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List Of Chorale Harmonisations By Johann Sebastian Bach
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following: * four-part harmony * SATB vocal forces * pre-existing hymn tune allotted to the soprano part * text treatment: ** homophonic ** no repetitions (i.e., each syllable of the hymn text is sung one time) Around 400 of such chorale settings by Bach, mostly composed in the first four decades of the 18th century, are extant: * Around half of that number are chorales which were transmitted in the context of larger vocal works such as cantatas, motets, Passions and oratorios. A large part of these chorales are extant as autographs by the composer, and for nearly all of them a colla parte instrumental and/or continuo accompaniment are known. * All other four-part chorales exclusively survived in collections of short works, which include manuscripts and 18th-century prints. Apart from the '' Three Wedding Chorales'' collection ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jesus Christus, Unser Heiland, Der Den Tod überwand (Bach)
"Jesus Christus, unser Heiland, der den Tod überwand" ( en, Jesus Christ, our Saviour, who conquered death) is a hymn for Easter Easter,Traditional names for the feast in English are "Easter Day", as in the '' Book of Common Prayer''; "Easter Sunday", used by James Ussher''The Whole Works of the Most Rev. James Ussher, Volume 4'') and Samuel Pepys''The Diary of Samuel ... by Martin Luther. The text originated in 1524. Johannes Zahn listed three hymn tunes for it. Two of these, Zahn number, Zahn Nos. 1976 and 1977, were published in 1724. A third, Zahn No. 1978, is attributed to Luther and was first published in 1529. Variants of this melody originated up to the early 17th century. Text Below is the original German version of the text :Jesus Christus unser Heiland, :der den Tod überwand, :ist auferstanden, :die Sünd hat er gefangen. ::Kyrie eleison. :Der ohn Sünden war geboren, :trug für uns Gottes Zorn, :hat uns versöhnet, :dass Gott uns sein Huld gönne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale Prelude
In music, a chorale prelude or chorale setting is a short liturgical composition for organ using a chorale tune as its basis. It was a predominant style of the German Baroque era and reached its culmination in the works of J.S. Bach, who wrote 46 (with a 47th unfinished) examples of the form in his Orgelbüchlein, along with multiple other works of the type in other collections. Function The precise liturgical function of a chorale prelude in the Baroque period is uncertain and is a subject of debate. One possibility is that they were used to introduce the hymn about to be sung by the congregation, usually in a Protestant, and originally in a Lutheran, church. This assumption may be valid for the shorter chorale preludes (Bach's setting of 'Liebster Jesu, wir sind hier, BWV 731, for example), but many chorale preludes are very long. It could be the case that these were played during extended ceremonial in church or in cathedrals. Style Chorale preludes are typically polyph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Sanford Terry (historian)
Charles Sanford Terry (24 October 1864, Newport Pagnell – 5 November 1936, Aberdeen) was an English historian and musicologist who published extensively on Scottish and European history as well as the life and works of J. S. Bach. Career Terry was the eldest son of Charles Terry, a physician, and Ellen Octavia Prichard. After attending St Paul's Cathedral School, King's College School, and Lancing College, he was an undergraduate at Clare College, Cambridge, where he obtained a B.A. in history (2nd class) in 1886 and an M.A. in 1891. He held lectureships in history at Durham College of Science (now part of the University of Newcastle-upon-Tyne), the University of Aberdeen and the University of Cambridge. In 1901 he married Edith Mary Allfrey of Newport Pagnell, daughter of Francis Allfrey, a brewer; the marriage was childless. He was appointed Burnett-Fletcher Professor of History and Archaeology at the University of Aberdeen from 1903 until his retirement in 1930. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Riemenschneider
