Hideko Takamine
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Hideko Takamine
was a Japanese actress who began as a child actress and maintained her fame in a career that spanned 50 years. She is particularly known for her collaborations with directors Mikio Naruse and Keisuke Kinoshita, with ''Twenty-Four Eyes'' (1954) and ''Floating Clouds'' (1955) being among her most noted films. Biography Takamine was born in Hakodate, Hokkaidō, in 1924. At the age of four, following the death of her mother, she was placed in the care of her aunt in Tokyo. Her first role was in the Shochiku studio's 1929 film ''Mother'' (''Haha''), which brought her tremendous popularity as a child actor. Many of the films of her early career were imitations of Shirley Temple films. After moving to the Toho studio in 1937, her dramatic roles in Kajirō Yamamoto's ''Tsuzurikata kyōshitsu'' (1938) and ''Horse'' (1941) brought her added fame as a girl star. She toured as a singer to entertain Japanese troops and, after the war, sang for American occupation troops in Tokyo. After ini ...
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Hakodate, Hokkaido
is a city and port located in Oshima Subprefecture, Hokkaido, Japan. It is the capital city of Oshima Subprefecture. As of July 31, 2011, the city has an estimated population of 279,851 with 143,221 households, and a population density of 412.83 persons per km2 (1,069.2 persons per sq. mi.). The total area is . The city is the third biggest in Hokkaido after Sapporo and Asahikawa. History Hakodate was Japan's first city whose port was opened to foreign trade in 1854, as a result of Convention of Kanagawa, and used to be the most important port in northern Japan. Also, the city had been the biggest city in Hokkaido before the Great Hakodate Fire of 1934. Pre-Meiji restoration Hakodate (like much of other parts of Hokkaido), was originally populated by the Ainu. They lived in the Oshima Peninsula. The name "Hakodate" may have originated from an Ainu word, "hak-casi" ("shallow fort"). Another possibility is that it means "box" or "building" in Japanese which refers to the castl ...
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Those Who Make Tomorrow
is a 1946 Japanese film directed by Akira Kurosawa, Hideo Sekigawa and Kajiro Yamamoto (who was also co-writer). It was produced to illustrate the purpose of the workers' union at the Toho film studios, as the Allied Forces endorsed the formation of unions as part of the democratisation process during the post-World War II Occupation of Japan. Kurosawa later denounced the film, calling it "a committee-made film" in which he had been involved only one week, and refused to mention it in his autobiography. Toho's studio stars Hideko Takamine and Susumu Fujita appear playing themselves. Plot The sisters Chieko, a script girl working at a big film studio, and Aiko, a revue dancer, are daughters to anti-unionist father Gintaro. When the workers at a railway company, including the family's subtenant Seizo, go on strike, Chieko and her co-workers demonstrate their solidarity and call for strike as well to achieve financial security for the film studio's staff. Meanwhile, Aiko and her da ...
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Akira Kurosawa
was a Japanese filmmaker and painter who directed thirty films in a career spanning over five decades. He is widely regarded as one of the most important and influential filmmakers in the history of cinema. Kurosawa displayed a bold, dynamic style, strongly influenced by Western cinema yet distinct from it; he was involved with all aspects of film production. Kurosawa entered the Japanese film industry in 1936, following a brief stint as a painter. After years of working on numerous films as an assistant director and scriptwriter, he made his debut as a director during World War II with the popular action film '' Sanshiro Sugata''. After the war, the critically acclaimed ''Drunken Angel'' (1948), in which Kurosawa cast the then little-known actor Toshiro Mifune in a starring role, cemented the director's reputation as one of the most important young filmmakers in Japan. The two men would go on to collaborate on another fifteen films. ''Rashomon'' (1950), which premiered ...
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Masahiro Makino
was a Japanese film director. He directed more than 260 films, primarily in the chanbara and yakuza genres. His real name was , but he took the stage name Masahiro, the kanji for which he changed multiple times (including , , and ). Career Masahiro Makino was born in Kyoto, the eldest son of the film director and producer Shōzō Makino, who is often called the father of Japanese cinema. As a youth he acted in over 100 films before debuting as a film director in 1926 at age 18. His critically acclaimed nihilistic jidaigeki such as ''Roningai'' (1928) made him one of the top Japanese film directors, but his way of shooting films quickly also earned him detractors. For instance, the total time it took to shoot the 1936 film ''Edo no Ka Oshō'' was only 28 hours. The critic Sadao Yamane, however, has argued that this fast filming practice also contributed to Makino's speedy, rhythmic film style. Rhythm and tempo are important to his films, and so in his ''jidaigeki'', fight scenes ...
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Ahen Senso
(or ) aka ''The Opium War '' is a 1943 black-and-white Japanese film directed by Masahiro Makino. "Ahen senso" in Japan refers to the First Opium War The First Opium War (), also known as the Opium War or the Anglo-Sino War was a series of military engagements fought between Britain and the Qing dynasty of China between 1839 and 1842. The immediate issue was the Chinese enforcement of the .... The story of the film concerns this war. Cast References Bibliography * *Washitani, Hana. "The Opium War and the cinema wars: a Hollywood in the greater East Asian co-prosperity sphere." ''Inter-Asia Cultural Studies'' 4.1 (2003). pp. 63–76. External links * Japanese black-and-white films 1943 films Films directed by Masahiro Makino 1943 war films Toho films Japanese war films Films scored by Ryōichi Hattori First Opium War 1940s Japanese-language films {{1940s-Japan-film-stub ...
