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Lotario
''Lotario'' ("Lothair", HWV 26) is an opera seria in three acts by George Frideric Handel. The Italian-language libretto was adapted from Antonio Salvi's ''Adelaide''.The opera was first given at the King's Theatre in London on 2 December 1729. The story of the opera is a fictionalisation of some events in the life of Holy Roman Empress Adelaide of Italy. Performance history Paolo Rolli commented in a letter at the time to Giuseppe Riva that "everyone thinks (''Lotario'') a very bad opera". There were 10 performances, but it was not repeated. Handel reused pieces in later operas. As with all Baroque opera seria, ''Lotario'' went unperformed for many years, but with the revival of interest in Baroque music and historically informed musical performance since the 1960s, ''Lotario'', like all Handel operas, receives performances at festivals and opera houses today. Among other performances, ''Lotario'' was staged at the London Handel Festival in 1999, by the Handel Festival ...
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Annibale Pio Fabri
Annibale Pio Fabri (Bologna, 1697 – 12 August 1760, Lisbon), also known as ''Balino'', from ''Annibalino'', diminutive of his first name, was an Italian singer and composer of the 18th century. One of the leading tenors of his age in a time dominated by the castrati, Fabri is now best known for his association with the composer George Frideric Handel, in whose operas Fabri sang. Early career He was one of many famous pupils of the composer, singer and teacher Francesco Pistocchi. His dramatic career began in 1711 in Rome, and during the course of the decade he sang at Venice, Bologna, and Mantua, creating, among others, the title role in Vivaldi's '' L'incoronazione di Dario''. He joined the ''Accademia Filarmonica'' of Bologna as a composer of oratorio ''circa'' 1719 and was named its ''Principal'', or president, in 1725, 1729, 1745, 1747, and 1750. During the 1720s he reached the upper echelons of the Italian singers of the time, singing in works by Leonardo Vinci and Dome ...
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Antonia Merighi
Antonia Margherita Merighi (born Bologna – died by 1764) was an Italian contralto active between 1703 and 1744 and known for her performances in operas by George Frideric Handel. Biography Merighi's initial career was in Italy, where for several years she was a virtuosa singer at the court of Violante Beatrice, Grand Princess of Tuscany, and sang in theatres in as well as in Venice, Parma, Turin, Mantua, Naples and her native Bologna, often in '' travesti'' roles. In Naples, she created the role of Iarba in the premiere of Domenico Sarro's '' Didone abbandonata'' (Teatro San Bartolomeo, 1 February 1724) and appeared in at least 18 other operas there. She moved to London in 1729 where for two seasons she sang in many of Handel's operas, sometimes in roles created for her by the composer (Matilda in '' Lotario'', Rosmira in ''Partenope'' and Erissena in ''Poro''), and sometimes in soprano parts from earlier operas adapted for her voice. She returned again to London in 1736 a ...
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Adelaide Of Italy
Adelaide of Italy (german: Adelheid; 931 – 16 December 999 AD), also called Adelaide of Burgundy, was Holy Roman Empress by marriage to Emperor Otto the Great; she was crowned with him by Pope John XII in Rome on 2 February 962. She was the first empress designated ''consors regni'', denoting a "co-bearer of royalty" who shared power with her husband. She was essential as a model for future consorts regarding both status and political influence. She was regent of the Holy Roman Empire as the guardian of her grandson in 991–995. Life Early life Born in Orbe Castle, Orbe, Kingdom of Upper Burgundy (now in modern-day Switzerland), she was the daughter of Rudolf II of Burgundy, a member of the Elder House of Welf, and Bertha of Swabia. She became involved from the beginning in the complicated fight to control not only Burgundy but also Lombardy. The battle between her father Rudolf II and Berengar I to control northern Italy ended with Berengar's death, and Rudolf could ...
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Antonio Maria Bernacchi
Antonio Maria Bernacchi (23 June 1685 – 1 March 1756) was an Italian castrato, composer, and teacher of singing. He studied with Francesco Antonio Pistocchi. His pupils included Farinelli, for a brief period during 1727, and the tenor Anton Raaff. Nowadays Bernacchi is best remembered for his association with the composer George Frideric Handel, in six of whose operas he sang. Career Bernacchi was born in Bologna and, having been engaged at the court of Johann Wilhelm, the Elector Palatine in 1701, began his operatic career in Genoa in 1703. His appointment in 1714 as ''virtuoso'' to Prince Antonio Farnese led to widespread recognition throughout Europe, and he performed in operas by various famous composers of the day, including Johann Adolph Hasse, Leonardo Vinci, and Alessandro Scarlatti (Rome 1721). He was an especially frequent visitor to the theatres of Venice, appearing in more than twenty operas in that city between 1712 and 1724. In 1720 the Elector of Bavaria ...
