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List Of Nicknames Of Jazz Musicians
Nicknames are common among jazz musicians. Nicknames and sobriquets can also sometimes become stage names, and there are several cases of performers being known almost exclusively by their nicknames as opposed to their given names. Some of the most notable nicknames and stage names are listed here. Although the term Jazz royalty exists for "Kings" and similar royal or aristocratic nicknames, there is a wide range of other terms, many of them obscure. Where the origin of the nickname is known, this is explained at each artist's corresponding article. List of jazz nicknames A * Abbey: Abbey Lincoln * Abbie: Albert Brunies * Ace: Ace Harris * Angry Man of Jazz (The): Charles Mingus * Ananias Garibaldi: A.G. Godley B * Babs: Babs Gonzales * Baby: Warren Dodds * Baby Sweets: Walter Perkins * Bags: Milt Jackson * Barney: Barney Bigard * Barney: Barney Wilen * Baron: Charles Mingus * Bass: Ernest Hill * Bean: Coleman Hawkins a.k.a. "Hawk" * Bear (The): Eddie Costa * Beaver: B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coleman Hawkins
Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969), nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist.Yanow, Scot"Coleman Hawkins: Artist Biography" AllMusic. Retrieved December 27, 2013. One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". Hawkins biographer John Chilton described the prevalent styles of tenor saxophone solos prior to Hawkins as "mooing" and "rubbery belches." Hawkins cited as influences Happy Caldwell, Stump Evans, and Prince Robinson, although he was the first to tailor his method of improvisation to the saxophone rather than imitate the techniques of the clarinet. Hawkins' virtuosic, arpeggiated approach to improvisation, with his characteristic rich, emotional, and vibrato-laden tonal style, was the main influence on a generation of tenor players that included Chu Berry, Charlie Bar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Nick Nicholas
George Walker "Big Nick" Nicholas (August 2, 1922 – October 29, 1997) was an American jazz saxophonist and singer. Strongly influenced by his hero, Coleman Hawkins, Nicholas in turn influenced a young John Coltrane to compose his tribute "Big Nick", included on the 1962 album '' Duke Ellington & John Coltrane''. Nicholas contributed the 16-bar solo to Dizzy Gillespie's classic African-Cuban jazz piece "Manteca" (1947). At that time, he also started playing with Hot Lips Page, a working relationship that continued until 1954. He joined Buck Clayton in 1955. Nicholas started playing with Hank and Thad Jones, Earl Hines, and Tiny Bradshaw before going into the army and, on being discharged in the late 1940s, he worked with bands led by Sabby Lewis, J. C. Heard, and Lucky Millinder. He went on to play with Duke Ellington, Cab Calloway, Charlie Parker, and Charlie Mingus. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Mama Thornton
Willie Mae Thornton (December 11, 1926 – July 25, 1984), better known as Big Mama Thornton, was an American singer and songwriter of the blues and R&B genres. She was the first to record Leiber and Stoller's " Hound Dog", in 1952, which became her biggest hit, staying seven weeks at number one on the ''Billboard'' R&B chart in 1953 and selling almost two million copies. Thornton's other recordings included the original version of "Ball and Chain", which she wrote. Her recording of "Hound Dog", written by Jerry Leiber and Mike Stoller in 1952, and later recorded by Elvis Presley, reached Number 1 on the Rhythm & Blues Records chart. According to Maureen Mahon, a music professor at New York University, "the song is seen as an important beginning of rock-and-roll, especially in its use of the guitar as the key instrument". Early life Thornton's birth certificate states that she was born in Ariton, Alabama, but in an interview with Chris Strachwitz, she claimed Montgomery, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Patton (musician)
John Patton (July 12, 1935 – March 19, 2002) was an American jazz, blues and R&B pianist and organist often known by his nickname, Big John Patton. Patton was one of the most in-demand organists during the golden era of the Hammond B-3 organs between 1963 and 1970. He recorded extensively for Blue Note and performed or collaborated with Lloyd Price, Grant Green, and Lou Donaldson. Patton had a lower profile in the 1970s but enjoyed a comeback in the 1980s and 1990s, often in collaboration with saxophonist John Zorn. His later music incorporated modal and free jazz. Biography John Patton, born in Kansas City, Missouri, United States, was an American jazz composer and performer. He developed the nickname "Big John", not because of his size, but because of a song. "Remember the tune, 'Big Bad John'? ... yeah, well, that's what they started calling me and at first I didn't understand it but I love it now. It's just a name; if it's going to help you, then boogie on up in there ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Joe Turner
Joseph Vernon "Big Joe" Turner Jr. (May 18, 1911 – November 24, 1985) was an American singer from Kansas City, Missouri. According to songwriter Doc Pomus, "Rock and roll would have never happened without him." His greatest fame was due to his rock-and-roll recordings in the 1950s, particularly "Shake, Rattle and Roll", but his career as a performer endured from the 1920s into the 1980s. Turner was inducted into the Rock and Roll Hall of Fame in 1987, with the Hall lauding him as "the brawny voiced 'Boss of the Blues. Career Early days Turner was born May 18, 1911, in Kansas City, Missouri, United States. His father was killed in a train accident when Turner was four years old. He sang in his church, and on street corners for money. He left school at age fourteen to work in Kansas City's nightclubs, first as a cook and later as a singing bartender. He became known as "The Singing Barman", and worked in such venues as the Kingfish Club and the Sunset, where he and his par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jim Robinson (trombonist)
