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Les Masques
''Les Masques, ou Changement de dames'' is a short ballet of 1933 choreographed by Frederick Ashton to music by Francis Poulenc.Vaughan D. ''Frederick Ashton and his Ballets.'' A & C Black Ltd, London, 1977, p84-7. Ashton's biographer describes it as a miniature masterpiece, an inspired fusion of scenery, steps and music.Kavanagh J. ''Secret Muses: The Life of Frederick Ashton.'' Faber & Faber Ltd, London, 1996, p153-155. The ballet reflected the social and sexual manners of Ashston's world, and the limited size of the Mercury Theatre obliged Ashton to understate the dancers' gestures and moves. A Personage is seen at a masked ball with his lady friend. They meet another couple, and they turn out to be his wife and her lover. After some changing of partners, at the end the wife and husband are a pair while the lover and mistress are also united. The black and white costumes (made by Matilda Etches) and scenery (evoking an Arts Club Ball) were by Sophie Fedorovitch, who worked with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Ballets 1933
Les Ballets 1933 was a ballet company started by Boris Kochno and George Balanchine, which Balanchine used to create new works that were completely his own, set to music that no one had yet choreographed. The company ran for less than four weeks in 1933 and tailored itself to small, wealthy audiences in Paris (the Théâtre des Champs-Élysées) and London (Savoy Theatre), but despite its scale, it came out with works that Balanchine later used to instruct at his School of American Ballet, and in the programs of his later companies. Outside a theatre for Les Ballets, Balanchine first met Lincoln Kirstein.Reynolds, Nancy. "Ballets 1933." ''The International Encyclopedia of Dance''. Ed. Selma J. Cohen. Oxford University Press, 2005. Wollman Library, Barnard College. Web. 11 July 2013. History Kochno and Balanchine came directly out of the Ballets Russes de Monte-Carlo, owned by René Blum and Colonel W. de Basil, for which Kochno had been the librettist and Balanchine the ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lists Of Ballet Premieres By Year
A ''list'' is any set of items in a row. List or lists may also refer to: People * List (surname) Organizations * List College, an undergraduate division of the Jewish Theological Seminary of America * SC Germania List, German rugby union club Other uses * Angle of list, the leaning to either port or starboard of a ship * List (information), an ordered collection of pieces of information ** List (abstract data type), a method to organize data in computer science * List on Sylt, previously called List, the northernmost village in Germany, on the island of Sylt * ''List'', an alternative term for ''roll'' in flight dynamics * To ''list'' a building, etc., in the UK it means to designate it a listed building that may not be altered without permission * Lists (jousting), the barriers used to designate the tournament area where medieval knights jousted * ''The Book of Lists'', an American series of books with unusual lists See also * The List (other) * Listing (di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of 1934 Ballet Premieres ...
{{DEFAULTSORT:1934 ballet premieres, List of *1934 ballet premieres, List of Lists of ballet premieres by year Lists of 1930s ballet premieres Ball A ball is a round object (usually spherical, but can sometimes be ovoid) with several uses. It is used in ball games, where the play of the game follows the state of the ball as it is hit, kicked or thrown by players. Balls can also be used f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of 1932 Ballet Premieres ...
