Louise Lavoye
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Louise Lavoye
Anne-Benoîte-Louise Lavoye (28 June 1823 – 10 October 1897) was a 19th-century French soprano born in Dunkirk. Biography Lavoye studied at the Conservatoire de Lille and won First Prize in piano at age 11 in 1834, First Prize of vocalisation in 1835 and Honorary Prize in piano in 1836. She was admitted at the Conservatoire royal de musique in Laure Cinti-Damoreau's class. In 1838 she won the Honorary Prize in harmony and went on to win the Prizes in singing: Second prize for singing in 1839, First prize in singing in 1840. She won a First Prize for opéra comique in 1842 and made her debut in 1843 at the Opéra-Comique in Daniel-François-Esprit Auber's ''l'Ambassadrice''. For Auber and Eugène Scribe, she created the roles of Zerbina in ''La Sirène'' on 26 March 1844 and Haydée in '' Haydée ou Le Secret'' on 28 December 1847. She distinguished herself by the purity of her style, the freshness and charm of her voice, and her virtuosity. The most difficult roles of ...
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Data
In the pursuit of knowledge, data (; ) is a collection of discrete values that convey information, describing quantity, quality, fact, statistics, other basic units of meaning, or simply sequences of symbols that may be further interpreted. A datum is an individual value in a collection of data. Data is usually organized into structures such as tables that provide additional context and meaning, and which may themselves be used as data in larger structures. Data may be used as variables in a computational process. Data may represent abstract ideas or concrete measurements. Data is commonly used in scientific research, economics, and in virtually every other form of human organizational activity. Examples of data sets include price indices (such as consumer price index), unemployment rates, literacy rates, and census data. In this context, data represents the raw facts and figures which can be used in such a manner in order to capture the useful information out of it. ...
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Musicians From Dunkirk
A musician is a person who composes, conducts, or performs music. According to the United States Employment Service, "musician" is a general term used to designate one who follows music as a profession. Musicians include songwriters who write both music and lyrics for songs, conductors who direct a musical performance, or performers who perform for an audience. A music performer is generally either a singer who provides vocals or an instrumentalist who plays a musical instrument. Musicians may perform on their own or as part of a group, band or orchestra. Musicians specialize in a musical style, and some musicians play in a variety of different styles depending on cultures and background. A musician who records and releases music can be known as a recording artist. Types Composer A composer is a musician who creates musical compositions. The title is principally used for those who write classical music or film music. Those who write the music for popular songs may be ...
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Conservatoire De Paris Alumni
A music school is an educational institution specialized in the study, training, and research of music. Such an institution can also be known as a school of music, music academy, music faculty, college of music, music department (of a larger institution), conservatory, conservatorium or conservatoire ( , ). Instruction consists of training in the performance of musical instruments, singing, musical composition, conducting, musicianship, as well as academic and research fields such as musicology, music history and music theory. Music instruction can be provided within the compulsory general education system, or within specialized children's music schools such as the Purcell School. Elementary-school children can access music instruction also in after-school institutions such as music academies or music schools. In Venezuela El Sistema of youth orchestras provides free after-school instrumental instruction through music schools called ''núcleos''. The term "music school" can als ...
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French Operatic Sopranos
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * French ...
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19th-century French Women Opera Singers
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large ...
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Ne Touchez Pas à La Reine
''Ne touchez pas à la reine'' (Hands Off the Queen) is an opéra comique in three acts by French composer Xavier Boisselot after a libretto by Eugène Scribe and Gustave Vaëz. It was first staged in Paris at the Opéra-Comique on 16 January 1847. References External linksNe touche pas à la reine: opéra-comique en trois actesText on Google BooksNe touche pas à la reine: opéra-comique en trois actesScore on Archive.org The Internet Archive is an American digital library with the stated mission of "universal access to all knowledge". It provides free public access to collections of digitized materials, including websites, software applications/games, music, ... Operas 1847 operas Libretti by Eugène Scribe Opéras comiques {{French-opera-stub ...
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Actéon (opera)
''Actéon'' (''Actaeon'') is a ''Pastorale'' in the form of a miniature ''tragédie en musique'' in six scenes by Marc-Antoine Charpentier, Opus H.481 & H.481a, based on a Greek myth. History It is highly unlikely that this opera was written for performance at the Hôtel de Guise, the palatial Parisian residence of Marie de Lorraine, Duchess of Guise, Charpentier's protectress. (The work was copied into a Roman-number notebook, which strongly suggests that it was an outside commission; and the overall distribution of voices and instruments does not match that of the Guise ensemble of the time.) Although the patron and the place of performance remain unknown, the date can be determined with considerable accuracy: the spring hunting season of 1684. Later that year (presumably for the fall hunting season) it was revised to change the title role from an ''haute-contre'' role (perhaps originally sung by Charpentier) to a soprano part, and was at that time renamed ''Actéon changé en bic ...
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Le Val D'Andorre
''Le val d'Andorre'' (The Valley of Andorra) is an opéra comique by Fromental Halévy with a libretto by Saint-Georges. Although today almost completely forgotten, it was one of Halévy's greatest successes, running for 165 performances and restoring the then precarious financial situation of the Opéra-Comique in Paris where it was given its premiere on 11 November 1848. Production history After the premiere, the reviewer of the Parisian ''Revue et gazette musicale'' wrote 'This is the most brilliant total success ever recorded at the Opéra-Comique.' The opera was translated into German and produced in 1849 in Leipzig, where it was praised by Ignaz Moscheles - 'Music of a genuine dramatic character, which has more flow of melody than his other operas. The subject is cleverly worked out and very impressive.' In 1850 it opened in London, to mediocre reviews, but was graced by a visit from Queen Victoria (for which the French cast had to be hurriedly coached to sing ''God Save th ...
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Les Mousquetaires De La Reine
''Les mousquetaires de la reine'' is a comic opera by Fromental Halévy premiered at the Opéra-Comique 3 February 1846.Fromental Halévy and His Operas, 1842-1862 Robert Ignatius Letellier, Nicholas Lester Fuller · 2021 -p 1047 Recordings *Act III: Couplets. "Enfin un jour plus doux se lève" (Olivier) Cyrille Dubois Cyrille Dubois (born 27 September 1984) is a French tenor performing as an opera and lieder singer. Early life and education Cyrille Dubois spent his childhood in Ouistreham in Normandy, France. As a child he demonstrated an early talent for s ..., Orchestre National de Lille and Pierre Dumoussaud, Alpha 2023 References {{Fromental Halévy Operas by Fromental Halévy 1846 operas Opéras comiques Operas French-language operas Operas set in France ...
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Salle Favart
The Salle Favart, officially the Théâtre de l'Opéra-Comique, is a Paris opera house and theatre, the current home of the Opéra-Comique. It was built from 1893 to 1898 in a neo-Baroque style to the designs of the French architect Louis Bernier and is located on the Place Boïeldieu just south of the Boulevard des Italiens. Background The Salle Favart is the third theatre with this name on this site. The first Salle Favart, built to the designs of Jean-François Heurtier, opened on 28 April 1783. Charles Simon Favart was the company's director at the time. It was destroyed by fire on the night of 14 or 15 January 1838. The second Salle Favart, built to the designs of , opened on 16 May 1840. It was destroyed by fire on 25 May 1887.Wild 1989, pp. 135–138. Competition After long deliberation following the second fire, a decision was finally reached to rebuild on the same constricted site. A competition was held, judged by five winners of the Grand Prix de Rome (including Char ...
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