|
List Of Egyptian Films Of 1962
A list of films produced in Egypt in 1962. For an A-Z list of films currently on Wikipedia, see :Egyptian films. External links Egyptian films of 1962at the Internet Movie Database Egyptian films of 1962 elCinema.com {{DEFAULTSORT:Egyptian Films Of 1962 Lists of Egyptian films by year 1962 in Egypt Lists of 1962 films by country or language ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Category:Egyptian Films ...
{{CatAutoTOC Films by country Films African films by country Asian films by country Middle Eastern films Films A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Appointment At The Tower
Appointment at the Tower ( ar, موعد في البرج, translit. Maww’ed fi el bourg aliases: Rendezvous in the Tower or A Date on the Tower or Meeting at the Tower) is a 1962 Egyptian film written and directed by Ezz El-Dine Zulficar. It stars Salah Zulfikar, Soad Hosny and Fouad El-Mohandes. Synopsis Adel and Amaal meet while they return from a cruise, love binds them, they pledge to marry after six months and that the date will be at the Cairo Tower. They plan to seize Amaal's fiancé's money. Adel decides to look for an honorable job. He works in a small job in a hotel and becomes a deputy manager. At the same time, Amaal leaves her fiancé. She is dismissed from her job as a hostess because of her brother Alaa's crimes. Six months ends. The police storms Alaa's apartment, who gets killed in the end, Adel and Amaal meet in the Cairo Tower on time. Crew * Director: Ezz El-Dine Zulficar * Writer: Ezz El-Dine Zulficar, Mohamed Abu Youssef * Producer: Salah Zulfikar * Cin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niazi Mostafa
Niazi Mostafa ( arz, نيازي مصطفى) was an Egyptian film director. Egyptian Cinema Egyptian movie critic Samīr Farīd wrote that Mostafa was one of " e most important directors in the history of Egyptian cinema". In 1936, he directed several promotional documentaries for Egypt Bank group companies. Works * '' Salama Is Safe'' or ''Everything is Fine'' (1938) - ''Salama fi khair'' * '' Si Omar'' (1941) - ''Si ʿOmar''Armes, p158 * ''The Wife Factory'' (1941) - ''Masnaa El-Zawgât'' * ''Rabha'' (1943) - ''Râbha'' * '' The Valley of Stars'' (1943) - ''Wâdî El-Negoum'' * '' Hababa'' (1944) - ''Habâbah'' * '' Hassan and Hassan'' (1944) - ''Hassan we Hassan'' * '' The Magic Cap'' (1944) - ''Tâeyyet El-Ekhfaʾ''Armes, p159 * '' Mohamed-Ali Street'' (1944) - ''Share' Mohamed ʻAlî'' * ''My Daughter'' (1944) - ''Ibnatî'' * '' Antar and Abla'' (1945) - ''ʿAntar we Abla'' * ''The Human Being'' (1945) - ''El-Banî âdam'' * '' Miss Boussa'' (1945) - ''El-Ânisah Boussah'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amina Rizk
Amina Rizk ( ar, أمينة رزق; April 15, 1910 – August 24, 2003) was a classic Egyptian actress who appeared in around 208 artworks including more than 70 movies between 1928 and 1996. She was calm in her later years, but described as a clown when she was young. Life Amina Rizk came from a poor rural area. She and her aunt, Amina Mohamed, moved to Cairo with their mothers; the pair were locked in the house after their first theatrical performance. She was popular for her roles as the kind-hearted mother in plays and films, appearing in major pictures such as ''Doa al karawan'' in 1959 in which she appeared alongside actors such as Faten Hamama and Ahmed Mazhar, and Bidaya wa nihaya, in which she played the role of the Mother to Omar Sharif, Farid Shawqi Farid Shawqi Mohammad Abdou Shawqi ( ar, فريد شوقي محمد عبده شوقي) (July 30, 1920 in El Sayyeda Zainab – July 27, 1998 in Maadi); known as Farid Shawqi ( ar, فريد شوقي) was an Egyptian ac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farid Al-Atrash