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Antonio Salvi
Antonio Salvi (17 January 1664 – 21 May 1724) was an Italian physician, court poet and librettist, active mainly in Florence, Italy. He was in the service of the grand-ducal court of Tuscany and the favourite librettist of Prince Ferdinando de' Medici. Salvi was one of the developers of the opera seria. Life Salvi was born in Lucignano and became a court physician in Florence for the Medici family. From 1694 (?) he wrote libretti for the theatre in Livorno and Florence and adapted works by Jean Racine and Molière.; Salvi took many of his plots from French tragedy. Between 1701 and 1710 seven of his works were performed in the Villa di Pratolino. After the death of Ferdinando (III) de' Medici in 1713 he decided to work outside the Grand Duchy of Tuscany: in Rome, Reggio Emilia, Turin, Venice and Munich. His libretti were set to music by several famous composers including Scarlatti, Vivaldi and Handel. He died in Florence, aged 60. Vivaldi wrote three operas for Florence ...
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Anna Maria Strada
Anna Maria Strada (floruit, fl. 1719–1741, in Bergamo) was an Italian soprano. She is best remembered for her association with the composer George Frideric Handel, in whose operas Strada sang. Career After an initial career in Italy that included performances at Venice — in Vivaldi's opera ''La verità in cimento'' (1720) — Milan, and Livorno, Strada moved to London in 1729 to sing for Handel after the composer engaged her for his operas. She made her début as Adelaida in ''Lotario'' and was ''prima donna'' in all his operas and oratorios until 1737. She sang in a minimum of 24 of Handel's operas and the opera-ballet ''Terpsicore'', a new prologue to a revision of ''Il pastor fido''. Her roles included Angelica in ''Orlando (opera), Orlando'', the title role in ''Partenope'', Elmira in ''Sosarme'', Thusnelda in ''Arminio'', and Ariadne in ''Giustino (Handel), Giustino'', and the title role of Atalanta (opera), Atalanta. Strada was the only singer of Handel's company who ...
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George Frideric Handel By Balthasar Denner
George may refer to: People * George (given name) * George (surname) * George (singer), American-Canadian singer George Nozuka, known by the mononym George * George Washington, First President of the United States * George W. Bush, 43rd President of the United States * George H. W. Bush, 41st President of the United States * George V, King of Great Britain, Ireland, the British Dominions and Emperor of India from 1910-1936 * George VI, King of Great Britain, Ireland, the British Dominions and Emperor of India from 1936-1952 * Prince George of Wales * George Papagheorghe also known as Jorge / GEØRGE * George, stage name of Giorgio Moroder * George Harrison, an English musician and singer-songwriter Places South Africa * George, Western Cape ** George Airport United States * George, Iowa * George, Missouri * George, Washington * George County, Mississippi * George Air Force Base, a former U.S. Air Force base located in California Characters * George (Peppa Pig), a 2-yea ...
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Castrato
A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to an endocrinological condition, never reaches sexual maturity. Castration before puberty (or in its early stages) prevents the larynx from being transformed by the normal physiological events of puberty. As a result, the vocal range of prepubescence (shared by both sexes) is largely retained, and the voice develops into adulthood in a unique way. Prepubescent castration for this purpose diminished greatly in the late 18th century. Methods of castration used to terminate on the onset of puberty varied. Methods involved using opium to medically induce a coma, then submerging the boy into an ice or milk bath where the procedure of either severing the vas deferens (similar to a vasectomy), twisting the testicles until they atrophied, or ...
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Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normal ...
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Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called " countertenors". The Italian terms "contralto" and " alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard t ...
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Francesca Bertolli
Francesca Bertolli (? Rome – 9 January 1767, in Bologna) was an Italian contralto of the 18th century. She is best remembered for her association with the composer George Frideric Handel, in whose operas she sang. Details of her early career are not known, but by 1728 she was in service to the Grand Duchess of Tuscany, singing at Bologna and Livorno. After the initial Royal Academy folded, Handel set up a second company of the same name, based at the King's Theatre, and for this purpose in 1729 he engaged Bertolli. She performed in approximately 15 of his operas, as well as works by Ariosti and a number of pasticcios. In 1733, however, she defected to the rival Opera of the Nobility, along with Senesino and Antonio Montagnana, where she sang in operas by Nicola Porpora (such as '' Polifemo'') and Bononcini, in addition to Handel's '' Ottone''. In 1736, however, she returned to Handel for another year and performed in 4 or 5 of his works. Upon the conclusion of this second ...
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Bass (vocal Range)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems ...
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