Listed Buildings In Papcastle
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Listed Buildings In Papcastle
Papcastle is a civil parish in the Borough of Allerdale in Cumbria, England. It contains 22 listed buildings that are recorded in the National Heritage List for England The National Heritage List for England (NHLE) is England's official database of protected heritage assets. It includes details of all English listed buildings, scheduled monuments, register of historic parks and gardens, protected shipwrecks, an .... All the listed buildings are designated at Grade II, the lowest of the three grades, which is applied to "buildings of national importance and special interest". The parish contains the village of Papcastle and the surrounding countryside. Almost all the listed buildings are houses and associated structures in the village. The other listed buildings are a farmhouse and a milestone at Dovenby Craggs. __NOTOC__ Buildings References Citations Sources * * * * * * * * * * * * * * * * * * * * * * * {{DEFAULTSORT:Papcastle Lists of listed buildings ...
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Papcastle
Papcastle is a village and civil parish in the borough of Allerdale in the English county of Cumbria. The village is now effectively a northern extension of Cockermouth, which lies to the south of the River Derwent. It has its own parish council and lies within Bridekirk Parish for Church of England purposes. In 2001 it had a population of 406, reducing to 385 at the 2011 Census. The name of Papcastle is said to be a compound formed from Old Norse and Old English ''papi''+''cæster'', meaning 'the Roman fort inhabited by a hermit'. Remains of Roman Derventio It has been known for some time that there was a Roman presence at Papcastle. It was the site of a Roman fort called ''Derventio'', which was originally built in timber and rebuilt in stone.The name is known from the Ravenna Cosmography. See There was also a civilian settlement (''vicus''). The remains of the forts and part of the vicus were designated an ancient monument in 1992. More parts of the ''vicus'' were excavat ...
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Pulvinated Frieze
In architecture, the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Paterae are also usually used to decorate friezes. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the moldings of the cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. This style is typical for the Persians. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painted, sculpted or even calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of discrete panels. The material of which the frieze is made of may be plasterwork, carved wood or other decorative medium. ...
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Bay Window
A bay window is a window space projecting outward from the main walls of a building and forming a bay in a room. Types Bay window is a generic term for all protruding window constructions, regardless of whether they are curved or angular, or run over one or multiple storey A storey (British English) or story (American English) is any level part of a building with a floor that could be used by people (for living, work, storage, recreation, etc.). Plurals for the word are ''storeys'' (UK) and ''stories'' (US). T ...s. In plan, the most frequently used shapes are isosceles trapezoid (which may be referred to as a ''canted (architecture), canted bay window'') and rectangle. But other polygonal shapes with more than two corners are also common as are curved shapes. If a bay window is curved it may alternatively be called ''bow window.'' Bay windows in a triangular shape with just one corner exist but are relatively rare. A bay window supported by a corbel, Bracket (archite ...
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Cant (architecture)
A cant in architecture is an angled (oblique-angled) line or surface that cuts off a corner. Something with a cant is ''canted''. Canted facades are a typical of, but not exclusive to, Baroque architecture. The angle breaking the facade is less than a right angle, thus enabling a canted facade to be viewed as, and remain, one composition. Bay windows frequently have canted sides. A cant is sometimes synonymous with ''chamfer A chamfer or is a transitional edge between two faces of an object. Sometimes defined as a form of bevel, it is often created at a 45° angle between two adjoining right-angled faces. Chamfers are frequently used in machining, carpentry, fu ...'' and '' bevel''. References Architectural elements Building engineering {{Architecturalelement-stub ...
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Hip Roof
A hip roof, hip-roof or hipped roof, is a type of roof where all sides slope downwards to the walls, usually with a fairly gentle slope (although a tented roof by definition is a hipped roof with steeply pitched slopes rising to a peak). Thus, a hipped roof has no gables or other vertical sides to the roof. A square hip roof is shaped like a pyramid. Hip roofs on houses may have two triangular sides and two trapezoidal ones. A hip roof on a rectangular plan has four faces. They are almost always at the same pitch or slope, which makes them symmetrical about the centerlines. Hip roofs often have a consistent level fascia, meaning that a gutter can be fitted all around. Hip roofs often have dormer slanted sides. Construction Hip roofs are more difficult to construct than a gabled roof, requiring more complex systems of rafters or trusses. Hip roofs can be constructed on a wide variety of plan shapes. Each ridge is central over the rectangle of the building below it. The t ...
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Pilaster
In classical architecture Classical architecture usually denotes architecture which is more or less consciously derived from the principles of Greek and Roman architecture of classical antiquity, or sometimes even more specifically, from the works of the Roman architect V ..., a pilaster is an :Architectural elements, architectural element used to give the appearance of a supporting column and to articulate an extent of wall, with only an ornamental function. It consists of a flat surface raised from the main wall surface, usually treated as though it were a column, with a Capital (architecture), capital at the top, plinth (base) at the bottom, and the various other column elements. In contrast to a pilaster, an engaged column or buttress can support the structure of a wall and roof above. In human anatomy, a pilaster is a ridge that extends vertically across the femur, which is unique to modern humans. Its structural function is unclear. Definition In discussing Leon Battis ...
