|
Jamie Muir
Jamie Muir (born 1943 in Edinburgh) is a Scottish painter and former musician, best known for his work as the percussionist in King Crimson from 1972–1973. Biography Muir attended the Edinburgh College of Art during the 1960s, and began playing jazz on trombone. He soon lost interest and switched to percussion, stating that he preferred to be "in the wilds of uncertainty." At that time, he listened to American jazz drummers such as Tony Williams, Kenny Clarke, and Milford Graves, and other musicians such as Pharoah Sanders, Albert Ayler, and the New York Art Quartet. Regarding his musical direction at the time, he stated "I just had to improvise. The first time it felt really dangerous, like the sort of thing you had to lock the doors and close the curtains on because if anybody saw you, God would strike you down with a thunderbolt. But I took to it like a duck to water." After moving to London, Muir worked with choreographer Lindsay Kemp, and was active in free improvisati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edinburgh
Edinburgh ( ; gd, Dùn Èideann ) is the capital city of Scotland and one of its 32 council areas. Historically part of the county of Midlothian (interchangeably Edinburghshire before 1921), it is located in Lothian on the southern shore of the Firth of Forth. Edinburgh is Scotland's second-most populous city, after Glasgow, and the seventh-most populous city in the United Kingdom. Recognised as the capital of Scotland since at least the 15th century, Edinburgh is the seat of the Scottish Government, the Scottish Parliament and the highest courts in Scotland. The city's Palace of Holyroodhouse is the official residence of the British monarchy in Scotland. The city has long been a centre of education, particularly in the fields of medicine, Scottish law, literature, philosophy, the sciences, and engineering. It is the second-largest financial centre in the United Kingdom, and the city's historical and cultural attractions have made it the UK's second-most visited tourist d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canterbury Scene
The Canterbury scene (or Canterbury sound) was a musical scene centred on the town of Canterbury, Kent, England during the late 1960s and early 1970s. Associated with progressive rock, the term describes a loosely-defined, improvisational style that blended elements of jazz, rock, and psychedelia. These musicians played together in numerous bands, with ever-changing and overlapping personnel, creating some similarities in their musical output. Many prominent British avant-garde or fusion musicians began their career in Canterbury bands, including Hugh Hopper, Steve Hillage, Dave Stewart (the keyboardist), Robert Wyatt, Kevin Ayers, Daevid Allen, and Mike Ratledge. Definition and history The Canterbury scene is largely defined by a set of musicians and bands with intertwined members. These are not tied by very strong musical similarities, but a certain whimsicality, touches of psychedelia, rather abstruse lyrics, and a use of improvisation derived from jazz are common ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jon Anderson
John Roy Anderson (born 25 October 1944) is an English singer, songwriter and musician, best known as the lead singer of the progressive rock band Yes, which he formed in 1968 with bassist Chris Squire. He was a member of the band across three tenures until 2008. Anderson was also a member of ARW along with former Yes bandmates Rick Wakeman and Trevor Rabin from 2016–2020. Together with bassist Lee Pomeroy and drummer Lou Molino III, they toured under the name Yes Featuring Jon Anderson, Trevor Rabin, Rick Wakeman. Anderson is also noted for his solo career and collaborations with other artists, including Vangelis as Jon and Vangelis, Roine Stolt as Anderson/Stolt, and Jean-Luc Ponty as AndersonPonty Band. He has also appeared on albums by King Crimson, Tangerine Dream, Iron Butterfly, Milton Nascimento, Battles, Mike Oldfield and Kitaro. Anderson released his first solo album, ''Olias of Sunhillow'', in 1976, while still a member of Yes, and subsequently rele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yes (band)
Yes are an English progressive rock band formed in London in 1968 by lead singer and frontman Jon Anderson, bassist Chris Squire, guitarist Peter Banks, keyboardist Tony Kaye and drummer Bill Bruford. The band has undergone numerous line-up changes throughout their history, during which 19 musicians have been full-time members. Since May 2022, the band has consisted of guitarist Steve Howe, keyboardist Geoff Downes, singer Jon Davison, and bassist Billy Sherwood, as well as touring drummer Jay Schellen. Yes have explored several musical styles over the years and are most notably regarded as progressive rock pioneers. Yes began performing original songs and rearranged covers of rock, pop, blues and jazz songs, as evidenced on their self-titled first album from 1969, and it's follow-up ''Time and a Word'' from 1970. A change of direction later in 1970 led to a series of successful progressive rock albums, with four consecutive U.S. platinum or multi-platinum sellers in ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Bruford
William Scott Bruford (born 17 May 1949) is an English former drummer and percussionist who first gained prominence as a founding member of the progressive rock band Yes. After leaving Yes in 1972, Bruford spent the rest of the 1970s recording and touring with King Crimson (1972–1974) and Roy Harper (1975), and touring with Genesis (1976) and U.K. (1978). In 1978, he formed his own group ( Bruford), which was active until 1980. In the 1980s, Bruford returned to King Crimson for three years (1981–1984), collaborated with several artists (including Patrick Moraz and David Torn), and formed his own electric jazz band Earthworks in 1986. He then played with his former Yes bandmates in Anderson Bruford Wakeman Howe, which eventually led to a very brief second stint in Yes. Bruford played in King Crimson for his third and final tenure from 1994–1997, after which he continued with a new acoustic configuration of Earthworks. On 1 January 2009, Bruford retired from professional ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larks' Tongues In Aspic (box Set)
