susanna Verbruggen as Louisa, Henrietta Moore as Honoria and Frances Maria Knight Frances is a French and English given name of Latin origin. In Latin the meaning of the name Frances is 'from France' or 'free one.' The male version of the name in English is Francis. The original Franciscus, meaning "Frenchman", comes from the ... as Elvira.Van Lennep p.6 References Bibliography * Van Lennep, W. ''The London Stage, 1660-1800: Volume Two, 1700-1729''. Southern Ill ...
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Colley Cibber
Colley Cibber (6 November 1671 – 11 December 1757) was an English actor-manager, playwright and Poet Laureate. His colourful memoir ''Apology for the Life of Colley Cibber'' (1740) describes his life in a personal, anecdotal and even rambling style. He wrote 25 plays for his own company at Drury Lane, half of which were adapted from various sources, which led Robert Lowe and Alexander Pope, among others, to criticise his "miserable mutilation" of "crucified Molière ndhapless Shakespeare". He regarded himself as first and foremost an actor and had great popular success in comical fop parts, while as a tragic actor he was persistent but much ridiculed. Cibber's brash, extroverted personality did not sit well with his contemporaries, and he was frequently accused of tasteless theatrical productions, shady business methods, and a social and political opportunism that was thought to have gained him the laureateship over far better poets. He rose to ignominious fame when he became t ...
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William Pinkethman
William Pinkethman(also Penkethman, Pinkeman, Pinkerman, etc.; nicknamed Pinkey) (c.1660–1725) was an English comic actor, a low comedian with a droll style, and theatre manager. He was considered an imitator of Anthony Leigh. Starting in the 1690s Penkethman performed with the United Company at Drury Lane. He largely played small roles, then became known for his delivery of prologues and epilogues in plays. He was known for performing riding a donkey. He later opened a theatre at Richmond. Rising actor Pinkethman overcame a weakness for overacting and playing to the crowd to become a steady performer. He is first heard of at the Theatre Royal, in 1692, in Thomas Shadwell's '' The Volunteers'', in which he played Stitchum the tailor, an original part of six lines. After the departure in 1695 of Thomas Betterton and his associates, Pinkethman was promoted to a better line of parts. In 1702 he was the original Old Mirabel in George Farquhar's ''The Inconstant''. He also r ...
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West End Plays
West or Occident is one of the four cardinal directions or points of the compass. It is the opposite direction from east and is the direction in which the Sun sets on the Earth. Etymology The word "west" is a Germanic word passed into some Romance languages (''ouest'' in French, ''oest'' in Catalan, ''ovest'' in Italian, ''oeste'' in Spanish and Portuguese). As in other languages, the word formation stems from the fact that west is the direction of the setting sun in the evening: 'west' derives from the Indo-European root ''*wes'' reduced from ''*wes-pero'' 'evening, night', cognate with Ancient Greek ἕσπερος hesperos 'evening; evening star; western' and Latin vesper 'evening; west'. Examples of the same formation in other languages include Latin occidens 'west' from occidō 'to go down, to set' and Hebrew מַעֲרָב maarav 'west' from עֶרֶב erev 'evening'. Navigation To go west using a compass for navigation (in a place where magnetic north is the same dire ...
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1700 Plays
Seventeen or 17 may refer to: *17 (number), the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese magazine), a Japanese magazine Novels * ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe * ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film * ''Seventeen'' (1916 film), an American silent comedy film *'' Number Seventeen'', a 1932 film directed by Alfred Hitchcock * ''Seventeen'' (1940 film), an American comedy film *''Eric Soya's '17''' (Danish: ''Sytten''), a 1965 Danish comedy film * ''Seventeen'' (1985 film), a documentary film * ''17 Again'' (film), a 2009 film whose working title was ''17'' * ''Seventeen'' (2019 film), a Spanish drama film Television * ''Seventeen'' (TV drama), a 1994 UK dramatic short starring Christie ...
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Frances Maria Knight
Frances is a French and English given name of Latin origin. In Latin the meaning of the name Frances is 'from France' or 'free one.' The male version of the name in English is Francis. The original Franciscus, meaning "Frenchman", comes from the Franks who were named for the francisca, the axe they used in battle. https://nameberry.com/babyname/frances Notable people and characters with the name include: People * Frances, Countess of Périgord (died 1481) * Frances (musician) (born 1993), British singer and songwriter * Frances Estill Beauchamp (1860-1923), American temperance activist, social reformer, lecturer * Frances Burke, Countess of Clanricarde (1567–1633), English noblewoman and Irish countess * Frances E. Burns (1866-1937), American social leader and business executive * Frances Carr, Countess of Somerset (1590–1632), central figure in a famous scandal and murder * Frances Lewis Brackett Damon (1857–1939), American poet, writer * Frances Davidson, Viscountess ...
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Henrietta Moore (actress)
Dame Henrietta Louise Moore, (born 18 May 1957) is a British social anthropologist. She is the director of the UCL Institute for Global Prosperity at University College, London, part of the Bartlett, UCL's Faculty of the Built Environment. Early life Moore graduated from Durham University with an upper second in Archaeology and Anthropology in 1979. She continued her studies at Newnham College, Cambridge, completing a PhD in 1983. Career After leaving university Moore spent one year working for the United Nations in Burkina Faso as a Field Director. She then became a Curatorial Assistant at the Museum of Archaeology and Anthropology, University of Cambridge before joining the University of Kent as a Lecturer in Social Anthropology in 1985. Moore eventually rejoined Cambridge as a lecturer, where she became Director of Studies in Anthropology at Girton College and then a Fellow of Pembroke College in 1989. After a series of academic appointments in Social Anthropology ...
