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List Of Japanese Films Of The 1940s
A list of films produced in Japan ordered by year in the 1940s. For an A-Z of films see :Japanese films. Also see cinema of Japan. References Footnotes Sources * External links Japanese filmat the Internet Movie Database {{DEFAULTSORT:Japanese Films Of The 1940s 1940s Lists of 1940s films Films A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere ... ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitiz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kan Yanagiya
Kan or KAN may refer to: Places * Kan (river), a tributary of the Yenisey in Russia * Kan District of Iran * Kan, Kyrgyzstan, a village in Batken Region * Mallam Aminu Kano International Airport, Kano, Nigeria, IATA code * Kannapolis (Amtrak station), North Carolina, US, station code * Kansas, a U.S. state People * Kan (surname), including a list of people with the surname * One of the Bacabs of Mayan mythology * Kan (musician), Japanese singer-songwriter * Kan Shimozawa (1892–1968), Japanese novelist * Kan Otake (born 1983), Japanese professional baseball player Music * "Kan" (song), Israeli Eurovision song in 1991 * KAN, UK folk supergroup with Brian Finnegan and Aidan O'Rourke In science and technology * ''kan'', PDP ligand, kanamycin A * Iwasawa decomposition of a Lie group in mathematics Weights and measures * A Japanese unit of mass () * Kan, a Korean unit of length Other uses * Kan language (other), several languages * Club of Committed Non-Party ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1942 In Film
The year of 1942 in film involved some significant events, in particular the release of a film consistently rated as one of the greatest of all time, ''Casablanca''. Top-grossing films (U.S.) The top ten 1942 released films by box office gross in North America are as follows: Events * January 16 – Actress Carole Lombard is killed in a plane crash west of Las Vegas while returning home to Los Angeles from a War Bond tour. * June 4 – ''Mrs. Miniver'', starring Greer Garson and Walter Pidgeon, opens at Radio City Music Hall in New York, in what will become a record-breaking 10-week run. The film becomes MGM's highest-grossing film of the 1940s. At the 15th Academy Awards, ''Mrs. Miniver'' wins six awards, including Best Picture, Best Director (for William Wyler), Best Actress (for Greer Garson) and Best Supporting Actress (for Teresa Wright). * August 8 – Walt Disney's animated film ''Bambi'' opens in United Kingdom. * November 11 – ''Road to Morocco'', starring Bob ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drama Film
In film and television, drama is a category or genre of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone. Drama of this kind is usually qualified with additional terms that specify its particular super-genre, macro-genre, or micro-genre, such as soap opera, police crime drama, political drama, legal drama, historical drama, domestic drama, teen drama, and comedy-drama (dramedy). These terms tend to indicate a particular setting or subject-matter, or else they qualify the otherwise serious tone of a drama with elements that encourage a broader range of moods. To these ends, a primary element in a drama is the occurrence of conflict—emotional, social, or otherwise—and its resolution in the course of the storyline. All forms of cinema or television that involve fictional stories are forms of drama in the broader sense if their storytelling is achieved by means of actors who represent ( mimesis) characters. In this broader sense, drama ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tanaka Kinuyo
was a Japanese actress and film director. She had a career lasting over 50 years with more than 250 acting credits, but was best known for her 15 films with director Kenji Mizoguchi, such as ''The Life of Oharu'' (1952) and ''Ugetsu'' (1953). With her 1953 directorial debut, ''Love Letter'', Tanaka became the second Japanese woman to direct a film, after Tazuko Sakane. Biography Early life and career Tanaka was born in Shimonoseki, Yamaguchi Prefecture, the youngest of nine children of Kumekichi and Yasu Tanaka. Her family were ''kimono'' merchants. Although her family was originally wealthy, after her father Kumekichi died in 1912, the family began having financial troubles. She learned playing the biwa at an early age and moved to Osaka in 1920, where she joined the Biwa Girls' Operetta Troupe. Tanaka's first credited film appearance was in ''Genroku Onna'' (lit. "A Woman of the Genroku era") in 1924, which also marked the start of her affiliation with the Shochiku Studios. S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ornamental Hairpin
is a 1941 Japanese comedy-drama film written and directed by Hiroshi Shimizu. It is based on the short story ''Yottsu no yubune'' (四つの湯槽, lit. "The four bathtubs") by Masuji Ibuse. Plot A diverse group of people is staying at a remote spa, including grumpy professor Katada, who regularly scolds young husband Hiroyasu for not being strict enough with his wife, an old man with his two grandsons Taro and Jiro, and soldier Nanmura. When Nanmura steps on a kanzashi, a woman's ornamental hairpin, in a well, he has to extend his stay. After the owner of the hairpin, Emi, a former resident, is located, she returns to the spa to apologise. Together with Taro and Jiro, she supports Nanmura with his daily exercises to regain his health. Although Emi and Nanmura share an unspoken mutual affection, they both know that their time together is finite: Nanmura will have to return to the military service, while Emi, a geisha who has fled her patron, faces an uncertain future. Cast * Kinu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hideko Takamine
