List Of Compositions By Anton Reicha
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List Of Compositions By Anton Reicha
This article lists compositions by Anton Reicha. At present there exists no definitive catalogue of the composer's works, and his music, for the most part, has yet to be studied by scholars. Two principal work lists exist: one by Olga Šotolová in her book ''Antonín Rejcha: A Biography and Thematic Catalogue'' and another by Peter Eliot Stone in his article for the ''Grove Dictionary of Music and Musicians''. The former list contains a number of errors; these were corrected by Stone in his list. The present article contains two overlapping lists derived from Stone, several editions of Reicha's music and a number of library catalogues listed in the References and Notes section. The first list presents only works that were published and assigned opus numbers by Reicha's publishers. These numbers, as is usual, follow the order in which the works were published, rather than the order in which they were composed. The second list is organized by genre. Compositions are sorted chronolog ...
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Reicha
Anton (Antonín, Antoine) Joseph Reicha (Rejcha) (26 February 1770 – 28 May 1836) was a Czech-born, Bavarian-educated, later naturalized French composer and music theorist. A contemporary and lifelong friend of Beethoven, he is now best remembered for his substantial early contributions to the wind quintet literature and his role as teacher of pupils including Franz Liszt, Hector Berlioz and César Franck. He was also an accomplished theorist, and wrote several treatises on various aspects of composition. Some of his theoretical work dealt with experimental methods of composition, which he applied in a variety of works such as fugues and études for piano and string quartet. None of the advanced ideas he advocated in the most radical of his music and writings, such as polyrhythm, polytonality and microtonal music, were accepted or employed by other nineteenth-century composers. Due to Reicha's unwillingness to have his music published (like Michael Haydn before him), he ...
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Anton Reicha
Anton (Antonín, Antoine) Joseph Reicha (Rejcha) (26 February 1770 – 28 May 1836) was a Czech-born, Bavarian-educated, later naturalized French composer and music theorist. A contemporary and lifelong friend of Beethoven, he is now best remembered for his substantial early contributions to the wind quintet literature and his role as teacher of pupils including Franz Liszt, Hector Berlioz and César Franck. He was also an accomplished theorist, and wrote several treatises on various aspects of composition. Some of his theoretical work dealt with experimental methods of composition, which he applied in a variety of works such as fugues and études for piano and string quartet. None of the advanced ideas he advocated in the most radical of his music and writings, such as polyrhythm, polytonality and microtonal music, were accepted or employed by other nineteenth-century composers. Due to Reicha's unwillingness to have his music published (like Michael Haydn before him), he fell ...
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Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ...
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Josef Reicha
Josef Reicha (''Rejcha'') (12 February 1752 – 5 March 1795) was a Czech cellist, composer and conductor. He was the uncle of composer and music theorist Anton Reicha. Josef Reicha was born in Chudenice. In 1761 he moved to Prague, where he was taught cello by Franz Joseph Werner. In 1771 Reicha became first cellist in the Kapelle of Prince (Fürst) Kraft Ernst von Oettingen-Wallerstein. Together with the famous violinist Anton Janitsch, who also played in the Kapelle, Reicha toured several European cities during the late 1770s and visited Leopold Mozart in Salzburg in 1778.Československý hudební slovník II., p. 416 In his letters to Wolfgang Amadeus, Leopold praised Reicha's cello playing and compared the style of one of his cello concerts to those by Wolfgang Amadeus. Reicha adopted his nephew Anton in 1780 (Josef married in 1779, but the marriage produced no children) and subsequently taught him the violin and the piano. In 1785 Josef was made director of the orche ...
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Leipzig
Leipzig ( , ; Upper Saxon: ) is the most populous city in the German state of Saxony. Leipzig's population of 605,407 inhabitants (1.1 million in the larger urban zone) as of 2021 places the city as Germany's eighth most populous, as well as the second most populous city in the area of the former East Germany after (East) Berlin. Together with Halle (Saale), the city forms the polycentric Leipzig-Halle Conurbation. Between the two cities (in Schkeuditz) lies Leipzig/Halle Airport. Leipzig is located about southwest of Berlin, in the southernmost part of the North German Plain (known as Leipzig Bay), at the confluence of the White Elster River (progression: ) and two of its tributaries: the Pleiße and the Parthe. The name of the city and those of many of its boroughs are of Slavic origin. Leipzig has been a trade city since at least the time of the Holy Roman Empire. The city sits at the intersection of the Via Regia and the Via Imperii, two important medieval trad ...
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Domenico Scarlatti
Giuseppe Domenico Scarlatti, also known as Domingo or Doménico Scarlatti (26 October 1685-23 July 1757), was an Italian composer. He is classified primarily as a Baroque composer chronologically, although his music was influential in the development of the Classical style. Like his renowned father Alessandro Scarlatti, he composed in a variety of musical forms, although today he is known mainly for his 545 keyboard sonatas. He spent much of his life in the service of the Portuguese and Spanish royal families. Life and career Scarlatti was born in Naples, Kingdom of Naples, belonging to the Spanish Crown. He was born in 1685, the same year as Johann Sebastian Bach and George Frideric Handel. He was the sixth of ten children of the composer and teacher Alessandro Scarlatti. His older brother Pietro Filippo was also a musician. Scarlatti first studied music under his father. Other composers who may have been his early teachers include Gaetano Greco, Francesco Gasparini, ...