(Charles) Albert Riemenschneider (August 31, 1878 – July 20, 1950) was an American musician and Bach musicologist. Riemenschneider was born into a musical family. His father, Karl H. Riemenschneider, was the president of German Wallace College in Berea, Ohio (which later became Baldwin-Wallace (BW) College). While still a student at the college, he was offered the then vacant position of Director of the Music Department in 1898, a post he held until his retirement 50 years later.Tom Riemenschneider and Laura Kennelly: "The Baldwin-Wallace College Bach Legacy At 75 Years" This department then became under his directorship the |
Clef
A clef (from French: 'key') is a musical symbol used to indicate which notes are represented by the lines and spaces on a musical stave. Placing a clef on a stave assigns a particular pitch to one of the five lines, which defines the pitches on the remaining lines and spaces. The three clef symbols used in modern music notation are the G-clef, F-clef, and C-clef. Placing these clefs on a line fixes a reference note to that line—an F-clef fixes the F below middle C C or Do is the first note and semitone of the C major scale, the third note of the A minor scale (the relative minor of C major), and the fourth note (G, A, B, C) of the Guidonian hand, commonly pitched around 261.63 Hz. The actual frequen ..., a C-clef fixes middle C, and a G-clef fixes the G above middle C. In modern music notation, the G-clef is most frequently seen as treble clef (placing Scientific pitch notation, G4 on the second line of the stave), and the F-clef as bass clef (placing F3 on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Gottlob Immanuel Breitkopf
Johann Gottlob Immanuel Breitkopf (Leipzig, 23 November 1719 – 28 January 1794, Leipzig) was a German music publisher and typographer. Biography Breitkopf was the son of the publisher Bernhard Christoph Breitkopf, founder of the publishing house Breitkopf & Härtel. He was born in Leipzig and attended the University of Leipzig. His investigations in history and mathematics led him to a scientific study of printing, which resulted in a more artistic development of German text, and an improvement of musical notation (1754). He revolutionized the music score printing with movable types, and fonts designed as Breitkopf Fraktur Breitkopf Fraktur is a Blackletter font designed by typographer and German music publisher Johann Gottlob Immanuel Breitkopf (1719–1794). Breitkopf was the son of the publisher Bernhard Christoph Breitkopf, founder of the publishing house Brei .... References * * * External links * German typographers and type designers 1719 births ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Art Of Fugue
''The Art of Fugue'', or ''The Art of the Fugue'' (german: Die Kunst der Fuge, links=no), BWV 1080, is an incomplete musical work of unspecified instrumentation by Johann Sebastian Bach. Written in the last decade of his life, ''The Art of Fugue'' is the culmination of Bach's experimentation with monothematic instrumental works. This work consists of fourteen fugues and four canons in D minor, each using some variation of a single principal subject, and generally ordered to increase in complexity. "The governing idea of the work", as put by Bach specialist Christoph Wolff, "was an exploration in depth of the contrapuntal possibilities inherent in a single musical subject." The word "contrapunctus" is often used for each fugue. Sources Mus. ms. autogr. P 200 The earliest extant source of the work is an autograph manuscript possibly written from 1740 to 1746, usually referred by its call number as Mus. ms. autogr. P 200 in the Berlin State Library. Bearing the title ''Di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenz Christoph Mizler
Lorenz Christoph Mizler von Kolof (also known as Wawrzyniec Mitzler de Kolof and Mitzler de Koloff; 26 July 1711 – 8 May 1778) was a German physician, historian, printer, mathematician, Baroque music composer, and precursor of the Enlightenment in Poland."Mitzler de Kolof, Wawrzyniec," ''Encyklopedia powszechna PWN'' WN Universal Encyclopedia volume 3, p. 144."Mitzler de Kolof, Wawrzyniec," ''Encyklopedia Polski'' ncyclopedia of Poland p. 417. Family of origin Mizler was born Lorenz Christoph Mizler von Kolof in Heidenheim, Middle Franconia to Johann Georg Mizler, a court clerk to the Margrave of Ansbach at Heidenheim, and Barbara Stumpf, of St. Gallen, Switzerland. Education His first teacher was N. Müller, a minister from Obersulzbach, Lehrberg, from whom Mizler learned the flute and violin. From 1724 to 1730, Mizler studied at the Ansbach Gymnasium with Rector Oeder and Johann Matthias Gesner, who became director of the St. Thomas School, Leipzig, from 1731 to 1734. M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach's Nekrolog
