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Lo-fi
Lo-fi (also typeset as lofi or low-fi; short for low fidelity) is a music or production quality in which elements usually regarded as imperfections in the context of a recording or performance are present, sometimes as a deliberate choice. The standards of sound quality (fidelity) and music production have evolved throughout the decades, meaning that some older examples of lo-fi may not have been originally recognized as such. Lo-fi began to be recognized as a style of popular music in the 1990s, when it became alternately referred to as DIY music (from "do it yourself"). Harmonic distortion and " analog warmth" are sometimes confused as core features of lo-fi music. Traditionally, lo-fi has been characterized by the inclusion of elements normally viewed as undesirable in professional contexts, such as misplayed notes, environmental interference, or phonographic imperfections (degraded audio signals, tape hiss, and so on). Pioneering, influential, or otherwise significant artist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Honorific Nicknames In Popular Music
When describing popular music artists, honorific nicknames are used, most often in the media or by fans, to indicate the significance of an artist, and are often Pantheon (gods), religious, Kinship terminology, familial, or (most frequently) Imperial, royal and noble ranks, royal and aristocratic titles, used metaphorically. Honorific nicknames were used in classical music in Europe even in the early nineteenth century, with figures such as Wolfgang Amadeus Mozart, Mozart being called "The father of modern music" and Johann Sebastian Bach, Bach "The father of modern piano music". They were also particularly prominent in African-American culture in the post-American Civil War, Civil War era, perhaps as a means of conferring status that had been negated by Slavery in the United States, slavery, and as a result entered early jazz and blues music, including figures such as Duke Ellington and Count Basie. In Culture of the United States, U.S. culture, despite its Republicanism, republ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
McCartney (album)
''McCartney'' is the debut solo album by English musician Paul McCartney, released on 17 April 1970 by Apple Records. McCartney recorded it in secrecy, mostly using basic home-recording equipment at his house in St John's Wood. Mixing and some recording took place at professional London studios. In its loosely arranged performances, ''McCartney'' eschewed the polish of the Beatles' past records in favour of a lo-fi style. Apart from occasional contributions by his wife, Linda, McCartney performed the entire album alone by overdubbing on four-track tape. McCartney recorded the album during a period of depression and confusion, following John Lennon's private departure from the Beatles in September 1969. Conflicts over the release of McCartney's album further estranged him from his bandmates, as he refused to delay the album's release to allow for Apple's previously scheduled titles, notably the Beatles' album ''Let It Be''. A press release in the form of a self-interview supplied w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Outsider Music
Outsider music (from "outsider art") is music created by self-taught or naïve musicians. The term is usually applied to musicians who have little or no traditional musical experience, who exhibit childlike qualities in their music, or who suffer from intellectual disabilities or mental illnesses. The term was popularized in the 1990s by journalist and WFMU DJ Irwin Chusid. Outsider musicians often overlap with lo-fi artists, since their work is rarely captured in professional recording studios. Examples include Daniel Johnston, Wesley Willis, and Jandek, who each became the subjects of documentary films in the 2000s. Etymology The term "outsider music" is traced to the definitions of "outsider art" and "naïve art". "Outsider art" is rooted in the 1920s French concept of "L'Art Brut" ("raw art"). In 1972, academic Roger Cardinal introduced "outsider art" as the American counterpart of "L'Art Brut", which originally referred to work created exclusively by children or the men ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ariel Pink
Ariel Marcus Rosenberg ( ; born June 24, 1978), professionally known as Ariel Pink, is an American musician, singer, and songwriter whose work draws heavily from the popular music of the 1960s–1980s. His lo-fi music, lo-fi aesthetic and home recording, home-recorded albums proved influential to many indie musicians starting in the late 2000s. He is frequently cited as "godfather" of the hypnagogic pop and chillwave movements, and he is credited with galvanizing a larger trend involving the evocation of the media, sounds, and outmoded technologies of prior decades, as well as an equal appreciation for high art, high and low art in independent music. A native of Los Angeles, Pink began experimenting with recording songs on an Stem mixing and mastering, eight-track Portastudio as a teenager. His early influences were artists such as Michael Jackson, the Cure (band), the Cure, and R. Stevie Moore. The majority of Ariel Pink discography, his recorded output stems from a prolific ei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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