Louis Anseaume
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Louis Anseaume
Louis Anseaume (1721 – 7 July 1784 in Paris) was a French playwright and librettist. He contributed the words for operas by André Ernest Modeste Grétry, Pierre-Alexandre Monsigny, Egidio Romualdo Duni, Christoph Willibald Gluck, and François-André Danican Philidor. He is credited with developing the genre of '' comédie mêlée d'ariettes'' (''comedy mixed with ariettes''), a type of opéra comique. A prompter and répétiteur at Comédie Italienne, he was deputy director of the Opéra-Comique and wrote some forty plays, often in collaboration with Charles-Simon Favart, including several opéras-comiques with Duni : *''Le Chinois poli en France'' (1754) *'' Le Peintre amoureux de son modèle'' (1757), music by Duni *'' La Fausse Esclave'' (1758), music by Gluck *''Cendrillon'' (1759), music by Laruette *''L'Île des fous'' (1760), music by Duni *''Mazet'' (1761), music by Duni *''Le Milicien'' (1762), music by Duni *'' Les Deux Chasseurs et la Laitière'' (1763), mus ...
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WikiProject Classical Music/Style Guidelines
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Charles-Simon Favart
Charles Simon Favart (13 November 1710 – 12 May 1792) was a French playwright and theatre director. The Salle Favart in Paris is named after him. Biography Born in Paris, the son of a pastry-cook, he was educated at the Lycée Louis-le-Grand, and after his father's death he carried on the business for a time. His first success in literature was ''La France delivrée par la Pucelle d'Orléans'', a poem about Joan of Arc which obtained a prize of the Académie des Jeux Floraux. After the production of his first ''vaudeville'', ''Les Deux Jumelles'' (1734), circumstances enabled him to relinquish business and devote himself entirely to the drama. He provided many pieces anonymously for the lesser theatres, and first put his name to ''La Chercheuse d'esprit'', which was produced in 1741. Among his most successful works were ''Annette et Lubin; Le Coq du milage'' (1743); ''Les Vendanges de Tempé'' (1745), later reworked as ''La Vallée de Montmorency'' (1752); ''Ninette à la cour' ...
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Writers From Paris
A writer is a person who uses written words in different writing styles and techniques to communicate ideas. Writers produce different forms of literary art and creative writing such as novels, short stories, books, poetry, travelogues, plays, screenplays, teleplays, songs, and essays as well as other reports and news articles that may be of interest to the general public. Writers' texts are published across a wide range of media. Skilled writers who are able to use language to express ideas well, often contribute significantly to the cultural content of a society. The term "writer" is also used elsewhere in the arts and music, such as songwriter or a screenwriter, but also a stand-alone "writer" typically refers to the creation of written language. Some writers work from an oral tradition. Writers can produce material across a number of genres, fictional or non-fictional. Other writers use multiple media such as graphics or illustration to enhance the communication o ...
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French Opera Librettists
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * Frenc ...
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18th-century French Dramatists And Playwrights
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand ...
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André Grétry
André Ernest Modeste Grétry (; baptised 11 February 1741; died 24 September 1813) was a composer from the Prince-Bishopric of Liège (present-day Belgium), who worked from 1767 onwards in France and took French nationality. He is most famous for his '' opéras comiques''. Biography He was born at Liège, his father being a poor musician. He was a choirboy at the church of St. Denis (Liège). In 1753 he became a pupil of Jean-Pantaléon Leclerc and later of the organist at St-Pierre de Liège, Nicolas Rennekin, for keyboard and composition and of Henri Moreau, music master at the collegiate church of St. Paul. But of greater importance was the practical tuition he received by attending the performance of an Italian opera company. Here he heard the operas of Baldassarre Galuppi, Giovanni Battista Pergolesi, and other masters; and the desire of completing his own studies in Italy was the immediate result. To find the necessary means he composed in 1759 a mass which he dedicat ...
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Le Tableau Parlant
''Le tableau parlant'' (''The Talking Picture'') is an opéra comique, described as a ''comédie-parade'', in one act by André Grétry, The French libretto was by Louis Anseaume. Performance history It was first performed on 20 September 1769 by the Comédie-Italienne at the Hôtel de Bourgogne in Paris. Roles Synopsis In the absence of Isabelle's lover Léandre, Cassandre persuades Isabelle to marry him instead. Cassandre leaves and in the meantime Léandre returns and Isabelle changes her mind. She asks Cassandre's portrait for his agreement to the changed state of affairs, only to find that Cassandre himself is concealed behind the picture. References Further reading * "Tableau parlant, Le" by Michael Fend, in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Mu ...
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Le Peintre Amoureux De Son Modèle
(''The Painter in Love with his Model'') is an '' opéra comique'' in two acts by the composer Egidio Duni with a libretto by Louis Anseaume. It was first performed at the Théâtre de la Foire Saint-Laurent in Paris on 26 July 1757. The Italian Duni had been working at the court of Parma, where French culture was highly fashionable, and travelled to Paris to see the premiere of his opera. He remained in France for the rest of his career. ''Le peintre'' marked an important stage in the development of ''opéra comique'', since its musical numbers were almost entirely original music, whereas previous ''opéras comiques'' employed either popular vaudevilles or ''ariettes'' appropriated from other works. The melody of "Maudit Amour, raison sévère", one of the opera's ''ariettes'', was used by Sweden's bard, Carl Michael Bellman, for his song "Glimmande nymf", one of his ''Fredman's Epistles ''Fredmans epistlar'' (English: ''Fredman's Epistles'') is List of Fredman's Epistles, ...
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Opéra-comique
The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne at the Hôtel de Bourgogne. It was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart (the third on this site), is located at Place Boïeldieu in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France and to French opera. Its current mission is to reconnect with its history and discover its unique repertoire to ensu ...
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