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Live At The Orpheum
''Live at the Orpheum'' is a live album by the band King Crimson, released by Discipline Global Mobile records in 2015. The album was recorded on 30 September and 1 October at the Orpheum Theatre in Los Angeles, California on the band's The Elements of King Crimson US tour of 2014. King Crimson's 2014 tour marked guitarist, founder and leader Robert Fripp's return to active service after a long legal battle with Universal Music Group. This line-up of King Crimson is notable for featuring three drummers, Pat Mastelloto, Gavin Harrison and Bill Rieflin. The other members of the band are long standing bass player Tony Levin, Mel Collins who was previously in the band from 1970 to 1972, also playing on '' Red'' in 1974, Jakko Jakszyk on guitar and vocals, and Robert Fripp. All the shows on the tour were recorded on multitrack with Jakko Jakszyk sorting through the recordings. The two shows at the Orpheum Theatre in Los Angeles were chosen for release. The album features ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Crimson
King Crimson are a progressive rock band formed in 1968 in London, England. The band draws inspiration from a wide variety of music, incorporating elements of classical, jazz, folk, heavy metal, gamelan, industrial, electronic, experimental music and new wave. They exerted a strong influence on the early 1970s progressive rock movement, including on contemporaries such as Yes and Genesis, and continue to inspire subsequent generations of artists across multiple genres. The band has earned a large cult following. Founded by Robert Fripp, Michael Giles, Greg Lake, Ian McDonald and lyricist Peter Sinfield, the band initially focused on a dramatic sound layered with Mellotron, McDonald's saxophone and flute, and Lake's powerful lead vocals. Their debut album, '' In the Court of the Crimson King'' (1969), remains their most commercially successful and influential release, with a potent mixture of jazz, classical and experimental music. Following the sudden simultaneous de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red (King Crimson Album)
''Red'' is the seventh studio album by English progressive rock band King Crimson. It was released on 6 October 1974 through Island Records in the United Kingdom and Atlantic Records in North America and Japan. The album was recorded at Olympic Studios in London in July and August 1974, and produced by the band themselves. The track "Providence" was a free improvisation recorded at their 30 June 1974 concert at the Palace Theater in the city of the same name. Parts of some of the pieces were conceived during previous improvisations performed by the band live. " Starless" was originally considered for their previous album, ''Starless and Bible Black'' (1974), but was deemed incomplete at the time. The lengthy version included on this album was refined and performed during concerts throughout 1974. ''Red'' is a progressive rock album with a noticeably heavier sound than their previous albums; it was later called one of the 50 "heaviest albums of all time" by '' Q''. This was achi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jamie Muir
Jamie Muir (born 1943 in Edinburgh) is a Scottish painter and former musician, best known for his work as the percussionist in King Crimson from 1972–1973. Biography Muir attended the Edinburgh College of Art during the 1960s, and began playing jazz on trombone. He soon lost interest and switched to percussion, stating that he preferred to be "in the wilds of uncertainty." At that time, he listened to American jazz drummers such as Tony Williams, Kenny Clarke, and Milford Graves, and other musicians such as Pharoah Sanders, Albert Ayler, and the New York Art Quartet. Regarding his musical direction at the time, he stated "I just had to improvise. The first time it felt really dangerous, like the sort of thing you had to lock the doors and close the curtains on because if anybody saw you, God would strike you down with a thunderbolt. But I took to it like a duck to water." After moving to London, Muir worked with choreographer Lindsay Kemp, and was active in free impr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larks' Tongues In Aspic (instrumental)
"Larks' Tongues in Aspic" is a suite of music by the English progressive rock band King Crimson. Spanning thirty years and four albums, the series comprises five parts, all of which carry unifying musical motifs. Parts I and II were released as the introductory and final tracks on King Crimson's 1973 album of the same name, part III was featured on their 1984 album ''Three of a Perfect Pair'', part IV (itself divided into three identically titled parts) appeared on 2000's '' The Construkction of Light'', and the final part, "Level Five", was included on the 2003 album '' The Power to Believe''. Despite breaking the naming convention, Robert Fripp, King Crimson founder and only constant contributor to the suite, insists that "Level Five" is part of the pentalogy. In 2011, ''PopMatters'' ranked the first part of "Larks' Tongues in Aspic" as the eighth best progressive rock song ever. Parts I and II "Larks' Tongues in Aspic, Part One", the longest entry in the pentalogy, was fir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Palmer-James
Richard William Palmer-James (born 11 June 1947) is an English guitarist, songwriter and lyricist. He may be best known as one of the founder members of Supertramp (playing guitar and songwriter); writing lyrics for several songs by the progressive rock group King Crimson in the early 1970s; and for writing lyrics for the 1985 hit "(I'll Never Be) Maria Magdalena" by Sandra. Palmer-James was born in Meyrick Park, Bournemouth, where he got his start in the music business playing in various local bands: The Corvettes, The Palmer-James Group (formed with Alec James), Tetrad, and Ginger Man, all of which included John Wetton on bass and vocals. He was a founding member of Supertramp, playing guitar and singing vocals, as well as writing the lyrics for their self-titled debut album under the name Richard Palmer. He also co-wrote the lyrics of "Goldrush", a song written during his days in the band but not recorded until their 2002 album ''Slow Motion''. Palmer wrote lyrics for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Cross (musician)