Farid al-Atrash ( ar, فريد الأطرش; October 19, 1916 – December 26, 1974), also written Farid El-Atrache, was a Syrian-Egyptian composer, singer, virtuoso oud player, and actor. Having immigrated to Egypt at the age of only nine years old with his mother and siblings, he studied there under numerous respected musicians. Al-Atrash embarked on a highly successful career spanning more than four decades—recording 500 songs and starring in 31 movies. Sometimes referred to as "malek al-oud", he is one of the most important figures of 20th- century Arab music. Early life Al-Atrash was born in Al-Qurayya, in southern Syria to the Druze princely al-Atrash family who fought the French colonial army. His father was Syrian and his mother was Lebanese. As a young child, al-Atrash emigrated with his mother and siblings to Egypt, escaping the French occupation. Later, they were naturalized by the Egyptian government as citizens. Farid's mother sang and played the Oud, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salah Abu Seif
Salah Abu Seif ( ar, صلاح أبو سيف, ) (May 10, 1915 – June 23, 1996) was one of the most famous Egyptian film directors, and is considered to be the godfather of Neorealist cinema in Egyptian cinema. Many of the 41 films he directed are considered Egyptian classics with 11 films in the Top 100 Egyptian films list. His film '' The Beginning and the End'' (1960) was the first adaptation of a novel by Nobel Prize winner Naguib Mahfouz. In 1977 he was a member of the jury at the 10th Moscow International Film Festival. Early life Abu-Seif was born in 1915, in Cairo's ancient quarter of Boolaq, to landowning parents from Upper Egypt. He was 12 years old when he saw the first full- length feature film made by an Egyptian, in 1927, at a local movie-house - earlier films were imports accompanied by Egyptian narrations, or made by Europeans living in Egypt. As the son of a conservative family, Abu-Seif graduated from the Cairo College of Commerce and Economics in 1932, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Letter From An Unknown Woman (1962 Film)
''Letter from an Unknown Woman'' ( ar, رسالة من امرأة مجهولة, transliterated as ''Ressalah min emraa maghoula'') is an Egyptian film released on October 22, 1962. The film is directed by Salah Abu Seif, based on the titular short story by Austrian writer Stefan Zweig, and produced by Salah Zulfikar, while it stars Farid al-Atrash and Lobna Abdel Aziz. Cast * Farid al-Atrash (Ahmed Sameh) * Lobna Abdel Aziz (Amal) * Mary Mounib (Khadija, Amal’s mother) * Amina Rizk (Amal’s aunt) * Fakher Fakher (Ibrahim Aman, Ahmed’s servant) * Abdel Moneim Ibrahim (Dr. Monem) * Laila Karim (Nevine) * Hussein el-Sayed (Said Kamel) * Yaqoub Mikhail (Umar Mahfouz) * Abdel Ghani Nagdi (Fawaz al-Ghafir) * Nawal Abul Foutouh * Ezzat El Alaili (Ahmed Sameh’s friend) Synopsis Ahmed Sameh ( Farid al-Atrash) is a famed singer-songwriter who lives a life of dissipation as he indulges in alcohol and women. He remains a deceptively lonely bachelor despite the efforts of ass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abdel Salam Al Nabulsy
Abdel Salam Al Nabulsy ( ar, عبد السلام النابلسي) (23 August 1899 – 5 July 1968) was an Egyptian actor of Lebanese-Palestinian origin. Life Nabulsy was born in Tripoli, Lebanon, in 1899, and died 1968 in Beirut. He is known for Egyptian movies in which he co-starred with renowned actors like Ismail Yasin, Abdel Halim Hafez, Faten Hamama and Farid El Atrash Nabulsy studied in Egypt at Al-Azhar University. While there, he developed an interest in acting. He acted on stage for a while and when his family got wind of his new career, they stopped sending him money so that he may focus instead on his studies. Acting afforded Nabulsy a way to earn a living. While he portrayed some evil if not too violent characters, his filmography was generally characterized by comedic roles. He died in Beirut in 1968. Filmography * Yom min omri (1961) * Ashour kalb el assad (1961) * Ahlam al banat (1960) * Bayn el samaa wa el ard (1960) * Itharissi minal hub (1960) * Hekayat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hassan Youssef (actor)
