Lodovico Graziani
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Lodovico Graziani
Lodovico Graziani (14 November 1820 – 15 May 1885) was an Italian operatic tenor.Forbes, Elizabeth. "Graziani" in Sadie (2001). According to John Warrack and Ewan West, writing in ''The Oxford Dictionary of Opera'': "His voice was clear and vibrant, but he lacked dramatic gifts."Warrack, p. 299. He is now mainly remembered for having created the role of Alfredo Germont in the world premiere of Giuseppe Verdi's ''La traviata'' in 1853. Career Graziani was born in Fermo, Italy, into a musical family. Three of his brothers also became professional singers, in particular his younger brother Francesco Graziani (baritone), Francesco Graziani, who became a well known baritone and spent much of his career singing for the Royal Opera House, Royal Italian Opera (Covent Garden) in London. Lodovico studied with Cellini and made his debut in 1845 in Bologna in Carlo Cambiaggio's ''Don Procopio''.Kuhn, p. 285. In 1846 he was heard at the Regio Teatro degli Avvalorati in Livorno as Elvino ...
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Fermo
Fermo (ancient: Firmum Picenum) is a town and ''comune'' of the Marche, Italy, in the Province of Fermo. Fermo is on a hill, the Sabulo, elevation , on a branch from Porto San Giorgio on the Adriatic coast railway. History The oldest human remains from the area are funerary remains from the 9th–8th centuries BC, belonging to the Villanovan culture or the proto-Etruscan civilization. The ancient Firmum Picenum was founded as a Latin colony, consisting of 6000 men, in 264 BC, after the conquest of the Picentes, as the local headquarters of the Roman power, to which it remained faithful. It was originally governed by five quaestors. It was made a colony with full rights after the battle of Philippi, the 4th Legion being settled there. It lay at the junction of roads to Pausulae, Urbs Salvia, and Asculum, connected to the coast road by a short branch road from Castellum Firmanum (Porto S. Giorgio). According to Plutarch's ''Parallel Lives'', Cato the Elder thought highly ...
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Lucrezia Borgia (opera)
''Lucrezia Borgia'' is a melodramatic opera in a prologue and two acts by Gaetano Donizetti. Felice Romani wrote the Italian libretto after the play ''Lucrezia Borgia'' by Victor Hugo, in its turn after the legend of Lucrezia Borgia. ''Lucrezia Borgia'' was first performed on 26 December 1833 at La Scala, Milan. Performance history 19th century The first London production was at Her Majesty's Theatre on 6 June 1839 with Giulia Grisi and Mario.Ashbrook and Hibberd, p. 234 When the opera was staged in Paris (Théâtre des Italiens) in 1840, Victor Hugo obtained an injunction against further productions within the domain of French copyright law. The libretto was then rewritten and retitled ''La rinegata'', with the Italian characters changed to Turks, and the performances were resumed. The first English-language production was in London on 30 December 1843. The English tenor Sims Reeves was a noted Gennaro. ''Lucrezia'' was first presented in New Orleans on 27 April 1843 and then ...
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Teatro San Carlo
The Real Teatro di San Carlo ("Royal Theatre of Saint Charles"), as originally named by the Bourbon monarchy but today known simply as the Teatro (di) San Carlo, is an opera house in Naples, Italy, connected to the Royal Palace and adjacent to the Piazza del Plebiscito. It is the oldest continuously active venue for opera in the world, having opened in 1737, decades before either Milan's La Scala or Venice's La Fenice."The Theatre and its history"
on the Teatro di San Carlo's official website. (In English). Retrieved 23 December 2013
The opera season runs from late November to July, with the ballet season taking place from December to early June. The house once had a seating capacity of 3,285, but has now been reduced to 1,386 seats. Given its size, structure and antiquity, it was the model for theatres that were ...
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Un Ballo In Maschera
''Un ballo in maschera'' ''(A Masked Ball)'' is an 1859 opera in three acts by Giuseppe Verdi. The text, by Antonio Somma, was based on Eugène Scribe's libretto for Daniel Auber's 1833 five act opera, '' Gustave III, ou Le bal masqué''. The plot concerns the assassination in 1792 of King Gustav III of Sweden who was shot, as the result of a political conspiracy, while attending a masked ball, dying of his wounds thirteen days later. It was to take over two years between the commission from Naples, planned for a production there, and its premiere performance at the Teatro Apollo in Rome on 17 February 1859. In becoming the ''Un ballo in maschera'' which we know today, Verdi's opera (and his libretto) underwent a significant series of transformations and title changes, caused by a combination of censorship regulations in both Naples and Rome, as well as by the political situation in France in January 1858. Based on the Scribe libretto and begun as ''Gustavo III'' set in Stockho ...
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Giuseppe Apolloni
Giuseppe Apolloni (8 April 1822 – 31 December 1889) was an Italian composer born in Vicenza, Italy Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical re .... He composed a total of five operas, of which only one ''L'ebreo'' was successful. He died in Vicenza. References

1822 births 1889 deaths 19th-century classical composers 19th-century Italian male musicians Italian classical composers Italian male classical composers Italian opera composers Italian Romantic composers Male opera composers People from Vicenza {{Opera-bio-stub ...
