|
Actéon (opera)
''Actéon'' (''Actaeon'') is a ''Pastorale'' in the form of a miniature ''tragédie en musique'' in six scenes by Marc-Antoine Charpentier, Opus H.481 & H.481a, based on a Greek myth. History It is highly unlikely that this opera was written for performance at the Hôtel de Guise, the palatial Parisian residence of Marie de Lorraine, Duchess of Guise, Charpentier's protectress. (The work was copied into a Roman-number notebook, which strongly suggests that it was an outside commission; and the overall distribution of voices and instruments does not match that of the Guise ensemble of the time.) Although the patron and the place of performance remain unknown, the date can be determined with considerable accuracy: the spring hunting season of 1684. Later that year (presumably for the fall hunting season) it was revised to change the title role from an ''haute-contre'' role (perhaps originally sung by Charpentier) to a soprano part, and was at that time renamed ''Actéon changé en bic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc-Antoine Charpentier
Marc-Antoine Charpentier (; 1643 – 24 February 1704) was a French Baroque composer during the reign of Louis XIV. One of his most famous works is the main theme from the prelude of his ''Te Deum'', ''Marche en rondeau''. This theme is still used today as a fanfare during television broadcasts of the Eurovision Network, the European Broadcasting Union. Marc-Antoine Charpentier dominated the Baroque musical scene in seventeenth century France because of the quality of his prolific output. He mastered all genres, and his skill in writing sacred vocal music was especially hailed by his contemporaries. He began his career by going to Italy, there he fell under the influence of Giacomo Carissimi as well as other Italian composers, perhaps Domenico Mazzocchi. He would remain marked by the Italian style and become the only one with Jean-Joseph Cassanéa de Mondonville in France to approach the oratorio. In 1670, he became a master of music (composer and singer) in the service of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyale
''Menesta'' is a moth genus of the family Depressariidae. at Markku Savela's ''Lepidoptera and Some Other Life Forms''. Species * '' Menesta astronoma'' (Meyrick, 1909) * '' Menesta cinereocervina'' (Walsingham,892
Year 892 ( DCCCXCII) was a leap year starting on Saturday (link will display the full calendar) of the Julian calendar.
Events
By place
Europe
* Summer – Poppo II, ...
[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1684 Operas
Events January–March * January 5 – King Charles II of England gives the title Duke of St Albans to Charles Beauclerk, his illegitimate son by Nell Gwyn. * January 15 (January 5 O.S.) - To demonstrate that the River Thames, frozen solid during the Great Frost that started in December, is safe to walk upon, "a Coach and six horses drove over the Thames for a wager" and within three days "whole streets of Booths are built on the Thames and thousands of people are continually walking thereon." Sir Richard Newdigate, 2nd Baronet, records the events in his diary. * January 26 – Marcantonio Giustinian is elected Doge of Venice. * January – Edmond Halley, Christopher Wren and Robert Hooke have a conversation in which Hooke later claimed not only to have derived the inverse-square law, but also all the laws of planetary motion attributed to Sir Isaac Newton. Hooke's claim is that in a letter to Newton on 6 January 1680, he first stated the inverse-square law. * February ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Marc-Antoine Charpentier
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classic Produktion Osnabrück
Classic Produktion Osnabrück (often referred to as cpo, in lowercase) is a record label founded in 1986 by Georg Ortmann and several others. Its declared mission is to fill niches in the recorded classical repertory, with an emphasis on romantic, late romantic and 20th-century music. The label also aims to release complete cycles of recordings, such as complete sets of symphonies, concertos, chamber music, and so forth. It is the house label of online retailer jpc. Recordings Recordings issued by cpo include (see second external link; some of these are no longer available) *Concertos, suites, cantates, chambermusic etc. of Georg Philipp Telemann *The complete orchestral works and string quartets of Paul Hindemith *The complete string quartets of Mieczysław Weinberg *The complete orchestral works of Erich Wolfgang Korngold *The orchestral works of Hans Pfitzner (and a substantial amount of his chamber works as well) *The symphonies and string quartets of Benjamin Frankel *The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boston Early Music Festival
The Boston Early Music Festival (BEMF) is a non-profit organization founded in 1980 in Boston, Massachusetts, U.S. to promote historical music performance. It presents an annual concert series in Boston and New York City, produces opera recordings, and organizes a weeklong Festival and Exhibition every two years in Boston. A centerpiece of these festivals has been a fully staged Baroque opera production. One of BEMF's main goals is to unearth lesser-known Baroque operas, which are then performed by the world's leading musicians armed with the latest information on period singing, orchestral performance, costuming, dance, and staging at each biennial Festival. BEMF operas are led by the BEMF Artistic Directors Paul O’Dette and Stephen Stubbs, BEMF Orchestra Director Robert Mealy, and BEMF Opera Director Gilbert Blin. In 2008, BEMF introduced its Chamber Opera Series as part of its annual concert season. The series presents semi-staged productions of chamber operas composed duri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stephen Stubbs
Stephen Stubbs (born 1951) is a lutenist and music director and has been a leading figure in the American early music scene for nearly thirty years. Born in Seattle, he studied harpsichord and composition at the University of Washington where, at the same time, he began playing the harpsichord and the lute. He left America after graduation to study the instrument in England and Holland and gave his debut concert in London's Wigmore Hall in 1976. From 1981 to 2013, Stubbs taught at the University of the Arts Bremen in Germany. In 2013, he became an artist in residence at the University of Washington in Seattle. He has performed extensively with his ensembles Tragicomedia and Teatro Lirico, Kozinn, Allan (2000)The Rare Crossover With Many Rewards, ''The New York Times'', June 18, 2000, retrieved 2011-07-13 and conducted baroque operas worldwide. He has recorded numerous albums with other famous ensembles like the Hilliard Ensemble and with Andrew Lawrence-King. He moved back to Se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul O'Dette
Paul Raymond O'Dette (born February 2, 1954) is an American lutenist, conductor, and musicologist specializing in early music. Biography O'Dette, who was born in Pittsburgh, began playing the electric guitar in a rock band in Columbus, Ohio, where he grew up. Eventually, this led him into playing guitar transcriptions of lute music, and not long after that he opted for the lute (as well as the related archlute, theorbo, and Baroque guitar) as his primary instruments, and now he specializes in the performance of Renaissance and Baroque music. He has made more than 120 recordings, earning five Grammy nominations and numerous other awards. In addition to his activities as a performer, Paul O'Dette is an avid researcher, having worked extensively on the performance and sources of seventeenth-century Italian and English solo song, continuo practices and lute technique. Since 1976, he has served as Professor of Lute and Director of Early Music at the Eastman School of Music. He is t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonia Mundi
Harmonia Mundi is an independent record label which specializes in classical music, jazz, and world music (on the World Village label). It was founded in France in 1958 and is now a subsidiary of PIAS Entertainment Group. Its Latin name ''harmonia mundi'' translates as "harmony of the world". History In the 1950s, two music entrepreneurs, Frenchman Bernard Coutaz and German Rudolf Ruby, met by chance on a train journey and started a friendship based on their musical interests. They formed a business relationship and set up two classical music record labels, both named ''Harmonia Mundi ''. Coutaz's Harmonia Mundi (France) was founded in Saint-Michel-de-Provence, France, in 1958, and around the same time, Rudolf Ruby set up Deutsche Harmonia Mundi. The two labels shared similar aims and specialised in recordings of Early and Baroque music, with an emphasis on scholarly, historically informed performance and high-quality sound and production values. They also shared the ''H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
