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Lola Montès
''Lola Montès'' is a 1955 historical romance film and the last completed film of German-born director Max Ophüls. Based on the novel ''La vie extraordinaire de Lola Montès'' by Cécil Saint-Laurent, the film depicts the life of Irish dancer and courtesan Lola Montez (1821–1861), portrayed by Martine Carol, and tells the story of the most famous of her many notorious affairs, those with Franz Liszt and Ludwig I of Bavaria. A co-production between France and West Germany, the dialogue is mostly in French and German, with a few English-language sequences. The most expensive European film produced up to its time, ''Lola Montès'' underperformed at the box office. However, it had an important artistic influence on the French New Wave cinema movement and continues to have many distinguished critical admirers. Heavily re-edited (multiple times) and shortened after its initial release for commercial reasons, it has been twice restored (1968, 2008). It was released on DVD and Blu-ray ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Ophüls
Maximillian Oppenheimer (; 6 May 1902 – 26 March 1957), known as Max Ophüls (; ), was a German-French film director who worked in Germany (1931–1933), France (1933–1940 and 1950–1957), and the United States (1947–1950). He made nearly 30 films, the latter ones being especially notable: ''La Ronde'' (1950), ''Le Plaisir'' (1952), ''The Earrings of Madame de…'' (1953) and ''Lola Montès'' (1955). He was credited as Max Opuls on several of his American films, including ''The Reckless Moment'', ''Caught'', ''Letter from an Unknown Woman'', and '' The Exile''. The annual Filmfestival Max Ophüls Preis in Saarbrücken is named after him. Life Youth and early career Max Ophüls was born in Saarbrücken, Germany, the son of Leopold Oppenheimer, a Jewish textile manufacturer and owner of several textile shops in Germany, and his wife Helene Oppenheimer (née Bamberger). He took the pseudonym Ophüls during the early part of his theatrical career so that, should he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Criterion Collection
The Criterion Collection, Inc. (or simply Criterion) is an American home video, home-video distribution company that focuses on licensing, restoring and distributing "important classic and contemporary films." Criterion serves film and media scholars, Cinephilia, cinephiles and public and academic libraries. Criterion has helped to standardize certain aspects of home-video releases such as film restoration, the Letterboxing (filming), letterboxing format for widescreen films and the inclusion of bonus features such as scholarly essays and Audio commentary, commentary tracks. Criterion has produced and distributed more than 1,000 special editions of its films in VHS, Betamax, LaserDisc, DVD, Blu-ray and Ultra HD Blu-ray formats and box sets. These films and their special features are also available via an online streaming service provider, streaming service that the company operates. History The company was founded in 1984 by Robert Stein (computer pioneer), Robert Stein, Aleen St ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lise Delamare
Lise Delamare (born Jolyse Effrey Jeanne Delamare; 9 April 1913 – 25 July 2006) was a French stage and film actress. Partial filmography * '' George and Georgette'' (1934) * ''Les précieuses ridicules'' (1934) * ''Pension Mimosas'' (1935) - Nelly * ''Notre-Dame d'amour'' (1936) - Roseline * '' The Cheat'' (1937) - Denise Moret * ''La Marseillaise'' (1938) - La Reine Marie-Antoinette * ''Péchés de jeunesse'' (1941) - Madeleine * ''The Duchess of Langeais'' (1942) - Madame de Serizy * ''La Symphonie fantastique'' (1942) - Harriet Smithson * '' La fausse maîtresse'' (1942) - Hélène * '' Le Destin fabuleux de Désirée Clary'' (1942) - Joséphine de Beauharnais * ''The Count of Monte Cristo'' (1943) - Haydée (French version only) * ''The White Waltz'' (1943) - Hélène Madelin * '' Sowing the Wind'' (1944) - Fernande *''Farandole'' (1945) - Blanche * '' Father Goriot'' (1945) - Madame de Beauséant * '' Lunegarde'' (1946) - Madame de Vertumne * ''Raboliot'' (1946) - Flora * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Guisol
Henri Guisol (12 October 1904 – 11 May 1994) was a French film actor. He appeared in more than seventy films from 1931 to 1980. He enjoyed a career in French '' who done its'' and film noir Film noir (; ) is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American '' .... Filmography References External links * {{DEFAULTSORT:Guisol, Henri 1904 births 1994 deaths People from Aix-en-Provence French male film actors 20th-century French male actors ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oskar Werner
Oskar Werner (; born Oskar Josef Bschließmayer; 13 November 1922 23 October 1984) was an Austrian stage and cinema actor whose prominent roles include two 1965 films, '' The Spy Who Came in from the Cold'' and ''Ship of Fools''. Other notable films include '' Decision Before Dawn'' (1951), ''Jules and Jim'' (1962), ''Fahrenheit 451'' (1966), '' The Shoes of the Fisherman'' (1968) and ''Voyage of the Damned'' (1976). Werner accepted both stage and film roles throughout his career. He won a Golden Globe for Best Supporting Actor, and had been nominated several times for the Golden Globe, the Academy Award as well as the BAFTA Award. Early life Born in Vienna, Werner spent much of his childhood in the care of his grandmother, who entertained him with stories about the Burgtheater, the Austrian state theatre, where he was accepted at the age of 18 by Lothar Müthel. He was the youngest person to receive this recognition. He made his theatre debut using the stage name Oskar Werner ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Will Quadflieg