Nekrolog is the name with which Johann Sebastian Bach's obituary, which appeared four years after the composer's death, is usually indicated. Publication The "Nekrolog" appeared in Lorenz Christoph Mizler's ''Musikalische Bibliothek'', a series of publications appearing from 1736 to 1754, reporting on and criticising music. As such it was the organ of Mizler's Musical Society, of which Bach had been a member from 1747. Bach's "Nekrolog" appeared in its last installment, Volume 4, Part 1 in 1754, as the third of three obituaries of former members of the Musical Society. Although no author is indicated in the article, its authors are known to be Carl Philipp Emanuel, Bach's son, and Johann Friedrich Agricola, one of Bach's students. Content The "Nekrolog" contains basic data about Bach's family and where he lived, lists compositions, and elaborates a few scenes, notably the young Bach secretly copying a score owned by his eldest brother, the story about a musical competition whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Friedrich Agricola
Johann Friedrich Agricola (4 January 1720 – 2 December 1774) was a German composer, organist, singer, pedagogue, and writer on music. He sometimes wrote under the pseudonym Flavio Anicio Olibrio. Biography Agricola was born in Dobitschen, Thuringia. Leipzig While a student of law at Leipzig (1738–41) he studied music under Johann Sebastian Bach. Philipp Spitta. '' Johann Sebastian Bach: His Work and Influence on the Music of Germany, 1685–1750''. Novello & Co. 1899III, p. 243/ref> Berlin In 1741 Agricola went to Berlin, where he studied musical composition under Johann Joachim Quantz. He was soon generally recognized as one of the most skillful organists of his time. The success of his comic opera, ''Il filosofo convinto in amore'', performed at Potsdam in 1750, led to an appointment as court composer to Frederick the Great. In 1759, on the death of Carl Heinrich Graun, he was appointed conductor of the royal orchestra. He married the noted court operatic soprano ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Philipp Emanuel Bach
Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German Classical period musician and composer, the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. C. P. E. Bach was an influential composer working at a time of transition between his father's Baroque style and the Classical style that followed it. His personal approach, an expressive and often turbulent one known as ' or ' sensitive style', applied the principles of rhetoric and drama to musical structures. His dynamism stands in deliberate contrast to the more mannered galant style also then in vogue. To distinguish him from his brother Johann Christian, the "London Bach", who at this time was music master to Queen Charlotte of Great Britain, C. P. E. Bach was known as the "Berlin Bach" during his residence in that city, and later as the "Hamburg Bach" when he s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Songs And Arias Of Johann Sebastian Bach
Songs and arias by Johann Sebastian Bach are compositions listed in Chapter 6 of the Bach-Werke-Verzeichnis (BWV 439–524), which also includes the Quodlibet. Most of the songs and arias included in this list are set for voice and continuo. Most of them are also spiritual, i.e. hymn settings, although a few have a worldly theme. The best known of these, "Bist du bei mir", was however not composed by Bach. An aria by Bach was rediscovered in the 21st century, and was assigned the number BWV 1127. Further hymn settings and arias by Bach are included in his List of Bach cantatas, cantatas, List of motets by Johann Sebastian Bach, motets, List of masses, passions and oratorios by Johann Sebastian Bach, masses, passions, oratorios and List of chorale harmonisations by Johann Sebastian Bach, chorale harmonisations (BWV 1–438 and later additions). The BWV#BWV Anhang II, second Anhang of the BWV catalogue also lists a few songs of doubtful authenticity. Songs, arias and Quodlibet, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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