List Of One-eyed Creatures In Mythology And Fiction
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List Of One-eyed Creatures In Mythology And Fiction
There are many creatures in the mythology, folklore, and fiction of many cultures who are one-eyed, this page lists such one-eyed creatures. In mythology, folklore and religion * Arimaspi, legendary people of northern Scythia, "always at war with their neighbours" and stealing gold from griffins. They had a single eye in the centre of the forehead. * Balor, a giant in Irish mythology, with one eye in his forehead that would wreak destruction when opened * Bungisngis, one-eyed giants of Philippine folklore * Cyclopes (singular: Cyclops), one-eyed giants in Greek mythology, including Polyphemus. They had a single eye in the centre of their forehead. ** Polyphemus, a giant Cyclops shepherd in Greek mythology ** Arges, one of the three Cyclops smith gods in Greek mythology ** Brontes, one of the three Cyclops smith gods in Greek mythology ** Steropes, one of the three Cyclops smith gods in Greek mythology * Dajjal, a figure in Islam akin to the Antichrist, who has one eye * Duwa Sokh ...
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Mythology
Myth is a folklore genre consisting of narratives that play a fundamental role in a society, such as foundational tales or origin myths. Since "myth" is widely used to imply that a story is not objectively true, the identification of a narrative as a myth can be highly controversial. Many adherents of religions view their own religions' stories as truth and so object to their characterization as myth, the way they see the stories of other religions. As such, some scholars label all religious narratives "myths" for practical reasons, such as to avoid depreciating any one tradition because cultures interpret each other differently relative to one another. Other scholars avoid using the term "myth" altogether and instead use different terms like "sacred history", "holy story", or simply "history" to avoid placing pejorative overtones on any sacred narrative. Myths are often endorsed by secular and religious authorities and are closely linked to religion or spirituality. Many soc ...
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Hitotsume-nyūdō
Hitotsume-nyūdō is a yōkai of Japan that has the appearance of an ōnyūdō that has only one eye Summary They can be seen in the legends and folklore of various places, and like the mikoshi-nyūdō, there are some that expand and contract their height. In Kyoto, it is said that their true identity is that of a fox (kitsune). Also, a hitotsume-nyūdō appears in the kaidan Inō Mononoke Roku from the Edo period, and there was a picture depicting it attempting to capture the main character Heitarō (refer to image), but this one is a tanuki that has shapeshifted. In Hidaka District, Wakayama Prefecture, there is a yōkai tale as follows. A young fellow was on the way from Kamishiga to Ena (now Yura, Hidaka District), he came across a splendid procession. It didn't appear to be a feudal lord or a marriage, but when he climbed a tree to spectate, the procession stopped at the base of the tree, and from an awfully large palanquin, a large man with one eye about 1 to tall appea ...
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Brothers Grimm
The Brothers Grimm ( or ), Jacob (1785–1863) and Wilhelm (1786–1859), were a brother duo of German academics, philologists, cultural researchers, lexicographers, and authors who together collected and published folklore. They are among the best-known storytellers of folk tales, popularizing stories such as "Cinderella" ("), "The Frog Prince" (""), "Hansel and Gretel" ("), "Little Red Riding Hood" (""), "Rapunzel", "Rumpelstiltskin" (""), "Sleeping Beauty" (""), and "Snow White" (""). Their first collection of folk tales, ''Children's and Household Tales'' (), began publication in 1812. The Brothers Grimm spent their formative years in the town of Hanau in the Landgraviate of Hesse-Kassel. Their father's death in 1796 (when Jacob was eleven and Wilhelm was ten) caused great poverty for the family and affected the brothers many years after. Both brothers attended the University of Marburg, where they developed a curiosity about German folklore, which grew into a lifelong de ...
