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Llorando Se Fue
"Llorando se fue" ( en, e/Sheleft in tears) is a Bolivian folk song recorded by Los Kjarkas in 1981 on the album ''Canto a la mujer de mi pueblo'' and released as a B-side of the "Wa ya yay" single in 1982. The song has been very popular in Latin America since the 1980s and has been covered several times. It obtained international fame with artists such as Wilkins in 1984, Argentine singer Juan Ramón in 1985, Brazilian singer Márcia Ferreira in 1986 and the French-Brazilian pop group Kaoma in 1989. Kaoma's cover "Lambada" was an unauthorized translation of the song and based on the music of Cuarteto Continental group and Márcia Ferreira's Portuguese version that led to a successful lawsuit against Kaoma's producers Olivier Lorsac and Jean Karakos. Recently, the song was adapted by several artists including Ivete Sangalo, Red Fox's "Pose Off", Jennifer Lopez for her 2011 single "On the Floor", Don Omar's "Taboo" and Wisin & Yandel's "Pam Pam". The song is alternately titled "' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Los Kjarkas
Los Kjarkas is a Bolivian band from the Capinota province in the department of Cochabamba, and one of the most popular Andean folk music bands in the country's history. Among the styles they play are Saya, tuntuna, huayno, and carnavales. The instruments they use include the charango, quena, zampoña, ronroco, guitar, and bombo. The band's leader has always been singer, guitarist, and songwriter Gonzalo Hermosa González, who formed the band with his brothers Élmer Hermosa González and Ulises Hermosa González, as well as Gastón Guardia Bilboa and Ramiro de la Zerda. De la Zerda left group to form Grupo Fortaleza and Ulises Hermosa died of cancer in 1992, being replaced by Eduardo Yáñez Loayza, Rolando Malpartida Porcel and José Luis Morales Rodríguez. By 2002, Lin Angulo, Gonzalo Hermosa Camacho, and Japanese-born Makoto Shishido had replaced Yáñez, Porcel, and Rodríguez. Makoto joined the band after seeing them play in Japan. In the later 2000s, Élmer Hermosa was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afro-Bolivian
Afro-Bolivians are Bolivian people of Sub-Saharan African heritage and therefore the descriptive "Afro-Bolivian" may refer to historical or cultural elements in Bolivia thought to emanate from their community. It can also refer to the combining of African and other cultural elements found in Bolivian society such as religion, music, language, the arts, and class culture. The Afro-Bolivians are recognized as one of the constituent ethnic groups of Bolivia by the country's government, and are ceremonially led by a king who traces his descent back to a line of monarchs that reigned in Africa during the medieval period. They numbered 432,000 according to the 2012 census. History of slavery in Bolivia In 1544, the Spanish Conquistadors discovered the silver mines in a city now called Potosí, which is on the base of Cerro Rico. They began to enslave the natives as workers in the mines. However, the health of the natives working in the mines became very poor, so the Spanish began to br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torch Of The Mystics
''Torch of the Mystics'' is the fourth studio album by American experimental rock band Sun City Girls. The 1990 LP cover released on Majora differs from the 1993 CD reissue by Tupelo. Recording history Most of the album was recorded on an 8-track at a home in Tempe, Arizona in 1988. The band took much of their inspiration from Alan Bishop's field recordings. Release and reception ''Torch of the Mystics'' was originally issued by Majora Records solely on vinyl format in 1990. However, due to its compressed and tinny sounding production, the album was remastered and re-released by Tupelo Records in 1993. Noting its "swirling, psychedelic ethnic forgeries that will make Can fans renounce post-'' Landed'' Kraut Rock wax", Byron Coley wrote in ''Spin'' that the album "is easily the richest, lumpiest puddle of guh they've yet emitted." Since its release, the album has received critical acclaim from websites such as Allmusic and Pitchfork. Track listing Sources The song "Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Los Hermanos Rosario
Los Hermanos Rosario (''The Rosario Brothers'' in English) is a Merengue music, merengue band, originally consisting of brothers Toño Rosario, Pepe, Rafa and Luis. History Los Hermanos Rosario is an emblematic merengue music band from the Dominican Republic. The orchestra was founded on 1 May 1978, Labor Day in Higuey, Dominican Republic, Salvaleón de Higuey, a town on the edge of the eastern part of the Dominican Republic. At that time, the 7 brothers debuted with the municipal authorities in a ceremony in their native town. Shortly thereafter, Los Hermanos Rosario began a quest in search of artistic success. They developed their activities initially in their native town and in some cities in the east of the country. An important start for the brothers was being hired by a teacher, Pedro Maria Payan Duluc, Chiquitín Payan, to enliven activities at Casa de Campo, Dominican Republic, Casa de Campo, a Resort in La Romana, Dominican Republic, La Romana, a town in their country ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pastor López
José Pastor López Pineda (15 June 1944, Barquisimeto – 5 April 2019, Cúcuta), better known as "El Indio Pastor" (Pastor the Indian), was a Venezuelan singer-songwriter who worked primarily in the style of Cumbia. Career and Death He started out singing Joropo in a group with his brothers, but didn't gain more widespread notoriety until joining forces with fellow musician Nelson Henríquez. After two years performing in Nelson Henriquez's group (1972–1973) he decided to branch off and form his own: "Pastor López y su Combo." Many of the cumbias he has recorded are interpretations of works associated with "Peruvian cumbia", including "Cariñito sin mi", "Bonita y Mentirosa", and "Traicionera" among others. The success of his more than 30 year musical career has not been limited to his two nations of residence, Venezuela and Colombia, but spans the United States, Canada, Spain, the UK, and other countries with significant Colombian and Latino populations. He was one of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brazil
