Little Liza Jane
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Little Liza Jane
"Li'l Liza Jane", also known as "Little Liza Jane", "Liza Jane", and "Goodbye Liza Jane", is a song dating back at least to the 1910s. It has become a perennial standard both as a song and an instrumental in traditional jazz, folk music, and bluegrass, and versions have repeatedly appeared in other genres including rock and roll. Numerous scholars and musicologists have written about the song, and it is one of the standards of the New Orleans brass band tradition. Origins "Li'l Liza Jane" was first published in 1916 by Sherman, Clay & Co of San Francisco, California as a composition by Countess Ada de Lachau (Ada Louise Metz, 1866-1956). It was described as a "Southern dialect song". The tune was featured as entr'acte entertainment during the 1916-1917 Broadway show ''Come Out of the Kitchen''. The song's origins, however, seem to go back even earlier. Lucy Thurston remembered a song with the refrain "Ohoooooooo lil Liza, lil Liza Jane" being sung by slaves in the area of Cov ...
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Harry Von Tilzer
Harry Von Tilzer (born Aaron Gumbinsky, also known as Harry Gumm; 8 July 1872 – 10 January 1946) was an American composer, songwriter, publisher and vaudeville performer. Early life Von Tilzer was born in Detroit, Michigan. His parents, Sarah (Tilzer) and Jacob Gumbinsky, were Polish Jewish immigrants. Harry ran away and joined a traveling circus at age 14, where he adopted his mother's maiden name as his own, seeking to make it sound even classier by tacking on a "Von." So impressive seemed the transformation that eventually all his brothers changed their last name to match his. Career Harry proved successful playing piano and calliope and writing new tunes and incidental music for shows. He continued doing this for burlesque and vaudeville shows for some years, writing many tunes which were not published or which he sold to entertainers for one or two dollars. In 1898, he sold his song "My Old New Hampshire Home" to a publisher for $15, and watched it become a national hit, ...
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Columbia Records
Columbia Records is an American record label owned by Sony Music, Sony Music Entertainment, a subsidiary of Sony Corporation of America, the North American division of Japanese Conglomerate (company), conglomerate Sony. It was founded on January 15, 1889, evolving from the Graphophone#Commercialization, American Graphophone Company, the successor to the Volta Laboratory and Bureau#Commercialization of phonograph patents, Volta Graphophone Company. Columbia is the oldest surviving brand name in the recorded sound business, and the second major company to produce records. From 1961 to 1991, its recordings were released outside North America under the name CBS Records International, CBS Records to avoid confusion with EMI's Columbia Graphophone Company. Columbia is one of Sony Music's four flagship record labels, alongside former longtime rival RCA Records, as well as Arista Records and Epic Records. Artists who have recorded for Columbia include AC/DC, Adele, Aerosmith, Julie And ...
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Harry C
Harry may refer to: TV shows * ''Harry'' (American TV series), a 1987 American comedy series starring Alan Arkin * ''Harry'' (British TV series), a 1993 BBC drama that ran for two seasons * ''Harry'' (talk show), a 2016 American daytime talk show hosted by Harry Connick Jr. People and fictional characters * Harry (given name), a list of people and fictional characters with the given name * Harry (surname), a list of people with the surname * Dirty Harry (musician) (born 1982), British rock singer who has also used the stage name Harry * Harry Potter (character), the main protagonist in a Harry Potter fictional series by J. K. Rowling Other uses * Harry (derogatory term), derogatory term used in Norway * ''Harry'' (album), a 1969 album by Harry Nilsson *The tunnel used in the Stalag Luft III escape ("The Great Escape") of World War II * ''Harry'' (newspaper), an underground newspaper in Baltimore, Maryland See also *Harrying (laying waste), may refer to the following historical ...
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Refrain
A refrain (from Vulgar Latin ''refringere'', "to repeat", and later from Old French ''refraindre'') is the line or lines that are repeated in music or in poetry — the "chorus" of a song. Poetic fixed forms that feature refrains include the villanelle, the virelay, and the sestina. In popular music, the refrain or chorus may contrast with the verse melodically, rhythmically, and harmonically; it may assume a higher level of dynamics and activity, often with added instrumentation. Chorus form, or strophic form, is a sectional and/or additive way of structuring a piece of music based on the repetition of one formal section or block played repeatedly. Usage in history In music, a refrain has two parts: the lyrics of the song, and the melody. Sometimes refrains vary their words slightly when repeated; recognizability is given to the refrain by the fact that it is always sung to the same tune, and the rhymes, if present, are preserved despite the variations of the words. Such ...
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Chant
A chant (from French ', from Latin ', "to sing") is the iterative speaking or singing of words or sounds, often primarily on one or two main pitches called reciting tones. Chants may range from a simple melody involving a limited set of notes to highly complex musical structures, often including a great deal of repetition of musical subphrases, such as Great Responsories and Offertories of Gregorian chant. Chant may be considered speech, music, or a heightened or stylized form of speech. In the later Middle Ages some religious chant evolved into song (forming one of the roots of later Western music). Chant as a spiritual practice Chanting (e.g., mantra, sacred text, the name of God/Spirit, etc.) is a commonly used spiritual practice. Like prayer, chanting may be a component of either personal or group practice. Diverse spiritual traditions consider chant a route to spiritual development. Some examples include chant in African, Hawaiian, and Native American, Assyrian and ...
