Liz Deschenes
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Liz Deschenes
Liz Deschenes (born 1966) is an American contemporary artist and educator. Her work is situated between sculpture and image and engages with post-conceptual photography and Minimalism. Her work examines the fluidity of the medium of photography and expands on what constitutes the viewing of a photograph. Deschenes has stated that she seeks to "enable the viewer to see the inconstancy of the conditions of display, which are always at play but sometimes hard to see." Her practice is not bound to a single technology, method, process, or subject, but to the fundamental elements of photography, such as light, paper, chemistry, and time. She has taught at Bennington College and was a visiting artist at Columbia University's School of Visual Arts and Yale University. In 2019, she was the Wolf Chair in Photography at Cooper Union. She currently teaches at the School of Visual Arts, New York. She lives and works in New York City. Early life and education Deschenes was born in 1966 in Bo ...
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Dorchester, Boston
Dorchester (colloquially referred to as Dot) is a Boston neighborhood comprising more than in the City of Boston, Massachusetts, United States. Originally, Dorchester was a separate town, founded by Puritans who emigrated in 1630 from Dorchester, Dorset, England, to the Massachusetts Bay Colony. This Municipal annexation in the United States, dissolved municipality, Boston's largest Neighborhoods in Boston, neighborhood by far, is often divided by city planners in order to create two planning areas roughly equivalent in size and population to other Boston neighborhoods. The neighborhood is named after the town of Dorchester in the Dorset, English county of Dorset, from which History of the Puritans in North America, Puritans emigrated on the ship ''Mary and John (ship), Mary and John'', among others. Founded in 1630, just a few months before the founding of the city of Boston, Dorchester now covers a geographic area approximately equivalent to nearby Cambridge, Massachusetts, Cam ...
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Viewfinder
In photography, a viewfinder is what the photographer looks through to compose, and, in many cases, to focus the picture. Most viewfinders are separate, and suffer parallax, while the single-lens reflex camera lets the viewfinder use the main optical system. Viewfinders are used in many cameras of different types: still and movie, film, analog and digital. A zoom camera usually zooms its finder in sync with its lens, one exception being rangefinder cameras. History Before the development of microelectronics and electronic display devices, only optical viewfinders existed. Direct optical viewfinders Direct viewfinders are essentially miniature Galilean telescopes; the viewer's eye was placed at the back, and the scene viewed through the viewfinder optics. A declining minority of point and shoot cameras use them. Parallax error results from the viewfinder being offset from the lens axis, to point above and usually to one side of the lens. The error varies with distance, being ...
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Stereoscope
A stereoscope is a device for viewing a stereoscopic pair of separate images, depicting left-eye and right-eye views of the same scene, as a single three-dimensional image. A typical stereoscope provides each eye with a lens that makes the image seen through it appear larger and more distant and usually also shifts its apparent horizontal position, so that for a person with normal binocular depth perception the edges of the two images seemingly fuse into one "stereo window". In current practice, the images are prepared so that the scene appears to be beyond this virtual window, through which objects are sometimes allowed to protrude, but this was not always the custom. A divider or other view-limiting feature is usually provided to prevent each eye from being distracted by also seeing the image intended for the other eye. Most people can, with practice and some effort, view stereoscopic image pairs in 3D without the aid of a stereoscope, but the physiological depth cues result ...
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Secession Building
The Secession Building (german: Secessionsgebäude) is an exhibition hall in Vienna, Austria. It was completed in 1898 by Joseph Maria Olbrich as an architectural manifesto for the Vienna Secession, a group of rebel artists that seceded from the long-established fine art institution. Description The building features the Beethoven Frieze by Gustav Klimt, one of the most widely recognized artworks of Secession style (a branch of Art Nouveau, also known as Jugendstil in Germany and Nordic countries). The building was financed by Karl Wittgenstein,Monk, ''Ludwig Wittgenstein: The Duty of Genius'': p.8 the father of Ludwig Wittgenstein. The motto of the Secessionist movement is written above the entrance of the pavilion: "To every age its art, to every art its freedom" (german: Der Zeit ihre Kunst. Der Kunst ihre Freiheit). Below this is a sculpture of three gorgons representing painting, sculpture, and architecture. The building has been selected to figure on the national side of ...
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Performance Art
Performance art is an artwork or art exhibition created through actions executed by the artist or other participants. It may be witnessed live or through documentation, spontaneously developed or written, and is traditionally presented to a public in a fine art context in an interdisciplinary mode. Also known as ''artistic action'', it has been developed through the years as a genre of its own in which art is presented live. It had an important and fundamental role in 20th century avant-garde art. It involves four basic elements: time, space, body, and presence of the artist, and the relation between the creator and the public. The actions, generally developed in art galleries and museums, can take place in the street, any kind of setting or space and during any time period. Its goal is to generate a reaction, sometimes with the support of improvisation and a sense of aesthetics. The themes are commonly linked to life experiences of the artist themselves, or the need of denunci ...