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Les Vêpres Siciliennes
''Les vêpres siciliennes'' (''The Sicilian Vespers'') is a grand opera in five acts by the Italian romantic composer Giuseppe Verdi set to a French libretto by Eugène Scribe and Charles Duveyrier from their work ''Le duc d'Albe'' of 1838. ''Les vêpres'' followed immediately after Verdi's three great mid-career masterpieces, ''Rigoletto'', ''Il trovatore'' and '' La traviata'' of 1850 to 1853 and was first performed at the Paris Opéra on 13 June 1855. Today the opera is performed both in the original French and (rather more frequently) in its post-1861 Italian version as ''I vespri siciliani''. The story is based on a historical event, the Sicilian Vespers of 1282, using material drawn from the medieval Sicilian tract '' Lu rebellamentu di Sichilia''. Composition history After Verdi's first grand opera for the Paris Opéra—that being his adaptation of ''I Lombardi'' in 1847 given under the title of ''Jérusalem'' - the composer had wanted to write a completely new gran ...
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Paris Opera
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ...
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Adelaide Borghi-Mamo
Adelaide Borghi-Mamo (9 August 1826 – 29 September 1901) was an Italian operatic mezzo-soprano who had an active international career from the 1840s through the 1880s. She was married to tenor Michele Mamo and their daughter, soprano Erminia Borghi-Mamo, also had a successful singing career. Life and career Born in Bologna, Borghi-Mamo studied singing in Milan with Francesca Festa before making her professional opera debut in 1843 at the opera house in Urbino as Bianca in Saverio Mercadante's '' Il giuramento''. The following year she joined the roster of singers at the Teatro Vittorio Emanuele in Messina. She was soon invited to make guest appearances with major opera houses throughout Italy. In 1851 Borghi-Mamo portrayed the role of Morna in the world premiere of Giovanni Pacini's ''Malvina di Scozia'' at the Teatro di San Carlo. She returned there in 1853 to create the role of Olimpia in the premiere of Saverio Mercadante's ''Statira'' and the role of Odetta in the premi ...
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Il Trovatore
''Il trovatore'' ('The Troubadour') is an opera in four acts by Giuseppe Verdi to an Italian libretto largely written by Salvadore Cammarano, based on the play ''El trovador'' (1836) by Antonio García Gutiérrez. It was García Gutiérrez's most successful play, one which Verdi scholar Julian Budden describes as "a high flown, sprawling melodrama flamboyantly defiant of the Aristotelian unities, packed with all manner of fantastic and bizarre incident." The premiere took place at the Teatro Apollo in Rome on 19 January 1853, where it "began a victorious march throughout the operatic world," a success due to Verdi's work over the previous three years. It began with his January 1850 approach to Cammarano with the idea of ''Il trovatore''. There followed, slowly and with interruptions, the preparation of the libretto, first by Cammarano until his death in mid-1852 and then with the young librettist Leone Emanuele Bardare, which gave the composer the opportunity to propose signifi ...
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Felice Varesi
Felice Varesi (born Calais, 1813 – died Milan, 13 March 1889) was a French-born Italian baritone with an illustrious singing career that began in the 1830s and extended into the 1860s. He is best remembered today for his close association with several famous operas composed by Giuseppe Verdi, whose birth year he shared. Career Specializing initially in the bel canto operas of Verdi's predecessor Gaetano Donizetti, Varesi began his career in Varese in 1834 and went on to sing in Faenza, Florence, Modena, Rome, Perugia and Genoa. By 1841 he was singing at La Scala, Milan, and from 1842 to 1847 he was in demand in Vienna, where he appeared at the Kärntnertortheater. Here he created the role of Antonio in Donizetti's ''Linda di Chamounix'' as well as appearing in other works by the same composer. In 1844 he sang the role of Don Carlo in ''Ernani'' at Padua, his initial Verdi opera, and later appeared as the Doge in Verdi's '' I due Foscari''. In 1847, in Florence, he was the firs ...
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Stiffelio
''Stiffelio'' is an opera in three acts by Giuseppe Verdi, from an Italian libretto by Francesco Maria Piave. The origin of this was the novel ''Le pasteur d’hommes'', by Émile Souvestre, which was published in 1838. This was adapted into the French play ''Le pasteur, ou L'évangile et le foyer'' by Souvestre together with Eugène Bourgeois. (Its premiere was on 10 February 1849 at the Théâtre de la Porte Saint-Martin in Paris.) That play was in turn translated into Italian by Gaetano Vestri as ''Stifellius''; this formed the basis of Piave's libretto. Verdi's experience in Naples for ''Luisa Miller'' had not been a good one and he returned home to Busseto to consider the subject for his next opera. The idea for ''Stiffelio'' came from his librettist and, entering into a contract with his publisher, Ricordi, he agreed to proceed, leaving the decision as to the location of the premiere to Ricordi. This became the Teatro Grande (now the Teatro Comunale Giuseppe Verdi) in Triest ...
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Rigoletto
''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play ''Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. The work, Verdi's sixteenth in the genre, is widely considered to be the first of the operatic masterpieces of Verdi's middle-to-late career. Its tragic story revolves around the licentious Duchy of Mantua, Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's daughter Gilda. The opera's original title, ''La maledizione'' (The Curse), refers to a curse placed on both the Duke and Rigoletto by a courtier whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from the assassin hired by ...
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