Jim Robinson, also known as Big Jim Robinson (December 25, 1892 – May 4, 1976) was an American jazz musician, based in New Orleans, renowned for his deep, wide-toned, robust "tailgate" style of trombone playing, using the slide to achieve a wide swoop between two notes (a technique that classical musicians call "glissando") and rhythmic effects. Early life Born Nathan Robinson in Deer Range, a small settlement on the west bank of lower Plaquemines Parish, Louisiana, Robinson studied music under James Brown Humphrey. Career Robinson arrived in New Orleans looking for work shortly before the 1915 New Orleans hurricane, which wiped out his home town of Deer Range, and prompted Robinson to settle in the city. In his youth, he got the nickname "Jim Crow" because of his facial features, which resembled a Native American. He was playing professionally in his twenties, from World War I on. In the 1920s, he made his first recordings as a member of the Sam Morgan Jazz Band. He gain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Nelson Delisle
"Big Eye" Louis Nelson Delisle (January 28, 1885 – August 20, 1949) was an American early twentieth-century Dixieland jazz clarinetist in New Orleans, Louisiana, United States. He also played double bass, banjo, and accordion. Early life and education Nelson Delisle was born into a family who were Creoles of color. He spent most of his life in New Orleans, Louisiana. He studied clarinet with the elder Lorenzo Tio. Career By the age of 15, Delisle was working professionally in the music venues of Storyville, an area of brothels and clubs in New Orleans. He developed a style of hot jazz, a.k.a. Dixieland, and was an influence on clarinetists Johnny Dodds and Jimmie Noone. Early in his career Delisle often played a C clarinet, as opposed to the more common B♭; the C was used by other New Orleans clarinetists of the era, such as Alcide Nunez. In 1917, Delisle joined the reconstituted Original Creole Orchestra that included Freddie Keppard and Bill Johnson. The band had disb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eric Dixon
Eric "Big Daddy" Dixon (March 28, 1930 – October 19, 1989) was an American jazz tenor saxophonist, flautist, composer, and arranger. Dixon's professional career extended from 1950 until his death in 1989, during which time he was credited on as many as 200 recordings. Career Having played bugle as a child, Dixon took up the tenor saxophone at the age of 12. Following a stint experience a musician in the US Army (1951–3) he played in groups that sometimes included Mal Waldron, with whom he would later record. In 1954, he played with Cootie Williams and the following year with Johnny Hodges. In 1956, he performed and recorded with Bennie Green and also took up the flute. In the late 1950s he spent four years in the house band led by Reuben Phillips at the Apollo Theatre in New York. In 1959, he toured Europe and recorded with the Cooper Brothers.Lambert, Eddie; Barry Kernfel"Dixon, Eric".''Grove Music Online''. Oxford University Press. Retrieved 10 December 2022. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Chief Russell Moore
"Big Chief" Russell Moore (August 13, 1912 – December 15, 1983) was an American jazz trombonist. Moore, a Pima tribe member, grew up on a Native American reservation before moving to Chicago and then Los Angeles where he learned to play various instruments, eventually settling on trombone. Throughout his career, Moore worked with an array of artists including Frank Sinatra, Lionel Hampton, Alberta Hunter and Pee Wee Russell as well as recording under his own name. He is best remembered for his work as a member of Louis Armstrong's band. Life and career Early life Moore was born in Gila Crossing, Arizona inside the Gila River Indian Community reservation in 1912 and belonged to the Pima tribe. He was one of five children born to mother Amy Bending Moore and father José Newton Moore. Musical performances were important to community life on the reservation particularly due to the inaccessibility of record players and radios. Moore's exposure to music from local school band ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Bill Bissonnette
Big Bill Bissonnette (February 5, 1937 – June 26, 2018) was an American jazz trombonist, drummer, and record producer. He was a strong advocate of New Orleans jazz as played by veteran African-American musicians. In the 1960s, he led his own group, the Easy Riders Jazz Band, formed his own label, Jazz Crusade, and organized northern tours for Kid Thomas Valentine, George Lewis, and Jim Robinson. He produced over 100 recorded jazz sessions for Jazz Crusade and appeared as trombonist or drummer on over 50 recording sessions of New Orleans jazz. The Easy Riders Jazz Band was one of the most acclaimed revival bands of the 1960s. Bissonnette brought Sammy Rimington to the United States. During his career, he worked with Alvin Alcorn, Red Allen, Jimmy Archey, Polo Barnes, Albert Burbank, Alex Bigard, Don Ewell, Pops Foster, George Guesnon, Edmond Hall, Bob Helm, Tuba Fats Lacen, George Lewis, Fred Lonzo, Alcide Pavageau, George Probert, Kid Sheik, Zutty Singleton, Victoria S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benny Bailey
Ernest Harold "Benny" Bailey (August 13, 1925 – April 14, 2005) was an American jazz trumpeter. Biography A native of Cleveland, Ohio, Bailey briefly studied flute and piano before turning to trumpet. He attended the Cleveland Institute of Music, Cleveland Conservatory of Music. He was influenced by Cleveland native Tadd Dameron and had a significant influence on other Cleveland musicians, such as Albert Ayler, Bob Cunningham (musician), Bob Cunningham, Bobby Few, Bill Hardman, and Frank Wright (jazz musician), Frank Wright. Bailey played with Tony Lovano, father of Joe Lovano. In the early 1940s he worked with Bull Moose Jackson and Scatman Crothers. He later worked with Dizzy Gillespie and toured with Lionel Hampton. During a European tour with Hampton he remained in Europe and spent time in Sweden, where he worked with Harry Arnold (musician), Harry Arnold's big band. He preferred big bands over small groups, and he became associated with several big bands in Europe, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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