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Conceptual Art
Conceptual art, also referred to as conceptualism, is art in which the concept(s) or idea(s) involved in the work take precedence over traditional aesthetic, technical, and material concerns. Some works of conceptual art, sometimes called installations, may be constructed by anyone simply by following a set of written instructions. This method was fundamental to American artist Sol LeWitt's definition of conceptual art, one of the first to appear in print: Tony Godfrey, author of ''Conceptual Art (Art & Ideas)'' (1998), asserts that conceptual art questions the nature of art, a notion that Joseph Kosuth elevated to a definition of art itself in his seminal, early manifesto of conceptual art, ''Art after Philosophy'' (1969). The notion that art should examine its own nature was already a potent aspect of the influential art critic Clement Greenberg's vision of Modern art during the 1950s. With the emergence of an exclusively language-based art in the 1960s, however, conceptual ...
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Eva Respini
Eva Respini (born 1976) is a curator of contemporary art who served as chief curator (2015–2023) and deputy director for curatorial affairs (2022–2023) at the Institute of Contemporary Art, Boston. She is also a lecturer at Harvard University Graduate School of Design. Early life and education Respini was born and raised in Europe, but has lived in the United States for over two decades. Her father is Italian and her mother is Norwegian. She has lived in Croatia (then Yugoslavia), France, Italy, and Switzerland. She received a bachelor's degree in Art History and master's degree in Modern Art and Critical Theory from Columbia University, and was a 2014 fellow at the Center for Curatorial Leadership. Career Respini is the Deputy Director for Curatorial Affairs and Barbara Lee Chief Curator at the Institute of Contemporary Art, Boston (ICA), where she has been since 2015. Prior to the ICA, Respini was a curator at the Museum of Modern Art, where she organized contemporary a ...
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Bauhaus
The Staatliches Bauhaus (), commonly known as the Bauhaus (), was a German art school operational from 1919 to 1933 that combined crafts and the fine arts.Oxford Dictionary of Art and Artists (Oxford: Oxford University Press, 4th edn., 2009), , pp. 64–66 The school became famous for its approach to design, which attempted to unify individual artistic vision with the principles of mass production and emphasis on function. The Bauhaus was founded by architect Walter Gropius in Weimar. It was grounded in the idea of creating a Gesamtkunstwerk ("comprehensive artwork") in which all the arts would eventually be brought together. The Bauhaus style later became one of the most influential currents in modern design, modernist architecture, and architectural education. The Bauhaus movement had a profound influence upon subsequent developments in art, architecture, graphic design, interior design, industrial design, and typography. Staff at the Bauhaus included prominent artists ...
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Herbert Bayer
Herbert Bayer (April 5, 1900 – September 30, 1985) was an Austrian and American graphic designer, painter, photographer, sculptor, art director, environmental and interior designer, and architect. He was instrumental in the development of the Atlantic Richfield Company's corporate art collection until his death in 1985. Biography Training and Bauhaus years Bayer apprenticed under the artist Georg Schmidthammer in Linz. Leaving the workshop to study at the Darmstadt Artists' Colony, he became interested in Walter Gropius's Bauhaus manifesto. After Bayer had studied for four years at the Bauhaus under such teachers as Wassily Kandinsky, Paul Klee and László Moholy-Nagy, Gropius appointed Bayer director of printing and advertising. In the spirit of reductive minimalism, Bayer developed a crisp visual style and adopted use of all-lowercase, sans serif typefaces for most Bauhaus publications. Bayer is one of several typographers of the period including Kurt Schwitters and Jan ...
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Miguel Abreu Gallery
Miguel Abreu Gallery is a contemporary art gallery with two locations in New York City. History Miguel Abreu Gallery opened its first space at 36 Orchard Street in 2006 in the Lower East Side of New York City. A second 8,000 square foot space was opened two blocks away at 88 Eldridge Street in 2014 to stage large scale projects and exhibitions. The gallery stages conceptually-charged one person and group shows as well as performances, film screenings, and lectures. Sequence Press, the gallery's publishing division, was launched in 2011. In conjunction with the British publisher Urbanomic, the press has released books by philosophers and artists including François Laruelle, R.H. Quaytman, Nick Land, Quentin Meillassoux, and Gilles Châtelet, among others. Artists The gallery represents American and international artists working in a range of media, including Yuji Agematsu, Rey Akdogan, Alexander Carver, Liz Deschenes, Rochelle Goldberg, Tishan Hsu, Gareth James, Flint Ja ...
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Daguerreotype
Daguerreotype (; french: daguerréotype) was the first publicly available photographic process; it was widely used during the 1840s and 1850s. "Daguerreotype" also refers to an image created through this process. Invented by Louis Daguerre and introduced worldwide in 1839, the daguerreotype was almost completely superseded by 1860 with new, less expensive processes, such as ambrotype ( collodion process), that yield more readily viewable images. There has been a revival of the daguerreotype since the late 20th century by a small number of photographers interested in making artistic use of early photographic processes. To make the image, a daguerreotypist polished a sheet of silver-plated copper to a mirror finish; treated it with fumes that made its surface light-sensitive; exposed it in a camera for as long as was judged to be necessary, which could be as little as a few seconds for brightly sunlit subjects or much longer with less intense lighting; made the resulting lat ...
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