Hassan Youssef ( ar, حسن يوسف; born 14 April 1939) is an Egyptian actor and director. He performed in many films since 1960s and indicated that he made fifteen films with the famous Egyptian actress Soad Hosny all of which were successful at the box office (the interview is available on YouTube). He also acted in several dramatic series in early 1980s including ''Dalia the Egyptian'' with the famous Egyptian actor Salah Zulfikar, and featuring actress Madiha Salem as Dalia. He acted in the famously drama series ''Layaly El Helmeya'' in mid 1980s. He has been married to former actress Shams al-Baroudi since 1970.Rizq, Hamdi (حمدى رزق).Renouncing The 'Niqab'." (Print version, ) Translation bEltorjoman International. ''Almasry Alyoum''. Monday 25 February 2008. Issue 1352. Page 13. Retrieved on February 20, 2013. Original Arabic article:العودة من النقاب" (Print friendly ) They have four children, including a son, Omar H. Youssef. On July 11, 2011, on the r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nadia Lutfi
Nadia Lutfi or Nadia Loutfi ( ar, نادية لطفي; born Poula Mohamed Mostafa Shafiq ( ar, بولا محمد مصطفى شفيق); 3 January 1937 – 4 February 2020) was an Egyptian actress. During the apex of her career, she was one of the most popular actresses of Egyptian cinema's golden age. Early life Nadia was born in Cairo as Poula Mohamed Mostafa Shafiq to an Egyptian father, Mohamed Mostafa, and an Upper Egyptian Muslim mother named ''Fatma''. Family of Nadia Lutfi was Muslim. Career Nadia began acting as a hobby; when she was 10 years old she participated in a play at her school and did very well. When the 24-year-old was about to make her screen debut in 1958, Omar Sharif was the reigning king of Egyptian cinema, and his wife, Egyptian superstar Faten Hamama, its queen. The star couple had just had a smash hit with the film ''La Anam'' with Hamama as "Nadia Lotfy", a willful teen who destroys her father's marriage. Poula adopted the forename and a variation of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hasan El-Saifi
Hasan El-Saifi (; 1927–2005) was an Egyptian film director, film producer, and screenplay writer. He worked on nearly 150 Egyptian films. He has various name spellings in English due to transliteration, most commonly Hassan el-Saifi, Hassan El-Seify, and Hassan al-Saifi. Biography Hasan El-Saifi was born on January 13, 1927 in Cairo, Kingdom of Egypt. El-Saifi started his career in film in 1946, by working as an assistant director under Helmy Rafla, and Anwar Wagdi. By 1952, El-Saifi was able to establish his own film production company. His first directed film was named, ''Bear Witness, People'' (released 20 April 1953 in Egypt). His most notable film he directed was ''Samara'' (1956), starring Taheyya Kariokka and Mohsen Sarhan. In the 1970s, he moved to Lebanon (an area later known as Syria) for a few years, where he directed several films. He died on March 25, 2005 in Cairo, after suffering from a heart attack. Personal life and family In the 1950s he was marrie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drama (film And Television)
In film and television, drama is a category or genre of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone. Drama of this kind is usually qualified with additional terms that specify its particular super-genre, macro-genre, or micro-genre, such as soap opera, police crime drama, political drama, legal drama, historical drama, domestic drama, teen drama, and comedy-drama (dramedy). These terms tend to indicate a particular setting or subject-matter, or else they qualify the otherwise serious tone of a drama with elements that encourage a broader range of moods. To these ends, a primary element in a drama is the occurrence of conflict—emotional, social, or otherwise—and its resolution in the course of the storyline. All forms of cinema or television that involve fictional stories are forms of drama in the broader sense if their storytelling is achieved by means of actors who represent ( mimesis) characters. In this broader sense, dra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