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Jazz Standard
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications (sheet music collections of popular tunes) and jazz reference works offer a rough guide to which songs are considered standards. Not all jazz standards were written by jazz composers. Many are originally Tin Pan Alley popular songs, Broadway show tunes or songs from Hollywood musicals – the Great American Songbook. In Europe, jazz standards and "fake books" may even include some traditional folk songs (such as in Scandinavia) or pieces of ethnic music (such as gypsy melodies) that have been played with a jazz feel by well known jazz players. A commonly played song can only be considered a jazz standard ...
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Victor Records
The Victor Talking Machine Company was an American recording company and phonograph manufacturer that operated independently from 1901 until 1929, when it was acquired by the Radio Corporation of America and subsequently operated as a subsidiary called RCA Victor. Headquartered in Camden, New Jersey, it was the largest and most prestigious firm of its kind in the world, probably best known for its use of the iconic "His Master's Voice" trademark and the production, marketing, and design of the popular "Victrola" line of phonographs. After its merger with RCA in 1929, the company continued to make phonographs, records, radios and other products. History In 1896, Emile Berliner—inventor of the gramophone and disc record—contracted machinist Eldridge R. Johnson to manufacture his inventions.Gelatt, Roland, ''The Fabulous Phonograph: 1877–1977'', MacMillan, New York, 1954. Name There are different accounts as to how the "Victor" name came about. RCA historian Fred Ba ...
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Ted Lewis (musician)
Theodore Leopold Friedman (June 6, 1890 – August 25, 1971), known as Ted Lewis, was an American entertainer, bandleader, singer, and musician. He fronted a band and touring stage show that presented a combination of jazz, comedy, and nostalgia that was a hit with the American public before and after World War II. He was known by the moniker "Mr. Entertainment" or Ted "Is Everybody Happy?" Lewis. He died of lung failure in August 1971. Early life Born in Circleville, Ohio, Lewis was one of the first Northern musicians to start imitating the New Orleans jazz musicians who came up to New York in the teens. He first recorded in 1917 with Earl Fuller's Jazz Band, who were attempting to copy the sound of the city's newest sensation, the Original Dixieland Jass Band. At the time, Lewis did not seem to be able to do much on the clarinet other than trill. (Promoting one recording the Victor catalog stated: "The sounds as of a dog in his dying anguish are from Ted Lewis' clarinet".) ...
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Earl Fuller
Earl Bunn Fuller (March 7, 1885 – August 19, 1947) was a pioneering American ragtime and early jazz bandleader, composer and instrumentalist. Fuller helped to initiate the popularity of jazz in New York City shortly before America's entry into World War I. He also had an ear for talent, and discovered Ted Lewis and Teddy Brown. Biography Fuller was born on March 7, 1885 in Stonington, Illinois however his family had longstanding ties to Warren County, Ohio. Practically nothing is known of his musical education, but he was proficient on several instruments; photos of his jazz band show him seated at the piano, whereas he also is credited with playing trumpet and trombone in his Novelty Orchestra; other accounts identify him as a drummer. Fuller was hired, in 1913, as musical director of Rector's Restaurant on Broadway in Manhattan's theater district; since about 1912 it was already established as a place where famous personalities from the New York Stage rubbed shoulders with po ...
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Fanga Song
Fanga is a dance "interpretation of a traditional Liberian invocation to the earth and sky". The dance originated in Liberia or Sierra Leone. The first performance of a version of ''Fanga'' in the United States may have been by Asadata Dafora in 1943; Marcia Ethel Heard believes that Pearl Primus hid Dafora's influence on her work. The dance was written by Primus in 1959 in conjunction with the National Dance Company of Liberia. ''Fanga'' was one of the dances through which Primus sought to stylize and perpetuate African dance traditions by framing dance as a symbolic act, an everyday practice, and a ceremony. It was then further popularized by Primus' students, sisters Merle Afida Derby and Joan Akwasiba Derby. Babatunde Olatunji described Fanga as a dance of welcome from Liberia and he, and many others, used a song created by LaRouque Bey to go with the rhythm and dance, assisted by some of the students in his Harlem studio, during the early sixties. Bey used words from the Yorub ...
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Dance
Dance is a performing art form consisting of sequences of movement, either improvised or purposefully selected. This movement has aesthetic and often symbolic value. Dance can be categorized and described by its choreography, by its repertoire of movements, or by its historical period or place of origin. An important distinction is to be drawn between the contexts of theatrical and participatory dance, although these two categories are not always completely separate; both may have special functions, whether social, ceremonial, competitive, erotic, martial, or sacred/liturgical. Other forms of human movement are sometimes said to have a dance-like quality, including martial arts, gymnastics, cheerleading, figure skating, synchronized swimming, marching bands, and many other forms of athletics. There are many professional athletes like, professional football players and soccer players, who take dance classes to help with their skills. To be more specific professional athlet ...
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