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Hideko The Bus Conductor
is a 1941 Japanese comedy drama film written and directed by Mikio Naruse. It is based on the serialised novella ''Okoma-san'' by Masuji Ibuse and the first collaboration of Naruse and star Hideko Takamine. Plot Okoma, a young lady working as a conductor with the Kohoku bus company in Kofu, Yamanashi, is worried about the dwingling number of passengers, who prefer the more expensive but clean and faster buses of the competing Kaihatsu company. After hearing a radio programme about bus guides, she develops the idea to entertain the passengers with informations about the local sites during the drive. After convincing the driver Sonoda and the company boss of her idea, she manages to get visiting writer Ikawa to write a script for her. Ikawa waives a payment because Okoma had found and returned his lost notebook. During the practice run, Okoma is hurt and the bus slightly damaged in an accident. The company boss tries to talk Sonoda into giving false testimony about the accident's ...
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Yasujirō Ozu
was a Japanese film director and screenwriter. He began his career during the era of silent films, and his last films were made in colour in the early 1960s. Ozu first made a number of short comedies, before turning to more serious themes in the 1930s. The most prominent themes of Ozu's work are marriage and family, especially the relationships between generations. His most widely beloved films include ''Late Spring'' (1949), ''Tokyo Story'' (1953), and ''An Autumn Afternoon'' (1962). Widely regarded as one of the world's greatest and most influential filmmakers, Ozu's work has continued to receive acclaim since his death. In the 2012 ''Sight & Sound'' poll, Ozu's ''Tokyo Story'' was voted the third-greatest film of all time by critics world-wide. In the same poll, ''Tokyo Story'' was voted the greatest film of all time by 358 directors and film-makers world-wide. Biography Early life Ozu was born in the Fukagawa, Tokyo, the second son of merchant Toranosuke Ozu and his wife ...
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Tokyo Chorus
is a 1931 silent film produced by Shochiku Company, directed by Yasujirō Ozu and starring Tokihiko Okada and Emiko Yagumo. It was based on various stories in the Shoshimin-gai (Middle Class Avenue) series and shares influences with King Vidor's '' The Crowd''. Most of the film takes place in Tokyo during a depression-like time in the beginning of the Shōwa period. Plot The story starts with a group of young men attending school drills under the direction of Mr. Omura (Tatsuo Saitō). Shinji Okajima (Tokihiko Okada) is seen goofing off, misbehaving, and upsetting his teacher. Okajima is disciplined, the drills resume. and the boys eventually graduate and go into the working world. Okajima has grown up, has a family, and works as an insurance salesman. On the day of their annual bonuses, the men are all anxious. Okajima's son (Hideo Sugawara) has his heart set on a bicycle. After receiving his bonus, Okajima writes the list of presents he will buy for his family. A co-worker ...
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Hideko Takamine 01
Hideko (written: , , or ) is a feminine Japanese given name. Notable people with the name include: *, Japanese writer *, Japanese table tennis player *, Japanese swimmer *, Japanese swimmer *, Japanese manga artist *, Japanese fencer *, Japanese cross-country skier *Hideko Takahashi, Japanese illustrator *, Japanese actress *Hideko Udagawa Hideko Udagawa is a Japanese violinist based in London, United Kingdom. Early years and education Hideko Udagawa is the great-granddaughter of former Japanese prime minister Lord Ii Naosuke. She was a student of Nathan Milstein while in London ..., Japanese classical violinist *, Japanese actress {{given name Japanese feminine given names ...
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Hideko Takamine As Carmen
Hideko (written: , , or ) is a feminine Japanese given name. Notable people with the name include: *, Japanese writer *, Japanese table tennis player *, Japanese swimmer *, Japanese swimmer *, Japanese manga artist *, Japanese fencer *, Japanese cross-country skier *Hideko Takahashi, Japanese illustrator *, Japanese actress *Hideko Udagawa Hideko Udagawa is a Japanese violinist based in London, United Kingdom. Early years and education Hideko Udagawa is the great-granddaughter of former Japanese prime minister Lord Ii Naosuke. She was a student of Nathan Milstein while in London ..., Japanese classical violinist *, Japanese actress {{given name Japanese feminine given names ...
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Tokyo Chorus-1 1932
Tokyo (; ja, 東京, , ), officially the Tokyo Metropolis ( ja, 東京都, label=none, ), is the capital and largest city of Japan. Formerly known as Edo, its metropolitan area () is the most populous in the world, with an estimated 37.468 million residents ; the city proper has a population of 13.99 million people. Located at the head of Tokyo Bay, the prefecture forms part of the Kantō region on the central coast of Honshu, Japan's largest island. Tokyo serves as Japan's economic center and is the seat of both the Japanese government and the Emperor of Japan. Originally a fishing village named Edo, the city became politically prominent in 1603, when it became the seat of the Tokugawa shogunate. By the mid-18th century, Edo was one of the most populous cities in the world with a population of over one million people. Following the Meiji Restoration of 1868, the imperial capital in Kyoto was moved to Edo, which was renamed "Tokyo" (). Tokyo was devastated b ...
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Donald Richie
Donald Richie (17 April 1924 – 19 February 2013) was an American-born author who wrote about the Japanese people, the culture of Japan, and especially Japanese cinema. Although he considered himself primarily a film historian, Richie also directed a number of experimental films, the first when he was seventeen. Biography Richie was born in Lima, Ohio. During World War II, he joined the United States Merchant Marine and served aboard Liberty ships as a purser and medical officer. By then he had already published his first work, "Tumblebugs" (1942), a short story.''Introduction'' by Leza Lowitz, in ''Botandoro'' by Donald Richie In 1947, Richie first visited Japan with the American occupation force, a job he saw as an opportunity to escape from Lima, Ohio. He first worked as a typist, and then as a civilian staff writer for the ''Pacific Stars and Stripes''. While in Tokyo, he became fascinated with Japanese culture, particularly Japanese cinema. He was soon writing movie rev ...
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