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Live Licks
''Live Licks'' is a double live album by the Rolling Stones and was released in 2004. Coming six years after ''No Security'', this ninth official Rolling Stones full-length live release captures performances from the band's year-long 2002–2003 Licks Tour in support of their career-spanning retrospective ''Forty Licks''. History Of the special guests taking part, Sheryl Crow appears on "Honky Tonk Women", while Solomon Burke sings on his own "Everybody Needs Somebody to Love", which the Rolling Stones originally covered on ''The Rolling Stones No. 2'' in 1965. The Rolling Stones released two subtly different versions of cover art for ''Live Licks''. While both feature the Rolling Stones logo's tongue in a very suggestive context, the British version features the woman without her bikini top. ''Live Licks'' peaked at No. 38 in the UK Albums Chart, and No. 50 in the US, though it became a gold record on 9 December 2004, according to the RIAA. ʌ3.html" ;"title="sup>ʌ3">sup> ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rolling Stones
The Rolling Stones are an English rock band formed in London in 1962. Active for six decades, they are one of the most popular and enduring bands of the rock era. In the early 1960s, the Rolling Stones pioneered the gritty, rhythmically driven sound that came to define hard rock. Their first stable line-up consisted of vocalist Mick Jagger, multi-instrumentalist Brian Jones, guitarist Keith Richards, bassist Bill Wyman, and drummer Charlie Watts. During their formative years, Jones was the primary leader: he assembled the band, named it, and drove their sound and image. After Andrew Loog Oldham became the group's manager in 1963, he encouraged them to write their own songs. Jagger and Richards became the primary creative force behind the band, alienating Jones, who had developed a drug addiction that interfered with his ability to contribute meaningfully. Rooted in blues and early rock and roll, the Rolling Stones started out playing covers and were at the forefront ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rolling Stones No
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Happy (The Rolling Stones Song)
Happiness, in the context of mental or emotional states, is positive or pleasant emotions ranging from contentment to intense joy. Other forms include life satisfaction, well-being, subjective well-being, flourishing and eudaimonia. Since the 1960s, happiness research has been conducted in a wide variety of scientific disciplines, including gerontology, social psychology and positive psychology, clinical and medical research and happiness economics. Definitions "Happiness" is subject to debate on usage and meaning, and on possible differences in understanding by culture. The word is mostly used in relation to two factors: * the current experience of the feeling of an emotion (affect) such as pleasure or joy, or of a more general sense of 'emotional condition as a whole'. For instance Daniel Kahneman has defined happiness as "''what I experience here and now''". This usage is prevalent in dictionary definitions of happiness. * appraisal of life satisfaction, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angie (song)
"Angie" is a song by the English rock band The Rolling Stones, featured on their 1973 album ''Goats Head Soup''. It also served as the lead single on the album, released on 20 August 1973. Background The song is credited, as most Rolling Stones songs are, to both Mick Jagger and Keith Richards, but it is acknowledged to be almost completely written by Richards, with Jagger contributing some of the lyrics. "Angie" was recorded in November and December 1972 and is an acoustic guitar-driven ballad characterizing the end of a romance. The song's distinctive piano accompaniment, written by Richards, was played on the album by Nicky Hopkins, a Rolling Stones recording-session regular. The strings on the piece (as well as on another song, "Winter") were arranged by Nicky Harrison. An unusual feature of the original recording is that singer Mick Jagger's vocal guide track (made before the final vocals were performed) is faintly audible throughout the song (an effect sometimes called a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
It's Only Rock 'n Roll (But I Like It)
"It's Only Rock 'n Roll (But I Like It)" is the lead single from English rock band the Rolling Stones' 1974 album ''It's Only Rock 'n Roll''. Writing is credited to Mick Jagger and Keith Richards and the single reached the top ten in the UK charts and top 20 in the United States. Inspiration and recording Recorded in late 1973 and completed in the spring of 1974, "It's Only Rock 'n Roll (But I Like It)" is credited to the Rolling Stones songwriting team Mick Jagger and Keith Richards, although future Rolling Stones guitarist Ronnie Wood collaborated with Jagger on it. The song was originally recorded one night in a studio at Wood's house, "The Wick" in Richmond, London. David Bowie was backing singer to Jagger's lead, and Willie Weeks played bass with Kenney Jones on drums. The song on the album is similar to that original recording, with the Stones keeping the original rhythm track. The meaning of the lyrics was summed up by Jagger in the liner notes to the 1993 compilation '' J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Start Me Up