''Larks' Tongues in Aspic'' is the second of the major box set releases from English progressive rock group King Crimson, released in 2012 by Discipline Global Mobile & Panegyric Records. The set is devoted to all existing recordings associated with the 1973 album ''Larks' Tongues In Aspic''. Over 13 CDs, 1 DVD, 1 Blu-ray, copious sleeve notes and replica memorabilia, ''Larks' Tongues in Aspic'' box covers the short lived five-piece King Crimson when the band shifted markedly in musical styles relative to their earlier work. Included is a 36-page booklet with photos, timeline/expanded diary, timeline, transcript of extensive interview of bandleader Robert Fripp conducted by David Singleton (July 2012), new essays by King Crimson historian Sid Smith and set compiler Declan Colgan. Also included are prints of the original album sleeve, individual band member postcards, reproduction of UK tour handbill and reproduction of Rainbow Theatre London concert ticket stub. This CD, DV ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Discipline Global Mobile
Discipline Global Mobile (DGM, or Discipline GM) is an independent record label founded in 1992 by Robert Fripp (best known as guitarist and main composer for the band King Crimson) and producer/online content developer David Singleton. DGM has released solo music by Fripp as well as work by various affiliated musicians and bands including King Crimson, The Vicar, the California Guitar Trio and others. The label has offices in Salisbury, England, and Los Angeles, California. DGM has aimed to be "a model of ethical business in an industry founded on exploitation, oiled by deceit, riven with theft and fueled by greed," according to Fripp. according to Its policy is that its artists retain all copyrights; consequently, even DGM's corporate logo is owned by its designer. The label was an early adopter of the digital download system. DGM's aims have been hailed as "exemplary", and the label has been credited with having expanded "the possibilities of experimental music" and ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larks' Tongues In Aspic (album)
''Larks' Tongues in Aspic'' is the fifth studio album by the English progressive rock group King Crimson, released on 23 March 1973 through Island Records in the UK and Atlantic Records in the United States and Canada. This album is the debut of King Crimson's third incarnation, featuring co-founder and guitarist Robert Fripp along with four new members: bass guitarist and vocalist John Wetton, violinist and keyboardist David Cross, percussionist Jamie Muir, and drummer Bill Bruford. It is a key album in the band's evolution, drawing on Eastern European classical music and European free improvisation as central influences. Background At the end of the tour to promote King Crimson's previous album, ''Islands'', Fripp had parted company with the three other members of the band (Mel Collins, Boz Burrell and Ian Wallace). Collins has stated that he was asked to stay on with the new lineup of the band, but that he decided not to continue. The previous year had also seen the oustin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Saw
A musical saw, also called a singing saw, is a hand saw used as a musical instrument. Capable of continuous glissando ( portamento), the sound creates an ethereal tone, very similar to the theremin. The musical saw is classified as a plaque friction idiophone with direct friction (132.22) under the Hornbostel-Sachs system of musical instrument classification, and as a metal sheet played by friction (151) under the revision of the Hornbostel-Sachs classification by the MIMO Consortium. Playing The saw is generally played seated with the handle squeezed between the legs, and the far end held with one hand. Some sawists play standing, either with the handle between the knees and the blade sticking out in front of them. The saw is usually played with the serrated edge, or "teeth", facing the body, though some players face them away. Some saw players file down the teeth, which makes no discernable difference to the sound. Manyespecially professionalsaw players use a handle, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mbira
Mbira ( ) are a family of musical instruments, traditional to the Shona people of Zimbabwe. They consist of a wooden board (often fitted with a resonator) with attached staggered metal tines, played by holding the instrument in the hands and plucking the tines with the thumbs (at minimum), the right forefinger (most mbira), and sometimes the left forefinger. Musicologists classify it as a lamellaphone, part of the plucked idiophone family of musical instruments. In Eastern and Southern Africa, there are many kinds of mbira, often accompanied by the hosho, a percussion instrument. It is often an important instrument played at religious ceremonies, weddings, and other social gatherings. The "Art of crafting and playing Mbira/Sansi, the finger-plucking traditional musical instrument in Malawi and Zimbabwe" was added to the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2020. A modern interpretation of the instrument, the kalimba, was commerciall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chime (bell Instrument)
A chime () or set of chimes is a carillon-like instrument, i.e. a pitched percussion idiophone consisting of 22 or fewer cast bronze bells. Chimes are primarily played with a keyboard, but can also be played with an Ellacombe apparatus. Chimes are often automated, in the past with mechanical drums connected to clocks and in the present with electronic action. Bellfounders often did not attempt to tune chime bells to the same precision as carillon bells. Chimes are defined as specifically having fewer than 23 bells to distinguish them from the carillon. American chimes usually have one to one and a half diatonic octaves. According to a recent count, there are over 1,300 existing chimes throughout the world. Almost all are in the Netherlands and the United States, with most of the remainder in Western European countries. Etymology The word ''chime'' dates back to the 14th-century Middle English word , meaning 'cymbal'. It probably originates from the Old French or directly from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Fripp
Robert Fripp (born 16 May 1946) is a British musician, songwriter, record producer, and author, best known as the guitarist, founder and longest-lasting member of the progressive rock band King Crimson. He has worked extensively as a session musician and collaborator, notably with David Bowie, Blondie, Brian Eno, Peter Gabriel, Daryl Hall, Midge Ure, Talking Heads, and David Sylvian. He also composed the startup sound of Windows Vista operating system, in collaboration with Tucker Martine and Steve Ball. His discography includes contributions to over 700 official releases. His compositions often feature unusual asymmetric rhythms, influenced by classical and folk traditions. His innovations include a tape delay system known as Frippertronics and new standard tuning. Early life Robert Fripp was born in Wimborne Minster, Dorset, England, the second child of a working-class family. His mother Edith (''née'' Greene; 1914–1993) was from a Welsh mining family. Her earning ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