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Cantabrian Mythology
Cantabrian mythology refers to the myths, teachings and legends of the Cantabri, a pre-Roman Celts, Celtic people of the north coastal region of Iberia (Spain). Over time, Cantabrian mythology was likely diluted by Celtic mythology and Roman mythology with some original meanings lost. Later, the ascendancy of Christendom absorbed or ended the Paganism, pagan rites of Cantabrian, Celtic and Roman mythology leading to a syncretism. Some relics of Cantabrian mythology remain. Divinities Some relics and remnants of Cantabrian worship of protective divinities survive. One example is the Cantabrian stelae, Cantabrian stele of Barros which suggests worship of a sun god. Another example may be the Bonfires of Saint John coinciding with the summer solstice. A bronze sculpture found near the town of Herrera in Camargo, Cantabria suggests worship of a male figure. Such a figure would have been absorbed into the Religion in ancient Rome, Roman worship of Jupiter (mythology), Jupiter. Stra ...
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Ojáncanu
The Ojáncanu ( Cantabrian: ˈhankanu is a cyclops found in Cantabrian mythology, and is an embodiment of cruelty and brutality. It appears as a 10 to 20 foot tall giant with superhuman strength, with hands and feet that contain ten digits each, and two rows of teeth. With a very wild and beast-like temperament, it sports a long mane of red hair, and just as much facial hair, with both nearly reaching to the ground. Apparently the easiest way of killing an Ojancanu is to pull the single white hair found in its mess of a beard. The females (called Ojáncana) are virtually the same, though without the presence of a beard. However, the females have long drooping breasts that like their male counterpart's hair, reach the ground. In order to run, they must carry their breasts behind their shoulders. The strangest thing about these peculiar cyclopean species is their reproduction process. Instead of mating, when an old Ojancanu dies, the others distribute the insides and bury the corpse ...
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Mímisbrunnr
In Norse mythology, Mímisbrunnr (Old Norse "Mímir's well"Simek (2007:216).) is a well associated with the being Mímir, located beneath the world tree Yggdrasil. Mímisbrunnr is attested in the ''Poetic Edda'', compiled in the 13th century from earlier traditional sources, and the ''Prose Edda'', written in the 13th century by Snorri Sturluson. The well is located beneath one of three roots of the world tree Yggdrasil, a root that passes into the Jötunheimr where the primordial plane of Ginnungagap once existed. In addition, the ''Prose Edda'' relates that the water of the well contains much wisdom, and that Odin sacrificed one of his eyes to the well in exchange for a drink. In the ''Prose Edda'', Mímisbrunnr is mentioned as one of three wells existing beneath three roots of Yggdrasil, the other two being Hvergelmir, located beneath a root in Niflheim, and Urðarbrunnr. Attestations ''Poetic Edda'' In the ''Poetic Edda'' poem ''Völuspá'', a völva recounts to Odin that she ...
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Odin
Odin (; from non, Óðinn, ) is a widely revered Æsir, god in Germanic paganism. Norse mythology, the source of most surviving information about him, associates him with wisdom, healing, death, royalty, the gallows, knowledge, war, battle, victory, sorcery, poetry, frenzy, and the Runes, runic alphabet, and depicts him as the husband of the goddess Frigg. In wider Germanic mythology and paganism, the god was also known in Old English as ', in Old Saxon as , in Old Dutch as ''Wuodan'', in Old Frisian as ''Wêda'', and in Old High German as , all ultimately stemming from the Proto-Germanic language, Proto-Germanic theonym *''Wōðanaz'', meaning 'lord of frenzy', or 'leader of the possessed'. Odin appears as a prominent god throughout the recorded history of Northern Europe, from the Roman occupation of regions of Germania (from BCE) through movement of peoples during the Migration Period (4th to 6th centuries CE) and the Viking Age (8th to 11th centuries CE). In the modern pe ...
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Mapinguari
Mpinguari or Mpinguary, (also called the ''Juma'') are monsterous jungle-dwelling spirits from Brazilian folklore. Description There are two major depictions of it. Some described them as a hairy humanoid cyclops. This version is often said to have a gaping mouth on its abdomen. Others claim that it is a modern day sighting of the giant ground sloth, an animal estimated to have gone extinct during the early holocene.Oren, David C. "Does the Endangered Xenarthran Fauna of Amazonia Include Remnant Ground Sloths?", ''Edentata'' (June 2001) p. 2-5 Skeptics point out that there haven't been any fossil records of ground sloths for thousands of years Terminology According to Felipe Ferreira Vander Velden, its name is a combination of the Tupi-Guarani words "mbaé", "pi", and "guari", meaning "''a thing that has a bent '' r' crooked foot '' r' paw''".Felipe Ferreira Vander Velden "Sobre caes e indios: domesticidade, classificacao zoologica e relacao humano-animal entre os Karitiana", ...
