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''Lugalbanda in the Mountain Cave'' is a Sumerian mythological account. It is one of the four known stories that belong to the same cycle describing conflicts between
Enmerkar Enmerkar was an ancient Sumerian ruler to whom the construction of Uruk and a 420-year reign was attributed. According to literary sources, he led various campaigns against the land of Aratta. Historical king Late Uruk period The tradition ...
, king of Unug (
Uruk Uruk, also known as Warka or Warkah, was an ancient city of Sumer (and later of Babylonia) situated east of the present bed of the Euphrates River on the dried-up ancient channel of the Euphrates east of modern Samawah, Al-Muthannā, Iraq.Harm ...
), and an unnamed king of
Aratta Aratta is a land that appears in Sumerian myths surrounding Enmerkar and Lugalbanda, two early and possibly mythical kings of Uruk also mentioned on the Sumerian king list. Role in Sumerian literature Aratta is described as follows in Sumeri ...
. The story is also referred to as “Lugalbanda in the Wilderness” or “Lugalbanda I” and followed by the story known as
Lugalbanda and the Anzu Bird ''Lugalbanda and the Anzu Bird'' is a Sumerian mythological account. The story is sometimes called ''The Return of Lugalbanda'' or ''Lugalbanda II'' being the second of two stories about the hero Lugalbanda. The first story is known as ''Lugalba ...
, together forming the two parts of one story. The stories, from the composer’s point of view, take place in the distant past. The accounts are believed to be composed during the
Ur III Period The Third Dynasty of Ur, also called the Neo-Sumerian Empire, refers to a 22nd to 21st century BC (middle chronology) Sumerian ruling dynasty based in the city of Ur and a short-lived territorial-political state which some historians consider t ...
(21st century BCE), although almost all extant copies come from
Isin-Larsa period The Isin-Larsa period (circa 2025-1763 BCE, Middle Chronology, or 1961-1699 BCE, Short Chronology) is a phase in the history of ancient Mesopotamia, which extends between the end of the Third Dynasty of Ur and the conquest of Mesopotamia by King ...
(20th-18th centuries BCE). Tablets containing these stories were found in various locations of southern Iraq, primarily in the city of
Nippur Nippur (Sumerian language, Sumerian: ''Nibru'', often logogram, logographically recorded as , EN.LÍLKI, "Enlil City;"The Cambridge Ancient History: Prolegomena & Prehistory': Vol. 1, Part 1. Accessed 15 Dec 2010. Akkadian language, Akkadian: '' ...
, and were part of the curriculum of Sumerian scribal schools during the Old Babylonian period (20th-17th centuries BCE).


Synopsis

Sumerian king Enmerkar wants to conquer the land of Aratta. Rounding up his army, Enmerkar marches toward Aratta, a city on the eastern highlands. Amongst the soldiers is
Lugalbanda Lugalbanda was a deified Sumerian king of Uruk who, according to various sources of Mesopotamian literature, was the father of Gilgamesh. Early sources mention his consort Ninsun and his heroic deeds in an expedition to Aratta by King Enmerkar. ...
, who falls seriously ill and is left by his brothers to live or die in a cave along with some provisions. Lugalbanda lies ill for two days; he prays to the gods
Shamash Utu (dUD "Sun"), also known under the Akkadian name Shamash, ''šmš'', syc, ܫܡܫܐ ''šemša'', he, שֶׁמֶשׁ ''šemeš'', ar, شمس ''šams'', Ashurian Aramaic: 𐣴𐣬𐣴 ''š'meš(ā)'' was the ancient Mesopotamian sun god. ...
,
Inanna Inanna, also sux, 𒀭𒊩𒌆𒀭𒈾, nin-an-na, label=none is an List of Mesopotamian deities, ancient Mesopotamian goddess of love, war, and fertility. She is also associated with beauty, sex, Divine law, divine justice, and political p ...
, and
Nanna Nanna may refer to: *Grandmother Mythology * Sin (mythology), god of the moon in Sumerian mythology, also called Suen * Nanna (Norse deity), goddess associated with the god Baldr in Norse mythology * Nana Buluku, Fon/Dahomey androgynous deity cre ...
to be healed of his sickness and is eventually healed by them. A few days later he captures a wild bull and two wild goats before lying down to dream. He is sent a dream instructing him to sacrifice the animals he has captured and he proceeds to do so. The end of the text is very fragmented and not well understood, but sheds light on the gods who, although they hold great power, exhibit a dark side.


Comments

In separate Sumerian traditions, specifically in the text referred to as
Sumerian King List The ''Sumerian King List'' (abbreviated ''SKL'') or ''Chronicle of the One Monarchy'' is an ancient literary composition written in Sumerian that was likely created and redacted to legitimize the claims to power of various city-states and king ...
, Lugalbanda is known as the successor of Enmerkar as the king of Uruk, but in these Lugalbanda stories there is no such indication, and Lugalbanda appears only as one of the soldiers of king Enmerkar. In other accounts Lugalbanda is also known as the father of the mythical hero
Gilgamesh sux, , label=none , image = Hero lion Dur-Sharrukin Louvre AO19862.jpg , alt = , caption = Possible representation of Gilgamesh as Master of Animals, grasping a lion in his left arm and snake in his right hand, in an Assyr ...
, who succeeds Lugalbanda to the throne of Uruk. Among Sumerian literary narratives including the four of Enmerkar-Aratta cycle and five known Gilgamesh stories, “Lugalbanda in the Wilderness” and its continuation “Lugalbanda and the Anzu Bird” are considered to be the most elaborate and complex texts of their period with a combined length of 1000 lines, as well as their complicated symbolism, strong mythological elements, and unpredictable plot that moves back and forth between the mundane and divine worlds. Although earlier generations of scholars have sought behind these stories a historical reality dating back to Early Dynastic Period, such attempts are mostly based on an amalgamation of data from the epic traditions of the 2nd millennium with unclear archaeological observations. It is argued that even if the earlier oral traditions may have had an influence in the origin of these stories, the texts that have reached us are the highly stylized and literary products of the scribes of the Ur III Period and later, and for such scribes “these texts were about the present, albeit projected into the past; indeed it is this very act of projection that marks them as fiction, not as ethnography or history.”Michalowski, p.17


References


External links

{{Wikiquote
English translation of the epic, in the Electronic Text Corpus of Sumerian Literature
Mesopotamian myths Sumerian literature