List Of Quarter Tone Pieces
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List Of Quarter Tone Pieces
A selection of compositions using quarter tones: A *Thomas Adès **''Asyla'' calls for an upright piano tuned a quarter-tone flat. B *Jan Bach **Concert Variations for solo euphonium; "each variation is based on different performance techniques of the instrument, including quarter-tones" * Clarence Barlow **''Çoǧluotobüsişletmesi'' for four pianos. "in which four of the 12 pitches of the chromatic scale are tuned a quarter tone flat" **''...until version 7 for guitar (1980). * **Concerto for Quarter Tone Piano and Quarter Tone Strings (1930) * Béla Bartók ** String Quartet No. 6; the third movement ''Burletta'' contains quarter-tone tuning used for parodistic effect. Quarter tones are also used in Bartók's ballet ''The Miraculous Mandarin.'' ** Sonata for Solo Violin; the fourth movement ''Presto'' contains quarter-tones, but they are not "structural features." This movement also calls for third-tones. ** Violin Concerto No. 2; the cadenza in the final movement requires ...
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Quarter Tone
A quarter tone is a pitch halfway between the usual notes of a chromatic scale or an interval about half as wide (aurally, or logarithmically) as a semitone, which itself is half a whole tone. Quarter tones divide the octave by 50 cents each, and have 24 different pitches. Quarter tone has its roots in the music of the Middle East and more specifically in Persian traditional music. However, the first evidenced proposal of quarter tones, or the quarter-tone scale (24 equal temperament), was made by 19th-century music theorists Heinrich Richter in 1823Julian Rushton, "Quarter-Tone", ''The New Grove Dictionary of Music and Musicians'', second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan, 2001). and Mikhail Mishaqa about 1840. Composers who have written music using this scale include: Pierre Boulez, Julián Carrillo, Mildred Couper, George Enescu, Alberto Ginastera, Gérard Grisey, Alois Hába, Ljubica Marić, Charles Ives, Tristan Murail, Krzysztof Pendere ...
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Ernest Bloch
Ernest Bloch (July 24, 1880 – July 15, 1959) was a Swiss-born American composer. Bloch was a preeminent artist in his day, and left a lasting legacy. He is recognized as one of the greatest Swiss composers in history. As well as producing musical scores, Bloch had an academic career that culminated in his recognition as Professor Emeritus at the University of California, Berkeley in 1952. Biography Bloch was born in Geneva on July 24, 1880 to Jewish parents. He began playing the violin at age 9, and began composing soon after. He studied music at the conservatory in Brussels, where his teachers included the celebrated Belgian violinist Eugène Ysaÿe. He then traveled around Europe, moving to Germany (where he studied composition from 1900–1901 with Iwan Knorr at the Hoch Conservatory in Frankfurt), on to Paris in 1903 and back to Geneva before settling in the United States in 1916, taking US citizenship in 1924. He held several teaching appointments in the US, where his pupil ...
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John Eaton (composer)
John Charles Eaton (March 30, 1935 – December 2, 2015) was an American composer. Born in Bryn Mawr, Pennsylvania, Eaton attended Princeton University, where he graduated in 1957. He later lived in Rome (1957–68), returning to Princeton to earn a PhD in 1970. He subsequently held faculty appointments at Indiana University (1970–92) and the University of Chicago (1989–99). Eaton was a prominent composer of microtonal music, and worked with Paul Ketoff and Robert Moog during the 1960s in developing several types of synthesizer. Notably, he was involved in the development, use, and ultimately unsuccessful commercialization of the SynKet. He devised a compositional genre called ''pocket opera'', operas scored for a small cast of vocalists and a chamber group, and composed such pocket opera works as ''Peer Gynt'', ''Let's Get This Show on the Road'', and ''The Curious Case of Benjamin Button''. His operas include '' The Cry of Clytaemnestra'' (1980), a re-telling of some ...
