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24 Horn Trios (Reicha)
24 Horn Trios, Op. 82 is a collection of horn trios composed by Anton Reicha. The trios are scored for 3 horns or 2 horns and a bassoon. The work was published in Paris before 1815 (the exact date of publication is unknown) and is well established in the horn repertoire today. Reicha was a flautist in his youth and composed a large number of works for wind instruments, among which were duos, trios and quartets for wind ensembles. Compositions for several identical instruments were apparently a particular favorite, as witnessed by, for example, flute quartets Op. 12 and Op. 27, or Variations for two flutes Op. 20. The trios of Op. 82 are part of this trend, and also reflect Reicha's interest in pedagogy,Olga Zuckerová. Liner notes for "Antonín Reicha: Trios for French Horns, Op. 82", Zdeněk Tylšar, Bedřich Tylšar, Zdeněk Divoký (horns). Supraphon 11 1446-2 as well as his affinity for counterpoint. The collection is divided into four parts, six trios each. Numerous genres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horn (instrument)
A horn is any of a family of musical instruments made of a tube, usually made of metal and often curved in various ways, with one narrow end into which the musician blows, and a wide end from which sound emerges. In horns, unlike some other brass instruments such as the trumpet, the bore gradually increases in width through most of its length—that is to say, it is conical rather than cylindrical. In jazz and popular-music contexts, the word may be used loosely to refer to any wind instrument, and a section of brass or woodwind instruments, or a mixture of the two, is called a horn section in these contexts. Types Variations include: *Lur (prehistoric) *Shofar *Roman horns: ** Cornu **Buccina * Dung chen *Dord * Sringa * Nyele *Wazza *Alphorn *Cornett *Serpent * Ophicleide *Natural horn **Bugle **Post horn *French horn *Vienna horn *Wagner tuba *Saxhorns, including: **Alto horn (UK: tenor horn), pitched in E ** Baritone horn, pitched in B * Valved bugles, including ** c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bal-musette
Bal-musette is a style of French instrumental music and dance that first became popular in Paris in the 1880s. Although it began with bagpipes as the main instrument, this instrument was replaced with accordion, on which a variety of waltzes, polkas, and other dance styles were played for dances. History Auvergnats settled in large numbers in the 5th, 11th, and 12th districts (''arrondissements'') of Paris during the 19th century, opening cafés and bars where patrons danced the bourrée to the accompaniment of the cabrette (a bellows-blown bagpipe locally called a "musette") and often the vielle à roue (hurdy-gurdy). Parisian and immigrant Italian musicians who played the accordion adopted the style and established themselves in Auvergnat bars especially in the 19th arrondissement.Rémi Hess : ''La valse, un romantisme révolutionnaire'', Métailié editor, Sciences humaines collection, April 2003, p. 147-148. ().Henri Joannis Deberne : ''Danser en société'', Christine Bonnet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Compositions For Horn
This is a selected list of musical compositions that feature a prominent part for the natural horn or the French horn, sorted by era and then by composer. Baroque *Johann Sebastian Bach ** Brandenburg Concerto No. 1 in F major, BWV 1046 *Johann Beer **Concerto à 4, for posthorn, hunting horn, two violins, and continuo, in B-flat major **Horn Concerto in B major *Johann Friedrich Fasch **Concerto for 2 Horns FaWV L:D14 **Concerto for 2 Horns in D Major FaWV L:D18 **Concerto for 2 Horns FaWV L F2 *Christoph Förster **Concerto ex Dis .e., in E-flat No. 1, for horn, two violins, viola and basso continuo, Lund manuscript No. 5 (Saml. Wenster J:1–17) **Concerto ex Dis Dur .e., in E-flat majorNo. 2, for horn, two violins, viola and basso continuo, Lund manuscript *Carl Heinrich Graun **Concerto in D major for corno concertato, 2 violins, viola and basso **Trio ex D for horn, violin and Basso **Concerto in D major for horn, oboe d' amore and basso **Concerto in E major for horn, o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Compositions By Anton Reicha
This article lists compositions by Anton Reicha. At present there exists no definitive catalogue of the composer's works, and his music, for the most part, has yet to be studied by scholars. Two principal work lists exist: one by Olga Šotolová in her book ''Antonín Rejcha: A Biography and Thematic Catalogue'' and another by Peter Eliot Stone in his article for the ''Grove Dictionary of Music and Musicians''. The former list contains a number of errors; these were corrected by Stone in his list. The present article contains two overlapping lists derived from Stone, several editions of Reicha's music and a number of library catalogues listed in the References and Notes section. The first list presents only works that were published and assigned opus numbers by Reicha's publishers. These numbers, as is usual, follow the order in which the works were published, rather than the order in which they were composed. The second list is organized by genre. Compositions are sorted chronolog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Counterpoint
In music theory, an inversion is a type of change to intervals, chords, voices (in counterpoint), and melodies. In each of these cases, "inversion" has a distinct but related meaning. The concept of inversion also plays an important role in musical set theory. Intervals An interval is inverted by raising or lowering either of the notes by one or more octaves so that the positions of the notes reverse (i.e. the higher note becomes the lower note and vice versa). For example, the inversion of an interval consisting of a C with an E above it (the third measure below) is an E with a C above it – to work this out, the C may be moved up, the E may be lowered, or both may be moved. : The tables to the right show the changes in interval quality and interval number under inversion. Thus, perfect intervals remain perfect, major intervals become minor and vice versa, and augmented intervals become diminished and vice versa. (Doubly diminished intervals become doubly augment ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fugue