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36 Fugues (Reicha)
36 Fugues, sometimes assigned opus number 36, is a cycle of fugues for piano composed by Anton Reicha. It was first published by the composer in 1803 and served as an illustration of a ''nouveau système'' (Fr. "new system") Reicha invented for fugue composition. This system involved, among other things, extensive use of polyrhythms, derived from traditional music, and fugal answers on any and all Degree (music), scale degrees, rather than just the Dominant (music), dominant, which was standard at the time. Historical background Reicha most probably started composing the fugues during his short stay in Hamburg. In 1799 he moved to Paris and soon published a collection of twelve fugues there, all of which were subsequently included in ''36 Fugues'' (as numbers 1, 2, 4, 8, 20–23, 25–27 and 35).Stone, Grove By 1802 Reicha moved to Vienna, but the same year two more works that would later be included in the collection were published in Paris. These were a ''fantaisie'' from ''Etud ...
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Breitkopf Und Härtel
Breitkopf may refer to: * Bernhard Christoph Breitkopf, (1695-1777) founder of Breitkopf & Härtel * Johann Gottlob Immanuel Breitkopf, (1719-1794) son of Bernhard Cristoph Breitkopf * Michael Breitkopf, member of German band Die Toten Hosen * Breitkopf & Härtel, a German music publishing house {{disambig ...
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L'art De Varier
''L'Art de varier'' ("The Art of Varying"), Op. 57, is a set of variations for piano composed by Anton Reicha. It was composed around 1803–4 and published in Leipzig. The set comprises a theme in F major and 57 variations, ranging from very easy to extremely virtuosic pieces. The work was composed for, and dedicated to, Prince Louis Ferdinand of Prussia, a gifted musician and composer to whom Beethoven dedicated his Third Piano Concerto. Reicha's behaviour is slightly surprising, given that a few years before ''L'art de varier'', in 1801, he rejected an invitation to become Louis Ferdinand's Kapellmeister and teacher. References * Peter Eliot Stone. "Reicha, Antoine", ''Grove Music Online'', ed. L. Macygrovemusic.com(subscription access). External links * Compositions by Anton Reicha Art Art Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, ...
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24 Horn Trios (Reicha)
24 Horn Trios, Op. 82 is a collection of horn trios composed by Anton Reicha. The trios are scored for 3 horns or 2 horns and a bassoon. The work was published in Paris before 1815 (the exact date of publication is unknown) and is well established in the horn repertoire today. Reicha was a flautist in his youth and composed a large number of works for wind instruments, among which were duos, trios and quartets for wind ensembles. Compositions for several identical instruments were apparently a particular favorite, as witnessed by, for example, flute quartets Op. 12 and Op. 27, or Variations for two flutes Op. 20. The trios of Op. 82 are part of this trend, and also reflect Reicha's interest in pedagogy,Olga Zuckerová. Liner notes for "Antonín Reicha: Trios for French Horns, Op. 82", Zdeněk Tylšar, Bedřich Tylšar, Zdeněk Divoký (horns). Supraphon 11 1446-2 as well as his affinity for counterpoint. The collection is divided into four parts, six trios each. Numerous genres ...
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Glass Harmonica
The glass harmonica, also known as the glass armonica, glass harmonium, bowl organ, hydrocrystalophone, or simply the armonica or harmonica (derived from , ''harmonia'', the Greek word for harmony), is a type of musical instrument that uses a series of glass bowls or goblets graduated in size to produce musical tones by means of friction (instruments of this type are known as friction idiophones). It was invented in 1761 by Benjamin Franklin. Names The name "glass harmonica" (also "glass armonica", "glassharmonica"; ''harmonica de verre'', ''harmonica de Franklin'', ''armonica de verre'', or just ''harmonica'' in French; ''Glasharmonika'' in German; ''harmonica'' in Dutch) refers today to any instrument played by rubbing glass or crystal goblets or bowls. The alternative instrument consisting of a set of wine glasses (usually tuned with water) is generally known in English as "musical glasses" or the "glass harp". When Benjamin Franklin invented his mechanical version of th ...
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Military Band
A military band is a group of personnel that performs musical duties for military functions, usually for the armed forces. A typical military band consists mostly of wind and percussion instruments. The conductor of a band commonly bears the title of Bandmaster or Director of Music. Ottoman military bands are thought to be the oldest variety of military marching bands in the world, dating from the 13th century. The military band is capable of playing ceremonial and marching music, including the national anthems and patriotic songs of not only their own nation but others as well, both while stationary and as a marching band. Military bands also play a part in military funeral ceremonies. There are two types of historical traditions in military bands. The first is military field music. This type of music includes bugles (or other natural instruments such as natural trumpets or natural horns), bagpipes, or fifes and almost always drums. This type of music was used to control troo ...
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