List Of Religious Texts
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List Of Religious Texts
The following is a non-exhaustive list of links to specific religious texts which may be used for further, more in-depth study. Bronze Age Ancient Egyptian religion * Pyramid Texts * Coffin Texts * Book of the Dead * Book of Caverns * Book of Gates * Amduat * Book of the Heavenly Cow * Litany of Re * Atenism: Great Hymn to the Aten Sumerian religion * Hymn to Enlil * Kesh Temple Hymn * Song of the hoe * Debate between Winter and Summer * Epic of Gilgamesh * Epic of Enmerkar ** Enmerkar and the Lord of Aratta ** Enmerkar and En-suhgir-ana * Epic of Lugalbanda ** Lugalbanda in the Mountain Cave ** Lugalbanda and the Anzud Bird * Angim * Enki and the World Order * Enlil and Ninlil * Enlil and Namzitara * Inanna and Utu * Inanna Prefers the Farmer * Inanna and Enki * Inanna Takes Command of Heaven * Inanna and Ebih * Inanna and Shukaletuda * Inanna and Bilulu * Inanna's Descent into the Underworld * Ninurta's Journey to Eridu Babylonian religion * Enūma Eliš * Epic ...
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Religious Text
Religious texts, including scripture, are texts which various religions consider to be of central importance to their religious tradition. They differ from literature by being a compilation or discussion of beliefs, mythologies, ritual practices, commandments or laws, ethical conduct, spiritual aspirations, and for creating or fostering a religious community. The relative authority of religious texts develops over time and is derived from the ratification, enforcement, and its use across generations. Some religious texts are accepted or categorized as canonical, some non-canonical, and others extracanonical, semi-canonical, deutero-canonical, pre-canonical or post-canonical. "Scripture" (or "scriptures") is a subset of religious texts considered to be "especially authoritative", revered and "holy writ", "sacred, canonical", or of "supreme authority, special status" to a religious community. The terms ''sacred text'' and ''religious text'' are not necessarily interchangeable ...
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Debate Between Winter And Summer
Debate is a process that involves formal discourse on a particular topic, often including a moderator and audience. In a debate, arguments are put forward for often opposing viewpoints. Debates have historically occurred in public meetings, academic institutions, debate halls, coffeehouses, competitions, and legislative assemblies. Debate has also been conducted for educational and recreational purposes, usually associated with educational establishments and debating societies. These debates put an emphasis upon logical consistency, factual accuracy, and emotional appeal to an audience. Modern forms of competitive debate also include rules for participants to discuss and decide upon the framework of the debate (how the debate will be judged). History Debating in various forms has a long history and can be traced back to the philosophical and political debates of Ancient Greece, such as Athenian democracy or Shastrartha in Ancient India. Modern forms of debating and the est ...
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Enūma Eliš
The ' (Akkadian Cuneiform: , also spelled "Enuma Elish") is the Babylonian creation myth (named after its opening words). It was recovered by English archaeologist Austen Henry Layard in 1849 (in fragmentary form) in the ruined Library of Ashurbanipal at Nineveh (Mosul, Iraq). A form of the myth was first published by English Assyriologist George Smith in 1876; active research and further excavations led to near completion of the texts and improved translation. The ''Enūma Eliš'' has about a thousand lines and is recorded in Akkadian on seven clay tablets, each holding between 115 and 170 lines of Sumero-Akkadian cuneiform script. Most of Tablet V has never been recovered, but, aside from this lacuna, the text is almost complete. This epic is one of the most important sources revealing the Babylonian worldview. Over the seven tablets, it describes the creation of the world, a battle between gods focused on the supremacy of Marduk, the creation of man destined for the servic ...
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Babylonian Religion
Babylonian religion is the religious practice of Babylonia. Babylonian mythology was greatly influenced by their Sumerian counterparts and was written on clay tablets inscribed with the cuneiform script derived from Sumerian cuneiform. The myths were usually either written in Sumerian or Akkadian. Some Babylonian texts were translations into Akkadian from the Sumerian language of earlier texts, although the names of some deities were changed. Mythology and cosmology Babylonian myths were greatly influenced by the Sumerian religion, and were written on clay tablets inscribed with the cuneiform script derived from Sumerian cuneiform. The myths were usually either written in Sumerian or Akkadian. Some Babylonian texts were even translations into Akkadian from the Sumerian language of earlier texts, although the names of some deities were changed in Babylonian texts. Many Babylonian deities, myths, and religious writings are singular to that culture; for example, the unique ...