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
March (music)
A march, as a musical genre, is a piece of music with a strong regular rhythm which in origin was expressly written for marching to and most frequently performed by a military band. In mood, marches range from the moving death march in Richard Wagner, Wagner's ''Götterdämmerung'' to the brisk military marches of John Philip Sousa and the martial hymns of the late 19th century. Examples of the varied use of the march can be found in Ludwig van Beethoven, Beethoven's Symphony No. 3 (Beethoven), ''Eroica'' Symphony, in the Three Marches Militaires (Schubert), Marches Militaires of Franz Schubert, in the Marche funèbre in Frédéric Chopin, Chopin's Piano Sonata No. 2 (Chopin), Sonata in B flat minor, the "''Jäger March''" in the by Jean Sibelius, and in the Dead March in George Frideric Handel, Handel's ''Saul (Handel), Saul''. Characteristics Marches can be written in any time signature, but the most common time signatures are , (''alla breve'' , although this may refer to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rondo
The rondo is an instrumental musical form introduced in the Classical period. Etymology The English word ''rondo'' comes from the Italian form of the French ''rondeau'', which means "a little round". Despite the common etymological root, rondo and rondeau as musical forms are essentially different. Rondeau is a ''vocal'' musical form that was originally developed as monophonic music (in the 13th century) and then as polyphonic music (in the 14th century). Notably, both vocal forms of rondeau nearly disappeared from the repertoire by the beginning of the 16th century. In French, ''rondeau'' is used for both forms, while in English ''rondeau'' is generally used for the ''vocal'' musical form, while ''rondo'' is used for the ''instrumental'' musical form.Don Neville, "Rondò", ''The New Grove Dictionary of Opera'', 4 vols., edited by Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and edit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minuet
A minuet (; also spelled menuet) is a social dance of French origin for two people, usually in time. The English word was adapted from the Italian ''minuetto'' and the French ''menuet''. The term also describes the musical form that accompanies the dance, which subsequently developed more fully, often with a longer musical form called the minuet and trio, and was much used as a movement in the early classical symphony. Dance The name may refer to the short steps, ''pas menus'', taken in the dance, or else be derived from the ''branle à mener'' or ''amener'', popular group dances in early 17th-century France. The minuet was traditionally said to have descended from the ''bransle de Poitou'', though there is no evidence making a clear connection between these two dances. The earliest treatise to mention the possible connection of the name to the expression ''pas menus'' is Gottfried Taubert's ''Rechtschaffener Tantzmeister'', published in Leipzig in 1717, but this source ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Character Piece
A character piece is a musical composition which is expressive of a specific mood or non-musical idea. History The term "character piece" was coined by Marin Marais in the ''avertissement'' to his fifth book of viola da gamba music published in 1725. He writes that ''pièces de caractère'' are now received favorably by the public, so he has decided to insert many of them. Marais's pieces such as "La Petite Badinage" and "Dialogue" have descriptive, literary titles which differ from the ordinary stylized dance pieces of the time. In German, ''Charakterstück,'' was originally used for a broad range of 19th-century piano music based on a single idea or program, although attempts to use musical effects to describe nonmusical subjects are “probably as old as music itself.” Character pieces are a staple of Romantic music, and are essential to that movement's interest in the evocation of particular moods or moments. What distinguishes character pieces is the specificity of the ide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minuet
A minuet (; also spelled menuet) is a social dance of French origin for two people, usually in time. The English word was adapted from the Italian ''minuetto'' and the French ''menuet''. The term also describes the musical form that accompanies the dance, which subsequently developed more fully, often with a longer musical form called the minuet and trio, and was much used as a movement in the early classical symphony. Dance The name may refer to the short steps, ''pas menus'', taken in the dance, or else be derived from the ''branle à mener'' or ''amener'', popular group dances in early 17th-century France. The minuet was traditionally said to have descended from the ''bransle de Poitou'', though there is no evidence making a clear connection between these two dances. The earliest treatise to mention the possible connection of the name to the expression ''pas menus'' is Gottfried Taubert's ''Rechtschaffener Tantzmeister'', published in Leipzig in 1717, but this source ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trio (music)
In music, a trio (from the Italian language, Italian) is any of the following: * a composition for three performers or three Part (music), musical parts * in larger works, the middle section of a ternary form (so named because of the 17th-century practice of scoring the contrasting second or middle dance appearing between two statements of a principal dance for three instruments) * an ensemble of three instruments or voices performing trio compositions. Composition A trio is a composition for three performers or musical parts. Works include Baroque trio sonatas, choral works for three parts, and works for three instruments such as string trios. In the 17th and early 18th century, musical genre trio sonata two melodic instruments are accompanied by a basso continuo, making three Part (music), parts in all. Because the basso continuo is usually played by two instruments (typically a cello or bass viol and a keyboard instrument such as the harpsichord), performances of trio sonata ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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