Lorenzetto
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Lorenzetto
Lorenzo Lotti, also known as Lorenzetto, (1490–1541), born Lorenzo di Lodovico di Guglielmo, was an Italian Renaissance sculptor and architect in the circle of Raphael. He was born in Florence and married the sister of Giulio Romano, another painter, sculptor and pupil of Raphael. He is profiled in Vasari's ''Le Vite delle più eccellenti pittori, scultori, ed architettori'' (or, in English, ''Lives of the Most Excellent Painters, Sculptors, and Architects''). Sculptural works According to Vasari, as a young sculptor Lorenzetto completed the tomb of Cardinal Niccolò Forteguerri, begun by Andrea Verrocchio in 1477, in San Jacopo at Pistoia. Then in Rome, he made "many works" of which, according to Vasari, "there is no need to make any further record." At the urging of Raphael, Lorenzetto received a commission from Agostino Chigi to create his tomb in Santa Maria del Popolo, where Agostino had built a chapel (Chigi Chapel). According to Vasari, Lorenzetto worked very ha ...
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Chigi Chapel
The Chigi Chapel or Chapel of the Madonna of Loreto ( it, Cappella Chigi or Cappella della Madonna di Loreto) is the second chapel on the left-hand side of the nave in the Basilica of Santa Maria del Popolo in Rome. It is the only religious building of Raphael which has been preserved in its near original form. The chapel is a treasure trove of Italian Renaissance and Baroque art and is ranked among the most important monuments in the basilica. History In 1507 Julius II granted assent to the acquisition of a chapel in the church to his friend, the wealthy Sienese banker and financier of the Roman Curia, Agostino Chigi. Chigi had bought the second chapel in the north aisle, and its dedication was changed by a papal bull on 3 December 1507 from Saints Sebastian, Roch and Sigismund to the Madonna of Loreto, whose shrine Agostino was passionately devoted, and Saints Augustine and Sebastian. The bull also stated that the chapel was meant to be a mausoleum for Agostino and his heirs, ...
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Jonah (Lorenzetto)
The statue of Jonah and the whale is an Italian Renaissance sculpture in marble by Lorenzetto in the niche to the left of the altar in the Chigi Chapel of the Basilica of Santa Maria del Popolo, Rome. The sculptor followed the original designs of his mentor, Raphael, who was the architect of the chapel. This is the only sculpture that Raphael himself designed and was executed according to his intentions. History The statue of Prophet Jonah was part of the original decorative scheme of the chapel by Raphael. One of the main iconographic themes in the funerary chapel of Agostino Chigi was resurrection of the dead. In this context the adventure of Jonah, who was swallowed by a large fish and spewed out three days later by the command of God, was a symbol of overcoming death. Jesus himself said that this miraculous episode in the Old Testament prefigured his own resurrection: "For as Jonah was three days and three nights in the belly of a huge fish, so the Son of Man will be three da ...
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Elijah (Lorenzetto)
The statue of Elijah is a marble statue by the Italian Renaissance sculptor Lorenzetto in the niche to the right of the entrance in the Chigi Chapel, the Basilica of Santa Maria del Popolo, Rome. The sculptor followed the original designs of his mentor, Raphael, who was the architect of the chapel. The statue was finished by his pupil, Raffaello da Montelupo. History The statue of Prophet Elijah was part of the original decorative scheme of the chapel by Raphael. The main iconographic themes in the funerary chapel of Agostino Chigi was resurrection and ascension of the soul to heaven. The two statues of Jonah and Elijah could be interpreted in this context: Prophet Jonah is the prototype of the Christ of the Resurrection, while Elijah of the Christ of the Ascension. In the Old Testament "Elijah went up by a whirlwind into heaven" on a chariot of fire (2 Kings 2:11). But Giorgio Vasari emphasized another aspect of Elijah's story in his description: "...an Elijah, living by Grace, wi ...
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Santa Maria Del Popolo
it, Basilica Parrocchiale Santa Maria del Popolo , image = 20140803 Basilica of Santa Maria del Popolo Rome 0191.jpg , caption = The church from Piazza del Popolo , coordinates = , image_size = 270 , mapframe-frame-width = 270 , mapframe = yes , mapframe-caption = Click on the map for a fullscreen view , mapframe-zoom = 13 , mapframe-marker = religious-christian , mapframe-wikidata = yes , location = Rome , country = Italy , denomination = Catholic , tradition = Latin Church , religious order = Order of Saint Augustine , website = , founded date = 1099 , founder = Pope Paschal II , dedication = Blessed Virgin Mary , consecrated date = 1477 , status = Basilica minor, parish church (1561), titular church (1587) , functional status ...
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Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. List of works by Raphael, His work is admired for its clarity of form, ease of composition, and visual achievement of the Renaissance Neoplatonism, Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the ...