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Likho
Likho, liho ( uk, Лихо, be, лі́ха, pl, licho russian: Лихо) is an embodiment of evil fate and misfortune in Slavic mythology, a creature with one eye, often depicted as an old, skinny woman in black (Лихо одноглазое, One-eyed Likho) or as an evil male goblin of forests. Rather than being included in the major canon of the Slavic belief system, the Likho is traditionally found in fairy tales. Story There are several basic versions of tales about how a person meets with Likho, with different morals of the tale. *A person eventually cheats Likho. *A person cheats Likho, runs away (with Likho chasing him), sees a valuable thing, grabs it out of greed, the person's hand sticks to it and they have to cut off their hand. *Likho cheats a person and rides on his neck. The person wants to drown Likho, jumps into a river, drowns himself, but Likho floats out, to chase other victims. *Likho is received or passed to another person with a gift. Within the framework ...
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Ramayana
The ''Rāmāyana'' (; sa, रामायणम्, ) is a Sanskrit literature, Sanskrit Indian epic poetry, epic composed over a period of nearly a millennium, with scholars' estimates for the earliest stage of the text ranging from the 8th to 4th centuries BCE, and later stages extending up to the 3rd century CE. ''Ramayana'' is one of the two important epics of Hinduism, the other being the ''Mahabharata, Mahābhārata''. The epic, traditionally ascribed to the Maharishi Valmiki, narrates the life of Sita, the Princess of Janakpur, and Rama, a legendary prince of Ayodhya city in the kingdom of Kosala. The epic follows his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across forests in the South Asia, Indian subcontinent with his wife Sita and brother Lakshmana, the kidnapping of Sita by Ravana – the king of Lanka, that resulted in war; and Rama's eventual return to Ayodhya to be crowned kin ...
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Kabandha
In Hinduism, Kabandha (, , lit. "headless torso") is a Rakshasa (demon) who is killed and freed from a curse by the god Rama – an Avatar of Vishnu – and his brother Lakshmana. Kabandha's legend appears in the Hindu epics ''Ramayana'' and ''Mahabharata'', as well as in later Ramayana adaptations. Kabandha was a gandharva (celestial musician) named Vishvavasu or Danu, who was cursed and made into an ugly, carnivorous demon by Indra, the king of heaven, and/or a sage named Ashtavakra. In an encounter with Rama and Lakshmana, the brothers sever his arms and proceed to cremate his corpse. Upon his death, Kabandha resumes his Gandharva form and directs Rama to the Rishyamukha mountain, where the exiled monkey-chief Sugriva is hiding. Kabandha advises Rama to form an alliance with Sugriva, who would be of assistance in the search for Rama's wife Sita, who had been kidnapped by Ravana, the demon-king of Lanka. Following Kabandha's advice, Rama befriends Sugriva and rescues Sita wi ...
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Birds In Chinese Mythology
Birds in Chinese mythology and legend are of numerous types and very important in this regard. Some of them are obviously based on real birds, other ones obviously not, and some in-between. The crane is an example of a real type of bird with mythological enhancements. Cranes are linked with immortality, and may be transformed ''xian'' immortals, or ferry an immortal upon their back. The Vermilion Bird is iconic of the south. Sometimes confused with the Fenghuang, the Vermilion Bird of the south is associated with fire. The Peng was a gigantic bird phase of the gigantic Kun fish. The Jingwei is a mythical bird which tries to fill up the ocean with twigs and pebbles symbolizing indefatigable determination. The Qingniao was the messenger or servant of Xi Wangmu. Names and translation Written and spoken Chinese varieties have different character graphs and sounds representing mythological and legendary birds of China. Characters The Chinese characters or graphs used have varied ...
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