Friedrich Wilhelm "Will" Quadflieg (; 15 September 1914 – 27 November 2003) was a German actor from Oberhausen. He was the father of actor Christian Quadflieg. He is considered one of Germany's best post-war actors. One of his most widely recognized roles was in the title role in the 1960 film '' Faust''. He also starred in a number of other roles. Quadflieg died from pulmonary embolism. Filmography *1938: '' The Muzzle'' - Rabanus, maler *1940: ''Das Herz der Königin'' - Olivier *1940: ''Kora Terry'' - Michael Varany *1941: ''My Life for Ireland'' - Michael O'Brien jun *1942: ''Destiny'' - Dimo *1942: '' The Red Terror'' - Peter Aßmuss *1942: ''Der große Schatten'' - Robert Jürgensen *1944: ''Die Zaubergeige'' - Violinist Andreas Halm *1944: ''Philharmoniker'' - Alexander Schonath *1945: ''Anna Alt'' - Joachim Alt, ein Komponist *1950: '' The Lie'' - Harry Altenberger *1951: ''Die Tödlichen Träume'' - Winter / Barravas / Florestan *1951: ''Das ewige Spiel'' - Werner D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Revolutions Of 1848–1849
The German revolutions of 1848–1849 (), the opening phase of which was also called the March Revolution (), were initially part of the Revolutions of 1848 that broke out in many European countries. They were a series of loosely coordinated protests and rebellions in the states of the German Confederation, including the Austrian Empire. The revolutions, which stressed pan-Germanism, demonstrated popular discontent with the traditional, largely autocratic political structure of the thirty-nine independent states of the Confederation that inherited the German territory of the former Holy Roman Empire after its dismantlement as a result of the Napoleonic Wars. This process began in the mid 1840s. The middle-class elements were committed to liberal principles, while the working class sought radical improvements to their working and living conditions. As the middle class and working class components of the Revolution split, the conservative aristocracy defeated it. Liberals were fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Theatre Munich
The National Theatre (german: link=no, Nationaltheater) on Max-Joseph-Platz in Munich, Germany, is a historic opera house, home of the Bavarian State Opera, Bavarian State Orchestra and the Bavarian State Ballet. Building First theatre – 1818 to 1823 The first theatre was commissioned in 1810 by King Maximilian I of Bavaria because the nearby Cuvilliés Theatre had too little space. It was designed by Karl von Fischer, with the 1782 Odéon in Paris as architectural precedent. Construction began on 26 October 1811 but was interrupted in 1813 by financing problems. In 1817 a fire occurred in the unfinished building. The new theatre finally opened on 12 October 1818 with a performance of ''Die Weihe'' by Ferdinand Fränzl, but was soon destroyed by another fire on 14 January 1823; the stage décor caught fire during a performance of ''Die beyden Füchse'' by Étienne Méhul and the fire could not be put out because the water supply was frozen. Coincidentally the Paris ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis II, Grand Duke Of Hesse
Louis II (26 December 1777 – 16 June 1848) was Grand Duke of Hesse and by Rhine from 6 April 1830 until 5 March 1848, resigning during the German Revolution of 1848. He was the son of Louis I, Grand Duke of Hesse, and Princess Louise of Hesse-Darmstadt. Marriage and issue On 19 June 1804, in Karlsruhe, he married his first cousin Princess Wilhelmine of Baden, youngest daughter of Charles Louis, Hereditary Prince of Baden, and his wife, Amalie of Hesse-Darmstadt. Due to Louis's affairs, the union proved an unhappy one, and the couple separated after the birth of their third child, who was his second surviving child. Wilhelmine had four children in the 1820s, but it was widely rumored that their real father was her chamberlain August von Senarclens de Grancy. Louis II nonetheless acknowledged them, and they were considered legitimate Princes and Princesses of Hesse and by Rhine by the nobles of Europe. Two of them lived to adulthood. * Prince Ludwig of Hesse-Darmstadt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frédéric Chopin
Frédéric François Chopin (born Fryderyk Franciszek Chopin; 1 March 181017 October 1849) was a Polish composer and virtuoso pianist of the Romantic period, who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose "poetic genius was based on a professional technique that was without equal in his generation". Chopin was born in Żelazowa Wola in the Duchy of Warsaw and grew up in Warsaw, which in 1815 became part of Congress Poland. A child prodigy, he completed his musical education and composed his earlier works in Warsaw before leaving Poland at the age of 20, less than a month before the outbreak of the November 1830 Uprising. At 21, he settled in Paris. Thereafterin the last 18 years of his lifehe gave only 30 public performances, preferring the more intimate atmosphere of the salon. He supported himself by selling his compositions and by giving piano lessons, for which he was in high demand. Chopin formed a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex texture (mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kapellmeister
(, also , ) from German ''Kapelle'' (chapel) and ''Meister'' (master)'','' literally "master of the chapel choir" designates the leader of an ensemble of musicians. Originally used to refer to somebody in charge of music in a chapel, the term has evolved considerably in its meaning and is today used for denoting the leader of a musical ensemble, often smaller ones used for TV, radio, and theatres. Historical usage In German-speaking countries during the approximate period 1500–1800, the word often designated the director of music for a monarch or nobleman. For English speakers, it is this sense of the term that is most often encountered, since it appears frequently in biographical writing about composers who worked in German-speaking countries. During that period, in Italy, the position (Italian: ''maestro di capella'') largely referred to directors of music assigned to cathedrals and sacred institutions rather than those under royal or aristocratic patronage. A Kapellmeister ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
