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Les Rendezvous
''Les Rendezvous'' is a plotless one-act ballet created in 1933, with choreography by Frederick Ashton to the music of Daniel Auber (the ballet music from his opera '' L'enfant prodigue'') arranged by Constant Lambert and with designs by William Chappell. It was the first major ballet created by Ashton for the Vic-Wells company.Bland A. The Royal Ballet – the first 50 years. Threshold Books, London, 1981. It was first performed on Tuesday, 5 December 1933 by Vic-Wells Ballet at Sadler's Wells Theatre, with Alicia Markova and Stanislas Idzikowsky in the lead roles; these were later taken by Margot Fonteyn and Robert Helpmann. The choreography was revised in 1934 and the work was performed every season up to 1945, then from 1959 to 1963, when it used the set by Sophie Fedorovitch for Act 1 of '' La Traviata''. It was revived in 1984 by Sadler's Wells Royal Ballet to celebrate Ashton's 80th birthday, and by the Royal Ballet at Covent Garden in 2000 with updated sets. The balle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doreen Wells
Doreen Patricia Vane-Tempest-Stewart, Marchioness of Londonderry (née Wells; born 25 June 1937) is a British former ballet dancer. Career Born in London, Wells received her early dance training at the Bush Davies School of Theatre Arts, continuing her studies at the Sadler's Wells Ballet School. She is a winner of the Adeline Genée Gold Medal from the Royal Academy of Dance. She made her professional stage debut in pantomime, before ultimately joining the Sadler's Wells Theatre Ballet. In theatre, she has performed roles in West End musicals, including the leading role of Vera Baranova in ''On Your Toes'' at the Palace Theatre and Maggie Jones in '' 42nd Street'' at the Theatre Royal, Drury Lane. She has also made television appearances including the 1985 Royal Variety Performance and a BBC Christmas Extravaganza. On 1 December 2009, she made an appearance on ''The Paul O'Grady Show'', performing a dance routine with male backing dancers. She was then interviewed by O'Gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballets Created For The Royal Ballet
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work comprises the choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery. Etymology Ballet is a French word which had its origin in Italian ''b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballets By Frederick Ashton
The following is a list, by decade, of ballets created by the English choreographer Frederick Ashton. 1920s * ''A Tragedy of Fashion'' (music by Eugene Goossens, arranged by Ernest Irving) (1926) * ''Various dances'' for a Purcell Opera Society production of ''The Fairy-Queen'': (music by Henry Purcell) (1927) * ''Pas de deux'' (music by Fritz Kreisler) (1927) * ''Suite de danses'' (music by Wolfgang Amadeus Mozart) (1927) * ''Argentine Dance'' (music by Artello) (1927) * ''Nymphs and Shepherds'' (music by Wolfgang Amadeus Mozart) (1928) * ''Leda'' (music by Christoph Willibald Gluck) (1928) * ''Various dances'' for ''Jew Süss'' (incidental music arranged by Constant Lambert) (1929) 1930s * ''Capriol Suite'' (music by Peter Warlock) (1930) * ''Pomona'' (music by Constant Lambert) (1930) * ''Regatta'' (music by Gavin Gordon) (1931) * ' (music by Léo Delibes) (1931) * ' (music by William Walton) (1931) * ''The Lady of Shalott'' (music by Jean Sibelius) (1931) * ' (music by Lord ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Irving (conductor)
Robert Augustine Irving, DFC*, (28 August 191313 September 1991) was a British conductor whose reputation was mainly as a ballet conductor. Born in Winchester, England, the son of mountaineer and author R. L. G. Irving, he was educated at Winchester College and New College, Oxford, graduating with a degree in music. He studied with Malcolm Sargent and Constant Lambert at the Royal College of Music from 1934 to 1936. During World War II, he served with the Royal Air Force, and was awarded the Distinguished Flying Cross (DFC) and bar. He then became assistant conductor with the BBC Scottish Symphony Orchestra, and was conductor and musical director of Sadler's Wells Ballet from 1949 to 1958, working closely with Sir Frederick Ashton on several ballets. Having assisted Ashton in choosing music for his ''Picnic at Tintagel'' for New York City Ballet in 1952, Irving helped the choreographer to surmount musical problems in the last act of his '' Sylvia'' in September the same y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Mackerras
Mackerras in 2005 Sir Alan Charles MacLaurin Mackerras (; 1925 2010) was an Australian conductor. He was an authority on the operas of Janáček and Mozart, and the comic operas of Gilbert and Sullivan. He was long associated with the English National Opera (and its predecessor) and Welsh National Opera and was the first Australian chief conductor of the Sydney Symphony Orchestra. He also specialized in Czech music as a whole, producing many recordings for the Czech label Supraphon. Early life and education Mackerras was born in Schenectady, New York, to Australian parents, Alan Mackerras and Catherine MacLaurin. His father was an electrical engineer and a Quaker. Mackerras grew up in a very musical family and his mother was immensely cultured. In 1928, when Charles was aged two, the family returned to Sydney, Australia. They initially lived in the suburb of Rose Bay, and in 1933 they moved to the then semi-rural suburb of Turramurra. Mackerras was the eldest of seven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pas De Trois
