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List Of Early Wide-gauge Films
These early wide film processes employed a number of different frame sizes and perforations per frame. *Films made by American Mutoscope and Biograph (US 1895) a) 62 mm, 1.36:1, 6 perf. - b) 2 7/8 inch, 1.19:1 *Films made by Demeny-Gaumont (France 1895) - Chronophotographe, 60 mm, 1.22:1, 4 perf. *''Henry Regatta'' (UK 1896 July) Birt Acres, Barnet, England - Palace Theatre, London, March 17 1897 *Films made by Biograph (US 1897-1900), 68 mm, 1.375:1, non-perf. *''The Corbett-Fitzsimmons Fight'' - Enoch J. Rector - Veriscope USA 1897, 63 mm, 1.65:1, 5 perf. (filmed March 17, 1897, released May 22, 1897) *A film for Burton Holmes (UK 1890s) 2 3/8 inch, 1.31:1, 4 perf. *Lumière widefilm (France 1900), 75 mm (widest format ever), 1.2:1, 8 perf. *''Il sacco di Roma'' (first wide screen feature) (Italy 1923) Enrico Guazzoni, one sequence in Alberini Panoramica/Panoramico Alberini: Italy 1914, Filoteo Alberini, 2.20:1 (2.52:1?), 5 perf., shot with rotating wide angle 65° *Widesco ...
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The Corbett-Fitzsimmons Fight
''The Corbett-Fitzsimmons Fight'' is an 1897 documentary film directed by Enoch J. Rector depicting the 1897 boxing match between James J. Corbett and Bob Fitzsimmons in Carson City, Nevada on St. Patrick's Day. Originally running for more than 100 minutes, it was the longest film released to date; as such, it was the world's first feature film. The technology that allowed this is known as the Latham loop. Rector claimed to have invented the device, but its invention is disputed. He used three such equipped cameras placed adjacently and filming on 63mm nitrate film. Only fragments of the film survive. The known fragments were transferred in the 1980s from a print owned by Jean A. LeRoy of New York City, the transfer done on a specially built optical printer to convert the film to 35mm film. The film was also the first to be shot in widescreen, with an aspect ratio of about 1.65:1. According to Dan Streible, ''The Corbett-Fitzsimmons Fight'' is "one of the earliest indi ...
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The Lash (1930 Film)
''The Lash'' is a 1930 American pre-Code Western film produced and distributed by First National Pictures, a subsidiary of Warner Bros. It had an alternate title of ''Adios''. The film was directed by Frank Lloyd and stars Richard Barthelmess, Mary Astor, James Rennie and Marian Nixon. The film was issued in two formats: Warner Bros. 65mm Vitascope wide screen and regular 35mm. The Vitaphone sound system was used for recording. Exteriors were filmed at the current Westlake Village, California and Russell Ranch of Thousand Oaks, California areas near Los Angeles. It was adapted for the screen by Bradley King from a story ''Adios'' by Fred Bartlett and Virginia Stivers Bartlett.''Catalog of Holdings The American Film Institute Collection and The United Artists Collection at The Library of Congress'' p.100 c.1978 published by The American Film Institute Plot When Francisco Delfino (Richard Barthelmess) goes off to study for four years at a university in Mexico, his home in C ...
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70 Mm Grandeur Film
70mm Grandeur film, also called Fox Grandeur or Grandeur 70, is a 70mm widescreen film format developed by William Fox through his Fox Film and Fox-Case corporations and used commercially on a small but successful scale in 1929–30. Filmography In 1925, with the advent of television on the horizon, William Fox of the Fox Film Studio empire envisioned a "grand" cinema experience to keep the public coming to the movie theaters. As such, he soon put full efforts behind enhancing the silent 35mm film showings by the addition of sound to be coupled to a wider than 35mm end product, with the hoped for result being a grand and lifelike experience for the viewers. This wide screen vision of William Fox soon resulted in his creating a partnership with Theodore Case and his assistant, Earl Sponable, pioneers of Sound on Film, with the partnership to be named the Fox-Case Corporation. The result was, first, the advent of Movietone Sound, then soon combined with the 70mm "Grandeur" wide scre ...
