Little Nemo In Slumberland
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Little Nemo In Slumberland
Little Nemo is a fictional character created by American cartoonist Winsor McCay. He originated in an early comic strip by McCay, ''Dream of the Rarebit Fiend'', before receiving his own spin-off series, ''Little Nemo in Slumberland''. The full-page weekly strip depicted Nemo having fantastic dreams that were interrupted by his awakening in the final panel. The strip is considered McCay's masterpiece for its experiments with the form of the comics page, its use of color and perspective, its timing and pacing, the size and shape of its panels, and its architectural and other details. ''Little Nemo in Slumberland'' ran in the ''New York Herald'' from October 15, 1905, until July 23, 1911. The strip was renamed ''In the Land of Wonderful Dreams'' when McCay brought it to William Randolph Hearst's ''New York American'', where it ran from September 3, 1911, until July 26, 1914. When McCay returned to the ''Herald'' in 1924, he revived the strip, and it ran under its original titl ...
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Winsor McCay
Zenas Winsor McCay ( – July 26, 1934) was an American cartoonist and animator. He is best known for the comic strip ''Little Nemo'' (1905–14; 1924–26) and the animated film ''Gertie the Dinosaur'' (1914). For contractual reasons, he worked under the pen name Silas on the comic strip ''Dream of the Rarebit Fiend''. From a young age, McCay was a quick, prolific, and technically dextrous artist. He started his professional career making posters and performing for dime museums, and in 1898 began illustrating newspapers and magazines. In 1903 he joined the ''New York Herald'', where he created popular comic strips such as ''Little Sammy Sneeze'' and ''Dream of the Rarebit Fiend''. In 1905 his signature strip ''Little Nemo in Slumberland'' debuted—a fantasy strip in an Art Nouveau style about a young boy and his adventurous dreams. The strip demonstrated McCay's strong graphic sense and mastery of color and Perspective (graphical), linear perspective. McCay experimented with t ...
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Little Nemo 1906-02-11 Last Panel
Little is a synonym for small size and may refer to: Arts and entertainment * ''Little'' (album), 1990 debut album of Vic Chesnutt * ''Little'' (film), 2019 American comedy film *The Littles, a series of children's novels by American author John Peterson ** ''The Littles'' (TV series), an American animated series based on the novels Places *Little, Kentucky, United States *Little, West Virginia, United States Other uses *Clan Little, a Scottish clan *Little (surname), an English surname *Little (automobile), an American automobile manufactured from 1912 to 1915 *Little, Brown and Company, an American publishing company * USS ''Little'', multiple United States Navy ships See also * * *Little Mountain (other) *Little River (other) Little River may refer to several places: Australia Streams New South Wales *Little River (Dubbo), source in the Dubbo region, a tributary of the Macquarie River * Little River (Oberon), source in the Oberon Shire, a tributary of Cox ...
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Billy Ireland Cartoon Library & Museum
The Billy Ireland Cartoon Library & Museum is a research library of American cartoons and comic art affiliated with the Ohio State University library system in Columbus, Ohio. Formerly known as the Cartoon Research Library and the Cartoon Library & Museum, it holds the world's largest and most comprehensive academic research facility documenting and displaying original and printed comic strips, editorial cartoons, and cartoon art. The museum is named after the Ohio cartoonist Billy Ireland. Covering comic books, daily strips, Sunday strips, editorial cartoons, graphic novels, magazine cartoons, and sports cartoons, the collection includes 450,000 original cartoons, 36,000 books, 51,000 serial titles, and of manuscript materials, plus 2.5 million comic strip clippings and tear sheets. History The Cartoon Library began in 1977 when the Milton Caniff Collection was donated to Ohio State and delivered to the School of Journalism, which was headed by Lucy Shelton Caswell, who be ...
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Woody Gelman
Woodrow Gelman (1915 – February 9, 1978) was a publisher, cartoonist, novelist and an artist-writer for both animation and comic books. As the publisher of Nostalgia Press, he pioneered the reprinting of vintage comic strips in quality hardcovers and trade paperbacks. As an editor and art director for two-and-a-half decades at Topps Chewing Gum, he introduced many innovations in trading cards and humor products. Gelman was the co-creator of Popsicle Pete and the co-creator of Bazooka Joe for Topps.Mint Condition: How Baseball Cards Became an American Obsession, p.117, Dave Jamieson, 2010, Atlantic Monthly Press, imprint of Grove/Atlantic Inc., New York, NY, He was also a co-creator of ''Mars Attacks'', adapted into the 1996 film by Tim Burton. Born in Brooklyn, Gelman attended City College of New York, Cooper Union and Pratt Institute before signing on as an assistant animator, in-betweener and scripter with Fleischer Studios in 1939, continuing to write for Famous Studios ...
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Harry "A" Chesler
Harry Chesler (January 12, 1897, or January 12, 1898 (sources differ) – December 1981),Harry Chesler
at the United States
Archived
from the original on January 18, 2012.
often credited as Harry "A" Chesler, with the "A" an affectation rather than a true initial, was the behind the first

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The New York Herald
The ''New York Herald'' was a large-distribution newspaper based in New York City that existed between 1835 and 1924. At that point it was acquired by its smaller rival the ''New-York Tribune'' to form the '' New York Herald Tribune''. History The first issue of the paper was published by James Gordon Bennett Sr., on May 6, 1835. The ''Herald'' distinguished itself from the partisan papers of the day by the policy that it published in its first issue: "We shall support no party—be the agent of no faction or coterie, and we care nothing for any election, or any candidate from president down to constable." Bennett pioneered the "extra" edition during the ''Heralds sensational coverage of the Robinson–Jewett murder case. By 1845, it was the most popular and profitable daily newspaper in the United States. In 1861, it circulated 84,000 copies and called itself "the most largely circulated journal in the world." Bennett stated that the function of a newspaper "is not to ...