In ballet, ''pas de trois'' is a French term usually referring to a dance between three people. Typically, a ''pas de trois'' in ballet consists of five parts: #Entrée (the opening number for the three dancers, usually preceded by a short introduction) # Variation (or solo) for the 1st dancer #Variation for the 2nd dancer #Variation for the 3rd dancer #Coda (a finale usually set to music of a quick tempo in which the dancers bring the piece to a spectacular finish) Today, the most celebrated ''pas de trois'' in the classical ballet repertory are derived from the works of the great choreographer Marius Petipa. Although the Balletmaster created many ''pas de trois'' for the near 150 ballets he created throughout his career in Russia, only three survive: the ''Pas de trois des Odalisques'' from his revival of the ballet '' Le Corsaire'' (set to the music of Adolphe Adam and Cesare Pugni, choreographed for three women); the ''Paquita Pas de trois'' added to his 1881 revival of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graham Usher (dancer)
Graham Usher (1938–1975) was a ballet dancer with the Royal Ballet. Usher appeared as a castaway on the BBC Radio programme ''Desert Island Discs ''Desert Island Discs'' is a radio programme broadcast on BBC Radio 4. It was first broadcast on the BBC Forces Programme on 29 January 1942. Each week a guest, called a " castaway" during the programme, is asked to choose eight recordings (usu ...'' on 16 May 1970. He was forced to retire early in 1970 due to fainting fits. He died suddenly at the age of 36 in February 1975. Jeffery Taylor subsequently described him as: References External links * BFI listing 1938 births Place of birth missing 1975 deaths Place of death missing British male ballet dancers Dancers of The Royal Ballet {{UK-artist-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Merle Park
Dame Merle Park (born 8 October 1937) is a British ballet dancer and teacher, now retired. As a prima ballerina with the Royal Ballet during the 1960s and 1970s, she was known for "brilliance of execution and virtuoso technique" as well as for her ebullience and charm. Also admired for her dramatic abilities, she was praised as an actress who "textured her vivacity with emotional details."Anonymous"Dame Merle Park" online biography, Imperial Society of Teachers of Dancing. Retrieved 14 September 2015. Early life and training Born in Salisbury, the capital and most populous city of the self-governing British Crown colony of Southern Rhodesia (now Harare, Zimbabwe), Merle Park was educated in local schools. As a child she began her dance training with Betty Lamb, a local ballet teacher, and soon showed unusual facility. In 1951, when she was 14, her parents moved the family to England and enrolled her in the Elmhurst School for Dance. Located in Camberley, Surrey, not far from cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brian Shaw (dancer)
Brian Shaw (28 June 1928 – 2 April 1992) was a British ballet dancer and teacher. As a leading dancer with the Royal Ballet during the 1950s and 1960s, he was widely regarded as "one of the finest classical male dancers of his generation". Early life and training Brian Earnshaw was born in Huddersfield, England, a large market town in West Yorkshire, halfway between Leeds and Manchester. Having begun his dance studies in his home town, he moved to London as a teenager and continued his training at the Sadler's Wells Ballet School. In the summer of 1943, in the midst of World War II, Londoners were "keeping calm and carrying on," as they were advised to do by the British Ministry of Information. In July, the Production Club of the Royal Academy of Dancing arranged a matinee performance of Sadler's Wells students in ''Suite of Dances'', set by resident choreographer Andrée Howard to Handel's jauntily life-affirming ''Water Music''. Among the talented students dancing that afterno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Traviata
''La traviata'' (; ''The Fallen Woman'') is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on ''La Dame aux camélias'' (1852), a play by Alexandre Dumas ''fils'' adapted from his own 1848 novel. The opera was originally titled ''Violetta'', after the main character. It was first performed on 6 March 1853 at La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer's and librettist's original wishes were carried out and " realistic" productions were staged. ''La traviata'' has become immensely popular and is among the most frequently performed of all operas. Composition history For Verdi, the years 1851 to 1853 were filled with operatic activity. First, he had agreed with the librettist Salvadore Cammarano on a subject for what would ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