{{DEFAULTSORT:1932 ballet premieres, List of *1932 ballet premieres, List of Lists of ballet premieres by year Lists of 1930s ballet premieres Ball A ball is a round object (usually spherical, but can sometimes be ovoid) with several uses. It is used in ball games, where the play of the game follows the state of the ball as it is hit, kicked or thrown by players. Balls can also be used f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sadler's Wells Theatre
Sadler's Wells Theatre is a performing arts venue in Clerkenwell, London, England located on Rosebery Avenue next to New River Head. The present-day theatre is the sixth on the site since 1683. It consists of two performance spaces: a 1,500-seat main auditorium and the Lilian Baylis Studio, with extensive rehearsal rooms and technical facilities also housed within the site. Sadler's Wells is renowned as one of the world's leading dance venues. As well as a stage for visiting companies, the theatre is also a producing house, with a number of associated artists and companies that produce original works for the theatre. Sadler's Wells is also responsible for the management of the Peacock Theatre in the West End, during times not used by the London School of Economics. History First theatre and pleasure gardens Richard Sadler opened a "Musick House" in 1683, the second public theatre newly opened in London after the Restoration, the first being the Theatre Royal, Drury Lane. The f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Royal Ballet
The Royal Ballet is a British internationally renowned classical ballet company, based at the Royal Opera House in Covent Garden, London, England. The largest of the five major ballet companies in Great Britain, the Royal Ballet was founded in 1931 by Ninette de Valois, Dame Ninette de Valois. It became the resident ballet company of the Royal Opera House in 1946, and has purpose-built facilities within these premises. It was granted a royal charter in 1956, becoming recognised as Britain's flagship ballet company. The Royal Ballet was one of the foremost ballet companies of the 20th century, and continues to be one of the world's most famous ballet companies to this day, generally noted for its artistic and creative values. The company employs approximately 100 dancers. The official associate school of the company is the Royal Ballet School, and it also has a sister company, the Birmingham Royal Ballet, which operates independently. The Prima ballerina assoluta of the Royal Bal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daniel Auber
Daniel-François-Esprit Auber (; 29 January 178212 May 1871) was a French composer and director of the Paris Conservatoire. Born into an artistic family, Auber was at first an amateur composer before he took up writing operas professionally when the family's fortunes failed in 1820. He soon established a professional partnership with the librettist Eugène Scribe that lasted for 41 years and produced 39 operas, most of them commercial and critical successes. He is mostly associated with opéra-comique and composed 35 works in that genre. With Scribe he wrote the first French grand opera, ''La Muette de Portici'' (The Dumb Woman of Portici) in 1828, which paved the way for the large-scale works of Giacomo Meyerbeer. Auber held two important official musical posts. From 1842 to 1871 he was director of France's premier music academy, the Paris Conservatoire, which he expanded and modernised. From 1852 until the fall of the Second Empire in 1870 he was director of the imperial chap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Rendezvous
''Les Rendezvous'' is a plotless one-act ballet created in 1933, with choreography by Frederick Ashton to the music of Daniel Auber (the ballet music from his opera '' L'enfant prodigue'') arranged by Constant Lambert and with designs by William Chappell. It was the first major ballet created by Ashton for the Vic-Wells company.Bland A. The Royal Ballet – the first 50 years. Threshold Books, London, 1981. It was first performed on Tuesday, 5 December 1933 by Vic-Wells Ballet at Sadler's Wells Theatre, with Alicia Markova and Stanislas Idzikowsky in the lead roles; these were later taken by Margot Fonteyn and Robert Helpmann. The choreography was revised in 1934 and the work was performed every season up to 1945, then from 1959 to 1963, when it used the set by Sophie Fedorovitch for Act 1 of '' La Traviata''. It was revived in 1984 by Sadler's Wells Royal Ballet to celebrate Ashton's 80th birthday, and by the Royal Ballet at Covent Garden in 2000 with updated sets. The balle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky , group=n ( ; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets '' Swan Lake'' and ''The Nutcracker'', the ''1812 Overture'', his First Piano Concerto, Violin Concerto, the ''Romeo and Juliet'' Overture-Fantasy, several symphonies, and the opera ''Eugene Onegin''. Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no system of public music education. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching that he received there set him apart from composers of the contemporary nati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick Ashton
Sir Frederick William Mallandaine Ashton (17 September 190418 August 1988) was a British ballet dancer and choreographer. He also worked as a director and choreographer in opera, film and revue. Determined to be a dancer despite the opposition of his conventional middle-class family, Ashton was accepted as a pupil by Léonide Massine and then by Marie Rambert. In 1926 Rambert encouraged him to try his hand at choreography, and though he continued to dance professionally, with success, it was as a choreographer that he became famous. Ashton was chief choreographer to Ninette de Valois, from 1935 until her retirement in 1963, in the company known successively as the Vic-Wells Ballet, the Sadler's Wells Ballet and the Royal Ballet. He succeeded de Valois as director of the company, serving until his own retirement in 1970. Ashton is widely credited with the creation of a specifically English genre of ballet. Among his best-known works are ''Façade'' (1931), '' Symphonic Varia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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