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70 Mm Film
70 mm film (or 65 mm film) is a wide high-resolution film gauge for motion picture photography, with a negative area nearly 3.5 times as large as the standard 35 mm motion picture film format. As used in cameras, the film is wide. For projection, the original 65 mm film is printed on film. The additional 5 mm contains the four magnetic strips, holding six tracks of stereophonic sound. Although later 70 mm prints use digital sound encoding (specifically the DTS format), the vast majority of existing and surviving 70 mm prints pre-date this technology. Each frame is five perforations tall, with an aspect ratio of 2.2:1. However, the use of anamorphic Ultra Panavision 70 lenses squeezes the image into an ultra-wide 2.76:1 aspect ratio. To this day, Ultra Panavision 70 produces the widest picture size in the history of filmmaking; surpassed only by Polyvision, which was only used for 1927's Napoleon. With regard to exhibition, 70 mm fil ...
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List Of 70mm Films
The following movies were filmed using 65mm or 70mm negative stock. Titles are followed by the photographic process(es) employed. Releases produced in Todd-AO, Todd-70, Super Panavision 70 (also known as Panavision 70), Panavision System 65 (also known as Panavision Super 70), Dimension 150, Arri 765 and Superpanorama 70 (also known as MClS 70 and MCS Superpanorama 70) were photographed with spherical optics on 65 mm film with five perforations per frame, yielding an aspect ratio of 2.20:1. Sovscope 70 and DEFA 70 releases were identical with the exception that they were photographed on 70 mm negative stock. MGM Camera 65 and Ultra Panavision 70 releases employed the same film format, but the use of 1.25X anamorphic optics yielded a super-wide aspect ratio of approximately 2.75:1. 70 mm Cinerama releases were projected with special optics onto a deeply curved screen in an attempt to mimic the effect of the original 3-strip Cinerama process. Hi Fi Stereo 70 (also ...
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The Great Meadow
''The Great Meadow'' is a 1931 American Pre-Code adventure film, produced and distributed by MGM with direction by Charles Brabin. The film starred Eleanor Boardman and Johnny Mack Brown. It is based on the novel ''The Great Meadow'' by Elizabeth Madox Roberts, which is similar in theme to ''Drums Along the Mohawk'' by Walter D. Edmonds, which was later made into the 1939 film of the same name directed by John Ford.''The American Film Institute Catalogue of films 1931–40'' c. 1993 by The American Film Institute Plot The title background is a sculpture of an American frontierswoman, a child on her left arm and the barrel of a flintlock in her right hand. The picture is dedicated to the women of the wilderness, “the wives and sweethearts who endured martyrdom for love’s sake ndlie quiet and unsung in the great meadow.” The fortitude of women is the focus of most episodes in the film. In 1777, on their farm in Albemarle County in the Piedmont of Virginia, the Hall famil ...
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Kismet (1930 Film)
''Kismet'' is a 1930 American pre-Code costume drama film photographed entirely in an early widescreen process using 65mm film that Warner Bros. called Vitascope. The film, now considered lost, was based on Edward Knoblock's play '' Kismet'', and was previously filmed as a silent film in 1920 which also starred Otis Skinner. Plot Hajj, a rascally beggar on the periphery of the court of Baghdad, schemes to marry his daughter to royalty and to win the heart of the queen of the castle himself. Production Warner Bros. spared no expense in making this picture. They spent $600,000 in producing it, and the extravagance of the film was noted by every reviewer. The film played in ten cities across the United States in the wide-screen Vitascope (65mm) version, while the rest of the country (which did not yet have theaters capable of playing widescreen films) were provided with standard 35mm prints. Otis Skinner was 73 years old while lead actress Loretta Young was 17 years old. Box ...
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Billy The Kid (1930 Film)
''Billy the Kid'' is a 1930 American pre-Code Western film directed in widescreen by King Vidor about the relationship between frontier outlaw Billy the Kid (Johnny Mack Brown, billed as "John Mack Brown" during his brief career peak) and lawman Pat Garrett (Wallace Beery). In February 2020, the film was shown at the 70th Berlin International Film Festival, as part of a retrospective dedicated to King Vidor's career. Plot Billy, after shooting down land baron William Donovan's henchmen for killing Billy's boss, is hunted down and captured by his friend, Sheriff Pat Garrett. He escapes and is on his way to Mexico when Garrett, recapturing him, must decide whether to bring him in or to let him go. Cast * John Mack Brown as Billy the Kid *Wallace Beery as Deputy Sheriff Pat Garrett *Kay Johnson as Claire Randall * Karl Dane as Swenson *Wyndham Standing as Jack Tunston * Russell Simpson as Angus McSween *Blanche Friderici as Mrs McSween (as Blanche Frederici) *Roscoe Ates as Old ...