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John Diercks
John Diercks (1927 – April 2020) was an American composer born in Montclair, New Jersey, in 1927. He held degrees from Oberlin College, the Eastman School, and the University of Rochester (PhD). His composition teachers included Howard Hanson and Alan Hovhaness. For Asian music and dance he studied with Dorothy Kahananui and Halla Huhm. Dr. Diercks taught piano at the College of Wooster (1950–54), then began a long tenure at Hollins University, teaching theory and composition. He served as department chair from 1962 until 1990. Among many grants and awards he has received are those from the National Endowment for the Arts, the National Endowment for the Humanities, the Mellon and Danforth foundations (five times), the Southern Foundation for the Humanities, and ASCAP (fifteen times). As a composer he has enjoyed residence at the MacDowell Colony, Wolf Trap Farm, and the Virginia Center for the Creative Arts. Much of Diercks' music is influenced by exoticism, including mi ...
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Mildred Couper
Mildred Couper (December 10, 1887 in Buenos Aires, Argentina – August 9, 1974 in Santa Barbara, California, Santa Barbara, United States) was a prominent composer and pianist, and one of the first American musicians to experiment with quarter-tone music. She was based in Santa Barbara, California. Early life Mildred Cooper was born in Buenos Aires, the daughter of Reginald Cooper and Harriet Hathaway Jacobs (1849-1931). Her father was born in England; her mother was born in Argentina to Wilson Jacobs III and Harriet Hathaway Moores, both American-born. She began her serious musical studies at the Williams Conservatory in Argentina, and pursued further training in Italy, Germany and France, where she studied piano with Moritz Moszkowski and composition with Nadia Boulanger. Career Couper taught piano for nine years at the Mannes College of Music, David Mannes Music School in New York. She moved with her children to California in 1927 and established a studio in Santa Barb ...
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John Corigliano
John Paul Corigliano Jr. (born February 16, 1938) is an American composer of contemporary classical music. His scores, now numbering over one hundred, have won him the Pulitzer Prize, five Grammy Awards, Grawemeyer Award for Music Composition, and an Oscar. He is a distinguished professor of music at Lehman College and the Graduate Center of the City University of New York and on the composition faculty at the Juilliard School. Corigliano is best known for his Symphony No. 1, a response to the AIDS epidemic, and his film score for François Girard's ''The Red Violin'' (1997), which he subsequently adapted as the 2003 Concerto for Violin and Orchestra ("The Red Violin") for Joshua Bell. Biography Before 1964 Corigliano was born in New York City to a musical family. His Italian-American father, John Paul Corigliano Sr., was concertmaster of the New York Philharmonic for 23 years. Corigliano's mother, Rose Buzen, was Jewish, and an accomplished educator and pianist. He attended ...
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Aaron Copland
Aaron Copland (, ; November 14, 1900December 2, 1990) was an American composer, composition teacher, writer, and later a conductor of his own and other American music. Copland was referred to by his peers and critics as "the Dean of American Composers". The open, slowly changing harmonies in much of his music are typical of what many people consider to be the sound of American music, evoking the vast American landscape and pioneer spirit. He is best known for the works he wrote in the 1930s and 1940s in a deliberately accessible style often referred to as "populist" and which the composer labeled his "vernacular" style. Works in this vein include the ballets ''Appalachian Spring'', ''Billy the Kid'' and ''Rodeo'', his ''Fanfare for the Common Man'' and Third Symphony. In addition to his ballets and orchestral works, he produced music in many other genres, including chamber music, vocal works, opera and film scores. After some initial studies with composer Rubin Goldmark, Copland ...
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Preludio A Colón
''Preludio a Colón'' ( Prelude to Christopher Columbus), for soprano in fifths of a tone, flute, guitar, and violin in quarter tones, octavina in eighth-tones, and harp in sixteenth-tones, is a musical composition by the Mexican composer Julián Carrillo, written in 1922. Composition The ''Preludio'' is Carrillo's best-known composition. It was composed in 1922 and first published (under the slightly altered title ''Preludio a Cristobal Colón'') in Henry Cowell's ''New Music Quarterly'' in 1944. The first performance took place in Mexico City on 15 February 1924, as part of a concert of microtonal music, responding directly to a request from José Gómez Ugarte, the editor of '' El Universal''. Four other works by Carrillo were also on the program (Prelude for obligato cello in quarter tones accompanied by instruments in quarter-, eighth-, and sixteenth-tones; ''Tepepán'' for soprano and chorus in quarter-tones with harp in sixteenth-tones; ''Hoja de Album'' for instruments in ...