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Ninurta
, image= Cropped Image of Carving Showing the Mesopotamian God Ninurta.png , caption= Assyrian stone relief from the temple of Ninurta at Kalhu, showing the god with his thunderbolts pursuing Anzû, who has stolen the Tablet of Destinies from Enlil's sanctuary (Austen Henry Layard ''Monuments of Nineveh'', 2nd Series, 1853) , parents=Enlil and Ninhursag As Urash, An , deity_of=God of agriculture, hunting, and war , abode=Eshumesha temple in NippurLater Kalhu, during Assyrian times , symbol=Plow and perched bird , consort= ''As Ninurta:'' Gula''As Ninĝirsu:'' Bau , children= , planet=Saturn, Mercury , mount= Beast with the body of a lion and the tail of a scorpion , equivalent1_type = Caananite , equivalent1 = Attar , equivalent2_type = Eblaite , equivalent2 = Aštabi Ninurta ( sux, : , possible meaning "Lord fBarley"), also known as Ninĝirsu ( sux, : , meaning "Lord fGirsu"), is an ancient Mesopotamian god associated with farming, healing, hunting, law, ...
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Inanna's Descent Into The Underworld
Inanna, also sux, 𒀭𒊩𒌆𒀭𒈾, nin-an-na, label=none is an ancient Mesopotamian goddess of love, war, and fertility. She is also associated with beauty, sex, divine justice, and political power. She was originally worshiped in Sumer under the name "Inanna", and later by the Akkadians, Babylonians, and Assyrians under the name Ishtar, (occasionally represented by the logogram ). She was known as the "Queen of Heaven" and was the patron goddess of the Eanna temple at the city of Uruk, which was her main cult center. She was associated with the planet Venus and her most prominent symbols included the lion and the eight-pointed star. Her husband was the god Dumuzid (later known as Tammuz) and her , or personal attendant, was the goddess Ninshubur (who later became conflated with the male deities Ilabrat and Papsukkal). Inanna was worshiped in Sumer at least as early as the Uruk period ( 4000 BCE – 3100 BCE), but she had little cult activity before the conques ...
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Enmesharra
Enmesharra (Enmešarra, Sumerian: "Lord of all me's") was a Mesopotamian god associated with the underworld. He was regarded as a member of an inactive old generation of deities, and as such was commonly described as a ghost or resident of the underworld. He is best known from various lists of primordial deities, such as the so-called "theogony of Enlil," which lists many generations of ancestral deities. Various fragmentary myths describe confrontations between him and deities such as Enlil, Ninurta or Marduk. The myth ''Enlil and Namzitara'' describes him as Enlil's paternal uncle, and alludes to a belief that he was the ruler of the universe in the distant past, possibly after usurping the position of his nephew. He has been compared with Anzu, who in the corresponding myth also steals Enlil's right to declare destinities for himself. Texts commonly mention his children, usually identified as the "Seven sons of Enmesharra," analogous to the Sebitti. Specific deities who could ...
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Enlil
Enlil, , "Lord f theWind" later known as Elil, is an ancient Mesopotamian god associated with wind, air, earth, and storms. He is first attested as the chief deity of the Sumerian pantheon, but he was later worshipped by the Akkadians, Babylonians, Assyrians, and Hurrians. Enlil's primary center of worship was the Ekur temple in the city of Nippur, which was believed to have been built by Enlil himself and was regarded as the "mooring-rope" of heaven and earth. He is also sometimes referred to in Sumerian texts as Nunamnir. According to one Sumerian hymn, Enlil himself was so holy that not even the other gods could look upon him. Enlil rose to prominence during the twenty-fourth century BC with the rise of Nippur. His cult fell into decline after Nippur was sacked by the Elamites in 1230 BC and he was eventually supplanted as the chief god of the Mesopotamian pantheon by the Babylonian national god Marduk. Enlil plays a vital role in the Sumerian creation myth; he sep ...