Brazil ( pt, Brasil; ), officially the Federative Republic of Brazil (Portuguese: ), is the largest country in both South America and Latin America. At and with over 217 million people, Brazil is the world's fifth-largest country by area and the seventh most populous. Its capital is Brasília, and its most populous city is São Paulo. The federation is composed of the union of the 26 States of Brazil, states and the Federal District (Brazil), Federal District. It is the largest country to have Portuguese language, Portuguese as an List of territorial entities where Portuguese is an official language, official language and the only one in the Americas; one of the most Multiculturalism, multicultural and ethnically diverse nations, due to over a century of mass Immigration to Brazil, immigration from around the world; and the most populous Catholic Church by country, Roman Catholic-majority country. Bounded by the Atlantic Ocean on the east, Brazil has a Coastline of Brazi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Société Des Auteurs, Compositeurs Et éditeurs De Musique
Société des auteurs, compositeurs et éditeurs de musique (SACEM) is a French professional association collecting payments of artists’ rights and distributing the rights to the original songwriters, composers, and music publishers. Founded in 1851, it is a non-profit non-trading entity owned and managed by its members according to the business model of a cooperative. History Composers Ernest Bourget, Victor Parizot and Paul Henrion in Paris in 1847 (see 1847 in music Events * February 28 – Fire breaks out during a performance and destroys the Großherzoglichen Hoftheater in Baden. Most of the audience perishes because the theatre doors cannot be opened from the inside. *March 3 – ''I Lombardi alla prima c ...) succeeded in having payment made for their works which were being played in the leading café-concert at the time, Les Ambassadeurs. The French courts recognized these legitimate rights founded in revolutionary laws. The provisional union of authors, composers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bolivia
, image_flag = Bandera de Bolivia (Estado).svg , flag_alt = Horizontal tricolor (red, yellow, and green from top to bottom) with the coat of arms of Bolivia in the center , flag_alt2 = 7 × 7 square patchwork with the (top left to bottom right) diagonals forming colored stripes (green, blue, purple, red, orange, yellow, white, green, blue, purple, red, orange, yellow, from top right to bottom left) , other_symbol = , other_symbol_type = Dual flag: , image_coat = Escudo de Bolivia.svg , national_anthem = " National Anthem of Bolivia" , image_map = BOL orthographic.svg , map_width = 220px , alt_map = , image_map2 = , alt_map2 = , map_caption = , capital = La Paz Sucre , largest_city = , official_languages = Spanish , languages_type = Co-official languages , languages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sentimental Ballad
A sentimental ballad is an emotional style of music that often deals with romantic and intimate relationships, and to a lesser extent, loneliness, death, war, drug abuse, politics and religion, usually in a poignant but solemn manner.J. M. Curtis, ''Rock Eras: Interpretations of Music and Society, 1954-1984'' (Popular Press, 1987), p. 236. Ballads are generally melodic enough to get the listener's attention. Sentimental ballads are found in most music genres, such as pop, R&B, soul, country, folk, rock and electronic music. Usually slow in tempo, ballads tend to have a lush musical arrangement which emphasizes the song's melody and harmonies. Characteristically, ballads use acoustic instruments such as guitars, pianos, saxophones, and sometimes an orchestral set. Many modern mainstream ballads tend to feature synthesizers, drum machines and even, to some extent, a dance rhythm. Sentimental ballads had their origins in the early Tin Pan Alley music industry of the la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
IMMuB
Samba (), also known as samba urbano carioca (''urban Carioca samba'') or simply samba carioca (''Carioca samba''), is a Brazilian music genre that originated in the Afro-Brazilian communities of Rio de Janeiro in the early 20th century. Having its roots in Brazilian folk traditions, especially those linked to the primitive rural samba of the colonial and imperial periods, it is considered one of the most important cultural phenomena in Brazil and one of the country's symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song " Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "samba", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lambada
Lambada () is a dance from State of Pará, Brazil. The dance became internationally popular in the 1980s, especially in the Philippines, Latin America and Caribbean countries. It has adopted aspects of dances such as forró, salsa, merengue, maxixe, carimbó and Bolivian saya. Lambada is generally a partner dance. The dancers generally dance with arched legs, with the steps being from side to side, turning or even swaying, and in its original form never front to back, with a pronounced movement of the hips. At the time when the dance became popular, short skirts for women were in fashion and men wore long trousers, and the dance has become associated with such clothing, especially for women wearing short skirts that swirl up when the woman spins around, typically revealing 90s-style thong underwear. Origins ''Carimbó'' Also known as the forbidden dance, from the time that Brazil was a Portuguese colony, Carimbó was a common dance in the northern part of the country. Carim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tabatinga
Tabatinga, originally Forte de São Francisco Xavier de Tabatinga, is a municipality in the Três Fronteiras area of Western Amazonas. It is in the Brazilian state of Amazonas. Its population was 67,182 (2020) and its area is 3,225 km2. Together with the neighbouring Colombian city of Leticia and the Peruvian city of Santa Rosa de Yavari, the urban area has more than 100,000 residents spread along the Amazon River. The first Portuguese settlement in the area was founded in the 18th century as a military outpost. It became an autonomous municipality on February 1, 1983. Formerly, it was part of the municipality of Benjamin Constant. The city is the seat of the Roman Catholic Diocese of Alto Solimões. Etymology The word ''Tabatinga'' is of indigenous origin, coming from the Tupi ''tobatinga'', having its meaning designated as ''white clay'' or ''soil white''. It is believed that the indigenous people referred to the region with that name because of the white clay found abu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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