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Raffaello Da Montelupo
Raffaello da Montelupo (c. 1504/1505 – c. 1566/1567), born Raffaele Sinibaldi, was a sculptor and architect of the Italian Renaissance, and an apprentice of Michelangelo. He was the son of another Italian sculptor, Baccio da Montelupo. Both father and son are profiled in Vasari's ''Le Vite delle più eccellenti pittori, scultori, ed architettori'' (or, in English, ''Lives of the Most Excellent Painters, Sculptors, and Architects''). Works Raffaello was born in Montelupo Fiorentino, near Florence. As a young artist in his twenties, he assisted Lorenzetto in Rome with the execution of statues of Elijah and Jonah for the Chigi Chapel in Santa Maria del Popolo (on designs by Raphael). He is also attributed a marble relief of the mystical marriage of St. Catherine (c. 1530), in a chapel at Santa Maria della Consolazione. Raffaello then went to Loreto, where the ''Visitazione'' and ''Adorazione dei Magi'' (c. 1534) at the Basilica of the Holy House (Chiesa della Casa Santa) a ...
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Pantheon, Rome
The Pantheon (, ; la, Pantheum,Although the spelling ''Pantheon'' is standard in English, only ''Pantheum'' is found in classical Latin; see, for example, Pliny, '' Natural History'36.38 "Agrippas Pantheum decoravit Diogenes Atheniensis". See also ''Oxford Latin Dictionary'', s.v. "Pantheum"; ''Oxford English Dictionary'', s.v"Pantheon" "post-classical Latin ''pantheon'' a temple consecrated to all the gods (6th cent.; compare classical Latin ''pantheum'')". from Greek ''Pantheion'', " empleof all the gods") is a former Roman temple and, since 609 AD, a Catholic church (Basilica di Santa Maria ad Martyres or Basilica of St. Mary and the Martyrs) in Rome, Italy, on the site of an earlier temple commissioned by Marcus Agrippa during the reign of Augustus (27 BC – 14 AD). It was rebuilt by the emperor Hadrian and probably dedicated  126 AD. Its date of construction is uncertain, because Hadrian chose not to inscribe the new temple but rather to retain the i ...
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Le Vite Delle Più Eccellenti Pittori, Scultori, Ed Architettori
''The Lives of the Most Excellent Painters, Sculptors, and Architects'' ( it, Le vite de' più eccellenti pittori, scultori, e architettori), often simply known as ''The Lives'' ( it, Le Vite), is a series of artist biographies written by 16th-century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most-read work of the older literature of art",Max Marmor, ''Kunstliteratur''
translated by , in Art Documentation Vol 11 # 1, 1992
"some of the 's most influential writing on ...
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Baccio Bandinelli
Baccio Bandinelli (also called Bartolommeo Brandini; 12 November 1493 – shortly before 7 February 1560), was an Italian Renaissance sculptor, draughtsman, and painter. Biography Bandinelli was the son of a prominent Florentine goldsmith, and first apprenticed in his shop. As a boy, he was apprenticed under Giovanni Francesco Rustici, a sculptor friend of Leonardo da Vinci. Among his earliest works was a ''Saint Jerome'' in wax, made for Giuliano de' Medici, identified as Bandinelli's by John Pope-Hennessy. Giorgio Vasari, a former pupil in Bandinelli's workshop, claimed Bandinelli was driven by jealousy of Benvenuto Cellini and Michelangelo; and recounts that: Bandinelli's lifelong obsession with Michelangelo is a recurring theme in assessments of his career. Bandinelli was a leader in the group of Florentine Mannerists who were inspired by the revived interest in Donatello attendant on the installation of Donatello's bas-relief panels for the pulpit in San Lorenzo, 15 ...
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Lorenzo Lotto
Lorenzo Lotto (c. 1480 – 1556/57) was an Italian Painting, painter, draughtsman, and illustrator, traditionally placed in the Venetian school (art), Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerism, Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists. Overview During his lifetime Lotto was a well-respected painter and certainly popular in Northern Italy; he is traditionally included in Venetian school (art), the Venetian School, but his independent career actually places him outside the Venetian art scene. He was certainly not as highly regarded in Venice as in the other towns where he worked, for he had a stylistic ...
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Antonio Da Sangallo The Younger
250px, A model of the Apostolic Palace, which was the main project of Bramante during Sangallo's apprenticeship. 250px, The church of Santa Maria di Loreto near the Rome.html"_;"title="Trajan's_Market_in_Rome">Trajan's_Market_in_Rome. image:Palazzo_Farnese_(Caprarola).jpg.html" ;"title="Rome..html" ;"title="Rome.html" ;"title="Trajan's Market in Trajan's_Market_in_Rome.">Rome.html"_;"title="Trajan's_Market_in_Rome">Trajan's_Market_in_Rome. image:Palazzo_Farnese_(Caprarola).jpg">thumb.html" ;"title="Rome">Trajan's Market in Rome.html"_;"title="Trajan's_Market_in_Rome">Trajan's_Market_in_Rome. image:Palazzo_Farnese_(Caprarola).jpg">thumb">250px.html" ;"title="Rome.">Rome.html" ;"title="Trajan's Market in Rome">Trajan's Market in Rome. image:Palazzo Farnese (Caprarola).jpg">thumb">250px">The Villa Farnese in Caprarola; the initial design was by Sangallo and Baldassare Peruzzi. image:Hendrik Frans van Lint - Rome, A View of San Giovanni dei Fiorentini.jpg, 250px, San Giovanni de ...
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