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Inanna
Inanna, also sux, 𒀭𒊩𒌆𒀭𒈾, nin-an-na, label=none is an List of Mesopotamian deities, ancient Mesopotamian goddess of love, war, and fertility. She is also associated with beauty, sex, Divine law, divine justice, and political power. She was originally worshiped in Sumer under the name "Inanna", and later by the Akkadian Empire, Akkadians, Babylonian religion, Babylonians, and Assyrians under the name Ishtar, (occasionally represented by the logogram ). She was known as the "Queen of heaven (antiquity), Queen of Heaven" and was the patron goddess of the Eanna temple at the city of Uruk, which was her main Cult (religious practice), cult center. She was associated with the planet Venus and her most prominent symbols included the Lion of Babylon, lion and the Star of Ishtar, eight-pointed star. Her husband was the god Dumuzid (later known as Tammuz) and her , or personal attendant, was the goddess Ninshubur (who later became conflated with the male deities Ilabrat ...
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Angim
The work known by its incipit, Angim, "The Return of Ninurta to Nippur", is a rather obsequious 210-line mythological praise poem for the ancient Mesopotamian warrior-god Ninurta, describing his return to Nippur from an expedition to the mountains (KUR), where he boasts of his triumphs against "rebel lands" (KI.BAL), boasting to Enlil in the Ekur, before returning to the Ešumeša temple—to “manifest his authority and kingship.” The ancient Sumerian epic had been provided with an intralinear Akkadian translation during the course of the second millennium. The myth Three copies from Nippur provide a subscript labeling it a šìr-gíd-da, or "long song", of Ninurta, where the term ''long'' perhaps refers to the tuning of the musical instrument intended to accompany the song. It is extant in unilingual Sumerian from Nippur during the Old Babylonian period, and thereafter in bilingual editions from the Kassite, middle Assyrian and neo-Assyrian and neo-Babylonian versions, wher ...
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Lugalbanda And The Anzud Bird
''Lugalbanda and the Anzu Bird'' is a Sumerian mythological account. The story is sometimes called ''The Return of Lugalbanda'' or ''Lugalbanda II'' being the second of two stories about the hero Lugalbanda. The first story is known as ''Lugalbanda in the Mountain Cave'', or sometimes ''Lugalbanda in the Wilderness''. They are part of a four-story cycle that describes the conflicts between Enmerkar, king of Unug (Uruk), and the king of Aratta. The texts are believed to be composed during the Ur III Period (21st century BCE), but almost all of the extant copies come from Isin-Larsa period (20th-18th centuries BCE). Nevertheless, a few fragmentary bilingual copies (Sumerian and Akkadian) from Nineveh suggest that the texts were still known during the first millennium.''ibid.'' p.135 Synopsis This story starts with Lugalbanda alone in the highlands of Lullubi. He finds the chick of the giant Anzû (or Anzud) bird, which is described as a lion-headed eagle, and decides to feed the ch ...
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Lugalbanda In The Mountain Cave
''Lugalbanda in the Mountain Cave'' is a Sumerian mythological account. It is one of the four known stories that belong to the same cycle describing conflicts between Enmerkar, king of Unug (Uruk), and an unnamed king of Aratta. The story is also referred to as “Lugalbanda in the Wilderness” or “Lugalbanda I” and followed by the story known as Lugalbanda and the Anzu Bird, together forming the two parts of one story. The stories, from the composer’s point of view, take place in the distant past. The accounts are believed to be composed during the Ur III Period (21st century BCE), although almost all extant copies come from Isin-Larsa period (20th-18th centuries BCE). Tablets containing these stories were found in various locations of southern Iraq, primarily in the city of Nippur, and were part of the curriculum of Sumerian scribal schools during the Old Babylonian period (20th-17th centuries BCE). Synopsis Sumerian king Enmerkar wants to conquer the land of Aratta. Ro ...
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