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The Bat Whispers
''The Bat Whispers'' is a 1930 American pre-Code mystery film directed by Roland West, produced by Joseph M. Schenck, and released by United Artists. The film is based on the 1920 mystery play '' The Bat'', written by Mary Roberts Rinehart and Avery Hopwood, and is the second film version by the same director, previously adapted in 1926. An early talkie and one of the first widescreen films, West financed the cinematography, which required two cameramen and several techniques. It was considered a lost film for many years, but was restored from duplicate filmstock in 1988. Plot A mysterious criminal by the name of "The Bat" eludes police and then finally announces his retirement to the country. In the countryside near the town of Oakdale, news of a bank robbery in Oakdale has put Mrs. Van Gordner's maid, Lizzie, on edge. Van Gordner is leasing the house from Mr. Fleming, the Oakdale bank president, who is in Europe. The chief suspect in the bank robbery, a cashier, has disappe ...
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Technicolor
Technicolor is a series of Color motion picture film, color motion picture processes, the first version dating back to 1916, and followed by improved versions over several decades. Definitive Technicolor movies using three black and white films running through a special camera (3-strip Technicolor or Process 4) started in the early 1930s and continued through to the mid-1950s when the 3-strip camera was replaced by a standard camera loaded with single strip 'monopack' color negative film. Technicolor Laboratories were still able to produce Technicolor prints by creating three black and white matrices from the Eastmancolor negative (Process 5). Process 4 was the second major color process, after Britain's Kinemacolor (used between 1908 and 1914), and the most widely used color process in Cinema of the United States, Hollywood during the Golden Age of Hollywood. Technicolor's #Process 4: Development and introduction, three-color process became known and celebrated for its highly s ...
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Enoch J
Enoch () ''Henṓkh''; ar, أَخْنُوخ ', Qur'ān.html"_;"title="ommonly_in_Qur'ān">ommonly_in_Qur'ānic_literature__'_is_a_biblical_figure_and_Patriarchs_(Bible).html" "title="Qur'ānic_literature.html" ;"title="Qur'ān.html" ;"title="ommonly in Qur'ān">ommonly in Qur'ānic literature">Qur'ān.html" ;"title="ommonly in Qur'ān">ommonly in Qur'ānic literature ' is a biblical figure and Patriarchs (Bible)">patriarch prior to Noah's flood, and the son of Jared (biblical figure), Jared and father of Methuselah. He was of the Antediluvian period in the Hebrew Bible. The text of the Book of Genesis says Enoch lived 365 years before he was taken by God. The text reads that Enoch "walked with God: and he was no more; for God took him" (), which is interpreted as Enoch's entering heaven alive in some Jewish and Christian traditions, and interpreted differently in others. Enoch is the subject of many Jewish and Christian traditions. He was considered the author of the Book o ...
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Song Of The Flame
''Song of the Flame'' is a 1930 American pre-Code musical film photographed entirely in Technicolor. It was produced and distributed by First National Pictures. It was the first color film to feature a widescreen sequence, using a process called Vitascope, the trademark name for Warner Bros.' widescreen process. The film, based on the 1925 Broadway musical of the same name, was nominated for an Academy Award for Sound Recording ( George Groves). It is part of the tradition of operetta films, popular at the time. Plot Aniuta (Bernice Claire), known as ''The Flame'', is a peasant girl who incites the people against the Czarist regime and the aristocracy through singing. Prince Volodya (Alexander Gray) is the leader of a group of Cossack troops who falls in love with the girl, even though she is part of a revolution that is opposed to his social class. Konstantin ( Noah Beery) is a revolutionary who also falls in love with Aniuta, much to the anger of his lover, Natasha (Alice ...
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