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Lintel (architecture)
A lintel or lintol is a type of beam (a horizontal structural element) that spans openings such as portals, doors, windows and fireplaces. It can be a decorative architectural element, or a combined ornamented structural item. In the case of windows, the bottom span is instead referred to as a sill, but, unlike a lintel, does not serve to bear a load to ensure the integrity of the wall. Modern day lintels are made using prestressed concrete and are also referred to as beams in beam and block slabs or ribs in rib and block slabs. These prestressed concrete lintels and blocks are components that are packed together and propped to form a suspended floor concrete slab. Structural uses In worldwide architecture of different eras and many cultures, a lintel has been an element of post and lintel construction. Many different building materials have been used for lintels. In classical Western architecture and construction methods, by ''Merriam-Webster'' definition, a lintel is a l ...
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Roughcast
Roughcast or pebbledash is a coarse plaster surface used on outside walls that consists of lime and sometimes cement mixed with sand, small gravel and often pebbles or shells. The materials are mixed into a slurry and are then thrown at the working surface with a trowel or scoop. The idea is to maintain an even spread, free from lumps, ridges or runs and without missing any background. Roughcasting incorporates the stones in the mix, whereas pebbledashing adds them on top. According to the ''Encyclopædia Britannica'' Eleventh Edition (1910–1911), roughcast had been a widespread exterior coating given to the walls of common dwellings and outbuildings, but it was then frequently employed for decorative effect on country houses, especially those built using timber framing (half timber). Variety can be obtained on the surface of the wall by small pebbles of different colours, and in the Tudor period fragments of glass were sometimes embedded. Though it is an occasional home-de ...
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Finial
A finial (from '' la, finis'', end) or hip-knob is an element marking the top or end of some object, often formed to be a decorative feature. In architecture, it is a small decorative device, employed to emphasize the Apex (geometry), apex of a dome, spire, tower, roof, or gable or any of various distinctive ornaments at the top, end, or corner of a building or structure. A finial is typically carved in stone. Where there are several such elements they may be called pinnacles. The very top of a finial can be a floral or foliated element called a bouquet. Smaller finials in materials such as metal or wood are used as a decorative ornament on the tops or ends of poles or rods such as tent-poles or curtain rods or any object such as a piece of furniture. These are frequently seen on top of bed posts or clocks. Decorative finials are also commonly used to fasten lampshades, and as an ornamental element at the end of the handles of souvenir spoons. The charm at the end of a pull chain ...
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Rustication (architecture)
Two different styles of rustication in the Palazzo Medici-Riccardi in Florence; smooth-faced above and rough-faced below.">Florence.html" ;"title="Palazzo Medici-Riccardi in Florence">Palazzo Medici-Riccardi in Florence; smooth-faced above and rough-faced below. Rustication is a range of masonry techniques used in classical architecture giving visible surfaces a finish texture that contrasts with smooth, squared-block masonry called ashlar. The visible face of each individual block is cut back around the edges to make its size and placing very clear. In addition the central part of the face of each block may be given a deliberately rough or patterned surface. Rusticated masonry is usually "dressed", or squared off neatly, on all sides of the stones except the face that will be visible when the stone is put in place. This is given wide joints that emphasize the edges of each block, by angling the edges ("channel-jointed"), or dropping them back a little. The main part of the ...
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Pier (architecture)
A pier, in architecture, is an upright support for a structure or superstructure such as an arch or bridge. Sections of structural walls between openings (bays) can function as piers. External or free-standing walls may have piers at the ends or on corners. Description The simplest cross section of the pier is square, or rectangular, but other shapes are also common. In medieval architecture, massive circular supports called drum piers, cruciform (cross-shaped) piers, and compound piers are common architectural elements. Columns are a similar upright support, but stand on a round base. In buildings with a sequence of bays between piers, each opening (window or door) between two piers is considered a single bay. Bridge piers Single-span bridges have abutments at each end that support the weight of the bridge and serve as retaining walls to resist lateral movement of the earthen fill of the bridge approach. Multi-span bridges require piers to support the ends of spans betwe ...
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Coping (architecture)
Coping (from ''cope'', Latin ''capa'') is the capping or covering of a wall. A splayed or wedge coping is one that slopes in a single direction; a saddle coping slopes to either side of a central high point. A coping may be made of stone (capstone), brick, clay or terracotta, concrete or cast stone, tile, slate, wood, thatch, or various metals, including aluminum, copper, stainless steel, steel, and zinc. In all cases it should be weathered (have a slanted or curved top surface) to throw off the water. In Romanesque work, copings appeared plain and flat, and projected over the wall with a throating to form a drip. In later work a steep slope was given to the weathering (mainly on the outer side), and began at the top with an astragal; in the Decorated Gothic style there were two or three sets off; and in the later Perpendicular Gothic these assumed a wavy section, and the coping mouldings continued round the sides, as well as at top and bottom, mitring at the angles, as ...
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