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Susanna Verbruggen
Susanna Verbruggen (née Percival) (c. 1667–1703), aka Susanna Mountfort, was an England, English actress working in London. Life She was the daughter of Thomas Percival (actor), Thomas Percival, a member of the Duke's Company for more than a decade. Her first recorded stage appearance may have been as early as 1681 in Thomas D'Urfey, D'Urfey's ''Sir Barnaby Whigg''. In 1686 she married the actor William Mountfort, and after Mountfort's infamous murder in 1692, she married the actor John Verbruggen. She was a successful and popular comedian, known especially for her breeches roles. Her greatest success was as the main character Lucia in Thomas Southerne's ''Sir Anthony Love'', where Lucia partakes of the freedom of the roistering English Restoration, Restoration Rake (character), rake by disguising herself as "Sir Anthony". Both men and women in the audience loved her performance in these types of roles. She was one of the leading actresses at the United Company, but when the ...
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John Mills (stage Actor)
John Mills (c.1670–1736) was a British stage actor. A long-standing part of the Drury Lane company from 1695 until his death, he appeared in both comedies and tragedies. His wife Margaret Mills was an actress, and his son William Mills also became an actor at Drury Lane. He was a friend of the playwright Richard Steele and Robert Wilks the lead actor and manager at Drury Lane with whom he frequently appeared on stage. He died on 17 December 1736, thirteen days after performing in his final role as the King in '' Henry IV, Part 2''.Highfill, Burnim & Langhans p.249 Selected roles * Pedro in '' Agnes de Castro'' by Catherine Trotter (1695) * Castillio in ''Neglected Virtue'' by Charles Hopkins (1696) * Pisano in ''The Unhappy Kindness'' by Thomas Scott (1696) * Lovewell in ''Love and a Bottle'' by George Farquhar (1698) * Colonel Darange in '' The Campaigners'' by Thomas D'Urfey (1698) * Vizard in ''The Constant Couple'' by George Farquhar (1699) * Don Duart in ''Love Makes a ...
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Thomas Simpson (actor)
Thomas Simpson was an English stage actor of the late seventeenth and early eighteenth century. His surname is sometimes written as Sympson. He joined the United Company from the 1687–88 season, but his early roles are unknown. Following the 1695 split he stayed at Drury Lane with Christopher Rich's company and acted in a number of roles until 1702. From 1703 he William Bullock and William Pinkethman operated a theatrical stall at Bartholomew Fair.Highfill, Burnim & Langhans p.96 Selected roles * King in '' Agnes de Castro'' by Catherine Trotter (1695) * Hottman ''Oroonoko'' by Thomas Southerne (1695) * Curio in '' Neglected Virtue'' by Charles Hopkins (1696) * Mufti in '' Ibrahim, the Thirteenth Emperor of the Turks'' by Mary Pix (1696) * Don Leon in '' The Campaigners'' by Thomas D'Urfey (1698) * Governor in ''Love Makes a Man'' by Colley Cibber (1700) * Armando in '' The Perjured Husband'' by Susanna Centlivre (1700) * Neoptolemus in ''The Virgin Prophetess'' by Elkana ...
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Henry Norris (actor)
Henry Norris may refer to: *Sir Henry Norris (courtier) (c. 1482–1536), Groom of the Stool to Henry VIII, alleged lover of Anne Boleyn *Sir Henry Norris, 1st Baron Norreys (1525–1601), Elizabethan courtier *Henry Norreys (colonel-general) (1554–1599), English soldier and son of Henry Norris, 1st Baron Norreys *Henry Handley Norris (1771–1850), English High Church clergyman *Sir Henry Norris (businessman) (1865–1934), British businessman, football chairman and politician *Henry Norris (engineer) (1816–1878), British civil engineer See also *Henry Norris Russell (1877–1957), US astronomer *Norris (other) *Norreys Norreys (also spelt Norris) may refer to various members of, or estates belonging to, a landed family chiefly seated in the English counties of Berkshire and Lancashire and the Irish county of Cork. Famous family members * Baron Norreys of Rycote ...
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Richard Cross (actor)
Richard Cross was a British stage actor of the seventeenth and eighteenth century. It is probable that he began his career at the Smock Alley Theatre in Dublin before moving to London in 1700. It is also likely he was the brother of Letitia Cross. From 1710 to 1724 he appeared at the Drury Lane with a brief period at the Queen's Theatre in Haymarket.Highfill, Burnim & Langhans p.66 The actor also named Richard Cross was likely to have been his son. Selected roles * Charino in ''Love Makes a Man'' by Colley Cibber (1700) * Major Bombard in ''The Old Mode and the New'' by Thomas d'Urfey (1703) * Salathiel in ''Farewell Folly'' by Peter Motteux (1705) * Sir Hary Atall in ''The Double Gallant'' by Colley Cibber Colley Cibber (6 November 1671 – 11 December 1757) was an English actor-manager, playwright and Poet Laureate. His colourful memoir ''Apology for the Life of Colley Cibber'' (1740) describes his life in a personal, anecdotal and even rambling ... (1707) * Slouch in ''T ...
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Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initially ...
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