"Start Me Up" is a song by the English rock band the Rolling Stones from their 1981 album ''Tattoo You''. Released as the album's lead single, it reached number one on Australian Kent Music Report, number two in Canada, number two on the ''Billboard'' Hot 100, number seven on the UK Singles Chart, and the top ten in a handful of European countries north of the Alps. Writing and recording The basic track "Start Me Up" was recorded during the January and March 1978 sessions for the Rolling Stones' album ''Some Girls''. The song began as a reggae-rock track named "Never Stop", but after dozens of takes it was abandoned. "Start Me Up" was not chosen for the album and was saved for later use. Richards commented: In 1981, with the band looking to tour, engineer Chris Kimsey proposed to lead singer Mick Jagger that archived songs could comprise the set. While searching through the vaults, Kimsey found the two takes of the song with a more rock vibe among some fifty reggae versions. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You Can't Always Get What You Want
"You Can't Always Get What You Want" is a song by the English rock band the Rolling Stones on their 1969 album ''Let It Bleed''. Written by Mick Jagger and Keith Richards, it was named as the 100th greatest song of all time by ''Rolling Stone'' magazine in its 2004 list of the "500 Greatest Songs of All Time" before dropping a place the following year. Composition and recording Jagger commented on the song's beginnings: "You Can't Always Get What You Want" was composed in the key of C major and was the first song recorded for the album. It exists in two versions, a 4:51 single mix and a 7:28 album mix. "You Can't Always Get What You Want" was recorded on 16 and 17 November 1968 at Olympic Sound Studios in London. It features the London Bach Choir opening the song (the choir opening is only on the album version), highlighting throughout, and bringing it to its conclusion. Al Kooper plays piano and organ, as well as the French horn intro, while Rocky Dijon plays congas, maracas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paint It, Black
"Paint It Black" is a song recorded in 1966 by the English rock band the Rolling Stones. A product of the songwriting partnership of Mick Jagger and Keith Richards, it is a raga rock song with Indian, Middle Eastern, and Eastern European influences and lyrics about grief and loss. London Records released the song as a single on 7 May 1966 in the United States, and Decca Records released it on 13 May in the United Kingdom. Two months later, London Records included it as the opening track on the American version of the band's 1966 studio album ''Aftermath'', though it is not on the original UK release. Originating from a series of improvisational melodies played by Brian Jones on the sitar, all five members of the band contributed to the final arrangement, although only Jagger and Richards were credited as songwriters. In contrast to previous Rolling Stones singles with straightforward rock arrangements, "Paint It Black" has unconventional instrumentation including a promine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Street Fighting Man
"Street Fighting Man" is a song by the English rock band the Rolling Stones, written by the songwriting team of Mick Jagger and Keith Richards. Considered one of the band's most popular and most controversial songs, it features Indian instrumentation contributed by Brian Jones, which has led to it being characterized as a Raga rock song. It also features controversial and ambiguous lyrics about armed revolution. In the United States, it was released as a single in August 1968, while it was not released in the United Kingdom until four months later on the ''Beggars Banquet'' album, where it opened side two. The B-side of the American single featured "No Expectations", considered one of the final Stones tracks in which founding member Jones played a significant role in its construction. While "Street Fighting Man" was originally written with an entirely different set of lyrics, growing violence at political events throughout 1968 inspired Mick Jagger to alter the song to directly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brown Sugar (Rolling Stones Song)
"Brown Sugar" is a song recorded by the English rock band the Rolling Stones. Written primarily by Mick Jagger, it is the opening track and lead single from their album ''Sticky Fingers'' (1971). It became a number one hit in both the United States and Canada. In the United Kingdom and Ireland, it charted at number two. In the United States, ''Billboard'' ranked it as the number 18 song for 1971. ''Rolling Stone'' ranked it number 495 on its list of the 500 Greatest Songs of All Time in 2010 and number 490 in 2004 and at number five on their list of the 100 Greatest Guitar Songs of All Time. Inspiration and recording Though credited to Jagger–Richards, "Brown Sugar" was primarily the work of Jagger, who wrote it sometime during the filming of ''Ned Kelly'' in 1969. According to Marsha Hunt, Jagger's girlfriend and the mother of his first child Karis, he wrote the song with her in mind. Former Ikette Claudia Lennear disputes this claim, saying that it was written about her. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RIAA
The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that the RIAA says "create, manufacture, and/or distribute approximately 85% of all legally sold recorded music in the United States". RIAA is headquartered in Washington, D.C. RIAA was formed in 1952. Its original mission was to administer recording copyright fees and problems, work with trade unions, and do research relating to the record industry and government regulations. Early RIAA standards included the RIAA equalization curve, the format of the stereophonic record groove and the dimensions of 33 1/3, 45, and 78 rpm records. RIAA says its current mission includes: #to protect intellectual property rights and the First Amendment rights of artists #to perform research about the music industry #to monitor and review relevant laws, regulations, and policies Between 2001 and 202 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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