David Cross (born 23 April 1949 in Turnchapel near Plymouth, England) is an English electric violinist and keyboardist best known for playing with progressive rock band King Crimson from 1972 to 1974. He appears on their studio albums ''Larks' Tongues in Aspic,'' '' Starless and Bible Black'', and a single track on ''Red''. Cross also appears on numerous other live recordings from 1973 & 1974 that have been released by Robert Fripp's Discipline Global Mobile label in the decades since, including ''USA'' (1975) and ''The Night Watch'' (1997).'' After his time with King Crimson, Cross travelled extensively, eventually returning to music through work in the theatre. In 1987 he formed an ensemble called Low Flying Aircraft with Keith Tippett on piano. In 1988, he was invited by keyboardist Geoff Serle to join Radius, with whom he has recorded five studio albums. Since the late 1980's, he has toured and recorded with his own eponymous band (see below). Over a 30 year period, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Bruford
William Scott Bruford (born 17 May 1949) is an English former drummer and percussionist who first gained prominence as a founding member of the progressive rock band Yes. After leaving Yes in 1972, Bruford spent the rest of the 1970s recording and touring with King Crimson (1972–1974) and Roy Harper (1975), and touring with Genesis (1976) and U.K. (1978). In 1978, he formed his own group ( Bruford), which was active until 1980. In the 1980s, Bruford returned to King Crimson for three years (1981–1984), collaborated with several artists (including Patrick Moraz and David Torn), and formed his own electric jazz band Earthworks in 1986. He then played with his former Yes bandmates in Anderson Bruford Wakeman Howe, which eventually led to a very brief second stint in Yes. Bruford played in King Crimson for his third and final tenure from 1994–1997, after which he continued with a new acoustic configuration of Earthworks. On 1 January 2009, Bruford retired from professional ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Starless
"Starless" is a composition by English progressive rock band King Crimson. It is the final track on their seventh studio album, ''Red'', released on 6 October 1974. Background The original chords and melody for "Starless" were written by John Wetton, who intended the song to be the title track of the group's previous album ''Starless and Bible Black''. Event occurs at 5:15-7:01. Robert Fripp and Bill Bruford initially disliked the song and declined to record it for that album. Instead the group chose an instrumental improvisation as the title track. However, "Starless" was later revived, its lyrics altered and a long instrumental section (based on a bass riff written by Bruford) added to it, and performed live between March and June 1974. For the ''Red'' recording sessions, the lyrics were again altered (with contributions by Richard Palmer-James). The introductory theme, originally played by David Cross, was taken over by the guitar, with Fripp making minor alterations to the m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Sinfield
Peter John Sinfield (born 27 December 1943) is an English poet and songwriter. He is best known as the co-founder and former lyricist of King Crimson, whose debut album ''In the Court of the Crimson King'' is considered one of the first and most influential progressive rock albums ever released. Sinfield's lyrics are known for their surreal imagery, often involving common fantasy concepts, nature, or the sea. They often also deal with emotional concepts and, sometimes, storyline concepts. Later in his career, he adapted his songwriting to better suit pop music, and wrote a number of successful songs for artists such as Celine Dion, Cher, Cliff Richard, Leo Sayer, Five Star, and Bucks Fizz. In 2005, Sinfield was referred to as a "prog rock hero" in ''Q'' magazine for his lyrical work and influence in the music industry. Early life Sinfield was born at Fulham, London, to mixed English-Irish ancestry and a bohemian activist mother Deidre (also known as Joey or Daphne). He seldom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pat Mastelotto
Lee Patrick Mastelotto (born September 10, 1955) is an American rock drummer and record producer. He has been a member of King Crimson, Stick Men, Mr. Mister and O.R.k., as well as working as a session drummer with XTC, The Pointer Sisters and The Rembrandts, among others. In addition, he has led or co-led other projects including Mastica, Tuner, TU and The Mastelottos. For King Crimson, he initially formed part of the "Double Trio" lineup from 1994 to 1997, working with Bill Bruford as part of a double-drumkit arrangement. Following Bruford's departure in 1997, Mastelotto remained with King Crimson, becoming their longest-serving drummer and working both solo and in various configurations with subsequent drummers Gavin Harrison, Bill Rieflin and Jeremy Stacey. Mastelotto is a pioneer and continuing developer of a mixed acoustic-and-electronic drumming approach which he refers to as "traps and buttons", and which incorporates techniques and methods from rock, pop and electr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trey Gunn
Trey Gunn (born December 13, 1960) is an American musician, known for his membership in the progressive rock band King Crimson from 1994 to 2003, playing Warr Guitar and Chapman Stick. Biography A native Texan who now resides in Seattle, Washington, Gunn began his musical life at the age of seven playing classical piano. His interest in music grew through various instruments: electric bass, electric and acoustic guitar, keyboards, and the touch guitar. He moved to Eugene, Oregon, and played in punk bands while he completed a degree in classical music composition at the University of Oregon. He then moved to New York City, where his professional career began. He spent some time as a student of Guitar Craft with founder Robert Fripp and appeared on several Robert Fripp and the League of Crafty Guitarists recordings. From 1988 to 1991, he toured playing Chapman Stick in the UK and Europe, with Toyah Willcox, Robert Fripp and Paul Beavis, at first under the band project name "Fripp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adrian Belew
Robert Steven "Adrian" Belew (born December 23, 1949) is an American musician, singer, songwriter, and record producer. A multi-instrumentalist primarily known as a guitarist and singer, he is noted for his unusual and impressionistic approach to his guitar tones (which, rather than relying on standard instrumental tones, often resemble sound effects or noises made by animals and machines). Widely recognized as an "incredibly versatile player", Belew is perhaps best known for his long career as singer and guitarist in the progressive rock group King Crimson between 1981 and 2009. He has also released nearly twenty solo albums for Island Records and Atlantic Records in a range of blended or alternated styles including art rock, New Wave, Beatles-inspired pop-rock, progressive rock and experimental noise. In addition, Belew has been a member of the intermittently active pop band the Bears, and fronted GaGa in the late 1970s and early 1980s. Belew has worked extensively as a s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