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Julián Carrillo
Julián Carrillo Trujillo (January 28, 1875 – September 9, 1965) was a Mexican composer,Camp, Roderic Ai (1995). "Carrillo (Flores), Nabor" on ''Mexican Political Biographies, 1935–1993: Third Edition'', p. 121. . conductor, violinist and music theorist, famous for developing a theory of microtonal music which he dubbed "The Thirteenth Sound" ( Sonido 13). Biography Carrillo was born on January 28, 1875, in Ahualulco, a village in the state of San Luis Potosí. He was the last of the 19 children of Nabor Carrillo and Antonia Trujillo. Early education Carrillo sang in the children's choir of Ahualulco's church. The choir's conductor, Flavio F. Carlos, encouraged him to study music in the state capital, San Luis Potosí. He planned to study for two years, then return to Ahualulco as the church's singer, but problems prevented this plan. He arrived to San Luis Potosí City in 1885 and began to study with Flavio F. Carlos, teacher to several generations of San L ...
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YouTube
YouTube is a global online video platform, online video sharing and social media, social media platform headquartered in San Bruno, California. It was launched on February 14, 2005, by Steve Chen, Chad Hurley, and Jawed Karim. It is owned by Google, and is the List of most visited websites, second most visited website, after Google Search. YouTube has more than 2.5 billion monthly users who collectively watch more than one billion hours of videos each day. , videos were being uploaded at a rate of more than 500 hours of content per minute. In October 2006, YouTube was bought by Google for $1.65 billion. Google's ownership of YouTube expanded the site's business model, expanding from generating revenue from advertisements alone, to offering paid content such as movies and exclusive content produced by YouTube. It also offers YouTube Premium, a paid subscription option for watching content without ads. YouTube also approved creators to participate in Google's Google AdSens ...
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Jacob Collier
Jacob Collier (; né Moriarty; born 2 August 1994) is an English singer, songwriter, and multi-instrumentalist. His music incorporates a combination of jazz with elements from many other musical genres, and often features extensive use of reharmonisations and close harmony. He is also known for his energetic live performances, in which he often conducts the audience to sing multiple-part harmonies or percussions. In 2012, his split-screen video covers of popular songs, such as Stevie Wonder's "Don't You Worry 'bout a Thing", began to go viral on YouTube. In 2014, Collier signed with Quincy Jones's management company and began working on his one-man, audio-visual live performance vehicle, designed and built at the MIT Media Lab by Ben Bloomberg. In 2016, Collier released his debut album, ''In My Room'', which he recorded, arranged, performed and produced himself in the small back room of his family home in Finchley, North London. In 2017, Collier was awarded Grammy Awards for ...
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Le Visage Nuptial
''Le Visage nuptial'' (''The Nuptial Face'') is a secular cantata for soprano, contralto, choir of women and orchestra by Pierre Boulez. Originally composed in 1946–47 on a poem by René Char for two voices, two ondes Martenot, piano and percussion, the work, revised in 1951–52 in a version for voices and orchestra, was premiered on 4 December 1957 in Cologne conducted by the composer. The score was further revised in 1989, removing the quarter tones present in the second and fifth parts of the 1951–52 version, while revising the orchestration. A version with final revisions by the composer was premiered on 25 February 2014 at the Cité de la Musique in Paris during the closing concert of the festival ''Présences'' of Radio France. Instrumentation The piece is scored for soprano solo, alto solo, women's choir, and an orchestra consisting of nine percussionists: ; Woodwinds :4 flutes (3rd doubling piccolo, 4th doubling on G flute) :3 oboes :English horn :3 clarinets ( ...
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