was a Japanese actress who began as a child actress and maintained her fame in a career that spanned 50 years. She is particularly known for her collaborations with directors Mikio Naruse and Keisuke Kinoshita, with ''Twenty-Four Eyes'' (1954) and ''Floating Clouds'' (1955) being among her most noted films. Biography Takamine was born in Hakodate, Hokkaidō, in 1924. At the age of four, following the death of her mother, she was placed in the care of her aunt in Tokyo. Her first role was in the Shochiku studio's 1929 film ''Mother'' (''Haha''), which brought her tremendous popularity as a child actor. Many of the films of her early career were imitations of Shirley Temple films. After moving to the Toho studio in 1937, her dramatic roles in Kajirō Yamamoto's ''Tsuzurikata kyōshitsu'' (1938) and ''Horse'' (1941) brought her added fame as a girl star. She toured as a singer to entertain Japanese troops and, after the war, sang for American occupation troops in Tokyo. After ini ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hideko The Bus-Conductor
is a 1941 Japanese comedy drama film written and directed by Mikio Naruse. It is based on the serialised novella ''Okoma-san'' by Masuji Ibuse and the first collaboration of Naruse and star Hideko Takamine. Plot Okoma, a young lady working as a conductor with the Kohoku bus company in Kofu, Yamanashi, is worried about the dwingling number of passengers, who prefer the more expensive but clean and faster buses of the competing Kaihatsu company. After hearing a radio programme about bus guides, she develops the idea to entertain the passengers with informations about the local sites during the drive. After convincing the driver Sonoda and the company boss of her idea, she manages to get visiting writer Ikawa to write a script for her. Ikawa waives a payment because Okoma had found and returned his lost notebook. During the practice run, Okoma is hurt and the bus slightly damaged in an accident. The company boss tries to talk Sonoda into giving false testimony about the accident's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yasujirō Ozu
was a Japanese film director and screenwriter. He began his career during the era of silent films, and his last films were made in colour in the early 1960s. Ozu first made a number of short comedies, before turning to more serious themes in the 1930s. The most prominent themes of Ozu's work are marriage and family, especially the relationships between generations. His most widely beloved films include ''Late Spring'' (1949), ''Tokyo Story'' (1953), and ''An Autumn Afternoon'' (1962). Widely regarded as one of the world's greatest and most influential filmmakers, Ozu's work has continued to receive acclaim since his death. In the 2012 ''Sight & Sound'' poll, Ozu's ''Tokyo Story'' was voted the third-greatest film of all time by critics world-wide. In the same poll, ''Tokyo Story'' was voted the greatest film of all time by 358 directors and film-makers world-wide. Biography Early life Ozu was born in the Fukagawa, Tokyo, the second son of merchant Toranosuke Ozu and his wife ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brothers And Sisters Of The Toda Family
is a 1941 Japanese film directed by Yasujirō Ozu. Plot The upper-class Toda family celebrates the 69th birthday of their father with a commemorative photoshoot at their outdoor garden. Unfortunately, shortly after the photo session, the father, Shintaro Toda ( Hideo Fujino), suffers a fatal heart attack. After his death his eldest son, Shinichiro (Tatsuo Saitō) announces that as their father had acted as a guarantor for a company which has gone bankrupt, they must help pay off that company's debts. The family sells off all their late father's properties and antiques, leaving only an old house by the sea. Meanwhile, the mother ( Ayako Katsuragi) and the youngest daughter Setsuko (Mieko Takamine) go and stay with Shinichiro and his wife. The unmarried second brother Shojiro (Shin Saburi) takes the opportunity to move away from Japan to Tianjin, China (which had been occupied by Japan during the Second Sino-Japanese war). The mother and Setsuko soon clash with Shinichiro's wife, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samurai Film
, also commonly spelled "''chambara''", meaning "sword fighting" films,Hill (2002). denotes the Japanese film genre called samurai cinema in English and is roughly equivalent to Western and swashbuckler films. ''Chanbara'' is a sub-category of ''jidaigeki'', which equates to period drama. ''Jidaigeki'' may refer to a story set in a historical period, though not necessarily dealing with a samurai character or depicting swordplay. Chanbara also refers to a martial arts sport similar to Fencing. While earlier samurai period pieces were more dramatic rather than action-based, samurai films produced after World War II have become more action-based, with darker and more violent characters. Post-war samurai epics tended to portray psychologically or physically scarred warriors.Silver (1977), p. 37. Akira Kurosawa stylized and exaggerated death and violence in samurai epics. His samurai, and many others portrayed in film, were solitary figures, more often concerned with concealing their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