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Bob McCay
Robert Winsor McCay (21 June 1896 – 21 April 1962) was an American cartoonist during the golden age of comic books. He worked professionally under the names R. Winsor McCay, Winsor McCay Jr., and Bob McCay. He was the son of cartoonist and animator Winsor McCay. Early life Robert McCay was born to Winsor and Maude McCay on 21 June 1896. A sister, Marion, was born the following year. In 1903 Winsor moved the family from Cincinnati to New York City in order to work for the New York Herald. Bob was enrolled in Erasmus High School but failed to graduate when he ran away at the age of 17. page #? At age 19, McCay was enrolled as an art student at the Pratt Institute when he and friend William “Thorp” Adams enlisted with the New York National Guard, 1st New York Cavalry. They were stationed in Texas as part of the border patrol during the Pancho Villa Expedition. Following the withdrawal in 1917, both men were discharged and returned home, and Bob became engaged to Theresa ...
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Sunday Comics
The Sunday comics or Sunday strip is the comic strip section carried in most western newspapers, almost always in color. Many newspaper readers called this section the Sunday funnies, the funny papers or simply the funnies. The first US newspaper comic strips appeared in the late 19th century, closely allied with the invention of the color press. Jimmy Swinnerton's ''The Little Bears'' introduced sequential art and recurring characters in William Randolph Hearst's '' San Francisco Examiner''. In the United States, the popularity of color comic strips sprang from the newspaper war between Hearst and Joseph Pulitzer. Some newspapers, such as '' Grit'', published Sunday strips in black-and-white, and some (mostly in Canada) print their Sunday strips on Saturday. Subject matter and genres have ranged from adventure, detective and humor strips to dramatic strips with soap opera situations, such as ''Mary Worth''. A continuity strip employs a narrative in an ongoing storyline. Other s ...
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Bobbie McCay Little Nemo
Bobby or Bobbie may refer to: People * Bobby (given name), a list of names * Bobby (actress), from Bangladesh * Bobby (rapper) (born 1995), from South Korea * Bobby (screenwriter) (born 1983), Indian screenwriter * Bobby, old slang for a constable in British law enforcement * Bobby, disused British railway term for a signalman Events * Kidnapping of Bobby Greenlease, a 1953 crime in Kansas City, Missouri * Murder of Bobby Äikiä, Swedish boy who was tortured and killed by his mother and stepfather in 2006 Dogs * Greyfriars Bobby (1855–1???), legendary 19th century Scottish dog * Bobbie (dog), a British regimental dog who survived the Battle of Maiwand * Bobbie the Wonder Dog, an American dog that walked 2,551 miles to find its owners Films * ''Bobby'' (1973 film), an Indian Bollywood film * ''Bobby'' (2002 film), an Indian Telugu film * ''Bobby'' (2006 film), a film about the day Robert F. Kennedy was assassinated Music * BOBBY (band), an American indie-folk-psychedelic ...
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Little Sammy Sneeze
''Little Sammy Sneeze'' was a comic strip by American cartoonist Winsor McCay. In each episode the titular Sammy sneezed himself into an awkward or disastrous predicament. The strip ran from July 24, 1904 until December 9, 1906 in the ''New York Herald'', where McCay was on the staff. It was McCay's first successful comic strip; he followed it with ''Dream of the Rarebit Fiend'' later in 1904, and his best-known strip ''Little Nemo in Slumberland'' in 1905. In contrast to the imaginative layouts of ''Little Nemo'', ''Sammy Sneeze'' was confined to a rigid grid and followed a strict formula: Sammy's sneeze would build frame by frame, contorting the protagonist's face until it erupted in the second-to-last panel. In the closing panel he suffered the consequences—often a kick in the rear. McCay's artwork was finely detailed and highly accurate in its persistent repetition. He delved into modernist experimentation, shattering fourth walls and even the strip's panel borders. T ...
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Dime Museum
Dime museums were institutions that were popular at the end of the 19th century in the United States. Designed as centers for entertainment and moral education for the working class ( lowbrow), the museums were distinctly different from upper middle class cultural events (highbrow). In urban centers like New York City, where many immigrants settled, dime museums were popular and cheap entertainment. The social trend reached its peak during the Progressive Era (c. 1890–1920). Although lowbrow entertainment, they were the starting places for the careers of many notable vaudeville-era entertainers, including Harry Houdini, Lew Fields, Joe Weber, and Maggie Cline. Baltimore In Baltimore, Maryland, Peale's Museum is credited as one of the first serious museums in the country. This type of attraction was re-created in the American Dime Museum in 1999, which operated for eight years before closing permanently and auctioning off its exhibits in late February 2007. Boston Kimball's ...
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Ben-Day Dots
The Ben Day process is a printing and photoengraving technique for producing areas of grey or (with four-colour printing) various colours by using fine patterns of ink on the paper. It was developed in 1879 by illustrator and printer Benjamin Henry Day Jr. (son of 19th-century publisher Benjamin Henry Day). The process is commonly described in terms of Ben Day dots, but other shapes can be used, such as parallel lines or textures.Edmund F. Russ (Oct 1919"The Ben Day Process" ''Western Advertising'', Vol. 1 No. 9, pp. 5-&c, Ramsey Oppenheim Co., San Francisco Depending on the effect, colour, or optical illusion needed, small coloured dots are closely spaced, widely spaced, or overlapping. Magenta dots, for example, are widely spaced to create pink, or an interleaved pattern of cyan and yellow dots might be used to produce a medium green. The technique has been commonly used in colour comic books, especially in the mid-20th century, to inexpensively create shading and secondary c ...
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